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Professional Essay Writing & Editing Services

Our experts will write you a top-quality paper and revise it an unlimited number of times until you're 100% satisfied - or offer a refund.

Will my paper pass Turnitin?

Yes, definitely. Our experts write all papers from the ground up and use only credible sources. They also are familiar with all formatting and referencing styles.

Once your paper is completed, it is checked for plagiarism with powerful plagiarism detection software (e.g., Copyscape and Copyleaks) to make sure it is 100% original and will pass any checker, including Turnitin.

We do not check completed papers with Turnitin because it saves all works to the database, making them unoriginal if submitted once again.

If you'd like to get official proof of your paper's uniqueness, add our Plagiarism Report extra to your order.

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What if I don't like the quality of my paper?

No problem. In such cases, which are quite rare, we offer two options to choose from: you can either request a free revision or get a refund.

If you would like the writer to amend the final draft, just activate the 14-day revision period in your account and add revision instructions. Then, the writer will revise the paper according to your remarks in the shortest time possible.

To request a refund, contact the Support Team via email or live chat. They are always more than happy to help out. Please note that this option is available within 14-30 days, depending on the paper’s length.

I'm not sure that your writers can deal with my topic?

We have a vast pool of qualified experts across 50 subject areas. All of them have 4+ years of academic writing experience, so rest assured they will be able to deal with your topic.

Still hesitating? Please contact our 24/7 support team to discuss your project in more detail and get a free quote.

Do you deal with large papers like research papers, dissertations, etc.?

Yes, we have experts in huge papers of any complexity, including:

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To see the complete list of papers we can prepare for you, click here .

Do you write all types of papers?

Yes. We can help during the entire study period and post-study life — from preparing admission essays to assisting with graduation papers and resumes. Also, our services are not limited to writing. We provide editing, proofreading, and paraphrasing services too.

If you haven't found your type of work on the order page, just select "Other" and specify what exactly you need to be done. Then, we'll check your paper details and find an appropriate expert for you.

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Yes, of course. GradeSmiths is a registered company with a 12-year history of delivering academic assistance services to English-speaking students worldwide that works following existing laws. Our main goal is to help students improve their writing skills and academic performance.

Over 50k students trust us, 42% of whom come by friend's recommendation.

How fast can your service complete an essay?

Our experts can write a high-quality 275-word or 1-page essay for you within just 1 hour. However, if your essay is 550+ words long or 2+ pages, it will take them 3 hours to complete it to a high standard.

What happens after I pay?

Once the payment is done, you get access to the personal customer area, where you can track order progress, add more instructions for the writer or ask them order-related questions.

In your customer area, you can also communicate with the support team, request revisions, add extra services like additional pages or excel sheets to your order, rate your writer, and much more.

Can I add additional instructions after the order has been placed?

Yes, sure. You can do it on the order page in your customer area. The writer will check them out and follow too.

Want to talk to my writer. Can I?

Yes, definitely. You will be able to communicate with the writer through messages in your account after the payment is done and the writer is assigned. Usually, it takes up to 15 minutes.

Please note you will receive an email notification once the writer is assigned.

To send a message to your writer, go to the corresponding order page and type your message in the chat window located in the upper right-hand corner of the page.

How much does paper writing help cost?

The price for writing your paper greatly depends on your study level, type of work, deadline, and number of pages needed. For example, a college essay due in 7 days will cost you $7.00 per page, while a Ph.D. dissertation due in 30 days will cost $6.19 per page.

If you want to get the best price, simply place your order in advance. Close deadlines require more resources. Therefore, they are more expensive.

To calculate the price of your order, click here .

What free options do you have?

At GradeSmiths, every paper comes with the following freebies:

• Bibliography page
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Do you have discounts?

Our professional aid is accessible to everyone. We strive to help students on any budget. For this purpose, we offer regular discounts and seasonal deals to all customers. In addition, every newcomer gets a special 15% discount on the first order, while regular customers receive loyalty bonuses they can spend on future orders.

How can I pay?

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Meet Your Perfect Essay Writing Service – GradeSmiths

GradeSmiths is an essay writing service that helps students in the USA and from all over the world to write better essays and other types of high school, college, and university research papers. Our writers are experienced and competent enough to cover all subjects and meet any deadlines.

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7 Easy Signs You Need an Expert Essay Writer Right Now

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No.1 Essay Writer Website in 2022

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Text us “write my essay for me” – we will take care of the project and improve your academic record. Please, ask any emerging questions. Support managers operate 24/7 to provide you with timely answers and help you with any essay writing emergency. Our service is available all day and night if you have any essay writing emergencies that need urgent academic treatment.

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Viewpoints can differ dramatically. The situation is highly surreal, but as a safeguard, your rights for repayment are protected by our Refund policy. Proven plagiarisms, poor quality, and insufficient research are among the main reasons to request reimbursement.

We Have Pro Essay Writers

Let’s skip generalities and get down to our biggest pride – a team of expert essay writers. Nothing proves our expertise and reliability better than the following facts about them:

• Academic credentials: all our essay writers hold advanced university degrees.
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On top of that, editors and proofreaders help students with their academic papers. They double-check every essay for conformity with directives, originality & quality adherence, formatting standards. In case your essay writer has made a mistake, an assigned editor will see and fix it. In the end, you are assured of receiving a 100% mistake-free and unique essay.

Message us “write my essay” now, and we will select the best-matching essay writer for your demand among the leading college experts.

How Our Essay Writers Service Works

On GradeSmiths, we have a rule that we never break – write only plagiarism-free essays. Every essay writer has to write from scratch. Otherwise, they won’t be working for our service.

All college essay writers you’ll be working with when making orders on our website are real human experts, each across their subject field. Some writers are experienced and educated enough to write essays in several disciplines. We neither rewrite old essays nor take stuff from the internet, simply changing a title and switching paragraphs’ places. Quite the opposite!

Our professional paper writers deliver 100% original scholarly documents, e.g., essays, which live up to the initial order instructions that you provided when making an order. This way, it’s safe to say that our essays are one-of-a-kind – no two similar papers could ever be found if written by our authors.

In general, when writing essays, our writers stick to the following protocol:

• Read writing instructions.
• College relevant background sources.
• Find quotes and reference data.
• Create an essay outline.
• Write a thesis.
• Write the first draft.
• Edit and proofread.
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• Revise the final draft.

Note that free revisions (14-30 days) are already included in the price. GradeSmiths’s online essay writing service is designed in a way to leave you nothing but to enjoy the rest of your day while one of the service’s writers takes care of your homework.

GradeSmiths’s essay service makes college life easier. Simply make an order now and see for yourself!

Our Guarantees

Why is our essay service so special? Besides having an excellent reputation of reliable essay writers and a service that has low prices, it’s possible to name 5 more features that make GradeSmiths the number one spot for students who want a quality essay for a reasonable price. To learn more advantages that might interest you, please contact the support manager.

In general, our essay writing service provides the following guarantees:

• Originality. Are you worried about whether your essay will be original? We pay great attention to the academic integrity of our customers. That’s why, rest assured, there’s no place for plagiarism on GradeSmiths. Our essays undergo originality verification with advanced plagiarism detection software. If necessary, we can support your composition with a detailed plagiarism report.
• Quality. Sure, you are worried that the requested content might come of poor quality. To prevent this from happening, we let only professional essay writers work on the orders. Candidates for essay writing positions undergo a 4-level selection procedure to verify their expertise in the required discipline field and writing skills.
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• Timeliness. Essay writing is a long and stressful process for students – but not for professional authors. Their expertise allows finishing all types of college papers promptly and by the requested target date. If you need your essay in a couple of hours, you will most certainly have it!

Our FREE Essay Writing Services

Everyone can use essay writing help from GradeSmiths anytime. We strive to help students who have shoestring budgets. For this purpose, our essay service offers regular discounts and juicy deals. Every newcomer gets a special 15% discount for the first order and is offered to join the Customers Loyalty program to receive and collect bonuses for further orders. On top of that, we complement every essay with the following freebies:

• Title page.
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If you need professional college paper writers who can do the work for cheap, simply submit your order in advance. Close deadlines require more resources. Therefore, they are slightly more expensive. Recruit your top essay writer beforehand, and take advantage of our professional services at a reduced cost.

Write My Essay Is Easy With GradeSmiths

GradeSmiths is the perfect write my essay service. There are professional GradeSmiths, top-notch 24/7 customer support service, cheap prices, a money-back guarantee, and results that you notice right after the first order. The “who can write my essay for me?” question won’t bother you again. Sleepless nights and poor grades will be in the past when you order your first essay on our website.

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Are you looking for a service that can write you a 100% original essay cheap? GradeSmiths is a writer service that gets the job done to a T. Choose the essay writing service that you need, and let’s do this!

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Cover the given topic within a 1-hour time frame. The topic of your assignment will depend on the areas of expertise selected during Step 1.

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Sat / act prep online guides and tips, getting college essay help: important do's and don’ts.

College Essays

If you grow up to be a professional writer, everything you write will first go through an editor before being published. This is because the process of writing is really a process of re-writing —of rethinking and reexamining your work, usually with the help of someone else. So what does this mean for your student writing? And in particular, what does it mean for very important, but nonprofessional writing like your college essay? Should you ask your parents to look at your essay? Pay for an essay service?

If you are wondering what kind of help you can, and should, get with your personal statement, you've come to the right place! In this article, I'll talk about what kind of writing help is useful, ethical, and even expected for your college admission essay . I'll also point out who would make a good editor, what the differences between editing and proofreading are, what to expect from a good editor, and how to spot and stay away from a bad one.

Table of Contents

What Kind of Help for Your Essay Can You Get?

What's Good Editing?

What should an editor do for you, what kind of editing should you avoid, proofreading, what's good proofreading, what kind of proofreading should you avoid.

What Do Colleges Think Of You Getting Help With Your Essay?

Who Can/Should Help You?

Advice for editors.

Should You Pay Money For Essay Editing?

The Bottom Line

What's next, what kind of help with your essay can you get.

Rather than talking in general terms about "help," let's first clarify the two different ways that someone else can improve your writing . There is editing, which is the more intensive kind of assistance that you can use throughout the whole process. And then there's proofreading, which is the last step of really polishing your final product.

Let me go into some more detail about editing and proofreading, and then explain how good editors and proofreaders can help you."

Editing is helping the author (in this case, you) go from a rough draft to a finished work . Editing is the process of asking questions about what you're saying, how you're saying it, and how you're organizing your ideas. But not all editing is good editing . In fact, it's very easy for an editor to cross the line from supportive to overbearing and over-involved.

Ability to clarify assignments. A good editor is usually a good writer, and certainly has to be a good reader. For example, in this case, a good editor should make sure you understand the actual essay prompt you're supposed to be answering.

Open-endedness. Good editing is all about asking questions about your ideas and work, but without providing answers. It's about letting you stick to your story and message, and doesn't alter your point of view.

Think of an editor as a great travel guide. It can show you the many different places your trip could take you. It should explain any parts of the trip that could derail your trip or confuse the traveler. But it never dictates your path, never forces you to go somewhere you don't want to go, and never ignores your interests so that the trip no longer seems like it's your own. So what should good editors do?

Help Brainstorm Topics

Sometimes it's easier to bounce thoughts off of someone else. This doesn't mean that your editor gets to come up with ideas, but they can certainly respond to the various topic options you've come up with. This way, you're less likely to write about the most boring of your ideas, or to write about something that isn't actually important to you.

If you're wondering how to come up with options for your editor to consider, check out our guide to brainstorming topics for your college essay .

Help Revise Your Drafts

Here, your editor can't upset the delicate balance of not intervening too much or too little. It's tricky, but a great way to think about it is to remember: editing is about asking questions, not giving answers .

Revision questions should point out:

• Places where more detail or more description would help the reader connect with your essay
• Places where structure and logic don't flow, losing the reader's attention
• Places where there aren't transitions between paragraphs, confusing the reader
• Moments where your narrative or the arguments you're making are unclear

But pointing to potential problems is not the same as actually rewriting—editors let authors fix the problems themselves.

Bad editing is usually very heavy-handed editing. Instead of helping you find your best voice and ideas, a bad editor changes your writing into their own vision.

You may be dealing with a bad editor if they:

• Add material (examples, descriptions) that doesn't come from you
• Use a thesaurus to make your college essay sound "more mature"
• Add meaning or insight to the essay that doesn't come from you
• Tell you what to say and how to say it
• Write sentences, phrases, and paragraphs for you
• Change your voice in the essay so it no longer sounds like it was written by a teenager

Colleges can tell the difference between a 17-year-old's writing and a 50-year-old's writing. Not only that, they have access to your SAT or ACT Writing section, so they can compare your essay to something else you wrote. Writing that's a little more polished is great and expected. But a totally different voice and style will raise questions.

Where's the Line Between Helpful Editing and Unethical Over-Editing?

Sometimes it's hard to tell whether your college essay editor is doing the right thing. Here are some guidelines for staying on the ethical side of the line.

• An editor should say that the opening paragraph is kind of boring, and explain what exactly is making it drag. But it's overstepping for an editor to tell you exactly how to change it.
• An editor should point out where your prose is unclear or vague. But it's completely inappropriate for the editor to rewrite that section of your essay.
• An editor should let you know that a section is light on detail or description. But giving you similes and metaphors to beef up that description is a no-go.

Proofreading (also called copy-editing) is checking for errors in the last draft of a written work. It happens at the end of the process and is meant as the final polishing touch. Proofreading is meticulous and detail-oriented, focusing on small corrections. It sands off all the surface rough spots that could alienate the reader.

Because proofreading is usually concerned with making fixes on the word or sentence level, this is the only process where someone else can actually add to or take away things from your essay . This is because what they are adding or taking away tends to be one or two misplaced letters.

Laser focus. Proofreading is all about the tiny details, so the ability to really concentrate on finding small slip-ups is a must.

Excellent grammar and spelling skills. Proofreaders need to dot every "i" and cross every "t." Good proofreaders should correct spelling, punctuation, capitalization, and grammar. They should put foreign words in italics and surround quotations with quotation marks. They should check that you used the correct college's name, and that you adhered to any formatting requirements (name and date at the top of the page, uniform font and size, uniform spacing).

Limited interference. A proofreader needs to make sure that you followed any word limits. But if cuts need to be made to shorten the essay, that's your job and not the proofreader's.

A bad proofreader either tries to turn into an editor, or just lacks the skills and knowledge necessary to do the job.

Some signs that you're working with a bad proofreader are:

• If they suggest making major changes to the final draft of your essay. Proofreading happens when editing is already finished.
• If they aren't particularly good at spelling, or don't know grammar, or aren't detail-oriented enough to find someone else's small mistakes.
• If they start swapping out your words for fancier-sounding synonyms, or changing the voice and sound of your essay in other ways. A proofreader is there to check for errors, not to take the 17-year-old out of your writing.

What Do Colleges Think of Your Getting Help With Your Essay?

Admissions officers agree: light editing and proofreading are good—even required ! But they also want to make sure you're the one doing the work on your essay. They want essays with stories, voice, and themes that come from you. They want to see work that reflects your actual writing ability, and that focuses on what you find important.

On the Importance of Editing

Get feedback. Have a fresh pair of eyes give you some feedback. Don't allow someone else to rewrite your essay, but do take advantage of others' edits and opinions when they seem helpful. ( Bates College )

Read your essay aloud to someone. Reading the essay out loud offers a chance to hear how your essay sounds outside your head. This exercise reveals flaws in the essay's flow, highlights grammatical errors and helps you ensure that you are communicating the exact message you intended. ( Dickinson College )

On the Value of Proofreading

Share your essays with at least one or two people who know you well—such as a parent, teacher, counselor, or friend—and ask for feedback. Remember that you ultimately have control over your essays, and your essays should retain your own voice, but others may be able to catch mistakes that you missed and help suggest areas to cut if you are over the word limit. ( Yale University )

Proofread and then ask someone else to proofread for you. Although we want substance, we also want to be able to see that you can write a paper for our professors and avoid careless mistakes that would drive them crazy. ( Oberlin College )

On Watching Out for Too Much Outside Influence

Limit the number of people who review your essay. Too much input usually means your voice is lost in the writing style. ( Carleton College )

Ask for input (but not too much). Your parents, friends, guidance counselors, coaches, and teachers are great people to bounce ideas off of for your essay. They know how unique and spectacular you are, and they can help you decide how to articulate it. Keep in mind, however, that a 45-year-old lawyer writes quite differently from an 18-year-old student, so if your dad ends up writing the bulk of your essay, we're probably going to notice. ( Vanderbilt University )

Now let's talk about some potential people to approach for your college essay editing and proofreading needs. It's best to start close to home and slowly expand outward. Not only are your family and friends more invested in your success than strangers, but they also have a better handle on your interests and personality. This knowledge is key for judging whether your essay is expressing your true self.

Parents or Close Relatives

Your family may be full of potentially excellent editors! Parents are deeply committed to your well-being, and family members know you and your life well enough to offer details or incidents that can be included in your essay. On the other hand, the rewriting process necessarily involves criticism, which is sometimes hard to hear from someone very close to you.

A parent or close family member is a great choice for an editor if you can answer "yes" to the following questions. Is your parent or close relative a good writer or reader? Do you have a relationship where editing your essay won't create conflict? Are you able to constructively listen to criticism and suggestion from the parent?

One suggestion for defusing face-to-face discussions is to try working on the essay over email. Send your parent a draft, have them write you back some comments, and then you can pick which of their suggestions you want to use and which to discard.

Teachers or Tutors

A humanities teacher that you have a good relationship with is a great choice. I am purposefully saying humanities, and not just English, because teachers of Philosophy, History, Anthropology, and any other classes where you do a lot of writing, are all used to reviewing student work.

Moreover, any teacher or tutor that has been working with you for some time, knows you very well and can vet the essay to make sure it "sounds like you."

If your teacher or tutor has some experience with what college essays are supposed to be like, ask them to be your editor. If not, then ask whether they have time to proofread your final draft.

Guidance or College Counselor at Your School

The best thing about asking your counselor to edit your work is that this is their job. This means that they have a very good sense of what colleges are looking for in an application essay.

At the same time, school counselors tend to have relationships with admissions officers in many colleges, which again gives them insight into what works and which college is focused on what aspect of the application.

Unfortunately, in many schools the guidance counselor tends to be way overextended. If your ratio is 300 students to 1 college counselor, you're unlikely to get that person's undivided attention and focus. It is still useful to ask them for general advice about your potential topics, but don't expect them to be able to stay with your essay from first draft to final version.

Friends, Siblings, or Classmates

Although they most likely don't have much experience with what colleges are hoping to see, your peers are excellent sources for checking that your essay is you .

Friends and siblings are perfect for the read-aloud edit. Read your essay to them so they can listen for words and phrases that are stilted, pompous, or phrases that just don't sound like you.

You can even trade essays and give helpful advice on each other's work.

If your editor hasn't worked with college admissions essays very much, no worries! Any astute and attentive reader can still greatly help with your process. But, as in all things, beginners do better with some preparation.

First, your editor should read our advice about how to write a college essay introduction , how to spot and fix a bad college essay , and get a sense of what other students have written by going through some admissions essays that worked .

Then, as they read your essay, they can work through the following series of questions that will help them to guide you.

Introduction Questions

• Is the first sentence a killer opening line? Why or why not?
• Does the introduction hook the reader? Does it have a colorful, detailed, and interesting narrative? Or does it propose a compelling or surprising idea?
• Can you feel the author's voice in the introduction, or is the tone dry, dull, or overly formal? Show the places where the voice comes through.

Essay Body Questions

• Does the essay have a through-line? Is it built around a central argument, thought, idea, or focus? Can you put this idea into your own words?
• How is the essay organized? By logical progression? Chronologically? Do you feel order when you read it, or are there moments where you are confused or lose the thread of the essay?
• Does the essay have both narratives about the author's life and explanations and insight into what these stories reveal about the author's character, personality, goals, or dreams? If not, which is missing?
• Does the essay flow? Are there smooth transitions/clever links between paragraphs? Between the narrative and moments of insight?

Reader Response Questions

• Does the writer's personality come through? Do we know what the speaker cares about? Do we get a sense of "who he or she is"?
• Where did you feel most connected to the essay? Which parts of the essay gave you a "you are there" sensation by invoking your senses? What moments could you picture in your head well?
• Where are the details and examples vague and not specific enough?
• Did you get an "a-ha!" feeling anywhere in the essay? Is there a moment of insight that connected all the dots for you? Is there a good reveal or "twist" anywhere in the essay?
• What are the strengths of this essay? What needs the most improvement?

Should You Pay Money for Essay Editing?

One alternative to asking someone you know to help you with your college essay is the paid editor route. There are two different ways to pay for essay help: a private essay coach or a less personal editing service , like the many proliferating on the internet.

My advice is to think of these options as a last resort rather than your go-to first choice. I'll first go through the reasons why. Then, if you do decide to go with a paid editor, I'll help you decide between a coach and a service.

When to Consider a Paid Editor

In general, I think hiring someone to work on your essay makes a lot of sense if none of the people I discussed above are a possibility for you.

If you can't ask your parents. For example, if your parents aren't good writers, or if English isn't their first language. Or if you think getting your parents to help is going create unnecessary extra conflict in your relationship with them (applying to college is stressful as it is!)

If you can't ask your teacher or tutor. Maybe you don't have a trusted teacher or tutor that has time to look over your essay with focus. Or, for instance, your favorite humanities teacher has very limited experience with college essays and so won't know what admissions officers want to see.

If you can't ask your guidance counselor. This could be because your guidance counselor is way overwhelmed with other students.

If you can't share your essay with those who know you. It might be that your essay is on a very personal topic that you're unwilling to share with parents, teachers, or peers. Just make sure it doesn't fall into one of the bad-idea topics in our article on bad college essays .

If the cost isn't a consideration. Many of these services are quite expensive, and private coaches even more so. If you have finite resources, I'd say that hiring an SAT or ACT tutor (whether it's PrepScholar or someone else) is better way to spend your money . This is because there's no guarantee that a slightly better essay will sufficiently elevate the rest of your application, but a significantly higher SAT score will definitely raise your applicant profile much more.

Should You Hire an Essay Coach?

On the plus side, essay coaches have read dozens or even hundreds of college essays, so they have experience with the format. Also, because you'll be working closely with a specific person, it's more personal than sending your essay to a service, which will know even less about you.

But, on the minus side, you'll still be bouncing ideas off of someone who doesn't know that much about you . In general, if you can adequately get the help from someone you know, there is no advantage to paying someone to help you.

If you do decide to hire a coach, ask your school counselor, or older students that have used the service for recommendations. If you can't afford the coach's fees, ask whether they can work on a sliding scale —many do. And finally, beware those who guarantee admission to your school of choice—essay coaches don't have any special magic that can back up those promises.

Should You Send Your Essay to a Service?

On the plus side, essay editing services provide a similar product to essay coaches, and they cost significantly less . If you have some assurance that you'll be working with a good editor, the lack of face-to-face interaction won't prevent great results.

On the minus side, however, it can be difficult to gauge the quality of the service before working with them . If they are churning through many application essays without getting to know the students they are helping, you could end up with an over-edited essay that sounds just like everyone else's. In the worst case scenario, an unscrupulous service could send you back a plagiarized essay.

Getting recommendations from friends or a school counselor for reputable services is key to avoiding heavy-handed editing that writes essays for you or does too much to change your essay. Including a badly-edited essay like this in your application could cause problems if there are inconsistencies. For example, in interviews it might be clear you didn't write the essay, or the skill of the essay might not be reflected in your schoolwork and test scores.

Should You Buy an Essay Written by Someone Else?

Let me elaborate. There are super sketchy places on the internet where you can simply buy a pre-written essay. Don't do this!

For one thing, you'll be lying on an official, signed document. All college applications make you sign a statement saying something like this:

I certify that all information submitted in the admission process—including the application, the personal essay, any supplements, and any other supporting materials—is my own work, factually true, and honestly presented... I understand that I may be subject to a range of possible disciplinary actions, including admission revocation, expulsion, or revocation of course credit, grades, and degree, should the information I have certified be false. (From the Common Application )

For another thing, if your academic record doesn't match the essay's quality, the admissions officer will start thinking your whole application is riddled with lies.

Admission officers have full access to your writing portion of the SAT or ACT so that they can compare work that was done in proctored conditions with that done at home. They can tell if these were written by different people. Not only that, but there are now a number of search engines that faculty and admission officers can use to see if an essay contains strings of words that have appeared in other essays—you have no guarantee that the essay you bought wasn't also bought by 50 other students.

• You should get college essay help with both editing and proofreading
• A good editor will ask questions about your idea, logic, and structure, and will point out places where clarity is needed
• A good editor will absolutely not answer these questions, give you their own ideas, or write the essay or parts of the essay for you
• A good proofreader will find typos and check your formatting
• All of them agree that getting light editing and proofreading is necessary
• Parents, teachers, guidance or college counselor, and peers or siblings
• If you can't ask any of those, you can pay for college essay help, but watch out for services or coaches who over-edit you work
• Don't buy a pre-written essay! Colleges can tell, and it'll make your whole application sound false.

Ready to start working on your essay? Check out our explanation of the point of the personal essay and the role it plays on your applications and then explore our step-by-step guide to writing a great college essay .

Using the Common Application for your college applications? We have an excellent guide to the Common App essay prompts and useful advice on how to pick the Common App prompt that's right for you . Wondering how other people tackled these prompts? Then work through our roundup of over 130 real college essay examples published by colleges .

Stressed about whether to take the SAT again before submitting your application? Let us help you decide how many times to take this test . If you choose to go for it, we have the ultimate guide to studying for the SAT to give you the ins and outs of the best ways to study.

Anna scored in the 99th percentile on her SATs in high school, and went on to major in English at Princeton and to get her doctorate in English Literature at Columbia. She is passionate about improving student access to higher education.

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The (AI) sky isn’t falling

Students using generative AI to write their essays is a problem, but it isn’t a crisis, writes Christopher Hallenbrook. We have the tools to tackle the issue of artificial intelligence

Christopher R. Hallenbrook

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In January, the literary world was rocked by the news that novelist Rie Qudan had used ChatGPT to write 5 per cent of her novel that won Japan’s prestigious Akutagawa Prize. The consternation over this revelation mirrored the conversations that have been taking place in academia since ChatGPT was launched in late 2022. Discussions and academic essays since that time have consistently spoken of a new wave of cheating on campus, one we are powerless to prevent. 

While this reaction is understandable, I disagree with it. Students using AI to write their essays is a problem, but it isn’t a crisis. We have the tools to tackle the issue.

AI is easy to spot

In most cases AI writing can be easily recognised. If you ask multipart questions, as I do, ChatGPT defaults to using section headings for each component. When I grade a paper that has six section headings in a three- to five-page paper (something I have experienced), I see a red flag. ChatGPT’s vocabulary reinforces this impression. Its word choice does not align with how most undergraduates write. I’ve never seen a student call Publius a “collective pseudonym” in a paper about The Federalist Papers , but ChatGPT frequently does. AI is quick to discuss the “ethical foundations of governance”, “intrinsic equilibrium” and other terms that are rare in undergraduate writing if you haven’t used the terms in class. Certainly, some students do use such vocabulary. 

One must be careful and know one’s students. In-class discussions and short response papers can help you get a feel for how your students talk and write. Worst-case scenario, a one-to-one discussion of the paper with the student goes a long way. I’ve asked students to explain what they meant by a certain term. The answer “I don’t know” tells you what you need to know about whether or not they used AI. 

• Resource collection: AI transformers like ChatGPT are here, so what next?
• Rather than restrict the use of AI, let’s embrace the challenge it offers
• AI did not disturb assessment – it just made our mistakes visible

Even when you can’t identify AI writing so readily, you will likely fail the paper on its merits anyway. I’ve found ChatGPT will frequently engage with the topic but will write around the question. The answer is related to what I asked about but doesn’t answer my question. By missing the question, making its points in brief and not using the textual evidence that I instruct students to include (but I don’t put that instruction in the question itself), ChatGPT produces an essay that omits the most essential elements that I grade on. So even if I miss that the essay was AI generated, I’m still going to give it a poor grade.

The summary is ‘dead and buried’

Careful consideration and structuring of essay prompts also reduce the risk of students getting AI-written work past you. A simple summary of concepts is easy for ChatGPT. Even deep questions of political theory have enough written on them for ChatGPT to rapidly produce a quality summary. Summaries were never the most pedagogically sound take-home essay assignment; now they are dead and buried. 

Creativity in how we ask students to analyse and apply concepts makes it much harder for ChatGPT to answer our questions. When I was an undergraduate student, my mentor framed all his questions as “in what manner and to what extent” can something be said to be true. That framework invites nuance, forces students to define their terms and can be used to create less-written-about topics. 

Similarly, when responding to prompts asking about theories of democratic representation, ChatGPT can effectively summarise the beliefs of Publius, the anti-federalist Brutus or Malcolm X on the nature of representation, but it struggles to answer: “Can Professor Hallenbrook properly represent Carson? Why or why not? Draw on the ideas of thinkers we have read in class to justify your answer.” In fact, it doesn’t always recognise that by “Carson”, I am referring to the city where I teach, not a person. By not specifying which thinkers, ChatGPT has to pick its own and in my practice runs with this prompt, it used almost exclusively thinkers I had not taught in my American political thought class.

Ask ChatGPT first, then set the essay topic

I select my phrasing after putting different versions of the question through ChatGPT. Running your prompt through ChatGPT before you assign it will both let you know if you’ve successfully created a question that the generative AI will struggle with and give you a feel for the tells in its approach that will let you know if a student tries to use it. I’d recommend running the prompt multiple times to see different versions of an AI answer and make note of the tells. It is a touch more prep time but totally worth it. After all, we should be continually re-examining our prompts anyway.

So, yes, ChatGPT is a potential problem. But it is not insurmountable. As with plagiarism, some uses may escape our detection. But through attention to detail and careful design of our assignments, we can make it harder for students to use ChatGPT to write their papers effectively and easier to spot it when they do.

Christopher R. Hallenbrook is assistant professor of political science and chair of the general education committee at California State University, Dominguez Hills.

If you would like advice and insight from academics and university staff delivered direct to your inbox each week, sign up for the Campus newsletter .

Rather than restrict the use of AI, embrace the challenge

Let’s think about assessments and ai in a different way, how students’ genai skills affect assignment instructions, how not to land a job in academia, contextual learning: linking learning to the real world, three steps to unearth the hidden curriculum of networking.

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Geoffrey Mak Still Hasn’t Lost Hope in the Personal Essay

By jake nevins, photographed by acudus aranyian, may 7, 2024.

Geoffrey Mak, photographed by Acudus.

Last month, when I spoke to the writer and critic Geoffrey Mak about his debut collection of essays, Mean Boys , a white flower petal floated into his coffee just as he explained how he came to reconcile with his father, a firebrand conservative minister who features prominently in one of the book’s standout pieces, a tough but largely merciful account of their strained relationship and the indignities of the Evangelical church. It was a storybook moment that struck me as almost inappropriately mawkish, since Mak is not one for heavy sentiment. In Mean Boys , he applies a fierce intellect and a certain defiant posture to subjects as varied as edgelords, art fairs, raves, agitprop, organized religion, and mass murderers, but the conclusions reached are rarely tidy or comforting. Paranoia, distrust, and violence, Mak argues, are the defining sensibilities of these strange times. But we nevertheless retain our capacity for joy and intimacy, to be found, perhaps, in the random kindness of a stranger on the dance floor, or in the act of writing itself. “When I write, I care less about admiration and more about connection,” Mak explained. “And this very rich expansion of the soul can only happen with the personal essay.” Just before his book’s release, he and I got together downtown to talk about pain, pleasure, Trump, trad caths, and the Kardashians.

NEVINS: I finished the title essay last night. I feel like I should tell you up front that a very dear friend of mine grew up with Elliot Rodger and is mentioned by name in his manifesto. She’s actually working on this short in which she imagines his mother getting the call about the murders. So that was heavy on my mind as I was reading.

MAK: Oh, wow. Yeah, the mom. I tried not to do the whole “what went wrong” thing. I don’t think anyone wanted my speculation. But I felt really bad for her because like, she wasn’t that Asian parent who wouldn’t give positive affirmation. She really did, and she really had a kind of infinite patience. I don’t think Elliot was going out of his way to portray her well and she still came out pretty loving. So I feel really bad for her. Yeah, I would definitely watch this short.

NEVINS: I’ll keep you posted. Anyway, I was reading the title essay through the lens of your author’s note, in which you kind of riff on the uses and abuses of the personal essay. I’m curious to know what the utility of the form is for you, particularly in regard to these pieces.

MAK: Oh my gosh, I’m so opinionated on this. Where do I start? The personal essay now is really evolving. There are usually two directions it takes. I mean, everybody hates it. So the question is, “How do we make this less hateable?” And you either have one of two choices, which is to make it more like fiction or to make it more like journalism. And I think the pressure to push it in the direction of journalism is to back it up with research or reporting. So it’s like, this was my childhood in the church. Now I’m going to give you the history of the Presbyterian Church in America over the last couple centuries, and then I’m going to go back to myself.

NEVINS: And then in section four, we’ll do some scene work and actually go back to the church you had disavowed…

MAK: Yes, we’ve all read it. And I do really enjoy these essays. But specifically with Elliot Roger, I wanted to ask the question of what role pain has to do in our self-reported personal essays? Because I think our culture gives enormous authority to pain, but that also depends on who you are. If your pain is femme, queer, or non-white, it’s going to be respected as a source of authority. But we don’t seem to give a lot of aesthetic value or respect to stories of class deprivation. And then, in terms of status deprivation, there’s almost no discussion whatsoever because I don’t think our culture understands that status is real. But instead of using pain as a badge, there are other ways to represent it in literature, such as using it to disarm yourself and to become more open to relationships. I mean, something that really excites me about writing a memoir is the intense intimacy I will have with strangers I might never meet. I wanted to open the door to strange and intense intimacies. When I write, I care less about admiration and more about connection. And this very rich expansion of the soul can only happen with the personal essay. It’s special to me.

NEVINS: Yeah, I agree with that. I’m curious if it is any more or less strange than the intimacies that you write about experiencing more fleetingly while, say, K-holed on a dance floor. Those people will presumably know far less about you than your readers.

MAK: That’s true. But I am pretty much an open book. My boyfriend was like, “I’ve never met someone so unembarrassable before.” I write pretty openly about these years-long dry spells where I just wasn’t having any sex. And I think what happened during those years is that my brain and body and soul became really sensitive to opportunities for other kinds of intimacy other than sex. I think that wouldn’t have been the case if I were having a regular sex life. There are so many kinds of intimacy. I was listening to a lecture by the poet, Jorie Graham, and she was talking about how there’s a layer of intelligence in the human mind that is universal, and that’s the sensory one. Another thing about intimacy is that it doesn’t actually require knowledge. So when you’re on the dance floor, you’re radically intimate with all of these people moving together in the same direction, like a flock of birds. It’s really intimate to feel intense, purposeless joy.

NEVINS: I loved the section about how you assume a sort of maternal posture on the dance floor as the person whose job it was to sort of track everyone else’s highs. You and McKenzie Wark are writing more perceptively about nightlife than most people.

MAK: That book’s [ Raving ] amazing.

NEVINS: Yeah, that book’s great. But it does feel like the exception, since a lot of nightlife writing is just like, name-droppy. 

MAK: That’s true. Speaking of, I feel a little bad. I wrote a lot about my dad and I didn’t write a lot about my mom, and I’m actually much closer to my mother.

NEVINS: Well, that doesn’t surprise me after reading about your dad.

MAK: I know…

NEVINS: Has he read it?

MAK: He got the book on Sunday.

NEVINS: You couldn’t get him a galley?

MAK: I didn’t want to because I wanted to give him a finished copy. I was like, “Is it okay if you don’t read certain essays?” And he was like, “Geoff, it’s fine. It’s not going to be a big deal.” I can’t imagine him opening the table of contents and reading the title, My Father, the Minister and not reading it immediately.

NEVINS: It’s so hard, but we’re powerless. When I was 18 and had just moved to New York, I wrote this cringe essay in New York Magazine about getting paid for sex by a very famous artist who was 50 years older than me. It was my very first byline and I didn’t name him. I was like, “Mom, I was published in New York Magazine. But you can’t read it.” I assume she went online and read it anyway.

MAK: If I was more assertive about it, I think my dad would’ve respected it. But I mean, it’s a little bit selfish for me because it actually doesn’t make a huge difference. I wanted to protect him from certain things, but if he’s like, “It’s not a big deal,” then I’d be like, “Yeah, you know yourself. I’ll trust you.” It’s tricky because there’s the essay in the book about my father and then there’s the New Yorker one, which is basically the same exact material, but kind of truncated. But in the New Yorker one, I wanted to celebrate my dad. I wanted to tell the world that it was possible for a firebrand conservative to actually change his mind. But when I wrote the one in the book, I was in utter rage. The one in the book makes me look good. I’m the wronged one. I’m the one with the emotional strength to be like, “I forgive you.” But in the New Yorker one, I look really bad. I’m the burnout, the drug addict. I’m the one who goes home penniless and my dad says, “Yeah, I’ll take you in.” I think it’s a fuller story. 

NEVINS: Well, having read them both, I think this raises interesting questions about form. Narratively, in the container of the personal essay, did you not feel that both of these truths could coexist? By which I mean, do you feel that particular story, as it exists on the page, requires the tension of a character who’s plainly virtuous and one who’s not?

MAK: Well, the two of them together is a story of mutual forgiveness and at the end of the book version, I had this epiphany that we forgive people not because we think they can earn it one day. That’s not how forgiveness works. If you can earn forgiveness, that’s just called penance. What forgiveness really means is that we forgive someone because they can never earn it. There’s this moment where I call my father a coward. It’s pretty harsh, but I had asked him if he’d tell his church about me and he said no. So this kind of really intense failure is actually why I forgive him.

NEVINS: There’s no way a flower petal just fell into your coffee.

MAK: Right as we got to the moment of forgiveness. And to see him change made me radically optimistic about what the human heart is capable of. This isn’t in the book, but I did return to Christianity. Watching my dad model what a Christian was capable of made it quite appealing to me. I left Christianity and embraced queerness. And then when I came back to Christianity, I didn’t leave queerness. I brought it with me. I began reading some hard theology, and by “hard theology” I mean theology that’s meant for theologians. Liberals and leftists really hate Christians. And I’m not surprised. They have reason to. I hate them too. But all of the criticisms that the left has of Christianity, theology has answered them. People just don’t care enough to read it. It’s easier to have a target that’s demonized, and what’s more easy to demonize than the Evangelical church. I mean, they’re awful. But my whole life has been about finding tiny minorities that I could find a home in. I was never going to find a big movement that I felt was speaking to me. So there were the raves, there was theology, there was X, Y, and Z. But the stuff is out there, and it’s really thrilling.

NEVINS: This makes me curious to hear your thoughts on what you might call the kind of shallow iteration of religiosity coursing through downtown New York these days, which seems to me more reactionary than genuinely inquisitive.

MAK: Oh my god, yeah. Well, it is a little reactionary. Obviously, edgelords are a really big theme in the book. It’s hard to say what’s really going on there. Okay, tinfoil hat coming on. I had this epiphany when I was watching The Kardashians . You have this family that’s probably voting liberal. I mean, Caitlin isn’t, but I think most of the family is. But the show itself is a resounding endorsement of conservative ways of being, so to have this culture so loud and syndicated everywhere is to really promote a conservative way of life. And then I began to think of Trad Caths and like, you have all of these people in Dimes Square who are certainly voting liberal.

NEVINS: Well, if they’re voting at all.

MAK: Right, or they’re not voting. But them doing the hard work of stylizing Christianity and Catholicism and making it look cool is actually endorsing a kind of conservative constituency. I can’t not have a little bit of affection for the Trad Cath movement. I kind of love it on some level. I think it’s hilarious. Some people say to me, “Oh, but they’re not real.” They’re not real practitioners, they don’t actually believe. And I’m just like, “I’m not here to police that. I’m not ever here to police who’s the real Catholic, who’s the real trans, who’s the real leftist.” We can have rings of participation and intensities and seriousness.

NEVINS: Well, it’s interesting you say that. It’s such a rhetorical cudgel, but in the last several months I’ve experienced being told I’m not a “real Jew” for being pro-Palestine, which is really frustrating because I’m not only proud to be Jewish, but I also very much partake in all its cultural traditions, which I understand to be a spirit of community and fellowship and intellectual inquiry.

MAK: Who’s saying that to you?

NEVINS: Well, it mostly comes from Zionists. And I hate to create some sort of hierarchy, but the people saying that are certainly not any more observant than I am. They just seem to think that Zionism endows them with some totally arbitrary authority to decide who really is and isn’t Jewish. So I very much appreciate that despite having returned to Christianity yourself, you don’t take it upon yourself to police its other variants.

MAK: I kind of love the Praying shirts without the praying. I don’t have one. The moment’s a little bit over. But I have a little bit of affection.

NEVINS: I want to talk about Edgelords real quick because I think it’s a really impressive and expansive essay. Forgive me if I’m misstating the thesis, but—

MAK: I mean, it’s kind of messy. There are multiple theses.

NEVINS: Chief among them is that you’re identifying paranoia as the spirit of our age. Sometimes it can feel like we’re too close to an era or a scene to really assess it accurately. You write about the ways you were driven to what you call “madness.” I’m curious how you came to this organizing theory of the times.

MAK: Oh my gosh, there’s so much to say. There was a fundamental shift in how politics mobilized culture for its own advantages. There’s this excellent book, Kill All Normies by Angela Nagle. And if anybody reads it now, they’ll be like, “Duh, this is obvious.” But it really wasn’t when it came out. And basically the observation is that before, we thought politics would get to the center of culture and move out from there, just sending out the signals from the center and it’ll reach everyone eventually. And what Nagle tracked was that culture didn’t work top-down anymore. It actually worked bottom-up. You had very obscure communities that were disparate, fragmented, but they were meeting each other online, such as gamers, and they were interacting regularly, and they were organically growing really intense political beliefs and affinities. So if you look at Hillary versus Trump, they didn’t work from the center. Well, Trump was better at doing this than Hillary, but Trump was like, “I’m going to endorse the gamers and then I’ll get them on my side. I’m not going to create the gamers. I’m not going to tell them what to do. I’m just going to look for these obscure things.” So sometimes he would tweet things that only 200 people were meant to see.

NEVINS: Just so I’m understanding correctly, you’re suggesting that, as opposed to dictating to what might be a potential voting bloc or constituency, his politics were instead kind of subordinated to theirs?

MAK: He would pick people who already agreed with him.It was more about signals. Suddenly, signals became really important in a way that I don’t think they were before. I mean, the trans bathroom thing. That was really a Tumblr thing. Just a lot of young people on Tumblr were getting really up in arms about it. And then I think the Democratic Party was like, “Oh, it’s burgeoning in the underground, we need to get ahead of this now.” And then they did. So suddenly this very obscure Tumblr thing became a national discussion. That is kind of how culture works now, but it’s also due to the collapse of the mainstream-underground binary. Now, everyone kind of has their own micro-tribe, which is utterly illegible to other micro-tribes even though they might live a couple blocks away from each other. I mean, we feel that in New York, even just looking at Tribeca versus the Lower East Side. The art worlds that exist in the two are so different, yet they’re so close. And then, to go back to the point about paranoia, the Cambridge Analytica revelations were almost as big as the NSA revelations to me. I don’t think my friends cared as much as I did. But for some reason, I was just really locked onto it. To see how the campaign was explicitly stoking paranoia in their favor was absolutely alarming to me. And then I began to look at the culture and see all of these patterns of paranoia, and this was also happening concurrently with my own psychological degradation. It’s so funny, because the paranoid would see patterns, but as a paranoid, I began to see patterns of paranoia, which actually is what Eve Sedgwick writes about—how paranoia simply looks for itself. I actually see Mean Boys as a more morally and psychologically advanced text than Edgelords . In a way, M ean B oys rejects paranoia and decides to welcome in something that is toxic and harmful, which one might call a reparative gesture. The paranoid always pushes things out, and instead, I wanted to let something in, but without compromising judgment.

NEVINS: There was something really sobering about Mean Boys . You render Elliot Rodger almost grossly human, but I didn’t feel as though you were subject to his manipulations, which I guess is what people worry about when they clutch their pearls about writers “humanizing” bad guys.

MAK: I think it goes back to forgiveness. I’ll never say I forgive Elliot Rodger. I was not the one who was harmed. But  I think there’s an affect that doesn’t have a name, where you hold love and judgment together without one diminishing the other.

NEVINS: Well, you could call that love.

MAK: You’re right. I love that. That’s just love.

NEVINS: Anyway, what are you reading these days?

MAK: I’m literally four pages in, but I am reading Then the War by Carl Phillips. I’m reading a lot of poetry these days. Oh my god, so good. He’s kind of a poet for sentence writers. I think prose writers really like him. And being a prose writer myself, I really like it.

NEVINS: I feel that way about Vijay Seshadri.

MAK: Oh, I should read them. I’ve been reading a lot of Louise Glück.

NEVINS: That makes sense.

MAK: Does it? That’s so funny. I’ve been reading the collections back to back. It’s funny because when you get a 70-page poetry book in the mail, you really can read in one sitting. So I’m just inhaling it. What are you reading?

NEVINS: I just finished Adelle Waldman’s new novel. It’s been like, 10 years since her last one.

MAK: Since [ The Love Affairs of ] Nathaniel P.

NEVINS: I fucking love that book.

MAK: Oh my god, the best. One of the people I dedicate my book to is allegedly the man that Nathaniel P. Is based off of.

NEVINS: Wait, oh my god.

MAK: Yeah, it’s him.

NEVINS: Well, we won’t name him on the record. But if anyone’s curious, go buy Geoff’s book.

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