phd creative writing worth it

• HOW TO AND TIPS
• AGENTS’ CORNER
• SUBMISSIONS
• LIBRARY 2018
• RECOMMENDED READS
• THE BEST OF BOOK MARKETING PODCAST

Doing a PhD in Creative Writing: Is it for Everyone?

It’s weird, having a PhD in Creative Writing. It’s both real—I have Dr on every piece of identification possible—and make believe: how many people even know that creative writing is an academic discipline? and how can you be a “professor of making things up”?

PhD in Creative Writing programs are becoming more popular, but the question remains whether they are necessary for a writer. The easy answer: no. The harder answer: not really but maybe there’s some benefit.

Doing a PhD is a four- to seven-year commitment, depending on the country and whether you study full or part time. I did mine in the UK, because I researched 400 years of English gardening history and how gardens function in fantasy fiction, and this is where those gardens live. I was incredibly lucky in my supervisors, and after almost five years sat my viva. The dissertation consisted of a 100,000-word historical fantasy novel about a “haunted” garden and a 40,000-word critical commentary in which I analysed my process and project though the lens of various theories about space and time that I applied to gardens (both real and fictional). I started my research having a solid idea of what it was I wanted to do, with a novel partially planned out (though it changed—that’s not unexpected). I did the PhD not because I wanted to write the novel, but because I was interested about the context of the novel and its place in the genre with other novels that use gardens fantastically, and because I have always felt comfortable in academia.

When I interview PhD applicants, I always ask “Why do you want to do a PhD?” I get numerous responses, from “I want to be a university lecturer” to “I want to learn how to write a best-seller”. The only right answer, however, is “Because I want to” because those other goals cannot be guaranteed. First, getting a full-time permanent lecturing position is rare, as most academics will tell you. Yes, I have one, but I had a career before I ever did my PhD (which I started at 40!), and that career was a distinct benefit when I applied for my current position. And second, no one can ever guarantee that you will be a best-selling novelist. Doing a PhD like mine can help you better understand your own writing process and, in turn, make you a more conscientious writer, but it isn’t necessarily going to make you a better commercial writer.

If you have a love of spending hours and days and weeks alone, reading and thinking and analysing a topic, then doing a PhD in Creative Writing might be for you. It was for me when I realised I hadn’t left my room in two days while reading The Seven Beauties of Science Fiction and trying desperately to understand it; when I sat in the British Library holding back a coughing fit while ill but desperate to get through the pile of books I had ordered; when I had no choice but to work on my dissertation after a devastating breakup and subsequent house move in the dead of a very cold and snowy winter; and when, after graduating at 45 with a degree but no permanent home or work visa, I had to figure out what I was going to do when I grew up. The work led to physical and mental-health issues. It’s not for the light-hearted.

My best advice:

Choose a topic that you love. You will spend years and years on it, and it will get boring. And you will get sick to death explaining it to well-meaning people who ask you what you’re researching.

Choose a topic that can be studied academically. If you want to write a novel you’ve plotted out, then go write it. But if you have an idea for a novel (or short story collection) and are almost more interested in the different angles of the genre or the world or the context than the story itself, then you might have something worth PhD study. Do some digging and academic reading before you start filling out applications.

Choose your university wisely. Mine was open to SFF writers, but many aren’t. You don’t necessarily want to stay at the same university for your MA and PhD. On that note: an MA in writing isn’t necessary for a PhD application, but it really helps. So, too, does having finished writing a novel before and having experience in a workshop/critique setting.

Choose your supervisor even more wisely. First, their research interest should match yours and they should be active in your genre; and second, it’s a close relationship, but a working one. Interviewing the supervisor is as important as the possible supervisor interviewing you.

In the end, a PhD in Creative Writing is an academic pursuit, not the means to finish a novel. As it turns out, the novel I wrote, Threading the Labyrinth, worked as the result of academic study but wasn’t commercially publishable until I revised it and even restructured it, and now, more than three years later, it’s on its way to being published. I don’t know whether I could have written Threading without the research I did as a PhD student, but I do know that Threading is a better novel for it.

Tiffani Angus is a Senior Lecturer at Anglia Ruskin University, Cambridge, UK, who lectures in Publishing and Creative Writing, is the Course Leader for the MA Creative Writing, and is a Director at the Anglia Centre for Science Fiction and Fantasy. She has published short fiction in a variety of genres (among them science fiction, historical fantasy, horror, and even erotica) and her debut novel Threading the Labyrinth will be out with Unsung Stories Press in late 2019. Her current work in progress is novel inspired by her research into the estrangement of women’s bodies in apocalyptic fiction. An American who grew up in Las Vegas, she now lives in Bury St Edmunds with her partner.

She can be found on Twitter @tiffaniangus

Her website is at www.tiffani-angus.com

Tags: featured , women writers

Category : How To and Tips

If you enjoyed this article, subscribe to receive more just like it.

Comments (7)

Trackback URL | Comments RSS Feed

Thank you for this information. Very helpful.

I loved this ! I know what I’m doing with my life now . It’s such a beautiful combination of science and creativity . So well spoken .

Hi, Tiffani.

I really enjoyed your post and found it very informative. I’m coming to the end of my MA in Creative Writing at Hull, and I’m currently looking for Ph.D. opportunities with a focus on magical realism and the introduction of mesmerism into British society in the 1800s. I hadn’t realised Anglia Ruskin had an SFF department, but it sounds like a wonderful place to study.

Thanks for the insight.

So which uni did you do your PhD in? I’m also thinking of doing something related to SFF!

I did my PhD at Anglia Ruskin University in Cambridge, England, where I now teach and am also the General Director of the Anglia Centre for Science Fiction & Fantasy (we are very genre-friendly at ARU!). We have staff in the English Department who supervise lit students studying SFF, and I and a colleague supervise creative writing students (though currently our rosters are rather full). There are other universities that are SFF-friendly; best bet is to start looking at universities and the staff members’ research expertise listings to find someone to approach. Good luck!

It was good to see your blog post. I keep being on the fence on getting a creative writing phd. I have an MA and MFA in creative writing (and had a good and a bad experience with that). Part of my wants to get the phd for my ego. But honestly, I itch to write. I have been writing since I was twelve and I can’t not write. I miss being with writers and the writing craft.

If you have any advice for this, that would be fantastic! Thanks, K

First of all, apologies for the delay in responding.

I am glad to hear that the blog post has been informative. I can understand wanting to get the PhD for your ego–it is definitely one of those things that changes how people see you in some ways. But it doesn’t necessarily help you feel completely different about yourself in a positive way. Like with the MA and MFA, the experience can be both good and bad.

If you itch to write, then just write. A PhD does require writing, yes, but in addition to the creative/fiction writing it also requires a LOT of academic and non-fiction writing, which requires a boatload of analysis and thinking, which end up distracting you away from the fiction writing! So it’s not all sitting and doing constant sprints or pomodoros but going into detail explaining what you were doing when you were writing, explaining where ideas came from, how they developed, etc. (read the 2nd article I posted on the site for more about that: https://booksbywomen.org/threading-the-labyrinth-of-historical-research-how-the-twists-and-turns-led-to-a-creative-writing-phd/ )

If you miss being with writers, then the PhD (at least in the UK) might not be the right fit for you because you spend most of your time doing solo research. I’d advise you to find a writers’ group to be part of. This can be difficult, but they ARE out there. (Do some googling for meetups, etc., in your area.) Try to find a group of serious writers, not hobbyists; by that I mean people who want to publish or have been published. A group where people stand a read their work aloud (where that is your first experience with their work and you don’t read it before the meetings) isn’t what you want. You want people who are serious about critiquing and helping each other. A group like that can be invaluable, and it is a completely different experience from a PhD where YOU are often a group of 1.

Good luck with your writing and with making a decision about doing the PhD. If you do decide you want to explore the PhD idea, you’ve got my advice for that in the article!

Best, Tiffani

Leave a Reply

Name ( required )

Email ( required; will not be published )

XHTML: You can use these tags: <a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <s> <strike> <strong>

Recent Posts

• On Scary Women, by Lynn Schmeidler
• Who Am I? And Does It Matter?
• Authors Interviewing Characters: L. R. W. Lee
• The Default Male in Books – Megan Campisi
• Kernels of Truth in Tangle of Lies by C. J. Carmichael

Recent Comments

• Nancy on Lessons I Learned While Writing my Memoir by Patti Eddington
• Tina Gabrielle on Make Mine a Marquess by Tina Gabrielle – Chapter Excerpt
• Lena Gregory on My Writing Journey by Lena Gregory
• The Secret Life of a Publishing Company – Part III : Women Writers, Women's Books on THE SECRET LIFE OF A PUBLISHING COMPANY
• The Secret Life of a Publishing Company – Part III : Women Writers, Women's Books on The Secret Life of A Publishing Company Part II
• Laura Sherman on Alice McIlroy: On Writing Genre-Blending Fiction 
• Richard Pelletier on How I Found my Literary Agent
• Submission Guidelines
• Site Sponsors

What to Know About Creative Writing Degrees

Many creative writing degree recipients pursue careers as authors while others work as copywriters or ghostwriters.

Tips on Creative Writing Degrees

Getty Images

Prospective writing students should think about their goals and figure out if a creative writing degree will help them achieve those goals.

Many people see something magical in a beautiful work of art, and artists of all kinds often take pride in their craftsmanship. Creative writers say they find fulfillment in the writing process.

"I believe that making art is a human need, and so to get to do that is amazing," says Andrea Lawlor, an author who this year received a Whiting Award – a national $50,000 prize that recognizes 10 excellent emerging authors each year – and who is also the Clara Willis Phillips Assistant Professor of English at Mount Holyoke College in Massachusetts.

"We all are seeing more and more of the way that writing can help us understand perspectives we don't share," says Lawlor, whose recent novel "Paul Takes the Form of a Mortal Girl" addresses the issue of gender identity.

"Writing can help us cope with hard situations," Lawlor says. "We can find people who we have something in common with even if there's nobody around us who shares our experience through writing. It's a really powerful tool for connection and social change and understanding."

Creative writing faculty, many of whom are acclaimed published authors, say that people are well-suited toward degrees in creative writing if they are highly verbal and enjoy expressing themselves.

"Creative imaginative types who have stories burning inside them and who gravitate toward stories and language might want to pursue a degree in creative writing," Jessica Bane Robert, who teaches Introduction to Creative Writing at Clark University in Massachusetts, wrote in an email. "Through formal study you will hone your voice, gain confidence, find a support system for what can otherwise be a lonely endeavor."

Read the guide below to gain more insight into what it means to pursue a creative writing education, how writing impacts society and whether it is prudent to invest in a creative writing degree. Learn about the difference between degree-based and non-degree creative writing programs, how to craft a solid application to a top-notch creative writing program and how to figure out which program is the best fit.

Why Creative Writing Matters and Reasons to Study It

Creative writers say a common misconception about their job is that their work is frivolous and impractical, but they emphasize that creative writing is an extremely effective way to convey messages that are hard to share in any other way.

Kelly Caldwell, dean of faculty at Gotham Writers Workshop in New York City, says prospective writing students are often discouraged from taking writing courses because of concerns about whether a writing life is somehow unattainable or "unrealistic."

Although creative writers are sometimes unable to financially support themselves entirely on the basis of their creative projects, Caldwell says, they often juggle that work with other types of jobs and lead successful careers.

She says that many students in her introductory creative writing class were previously forbidden by parents to study creative writing. "You have to give yourself permission for the simple reason that you want to do it," she suggests.

Creative writing faculty acknowledge that a formal academic credential in creative writing is not needed in order to get writing published. However, they suggest, creative writing programs help aspiring authors develop their writing skills and allow space and time to complete long-term writing projects.

Working writers often juggle multiple projects at once and sometimes have more than one gig, which can make it difficult to finish an especially ambitious undertaking such as a novel, a play for the screen or stage, or a well-assembled collection of poems, short stories or essays. Grants and fellowships for authors are often designed to ensure that those authors can afford to concentrate on their writing.

Samuel Ace, a published poet and a visiting lecturer in poetry at Mount Holyoke, says his goal is to show students how to write in an authentic way that conveys real feeling. "It helps students to become more direct, not to bury their thoughts under a cascade of academic language, to be more forthright," he says.

Tips on Choosing Between a Non-Degree or Degree-Based Creative Writing Program

Experts note that someone needs to be ready to get immersed in the writing process and devote significant time to writing projects before pursuing a creative writing degree. Prospective writing students should not sign up for a degree program until they have reached that sense of preparedness, warns Kim Todd, an associate professor at the University of Minnesota College of Liberal Arts and director of its creative writing program.

She says prospective writing students need to think about their personal goals and figure out if a creative writing degree will help them achieve those goals.

Aspiring writers who are not ready to invest in a creative writing degree program may want to sign up for a one-off writing class or begin participating in an informal writing workshop so they can test their level of interest in the field, Todd suggests.

How to Choose and Apply to a Creative Writing Program

In many cases, the most important component of an application to a writing program is the writing portfolio, writing program experts say. Prospective writing students need to think about which pieces of writing they include in their portfolio and need to be especially mindful about which item they put at the beginning of their portfolio. They should have a trusted mentor critique the portfolio before they submit it, experts suggest.

Because creative writing often involves self-expression, it is important for aspiring writing students to find a program where they feel comfortable expressing their true identity.

This is particularly pertinent to aspiring authors who are members of minority groups, including people of color or LGBTQ individuals, says Lawlor, who identifies as queer, transgender and nonbinary.

How to Use a Creative Writing Degree

Creative writing program professors and alumni say creative writing programs cultivate a variety of in-demand skills, including the ability to communicate effectively.

"While yes, many creative writers are idealists and dreamers, these are also typically highly flexible and competent people with a range of personal strengths. And a good creative writing program helps them understand their particular strengths and marketability and translate these for potential employers, alongside the more traditional craft development work," Melissa Ridley Elmes, an assistant professor of English at Lindenwood University in Missouri, wrote in an email.

Elmes – an author who writes poetry, fiction and nonfiction – says creative writing programs force students to develop personal discipline because they have to consistently produce a significant amount of writing. In addition, participating in writing workshops requires writing students "to give and receive constructive feedback," Elmes says.

Cindy Childress, who has a Ph.D. in English from the University of Louisiana—Lafayatte and did a creative writing dissertation where she submitted poetry, says creative writing grads are well-equipped for good-paying positions as advertising and marketing copywriters, speechwriters, grant writers and ghostwriters.

According to the Bureau of Labor Statistics, the median annual compensation for writers and authors was $63,200 as of May 2019.

"I think the Internet, and writing communities online and in social media, have been very helpful for debunking the idea that if you publish a New York Times Bestseller you will have 'made it' and can quit your day job and write full time," Elmes explains. "Unless you are independently wealthy, the odds are very much against you in this regard."

Childress emphasizes that creative writing degree recipients have "skills that are absolutely transferable to the real world." For example, the same storytelling techniques that copywriters use to shape public perceptions about a commercial brand are often taught in introductory creative writing courses, she says. The ability to tell a good story does not necessarily come easily to people who haven't been trained on how to do it, she explains.

Childress says she was able to translate her creative writing education into a lucrative career and start her own ghostwriting and book editing company, where she earns a six-figure salary. She says her background in poetry taught her how to be pithy.

"Anything that we want to write nowadays, particularly for social media, is going to have to be immediately understood, so there is a sense of immediacy," she says."The language has to be crisp and direct and exact, and really those are exactly the same kind of ways you would describe a successful poem."

Searching for a grad school? Access our complete rankings of Best Graduate Schools.

10 Ways to Discover College Essay Ideas

Tags: education , graduate schools , colleges , students

You May Also Like

Get accepted to multiple top b-schools.

Anayat Durrani May 16, 2024

Premeds and Emerging Medical Research

Zach Grimmett May 14, 2024

How to Get a Perfect Score on the LSAT

Gabriel Kuris May 13, 2024

Premeds Take 5 Public Health Courses

Rachel Rizal May 7, 2024

Fortune 500 CEOs With a Law Degree

Cole Claybourn May 7, 2024

Why It's Hard to Get Into Med School

A.R. Cabral May 6, 2024

Pros, Cons of Unaccredited Law Schools

Gabriel Kuris May 6, 2024

An MBA and Management Consulting

Sammy Allen May 2, 2024

Med School Access for Minority Students

Cole Claybourn May 2, 2024

Different jobs with med degree

Jarek Rutz April 30, 2024

Is a Creative Writing Degree Worth It? Let’s Get Into It.

In my day—by which I mean the early 2000s—a creative writing degree was considered one of the less practical academic pursuits, only a little more reasonable than a philosophy degree and a theatre arts degree (which, incidentally, is what I have).

These days, we have a bit more appreciation for what a person can do with some well-rounded creative writing skills. Such a person can write novels and poetry, sure, but they can also compose speeches for politicians, create written content to refresh a major corporation’s brand, and craft compelling ad copy.

There’s no question about it. Creative writing is a skill that earns , depending on how you use it.

But as is the case in a lot of modern industries, we’re starting to see that a degree doesn’t carry the weight it used to. And not having a degree isn’t always a barrier to entry.

So where does that leave aspiring writers? Should you bother to pursue a creative writing degree? If so, what should you be trying to get out of it?

We’re about to go over all the ins and outs of this educational path. We’ll talk about:

• The advantages of pursuing a degree in creative writing
• The different types of creative writing programs
• How to choose the program that’s best for you
• How creative writing is taught
• The career opportunities that come with a creative writing degree

Let’s start by looking at the perks.

Benefits of Pursuing a Creative Writing Degree

I’m about to list the four biggest benefits of attending a creative writing program. But I want to be clear about something:

Every one of these perks is something you can also get without a degree in creative writing.

I don’t say that to discourage you from taking this path. This might still be the best next step for your career. See, the biggest difference between getting a formal education and DIY-ing one isn’t what you learn but how you learn it.

That’s why we’re not just looking at what these four benefits are but also how you achieve them in a creative writing program.

Develop Strong Writing Skills

This is the reason most creative writing students pursue a degree. A good program offers a range of courses to help you sharpen your skills, faculty members who have real-life experience with the publishing industry, and access to visiting writers who can offer additional inspiration and insight .

Most programs incorporate writing workshops where you and your fellow students share and give feedback on your work, all under the guidance of a professor. Many universities also put out literary journals, giving students the opportunity to participate in the publishing process .

And of course, enrolling in a creative writing program ensures that you’ll be constantly writing , which is the best way to sharpen your skills.

Explore Diverse Genres and Styles

A self-guided learner has full authority to choose which areas of writing and literature they’ll explore. This is mostly a good thing, but the benefit of pursuing a creative writing degree is that your professors will see to it that you get familiar with a range of formats, genres , and styles .

This is especially true in undergraduate creative writing programs. Expect to read and analyze a wide spectrum of literature, from ancient epic poems to modern mainstream novels.

Build Your Network

This is such a notable perk that many of my friends who went to graduate school for screenwriting highlight this as the number one benefit.

Of course, you can build a network of peers and mentors without shelling out a ton of money for a formal education. But in a creative writing program, you spend all your time with other writers. You read each other’s work, struggle through the same coursework, and connect on a personal level.

Plus, if you happen to go to a school with a robust alumni network, you might find it easier to connect with those in your industry who share your alma mater after you graduate.

Widen Career Options

There are plenty of writers who don’t have a degree in creative writing—or don’t have a degree at all —who are making a decent living off of their words.

Nevertheless, a formal education can offer a wider range of options. It will give you a better shot with employers who place high value on college degrees or want to know that you have specialized knowledge regarding a specific type of writing.

And if you think you might enjoy teaching creative writing, a degree is a must. 

Types of Creative Writing Degrees

Intrigued? Then let’s explore your options more in depth.

There are several different types of creative writing degrees you can pursue, each with a slightly different focus and different opportunities once you leave school to practice your craft in the real world.

We’ll break this down one by one.

Undergraduate Degrees

It typically takes four years to complete an undergraduate creative writing program, though the timeline can be longer or shorter depending on your schedule and any credits you’ve already earned and transferred over.

We’re covering some general creative writing degrees available at the undergraduate level, but I highly recommend doing additional research. There are several more specific degrees that zero in on a particular aspect of writing, like a Bachelor of Arts in Communication or Journalism.

If you have a clear-cut vision for your writing career, start there and work backward to find the degree that makes sense for you. If you only know that you want to be writing one way or another, start by looking at these three options:

Bachelor of Arts (BA) in Creative Writing

When you pursue a Bachelor of Arts, you can expect to get a well-rounded education that includes writing instruction as well as a balanced emphasis on the sciences and humanities.

It’s a liberal arts degree, basically, and it’s the most common choice for students seeking a creative writing education. 

Bachelor of Fine Arts (BFA) in Creative Writing

BFA programs are much rarer than BA programs, but it’s worth considering one if you want an education that puts a heavy emphasis on the “arts” part.

This type of program focuses less on sciences and humanities. It often includes hands-on writing workshops (more on those in a bit) and is favored by students who fully intend to become authors, playwrights, screenwriters, or poets.

Bachelor of Science (BS) in Writing

If you think you might enjoy applying your creative writing skills to something more scientific or analytical, a BS might be the best option for you.

This is a popular option for students who see themselves getting into technical writing, cultural studies, or communication.

Graduate Degrees

Postgraduate education—or grad school, as the cool kids call it—comes after you’ve earned an undergraduate degree. The most common reasons to seek out a graduate degree in creative writing include:

• You think you might like to teach creative writing at the college level one day
• You earned an undergraduate degree in a different field and now you want to study writing
• You just really want to go deep on this subject

Just as with undergrad degrees, there are highly specific grad programs you can explore. Or you can dive into one of these:

Master of Arts (MA) in Creative Writing

While an MA program doesn’t have the humanities and sciences components of a BA program, it still maintains a balance between participating in the arts and observing them. 

That is to say, you’ll do a ton of writing in this program, but you’ll also read and analyze a fair amount of literature.

Master of Fine Arts (MFA) in Creative Writing

MFA programs tend to be super hands-on, with workshops in which students share and give feedback on each other’s writing. Over the course of the program, you’ll complete a book-length work like a novel or poetry collection.

You also might find that you need more credits to earn an MFA degree than an MA in creative writing. 

PhD in Creative Writing

Now you’re just stalling. Write your book already.

I’m kidding. A PhD is a perfectly reasonable option if you want to study literature and creative writing in great depth. Most students who take their writing education this far are also planning to build a career in academia in addition to being a published author.

PhD programs are extremely rigorous, can last four years, and conclude with a dissertation project.

Writing Workshops vs. Writing Courses

At this point, we should probably discuss the difference between writing courses and workshops in an academic setting. You’ll find both in many programs, but the balance between these two educational experiences will depend on which type of creative writing degree you pursue.

It will also influence your entire learning experience.

What Makes a Course a Course?

A creative writing course is exactly what you think of when you imagine any class in a formal education setting.

In a course, a professor lectures on specific topics, assigns projects, and grades students on their performance. There may be class discussions and even opportunities for students to share and engage with each others’ writing. But the overall structure of a course focuses on conveying information.

What Makes a Workshop a Workshop?

A creative writing workshop is more hands-on. While the professor will share insights and guide discussions, the primary purpose of a workshop is to help students refine their craft. They share their work and give each other feedback.

You see much more of this learning style in BFA and MFA programs, which put greater emphasis on honing creative skills. If you want your writing education to include analyzing literature or studying the business end of publishing, you’ll probably want to look into more course-heavy BA or MA programs.  

Renowned Creative Writing Programs

This is usually when a person wants to know where they should go to get these degrees. What are the best creative writing programs out there?

Really, the best program is the one that fits you. Reputation is just one of many factors you should consider when you decide where to pursue a degree in creative writing. 

That said, it’s always a good move to know the respected institutions in your field. It helps you sound informed at cocktail parties. To that end, here are some of the most revered schools in the world of creative writing (in the U.S., anyway):

• The Iowa Writers’ Workshop
• Brown University
• Columbia University
• Duke University
• Emory University
• Mizzou (Journalism)
• Northwestern University

Choosing the Right Creative Writing Program

If prestige shouldn’t be a top consideration when deciding where to earn a degree in creative writing, what should you prioritize?

Here are a few factors to keep in mind as you research your options:

Career goals - Do you want a program that’s going to prepare you for a job in marketing that pays the bills while you write poetry on the side? Do you want to become a globe-trotting journalist or a high-earning technical writer?

Decide what will be the best degree for you, then zero in on the schools that excel in that area of study.

And don’t forget to consider genre! If you want to earn an MFA but are interested in commercial fiction writing, make sure you find a program that matches your goals. Literary fiction tends to get all the love in higher education.

Faculty - Research who you’ll be learning from. Do they seem like the right folks to guide you on your professional journey?

Curriculum - Learn everything you can about a school’s course options and creative writing majors before you commit. Will you be able to focus on the area of writing that matters most to you? Will the skills you learn help you do fun things in the real world like eat and pay rent?

Location - There are accredited creative writing programs that are entirely online. However, many of your best options will be in-person or low residency . Not only is the location relevant for practical reasons—you have to be able to get there—it can also influence how much you pay to go. 

If you attend a state school in your own state, for example, you can expect to pay less than the out-of-state students.

Results - Do a little digging to find out what graduates say about their experience in the program. What did they like about it? What didn’t they like? Would they say it was worth it? What are they doing with their creative writing degree now?

Cost - You’re probably way ahead of me here, but I’ll mention it, anyway. The less you pay for a degree in creative writing, the greater your return on investment will be. Look at tuition costs, possible scholarships, out-of-state versus in-state expenses, and the local cost of living.

Career Opportunities with a Creative Writing Degree

Maybe you decided long ago that you definitely want to go to college. Maybe for you, the question isn’t whether you want a degree at all but whether a degree in creative writing is a good use of your college fund.

In that case, we should talk career opportunities. What exactly can you do with a creative writing degree?

A lot, as it turns out. In fact, we have this ridiculously long list of jobs that require strong creative writing skills. You can follow the link to explore them in depth, but here’s a quick sample of what’s in there:

• Proofreader
• Content writer
• Technical writer
• Social media writer
• Screenwriter
• Speechwriter
• Literary agent
• Brand strategist
• Corporate communications specialist

That’s really only scratching the surface, and it doesn’t even touch on the ways your writing skills might serve you in less creative professions. I know multiple lawyers with a creative writing degree they credit for making them significantly better at drafting legal arguments. (On the flip side, an alarming number of lawyers become screenwriters or novelists.)

The important thing is to consider different creative writing majors carefully. Between the different schools, degrees, and areas of concentration, you’ve got lots of options and plenty of opportunities to select the education path that leads to your ideal writing career.

Whatever You Do, Keep Learning

Only you can decide if a creative writing degree is the right move for you. Whether you go for it or not, remember that continuous learning is the best thing you can do to ensure a successful and fulfilling writing career.

Keep reading work that inspires you. Build and nurture your writer network. Proactively seek out workshops, seminars, conferences , books, articles… anything you can get your hands on that will help you sharpen your skills.

And while I wouldn’t claim it’s a one-to-one replacement for the Iowa Writers’ Workshop, remember that Dabble is always here for you with a shocking amount of free educational resources and a supportive community in the Story Craft Café .

Peruse the hundreds of articles, templates, and worksheets in DabbleU . Subscribe to our newsletter for weekly guidance delivered straight to your inbox. Download this free, 100-page ebook walking you through the entire novel-writing process.

Even if you need a little more time to decide if you want a degree in creative writing, you can start boosting your skills now.

So what are you waiting for?

Abi Wurdeman is the author of Cross-Section of a Human Heart: A Memoir of Early Adulthood, as well as the novella, Holiday Gifts for Insufferable People. She also writes for film and television with her brother and writing partner, Phil Wurdeman. On occasion, Abi pretends to be a poet. One of her poems is (legally) stamped into a sidewalk in Santa Clarita, California. When she’s not writing, Abi is most likely hiking, reading, or texting her mother pictures of her houseplants to ask why they look like that.

SHARE THIS:

TAKE A BREAK FROM WRITING...

Read. learn. create..

There are countless ways to master the craft of writing. Is a creative writing class really necessary? It depends! Here's everything you ever wanted to know about taking a writing course, plus tips for picking the best class for you.

A character flaw is a fault, limitation, or weakness that can be internal or external factors that affect your character and their life.

A little understanding of copyright law can go a long way when it comes to protecting your work, maximizing your income, and avoiding accidental infringement. Here's a simple, straightforward guide to get you started.

• Enroll & Pay
• Prospective Undergraduate Students
• Prospective Graduate Students
• Current Students

Ph.D. Creative Writing

Ph.d. in creative writing.

A rigorous program that combines creative writing and literary studies, the Ph.D. in Creative Writing prepares graduates for both scholarly and creative publication and teaching. With faculty guidance, students admitted to the Ph.D. program may tailor their programs to their goals and interests.

The creative writing faculty at KU has been widely published and anthologized, winning both critical and popular acclaim. Faculty awards include such distinctions as the Nebula Award, Hugo Award, Osborn Award, Shelley Memorial Award, Gertrude Stein Award, the Kenyon Review Prize, the Kentucky Center Gold Medallion, and the Pushcart Prize.

Regarding admission to both our doctoral and MFA creative writing programs, we will prioritize applicants who are interested in engaging with multiple faculty members to practice writing across genres and forms, from speculative fiction and realism to poetry and playwriting/screenwriting, etc.

The University of Kansas' Graduate Program in Creative Writing also offers an  M.F.A degree .

Opportunities

A GTA appointment includes a tuition waiver for ten semesters plus a competitive stipend. In the first year, GTA appointees teach English 101 (first year composition) and English 102 (a required reading and writing course). Creative Writing Ph.D. students may have the opportunity to teach an introductory course in creative writing after passing the doctoral examination, and opportunities are available for a limited number of advanced GTAs to teach in the summer.

Department Resources

• Graduate Admissions
• Graduate Contacts
• Master of Fine Arts (M.F.A.)

Affiliated Programs

• LandLocked Literary Magazine
• The Project on the History of Black Writing
• Center for the Study of Science Fiction
• Ad-Hoc African/Americanists and Affiliates

Degree Requirements

• At least 24 hours of credit in appropriate formal graduate courses beyond the M.A. or M.F.A. At least 15 hours (in addition to ENGL 800 if not taken for the M.A.) of this course work must be taken from among courses offered by the Department of English at the 700-level and above. English 997 and 999 credits cannot be included among the 24 hours. Students may petition to take up to 6 hours outside the Department.
• ENGL 800: Methods, Theory, and Professionalism (counts toward the 24 required credit hours).
• The ENGL 801/ENGL 802 pedagogy sequence (counts toward the 24 required credit hours).
• Two seminars (courses numbered 900 or above) offered by the Department of English at the University of Kansas, beyond the M.A. or M.F.A. ENGL 998 does not fulfill this requirement.
• ENGL 999, Dissertation (at least 12 hours).

If the M.A. or M.F.A. was completed in KU’s Department of English, a doctoral student may petition the DGS to have up to 12 hours of the coursework taken in the English Department reduced toward the Ph.D.

For Doctoral students,  the university requires completion of a course in responsible scholarship . For the English department, this would be ENGL 800, 780, or the equivalent). In addition, the Department requires reading knowledge of one approved foreign language: Old English, French, German, Spanish, Italian, Russian, Japanese, Greek, Latin, or Hebrew. Upon successful petition, a candidate may substitute reading knowledge of another language or research skill that is studied at the University or is demonstrably appropriate to the candidate’s program of study.

Doctoral students must fulfill the requirement  before  they take their doctoral examination, or be enrolled in a reading course the same semester as the exam. Students are permitted three attempts at passing each foreign language or research skill. Three methods of demonstrating reading knowledge for all approved languages except Old English are acceptable:

• Presenting 16 hours, four semesters, or the equivalent of undergraduate credit, earned with an average of C or better.
• Passing a graduate reading course at the University of Kansas or peer institution (e.g., French 100, German 100, etc.) with a grade of C or higher. In the past, some of these reading courses have been given by correspondence; check with the Division of Continuing Education for availability.
• Passing a translation examination given by a designated member of the English Department faculty or by the appropriate foreign language department at KU. The exam is graded pass/fail and requires the student to translate as much as possible of a representative text in the foreign language in a one-hour period, using a bilingual dictionary.
• Passing a translation examination given by the appropriate foreign language department at the M.A.-granting institution. Successful completion must be reflected either on the M.A. transcript or by a letter from the degree-granting department.

To fulfill the language requirement using Old English, students must successfully complete ENGL 710 (Introduction to Old English) and ENGL 712 (Beowulf).

Post-Coursework Ph.D. students must submit, with their committee chair(s), an annual review form to the DGS and Graduate Committee.

Doctoral students must take their doctoral examination within three semesters (excluding summers) of the end of the semester in which they took their final required course. If a student has an Incomplete, the timeline is not postponed until the Incomplete is resolved. For example, a student completing doctoral course work in Spring 2018 will need to schedule their doctoral exam no later than the end of Fall semester 2019. Delays may be granted by petition to the Graduate Director in highly unusual circumstances. Failure to take the exam within this time limit without an approved delay will result in the student’s falling out of good standing. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

A student may not take their doctoral exam until the university’s Research Skills and Responsible Scholarship requirement is fulfilled (ENGL 800 or equivalent and reading knowledge of one foreign language or equivalent).

Requirements for Doctoral Exams

Reading Lists: 

All students are required to submit three reading lists, based on the requirements below, to their committee for approval. The doctoral exam will be held on a date at least twelve weeks after the approval from the whole committee is received. To facilitate quick committee approval, students may copy the graduate program coordinator on the email to the committee that contains the final version of the lists. Committee members may then respond to the email in lieu of signing a printed copy. Students should work with their committee chair and graduate program coordinator to schedule the exam at the same time as they finalize the lists.

During the two-hour oral examination (plus an additional 15-30 minutes for a break and committee deliberation), a student will be tested on their comprehension of a literary period or movement, including multiple genres and groups of authors within that period or movement. In addition, the student will be tested on two of the following six areas of study:

• An adjacent or parallel literary period or movement,
• An author or group of related authors,
• Criticism and literary theory,
• Composition theory, and
• English language.

No title from any field list may appear on either of the other two lists. See Best Practices section for more details on these six areas. See below for a description of the Review of the Dissertation Proposal (RDP), which the candidate takes the semester after passing the doctoral exam. 

While many students confer with the DGS as they begin the process of developing their lists, they are also required to submit a copy of their final exam list to the DGS. Most lists will be left intact, but the DGS might request that overly long lists be condensed, or extremely short lists be expanded.

Review of Literature

The purpose of the Review of Literature is to develop and demonstrate an advanced awareness of the critical landscape for each list. The student will write an overview of the defining attributes of the field, identifying two or three broad questions that animate scholarly discussion, while using specific noteworthy texts from their list ( but not all texts on the list ) as examples.

The review also must accomplish the following:

• consider the historical context of major issues, debates, and trends that factor into the emergence of the field
• offer a historical overview of scholarship in the field that connects the present to the past
• note recent trends and emergent lines of inquiry
• propose questions about (develop critiques of, and/or identify gaps in) the field and how they might be pursued in future study (but not actually proposing or referencing a dissertation project)

For example, for a literary period, the student might include an overview of primary formal and thematic elements, of the relationship between literary and social/historical developments, of prominent movements, (etc.), as well as of recent critical debates and topics.

For a genre list, the Review of Literature might include major theories of its constitution and significance, while outlining the evolution of these theories over time.

For a Rhetoric and Composition list, the review would give an overview of major historical developments, research, theories, methods, debates, and trends of scholarship in the field.

For an English Language Studies (ELS) list, the review would give an overview of the subfields that make up ELS, the various methodological approaches to language study, the type of sources used, and major aims and goals of ELS. The review also usually involves a focus on one subfield of particular interest to the student (such as stylistics, sociolinguistics, or World/Postcolonial Englishes).

Students are encouraged to divide reviews into smaller sections that enhance clarity and organization. Students are not expected to interact with every text on their lists.

The review of literature might be used to prepare students for identifying the most important texts in the field, along with why those texts are important to the field, for the oral exam. It is recommended for students to have completed reading the bulk of (if not all) texts on their lists before writing the ROL.

The Reviews of Literature will not be produced in an exam context, but in the manner of papers that are researched and developed in consultation with all advisors/committee members,  with final drafts being distributed within a reasonable time for all members to review and approve in advance of the 3-week deadline . While the Review of Literature generally is not the focus of the oral examination, it is frequently used as a point of departure for questions and discussion during the oral examination.

Doctoral Exam Committee

Exam committees typically consist of 3 faculty members from the department—one of whom serves as the Committee Chair—plus a Graduate Studies Representative.  University policy dictates the composition of exam committees . Students may petition for an exception for several committee member situations, with the exception of  the Graduate Studies Representative .

If a student wants to have as a committee member a person outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and Graduate Studies. Requests for exam/defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status

Remote participation of committee members via technology

Students with committee members who plan to attend the defense via remote technology must be aware of  college policy on teleconferencing/remote participation of committee members .

A majority of committee members must be physically present for an examination to commence; for doctoral oral examinations this requirement is 2 of the 4 members, for master’s oral examinations the requirement is 2 of the 3 members. In addition, it is required that the student being examined, the chair of the committee, and the Graduate Studies Representative all be physically present at the examination or defense. Mediated attendance by the student, chair and Grad Studies Rep is prohibited.

The recommended time between completion of coursework and the doctoral examination is two semesters.

Final exam lists need to be approved and signed by the committee at least 12 weeks prior to the prospective exam date. This includes summers/summer semesters. The lists should then be submitted to the Graduate Program Coordinator. Reviews of Literature need to be approved and signed by the committee at least 3 weeks prior to the exam date. Failure to meet this deadline will result in rescheduling the exam. No further changes to lists or Reviews of Literature will be allowed after official approval. The three-week deadline is the faculty deadline--the last date for them to confirm receipt of the ROLs and confer approval--not necessarily the student deadline for submitting the documents to the faculty. Please keep that timing in mind and allow your committee adequate time to review the materials and provide feedback.

Students taking the Doctoral Exam are allowed to bring their text lists, the approved Reviews of Literature, scratch paper, a writing utensil, and notes/writing for an approximately 5-minute introductory statement to the exam. (This statement does not need to lay out ideas or any aspect of the dissertation project.)

Each portion of the oral examination must be deemed passing before the student can proceed to the Review of the Dissertation Proposal. If a majority of the committee judges that the student has not answered adequately on one of the three areas of the exam, the student must repeat that portion in a separate oral exam of one hour, to be taken as expeditiously as possible.  Failure in two areas constitutes failure of the exam and requires a retake of the whole.  The doctoral examining committee will render a judgment of Satisfactory or Unsatisfactory on the entire examination. A student who fails the exam twice may, upon successful petition to the Graduate Committee, take it a third and final time.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the exam. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The doctoral oral examination has the following purposes:

• To establish goals, tone, and direction for the pursuit of the Ph.D. in English for the Department and for individual programs of study;
• To make clear the kinds of knowledge and skills that, in the opinion of the Department, all well-prepared holders of the degree should have attained;
• To provide a means for the Department to assess each candidate’s control of such knowledge and skills in order to certify that the candidate is prepared to write a significant dissertation and enter the profession; and
• To enable the Department to recommend to the candidate areas of strength or weakness that should be addressed.

In consultation with the Graduate Director, a student will ask a member of the Department’s graduate faculty (preferably their advisor) to be the chairperson of the examining committee. The choice of examination committee chair is very important, for that person’s role is to assist the candidate in designing the examination structure, preparing the Review of Literature (see below), negotiating reading lists and clarifying their purposes, and generally following procedures here outlined. The other three English Department members of the committee will be chosen in consultation with the committee chair. (At some point an additional examiner from outside the Department, who serves as the Graduate School representative, will be invited to join the committee). Any unresolved problems in negotiation between a candidate and their committee should be brought to the attention of the Graduate Director, who may choose to involve the Graduate Committee. A student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the examining committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

Reading Lists

Copies of some approved reading lists and Reviews of Literature are available from the Graduate Secretary and can be found on the U: drive if you are using a computer on campus. Despite the goal of fairness and equity, some unavoidable unevenness and disparity will appear in the length of these lists. It remains, however, the responsibility of the examining committee, and especially the student’s chair, to aim toward consonance with the most rigorous standards and expectations and to insure that areas of study are not unduly narrow.

To facilitate quick committee approval, students may copy the graduate secretary on the email to the committee that contains the final version of the lists and reviews of literature. Committee members may then respond to the email in lieu of signing a printed copy.

Comprehension of a literary period (e.g., British literature of the 18th century; Romanticism; US literature of the 19th century; Modernism) entails sufficient intellectual grasp of both the important primary works of and secondary works on the period or movement to indicate a student’s ability to teach the period or movement and undertake respectable scholarship on it.

Comprehension of an author or group of related authors (e.g., Donne, the Brontës, the Bloomsbury Group, the Black Mountain Poets) entails knowledge, both primary and secondary, of a figure or figures whose writing has generated a significant body of interrelated biographical, historical, and critical scholarship.

Comprehension of one of several genres (the short story, the lyric poem, the epistolary novel). To demonstrate comprehension of a genre, a student should possess sufficient depth and breadth of knowledge, both primary and secondary, of the genre to explain its formal characteristics and account for its historical development.

Comprehension of criticism and literary theory entails a grasp of fundamental conceptual problems inherent in a major school of literary study (e.g., historicist, psychoanalytic, feminist, poststructuralist, etc.). To demonstrate comprehension of that school of criticism and literary theory, a student should be able to discuss changes in its conventions and standards of interpretation and evaluation of literature from its beginning to the present. Students will be expected to possess sufficient depth and breadth of theoretical knowledge to bring appropriate texts and issues to bear on questions of literary study.

Comprehension of composition theory entails an intellectual grasp of fundamental concepts, issues, and theories pertaining to the study of writing. To demonstrate comprehension of composition theory, students should be able to discuss traditional and current issues from a variety of perspectives, as well as the field’s historical development from classical rhetoric to the present.

Comprehension of the broad field of English language studies entails a grasp of the field’s theoretical concepts and current issues, as well as a familiarity with significant works within given subareas. Such subareas will normally involve formal structures (syntax, etc.) and history of the English language, along with other subareas such as social linguistics, discourse analysis, lexicography, etc. Areas of emphasis and specific sets of topics will be arranged through consultation with relevant faculty.

Ph.D. candidates must be continuously enrolled in Dissertation hours each Fall and Spring semester from the time they pass the doctoral examination until successful completion of the final oral examination (defense of dissertation).

• Students enroll for a minimum of 6 hours each Fall and Spring semester until the total of post-doctoral exam Dissertation hours is 18. One hour each semester must be ENGL 999. In order to more quickly reach the 18-hour minimum, and to be sooner eligible for GRAships, it is highly recommended that students enroll in 9 hours of Dissertation in the Spring and Fall semesters. 
• Once a student has accumulated 18 post-doctoral exam  hours, each subsequent enrollment will be for a number of hours agreed upon as appropriate between the student and their advisor, the minimal enrollment each semester being 1 hour of ENGL 999.
• A student must be enrolled in at least one hour of credit at KU during the semester they graduate. Although doctoral students must be enrolled in ENGL 999 while working on their dissertations, per current CLAS regulations, there is no absolute minimum number of ENGL 999 hours required for graduation.
• Students who live and work outside the Lawrence area may, under current University regulations, have their fees assessed at the Field Work rate, which is somewhat lower than the on-campus rate. Students must petition the College Office of Graduate Affairs before campus fees will be waived.

Please also refer to  the COGA policy on post-exam enrollment  or the  Graduate School’s policy .

As soon as possible following successful completion of the doctoral exam, the candidate should establish their three-person core dissertation committee, and then expeditiously proceed to the preparation of a dissertation proposal.  Within the semester following completion of the doctoral exam , the student will present to their core dissertation committee a written narrative of approximately  10-15 pages , not including bibliography, of the dissertation proposal. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to take the review , students will work with their committee chair and the graduate program coordinator to schedule the 90-minute RDP. Copies of this proposal must be submitted to the members of the dissertation committee and Graduate Program Coordinator no later than  three weeks prior  to the scheduled examination date.

In the proposal, students will be expected to define: the guiding question or set of questions; a basic thesis (or hypothesis); how the works to be studied or the creative writing produced relate to that (hypo)thesis; the theoretical/methodological model to be followed; the overall formal divisions of the dissertation; and how the study will be situated in the context of prior scholarship (i.e., its importance to the field). The narrative section should be followed by a bibliography demonstrating that the candidate is conversant with the basic theoretical and critical works pertinent to the study. For creative writing students, the proposal may serve as a draft of the critical introduction to the creative dissertation. Students are expected to consult with their projected dissertation committee concerning the preparation of the proposal.

The review will focus on the proposal, although it could also entail determining whether or not the candidate’s knowledge of the field is adequate to begin the composition process. The examination will be graded pass/fail. If it is failed, the committee will suggest areas of weakness to be addressed by the candidate, who will rewrite the proposal and retake the review  by the end of the following semester . If the candidate abandons the entire dissertation project for another, a new RDP will be taken. (For such a step to be taken, the change would need to be drastic, such as a move to a new field or topic. A change in thesis or the addition or subtraction of one or even several works to be examined would not necessitate a new proposal and defense.)  If the student fails to complete the Review of the Dissertation Proposal within a year of the completion of the doctoral exams, they will have fallen out of departmental good standing.  For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

After passing the Review of the Dissertation Proposal, the student should forward one signed copy of the proposal to the Graduate Program Coordinator. The RDP may last no longer than 90 minutes.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the review. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The Graduate Catalog states that the doctoral candidate “must present a dissertation showing the planning, conduct and results of original research, and scholarly creativity.” While most Ph.D. candidates in the Department of English write dissertations of a traditional, research-oriented nature, a creative writing candidate may elect to do a creative-writing dissertation involving fiction, poetry, drama or nonfiction prose.  Such a dissertation must also contain a substantial section of scholarly research related to the creative writing.  The precise nature of the scholarly research component should be determined by the candidate in consultation with the dissertation committee and the Graduate Director. Candidates wishing to undertake such a dissertation must complete all Departmental requirements demanded for the research-oriented Ph.D. degree.

Scholarly Research Component (SRC)

The Scholarly Research Component (SRC) of the creative-writing dissertation is a separate section of the dissertation than the creative work. It involves substantial research and is written in the style of academic prose. It should be 15-20 pages and should cite at least 20 sources, some of which should be primary texts, and many of which should be from the peer-reviewed secondary literature. The topic must relate, in some way, to the topic, themes, ideas, or style of the creative portion of the dissertation; this relation should be stated in the Dissertation Proposal, which should include a section describing the student’s plans for the SRC. The SRC may be based on a seminar paper or other work the student has completed prior to the dissertation; but the research should be augmented, and the writing revised, per these guidelines. The SRC is a part of the dissertation, and as such will be included in the dissertation defense.

The SRC may take two general forms:

1.) An article, publishable in a peer-reviewed journal or collection, on a specific topic related to an author, movement, theoretical issue, taxonomic issue, etc. that has bearing on the creative portion. The quality of this article should be high enough that the manuscript could be submitted to a peer-reviewed publication, with a plausible chance of acceptance.

2.) A survey . This survey may take several different forms:

• A survey of a particular aspect of the genre of the creative portion of the dissertation (stylistic, national, historical, etc.)
• An introduction to the creative portion of the dissertation that explores the influences on, and the theoretical or philosophical foundations or implications of the creative work
• An exploration of a particular technical problem or craft issue that is salient in the creative portion of the dissertation
• If the creative portion of the dissertation includes the results of research (e.g., historical novel, documentary poetry, research-based creative nonfiction), a descriptive overview of the research undertaken already for the dissertation itself
• A combination of the above, with the prior approval of the student’s dissertation director.

The dissertation committee will consist of at least four members—two “core” English faculty members, a third faculty member (usually from English), and one faculty member from a different department who serves as the Graduate Studies representative. The committee may include (with the Graduate Director’s approval) members from other departments and, with the approval of the University’s Graduate Council, members from outside the University. If a student wants to have a committee member from outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and the Office of Graduate Studies. Requests for defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status.

The candidate’s preferences as to the membership of the dissertation committee will be carefully considered; the final decision, however, rests with the Department and with the Office of Graduate Studies. All dissertation committees must get approval from the Director of Graduate Studies before scheduling the final oral exam (defense). Furthermore, any changes in the make-up of the dissertation committee from the Review of the Dissertation Proposal committee must be approved by the Director of Graduate Studies.

Once the dissertation proposal has passed and the writing of the dissertation begins, membership of the dissertation committee should remain constant. However, under extraordinary circumstances, a student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the dissertation committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

If a student does not make progress during the dissertation-writing stage, and accumulates more than one “Limited Progress” and/or “No Progress” grade on their transcript, they will fall out of good standing in the department. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices

Final Oral Exam (Dissertation Defense)

When the dissertation has been tentatively accepted by the dissertation committee (not including the Graduate Studies Representative), the final oral examination will be held, on the recommendation of the Department. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to defend the dissertation, students should work with their committee chair and graduate program coordinator to schedule it.

Although the dissertation committee is responsible for certification of the candidate, any member of the graduate faculty may be present at the examination and participate in the questioning, and one examiner—the Graduate Studies Representative—must be from outside the Department. The Graduate Secretary can help students locate an appropriate Grad Studies Rep. The examination normally lasts no more than two hours. It is the obligation of the candidate to advise the Graduate Director that they plan to take the oral examination; this must be done at least one month before the date proposed for the examination.

At least three calendar weeks prior to the defense date, the student will submit the final draft of the dissertation to all the committee members (including the GSR) and inform the Graduate Program Coordinator. Failure to meet this deadline will necessitate rescheduling the defense.  The final oral examination for the Ph.D. in English is, essentially, a defense of the dissertation. When it is passed, the dissertation itself is graded by the dissertation director, in consultation with the student’s committee; the student’s performance in the final examination (defense) is graded by the entire five-person committee

Students cannot bring snacks, drinks, treats, or gifts for committee members to the defense. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student defenses but not others

These sets of attributes are adapted from the Graduate Learner Outcomes that are a part of our Assessment portfolio. “Honors” should only be given to dissertations that are rated “Outstanding” in all or most of the following categories:

• Significant and innovative plot/structure/idea/focus. The writer clearly places plot/structure/idea/focus in context.
• Thorough knowledge of literary traditions. Clear/flexible vision of the creative work produced in relation to those literary traditions.
• Introduction/Afterword is clear, concise, and insightful. A detailed discussion of the implications of the project and future writing projects exists.
• The creative dissertation reveals the doctoral candidate’s comprehensive understanding of poetics and/or aesthetic approach. The application of the aesthetic approach is innovative and convincing.
• The creative dissertation represents original and sophisticated creative work.
• The creative dissertation demonstrates thematic and/or aesthetic unity.

After much discussion about whether the “honors” designation assigned after the dissertation defense should be for the written product only, for the defense/discussion only, for both together, weighted equally, or eradicated altogether, the department voted to accept the Graduate Committee recommendation that “honors” only apply to the written dissertation. "Honors" will be given to dissertations that are rated "Outstanding" in all or most of the categories on the dissertation rubric.

Normally, the dissertation will present the results of the writer’s own research, carried on under the direction of the dissertation committee. This means that the candidate should be in regular contact with all members of the committee during the dissertation research and writing process, providing multiple drafts of chapters, or sections of chapters, according to the arrangements made between the student and each faculty member. Though accepted primarily for its scholarly merit rather than for its rhetorical qualities, the dissertation must be stylistically competent. The Department has accepted the MLA Handbook as the authority in matters of style. The writer may wish to consult also  the Chicago Manual of Style  and Kate L. Turabian’s  A Manual for Writers of Dissertations, Theses, and Term Papers .

Naturally, both the student and the dissertation committee have responsibilities and obligations to each other concerning the submitting and returning of materials. The student should plan on working steadily on the dissertation; if they do so, they should expect from the dissertation committee a reasonably quick reading and assessment of material submitted.

Students preparing their dissertation should be showing chapters to their committee members as they go along, for feedback and revision suggestions. They should also meet periodically with committee members to assess their progress. Prior to scheduling a defense, the student is encouraged to ask committee members whether they feel that the student is ready to defend the dissertation. Ideally, the student should hold the defense only when they have consulted with committee members sufficiently to feel confident that they have revised the dissertation successfully to meet the expectations of all committee members.

Students should expect that they will need to revise each chapter at least once. This means that all chapters (including introduction and conclusion) are shown to committee members once, revised, then shown to committee members again in revised form to assess whether further revisions are needed, prior to the submitting of the final dissertation as a whole. It is not unusual for further revisions to be required and necessary after the second draft of a chapter; students should not therefore simply assume that a second draft is necessarily “final” and passing work.

If a substantial amount of work still needs to be completed or revised at the point that the dissertation defense is scheduled, such a defense date should be regarded as tentative, pending the successful completion, revision, and receipt of feedback on all work. Several weeks prior to the defense, students should consult closely with their dissertation director and committee members about whether the dissertation as a whole is in a final and defensible stage. A project is ready for defense when it is coherent, cohesive, well researched, engages in sophisticated analysis (in its entirety or in the critical introduction of creative dissertations), and makes a significant contribution to the field. In other words, it passes each of the categories laid out in the Dissertation Rubric.

If the dissertation has not clearly reached a final stage, the student and dissertation director are advised to reschedule the defense.

Prior Publication of the Doctoral Dissertation

Portions of the material written by the doctoral candidate may appear in article form before completion of the dissertation. Prior publication does not ensure the acceptance of the dissertation by the dissertation committee. Final acceptance of the dissertation is subject to the approval of the dissertation committee. Previously published material by other authors included in the dissertation must be properly documented.

Each student beyond the master’s degree should confer regularly with the Graduate Director regarding their progress toward the doctoral examination and the doctorate.

Doctoral students may take graduate courses outside the English Department if, in their opinion and that of the Graduate Director, acting on behalf of the Graduate Committee, those courses will be of value to them. Their taking such courses will not, of course, absolve them of the responsibility for meeting all the normal departmental and Graduate School requirements.

Doctoral students in creative writing are strongly encouraged to take formal literature classes in addition to forms classes. Formal literature classes, by providing training in literary analysis, theory, and/or literary history, will help to prepare students for doctoral exams (and future teaching at the college level).

FALL SEMESTER            

• GTAs take 2 courses (801 + one), teach 2 courses; GRAs take 3 courses.
• Visit assigned advisor once a month to update on progress & perceptions. 1st-year advisors can assist with selecting classes for the Spring semester, solidifying and articulating a field of specialization, advice about publishing, conferences, professionalization issues, etc.

SPRING SEMESTER

• GTAs take 2 courses (780/800/880 + one), teach 2 courses. GTAs also take ENGL 802 for 1 credit hour. GRAs take 3 courses.
• Visit assigned advisor or DGS once during the semester; discuss best advisor choices for Year 2.

SUMMER SEMESTER

• Enroll in Summer Institute if topic and/or methodology matches interests.
• Consider conferences suited to your field and schedule; choose a local one for attendance in Year 2 and draft an Abstract for a conference paper (preferably with ideas/materials/ writing drawn from a seminar paper).  Even if abstract is not accepted, you can attend the conference without the pressure of presenting.
• Attend at least one conference to familiarize yourself with procedure, network with other grad students and scholars in your field, AND/OR present a paper.

FALL SEMESTER

• Take 2 courses, teach 2 courses.
• Visit advisor in person at least once during the semester.

WINTER BREAK

• Begin revising one of your seminar papers/independent study projects/creative pieces for submission to a journal; research the journals most suited to placement of your piece.
• Begin thinking about fields and texts for comprehensive examinations.
• Choose an advisor to supervise you through the doctoral examination process.
• Visit assigned 1st-year advisor in person at least once during the semester (at least to formally request doctoral exam supervision OR to notify that you are changing advisors).
• Summer teaching, if eligible.
• Continue revising paper/creative writing for submission to a journal.
• Begin reading for comprehensive exams.
• Attend one conference and present a paper. Apply for one-time funding for out-of-state travel  from Graduate Studies .
• Teach 2 courses; take 997 (exam prep).
• Finalize comps list by end of September; begin drafting rationales.
• Circulate the draft of your article/creative piece to your advisor, other faculty in the field, and/or advanced grad students in the field for suggestions.
• Revise article/creative piece with feedback from readers.
• Teach 2 courses; take 997 or 999 (dissertation hours). Enroll in 999 if you plan to take your comps this semester, even if you don’t take them until the last day of classes.
• Take comps sometime between January and May.
• Summer teaching, if available.
• Submit article/creative work for publication.
• Continuous enrollment after completing doctoral exam (full policy on p. 20)
• Research deadlines for grant applications—note deadlines come early in the year.
• Attend one conference and present a paper.
• Teach 2 courses, take 999.
• Compose dissertation proposal by November.
• Schedule Review of Dissertation Proposal (RDP—formerly DPR).
• Apply for at least one grant or fellowship, such as a departmental-level GRAship or dissertation fellowship. (Winning a full-year, non-teaching fellowship can cut down your years-to-degree to 5 ½, or even 5 years.)
• Conduct research for and draft at least 1 dissertation chapter.
• Conduct research and complete a draft of at least 1 dissertation chapter.
• Revise & resubmit journal article, if necessary.
• Attend 1st round of job market meetings with Job Placement Advisor (JPA) to start drafting materials and thinking about the process.
• Research and complete a draft of at least 1 dissertation chapter, if teaching (1-2 chapters if not).
• Visit dissertation chair  and  committee members in person at least once during the semester.
• Research and complete a draft of at least 1 dissertation chapter (1-2 chapters if not teaching).
• Apply for a departmental grant or fellowship, or, if already held, try applying for one from outside the department, such as those offered by KU’s Hall Center for the Humanities or the Office of Graduate Studies. For  a monthly list of funding opportunities , visit the Graduate Studies website.
• Research and complete a draft of at least 1 dissertation chapter.
• Attend job market meetings with JPA in earnest.
• Apply for external grants, research fellowships, postdoctoral positions with fall deadlines (previous fellowship applications, your dissertation proposal, and subsequent writing should provide a frame so that much of the application can be filled out with the “cut & paste” function).
• Research and complete a draft of at least 1 dissertation chapter (1-2 if not teaching).
• Visit dissertation chair and committee members in person at least once during the semester.
• Polish dissertation chapters.
• Apply for grants and fellowships with spring deadlines.
• Defend dissertation.

Creative Writing Faculty

• Associate Professor

• Professor of English & Environmental Studies

• Assistant Professor

Graduate Student Handbook

PhD in Creative Writing

Program overview.

The PhD in Creative Writing and Literature is a four-year course of study. Following two years of course work that includes workshop, forms classes, pedagogical training, and literature, students take exams in two areas, one that examines texts through the lens of craft and another that examines them through the lens of literary history and theory. Recent examples of the genre area include Comic Fiction, History of the Love Lyric, and Fantasy; recent examples of the scholarly area include History of the Novel, 20th Century American Poetry, and Modern & Contemporary British Fiction. In the first two years, students take three courses per semester; the teaching load throughout the program is one class per semester. Every PhD student has the opportunity to teach creative writing, with many also teaching literature classes. Most students are funded by teaching, with two or three at a time funded by editorial work at  The Cincinnati Review or Acre Books, and others funded in their dissertation year by college- or university-level fellowships. Fifth-year support, while not guaranteed, has generally been available to interested students in the form of student lecturerships, which carry a 2-2 load. The Creative Writing PhD at the University of Cincinnati has maintained over the last decade more than a 75% placement rate into full-time academic jobs for its doctoral graduates. Two-thirds of these positions are tenure-track.

Application Information

• Exam Areas and Committee
• Doctoral Candidacy Form
• Foreign Language
• Exam Procedures
• Dissertations
• Applying for Fifth-Year Funding
• Working for The Cincinnati Review
• Teaching Opportunities
• All Creative Writing Graduate Courses
• Archive of Technique & Form Courses

King's College London

Creative writing research phd.

Key information

The PhD in Creative Writing at King’s is a practice-led course, incorporating taught elements and aspects of professional development. It is designed to cater for talented, committed writers who are looking to complete a book-length creative work for publication and sustain a long-term career in writing.

Key Benefits

Our unique programme offers students:

• a varied, structured framework for the development of their creative work, with regular feedback from experienced author-lecturers in the department through supervision and workshops
• purposeful engagement with professionals from the publishing and performance industries throughout the course, building potential routes to publication
• valuable teaching experience in creative writing at HE-level through our Graduate Teaching Assistantship scheme
• practical experience in public engagement, through curating and chairing public literary events at King’s
• a community of fellow writers and collaborative projects

English Department

We have over 100 doctoral students from all over the world working on a wide range of projects. Together with our community of postdoctoral fellows, our early career researchers both organise and participate in our thriving seminar and conference culture.

The English department is home to award-winning novelists, poets, essayists, biographers, non-fiction authors, and literary critics, who supervise creative projects at doctoral level within their specialisms.

Works by our staff have won or been shortlisted for a number of literary accolades, including: the T.S. Eliot Prize, the Forward Prize, the Man Booker Prize, the Sunday Times Young Writer of the Year, the Costa First Novel Award, the Costa Poetry Award, the Somerset Maugham Award, the Commonwealth Book Prize, the Biographers’ Club / Slightly Foxed First Biography Prize, the U.S. National Book Critics Circle Award, the CWA Gold Dagger Award, the European Union Prize for Literature, the RSL Encore Award, the Los Angeles Times Book Award, the E.M. Forster Award from the American Academy of Letters, le Prix du Roman Fnac, le Prix du Roman Etranger, the Kiriyama Prize, the Republic of Consciousness Prize, the Royal Society of Literature’s Encore Award, and the OCM Bocas Prize for Caribbean Literature. Many of the creative writing staff are Fellows of the Royal Society of Literature.

Their most recent publications are:

Benjamin Wood

The Young Accomplice (Penguin Viking, 2022) – fiction

A Station on the Path to Somewhere Better (Scribner, 2018) – fiction

Edmund Gordon

The Invention of Angela Carter (Chatto & Windus, 2016) – creative non-fiction

Loop of Jade (Chatto & Windus, 2015) – poetry

Anthony Joseph

Sonnets for Albert (Bloomsbury Publishing, 2022) – poetry

The Frequency of Magic (Peepal Tree Press, 2019) – fiction

Lara Feigel

The Group (John Murray Press, 2020) – fiction

Free Woman: Life, Liberation and Doris Lessing (Bloomsbury, 2018) – creative non-fiction

Homing: On Pigeons, Dwellings, and Why We Return (John Murray Press, 2019) – creative non-fiction

Daughters of the Labyrinth (Corsair, 2021) – fiction

Beethoven Variations: Poems on a Life (Chatto & Windus, 2020) – poetry

Emerald (Chatto & Windus, 2018) – poetry

Andrew O'Hagan

Mayflies (Faber & Faber, 2020) – fiction

The Secret Life: Three True Stories (Faber & Faber, 2017) – creative non-fiction

*may vary according to research leave and availability.

King's Alumni

The list of King’s alumni not only features many acclaimed contemporary authors—Michael Morpurgo, Alain de Botton, Hanif Kureishi, Marina Lewycka, Susan Hill, Lawrence Norfolk, Ross Raisin, Alexander Masters, Anita Brookner, and Helen Cresswell—it also includes major figures in literature, such as Maureen Duffy, Arthur C Clarke, Thomas Hardy, Christopher Isherwood, BS Johnson, John Keats, W. Somerset Maugham, and Virginia Woolf.

Course Detail

Our postgraduate writing students are given a supportive environment in which to enhance their technique, to explore the depths of their ideas, to sustain their creative motivation, and to prepare them for the demands of the writer’s life beyond the College.

At King's we know that writing well requires self-discipline and an ability to work productively in isolation; but we also appreciate that postgraduate writers thrive when they are part of a community of fellow authors, an environment of constructive criticism and shared endeavour.

That is why we offer our PhD students the guidance of knowledgeable and experienced practitioners. They will have frequent opportunities to interact and collaborate with peers and forge lasting connections within London’s writing industry.

Students will be expected to attend the quarterly Thesis Workshop, and also to take an active part in curating literary events at King’s, including the Poetry And… quarterly reading series. They will be invited to apply for positions teaching undergraduate creative writing modules as part of the Department’s Graduate Teaching Assistantship (GTA) scheme.

After three years (full-time) or six years (part-time), students are expected to submit either:

• a novel or short story collection
• a poetry collection
• a full-length work of creative non-fiction

In addition, they are also required to submit an essay (up to 15,000 words) that examines their practical approach to the conception, development, and revision of their project, and which explores how their creative work was informed by research (archival, book-based, or experiential).

• How to apply
• Fees or Funding

Many of our incoming students apply for AHRC funding via the London Arts and Humanities Partnership. Please see their website ( www.lahp.ac.uk ) for more detail of deadlines, application procedure and awards available. Also the ‘Student Funding’ section of the Prospectus will give you more information on other scholarships available from King’s.

UK Tuition Fees 2023/24

Full time tuition fees:

£5,820 per year (MPhil/PhD, Creative Writing)

Part time tuition fees:

£2,910 per year (MPhil/PhD, Creative Writing)

International Tuition Fees 2023/24

£22,900 per year (MPhil/PhD, Creative Writing)

£11,450 per year (MPhil/PhD, Creative Writing)

UK Tuition Fees 2024/25

£6,168 per year (MPhil/PhD, Creative Writing)

£3,084 per year (MPhil/PhD, Creative Writing)

International Tuition Fees 2024/25

£24,786 per year (MPhil/PhD, Creative Writing)

£12,393 per year (MPhil/PhD, Creative Writing)

These tuition fees may be subject to additional increases in subsequent years of study, in line with King’s terms and conditions.

• Study environment

Base campus

Strand Campus

Located on the north bank of the River Thames, the Strand Campus houses King's College London's arts and sciences faculties.

PhD in Creative Writing students are taught through one-to-one sessions with an appointed supervisor in their chosen specialism (fiction, creative non-fiction, or poetry) as well as through quarterly thesis workshops. They are also appointed a second supervisor whose role is to offer an additional perspective on the work being produced.

We place great emphasis on pastoral care and are a friendly and welcoming department in the heart of London. Our home in the Virginia Woolf Building offers many spaces for postgraduate students to work and socialise. Studying in London means students have access to a huge range of libraries from the Maughan Library at King’s to the Senate House Library at the University of London and the British Library.

Our PhD Creative Writing students are taught exclusively by practicing, published writers of international reputation. These include:

Benjamin Wood (Senior Lecturer in Creative Writing)

Supervises projects in fiction.

Edmund Gordon (Senior Lecturer in Creative Writing)

Supervises projects in fiction and creative non-fiction.

Sarah Howe (Lecturer in Poetry)

Supervises projects in poetry.

Anthony Joseph (Lecturer in Creative Writing)

Supervises projects in poetry and fiction.

Jon Day (Senior Lecturer in English)

Supervises projects in creative non-fiction and fiction

Lara Feigel (Professor of Modern Literature)

Supervises projects in creative non-fiction and fiction.

Ruth Padel (Professor Emerita of Poetry)

Andrew O’Hagan (Visiting Professor)

*Teaching staff may vary according to research leave and availability.

Our programme also incorporates the following taught components:

Thesis Workshop

A termly writing seminar for the discussion and appraisal of works-in-progress. These are taught on a rotational basis by all members of the creative writing staff, so that students get the benefit of hearing a range of voices and opinions on their work throughout the course.

The Writing Life

A suite of exclusive guest talks and masterclasses from leading authors, publishers, and editors, in which students receive guidance from people working at the top level of the writing industry and learn about the various demands of maintaining a career as a writer.

Recent speakers have included Amit Chaudhuri, Chris Power, Rebecca Watson, Mendez, Frances Leviston, Joanna Biggs, Joe Dunthorne, Francesca Wade, Kishani Widyaratna, Jacques Testard and Leo Robson.

Other elements of professional development are included in the degree:

Agents-in-Residence

Candidates in fiction or creative-nonfiction will meet and discuss their work in one-to-one sessions with invited literary agents, who are appointed to yearly residencies. These sessions offer writers a different overview of the development of their project: not solely from the standpoint of authorial technique, but with a view towards the positioning of their writing within a competitive and selective industry. Poetry candidates will meet and discuss their work with invited editors from internationally recognised poetry journals and presses.

Undergraduate Teaching

Through our Graduate Teaching Assistant (GTA) training scheme, our PhD students can apply to lead undergraduate creative writing workshops in fiction, creative non-fiction, and/or poetry, enabling them to acquire valuable HE-level teaching experience that will benefit them long after graduation.

Reading Series

Our students are required to participate in the curation of literary events at King’s. They are also responsible for curating Poetry And… , a quarterly reading in which leading poets illuminate the powerful connections between poetry and other disciplines. Students will develop skills in public engagement by chairing discussions and may also perform excerpts of their own writing.

Postgraduate Training

There is a range of induction events and training provided for students by the Centre for Doctoral Studies, the Faculty of Arts and Humanities and the English Department. A significant number of our students are AHRC-funded through the London Arts and Humanities Partnership (LAHP) which also provides doctoral training to all students. All students take the ‘Doctoral Seminar’ in their first year. This is a series of informal, staff-led seminars on research skills in which students can share and gain feedback on their own work. We run a series of ‘Skills Lunches’, which are informal lunch meetings with staff, covering specific topics, including Upgrading, Attending Conferences, Applying for Funding and Post-Doctoral Awards, etc. Topics for these sessions are generally suggested by the students themselves, so are particularly responsive to student needs. We have an Early Career Staff Mentor who runs more formal workshops of varying kinds, particularly connected to career development and the professions.

Through our Graduate Teaching Assistantship Scheme, doctoral students can apply to teach in the department (usually in their second year of study) and are trained and supported as they do so.

• Entry requirements

Find a supervisor

Search through a list of available supervisors.

Accommodation

Discover your accommodation options and explore our residences.

Connect with a King’s Advisor

Want to know more about studying at King's? We're here to help.

Learning in London

King's is right in the heart of the capital.

• My Account |
• StudentHome |
• TutorHome |
• IntranetHome |
• Contact the OU Contact the OU Contact the OU |
• Accessibility Accessibility

Postgraduate

• International
• News & media
• Business & apprenticeships
• Contact Contact Contact
• A to Z of courses
• A to Z of subjects
• Course types
• Masters degrees
• Postgraduate diplomas
• Postgraduate certificates
• Microcredentials
• Postgraduate modules
• Postgraduate distance learning
• Postgraduate qualifications
• Postgraduate entry requirements
• How will I study?
• Tutors and assessment
• Support, networking and community
• Disability support

Fees and funding

• Postgraduate loan
• Credit or debit card
• Employer sponsorship
• Mixed payments
• Credit transfer
• OU bursaries
• Grant funding
• Study costs funding
• Carers' Bursary
• Care Experienced Bursary
• Disability financial assistance
• STEMM bursary
• Over 60s bursary
• Creative Writing Scholarship
• Hayes Postgraduate Scholarship
• Disabled Veterans' Scholarships

How to apply

• Research degrees
• Research areas
• Degrees we offer
• Fees and studentships
• Application process
• Being an OU research student
• Student views

Creative writing

The Creative Writing discipline supports practice-based and critical research and PhD study focused on creative writing. This research activity is associated with the discipline's Contemporary Cultures of Writing Research Group. The core activity in this type of PhD study is the creation of a book-length work of literature (or script equivalent) and an accompanying critical reflective thesis, which elucidates the research and creative strategies involved in making the work. In this way the essence of the Creative Writing PhD is research through creative practice. The final creative work emerges from and embodies the research questions, and the decisions and discoveries made while producing the work. We welcome applications from candidates suitably qualified and with appropriate writing experience and ability.

We expect well-structured proposals which set out specific research questions and clearly outline creative and critical approaches. A substantial writing sample is also required.

Entry requirements

Minimum 2:1 undergraduate degree (or equivalent) and a strong academic and creative record, usually evidenced by an MA in Creative Writing and relevant publications. If you are not a UK citizen, you may need to prove your knowledge of English . 

Potential research projects

• Fiction – novel and short stories
• Creative Nonfiction – including life writing
• Script for stage, radio or screen

Current/recent research projects

• The Longest Fight: a novel and Getting into the Ring: an investigation of archetypes of the boxing hero, the creative influences of boxing reportage, and the role of personal memories in historical fiction.
• Freethinkers, a novel, and Inventing history: how do research, imagination and memory fuse creatively in the writing of an historical novel?
• Darkness Is Never Absolute: Ekphrasis of the Formless and Near-Black Paintings.
• The Other Mothers: Exploring adoption, surrogacy and egg donation through life writing.
• The Electric: A novel and critical commentary investigating narrative disruption in sign language, cinemagoing, and trauma.
• Longing to belong: an investigation into the potential for alternative storytelling techniques.
• A Sudden Light: a practice-led exploration of the significance and potential of the contemporary timeslip novel.

Potential supervisors

• Dr Emily Bullock
• Dr Siobhan Campbell
• Dr Donall Mac Cathmhaoill
• Dr Fiona Doloughan
• Dr Edward Hogan
• Dr Lania Knight
• Dr Derek Neale
• Dr Heather Richardson
• Dr Samuel Sargeant
• Dr Emma Sweeney
• Dr Jane Yeh

Some of our research students are funded via the Open-Oxford-Cambridge AHRC Doctoral Training Partnership ; others are self-funded.

For detailed information about fees and funding, visit  Fees and studentships .

To see current funded studentship vacancies across all research areas, see  Current studentships .

• Creative Writing at The Open University
• Recent and current creative writing PhD students
• The Contemporary Cultures of Writing Research Group

Get in touch

If you have an enquiry specific to this research topic, please contact:

Dr Molly Ziegler / Dr Ed Hogan Email: FASS-EnglishCreativeWriting-Enquiries Phone: +44 (0)1908 652092

If you’re interested in applying for this research topic, please take a look at the application process .

The Open University

• Study with us
• Supported distance learning
• Funding your studies
• International students
• Global reputation
• Apprenticeships
• Develop your workforce
• Contact the OU

Undergraduate

• Arts and Humanities
• Art History
• Business and Management
• Combined Studies
• Computing and IT
• Counselling
• Creative Writing
• Criminology
• Early Years
• Electronic Engineering
• Engineering
• Environment
• Film and Media
• Health and Social Care
• Health and Wellbeing
• Health Sciences
• International Studies
• Mathematics
• Mental Health
• Nursing and Healthcare
• Religious Studies
• Social Sciences
• Social Work
• Software Engineering
• Sport and Fitness
• Postgraduate study
• Masters in Art History (MA)
• Masters in Computing (MSc)
• Masters in Creative Writing (MA)
• Masters degree in Education
• Masters in Engineering (MSc)
• Masters in English Literature (MA)
• Masters in History (MA)
• Master of Laws (LLM)
• Masters in Mathematics (MSc)
• Masters in Psychology (MSc)
• A to Z of Masters degrees
• Accessibility statement
• Conditions of use
• Privacy policy
• Cookie policy
• Manage cookie preferences
• Modern slavery act (pdf 149kb)

Follow us on Social media

• Student Policies and Regulations
• Student Charter
• System Status
• Contact the OU Contact the OU
• Modern Slavery Act (pdf 149kb)

© . . .

• International edition
• Australia edition
• Europe edition

Is a creative writing degree worth the money?

When the University of East Anglia offered the first British MA in creative writing almost 35 years ago, it caused academic scandal. According to Malcolm Bradbury, the writer who helped set it up, "some thought writing couldn't be taught. Some thought, if it could be, it shouldn't be."

Despite this opposition there are now hundreds of creative writing courses, both at undergraduate and postgraduate level. So are they worth the money?

A search on the Ucas website shows seventy eight institutions offer creative writing as an undergraduate subject, and course options get even wider at post-graduate level, with even Oxbridge getting in on the act. But the Cambridge MA , will set you back £10,000; double that figure if you are an overseas student.

Many suspect that degree courses cash in on the hopes and dreams of aspiring writers, or that such an apparently woolly subject fails to prepare students for the world of employment. In practice, course prospectuses carefully avoid setting up false expectations, and emphasise the transferable skills you acquire as a student of writing.

Julia Bell, novelist and tutor in creative writing at Birkbeck, University of London, argues that graduates of its programme "should have the critical and rhetorical skills to get a job in the creative industries, in education, editing, copywriting and so on".

But do employers feel the same way? Ellie Pike, HR adviser at Penguin, is keen to stress that applications are assessed on an individual basis. She says: "For positions in marketing and publicity as well as to some extent, editorial, the skills that come from creative writing degrees can be very valuable".

Jon Elsom, executive creative director of Bray Leino, a marketing and advertising company, is himself a graduate of the MA at Birkbeck. Although Jon speaks highly of his course he, like Pike, places more emphasis on the individual applicant:

"Academic background is less important than evidence of creative flair in a portfolio. It's never been the case that your academic qualifications are as important. That's why creative departments are such melting pots, because they're full of people from all sorts of different backgrounds."

But what of the experience itself? And will it really make you a better writer? Actor Sophie Ward decided to diversify her career and has now graduated from the National Academy of Writing.

She says: "Taking a creative writing course absolutely improved my writing. Taking part in workshops and being critical of my writing helped me not only to write better but also to understand the process of editing and rewriting."

Charlotte Barnes, currently studying a creative writing MA at Birmingham University, says: "The course has encouraged me to write, whether I feel like it or not. I've got out of this cliché of 'waiting for a muse', so if nothing else it's helped me to become a more prolific writer and student.

"It's also improved the quality of my writing by pushing me to try new things, or perhaps write familiar things but in different and experimental ways."

The reality is that publishing success may only come to a minority of creative writing graduates, but the most noted writers do often come from MA writing programmes.

Ian McEwan, Kazuo Ishiguro and Nathan Filer, the latest Costa book prize winner, are just some examples. Maybe you don't need to do a degree or a master's to be a successful writer, but the training you'll get could help you on your way.

What do you think? Are you studying a creative writing degree? Share your experiences in the comment section below.

• Blogging students
• Higher education
• Creative writing
• Applying to university
• Postgraduates

Comments (…)

Most viewed.

• Skip to main content
• Skip to main navigation

Creative Writing

• News & Events
• The Living Writers Series
• About the Concentration
• Current Students and Alumni
• Student Spotlight
• Creative Writing Concentration
• Apply to Creative Writing
• Frequently Asked Questions
• Publications
• Applying to MFA Programs
• Writing Science Fiction

Home / About / About the PhD Creative/Critical Writing Concentration

• About the PhD Creative/Critical Writing Concentration

UC Santa Cruz offers a concentration in Creative/Critical Writing for Literature Ph.D. students. This is an individualized course of study in which students can write a creative dissertation with a critical introduction or a cross-genre creative/critical project. Our students have completed speculative novels, collections of poems and personal essays, experimental memoirs, biographies, cross-genre work and translations of works of poetry and prose. Descriptions of previous qualifying exam and dissertation topics can be found with student bios here .  

In addition to taking critical literature courses, entering students take four graduate creative/critical writing classes (two “Creative Writing Studio” courses and two “Methods and Materials” courses taught by creative writing faculty ). The “Creative Writing Studio” is a mixed-genre class that moves beyond the classic workshop mode to give students time to focus on their creative work in a supportive community. The “Methods and Materials” class is a seminar that examines one form, topic, and/or theme. Students can respond creatively, critically or creative/critically. Past classes have focused on autobiographical experiments, race and the lyric essay, the artist’s statement, and James Baldwin’s sentences. 

The concentration works to create community while at the same time gives our students opportunities to join with creative and critical colleagues within and beyond the department and division. There are opportunities for internships, fellowships, and graduate students often introduce and meet with writers through the Living Writers Series . Graduate students can also pursue designated emphases in programs and departments such as Critical Race and Ethnic Studies, Education, Feminist Studies, History of Consciousness, Latin American and Latino Studies, Philosophy, Politics, Sociology, and the History of Art and Visual Culture. (A full listing of programs and departments offering a Designated Emphasis can be found here .) 

The program also offers opportunities for pedagogical training. Graduate students in the Creative/Critical Writing Concentration have the opportunity to teach undergraduate introductory and intermediate creative writing courses annually. 

Although our program is fairly new, UCSC has a rich history of Creative/Critical writers and teachers, such as George Hitchcock, bell hooks, Harriet Mullen, Gloria Anzaldua, Nathaniel Mackey, Angela Davis, Karen Tei Yamashita, and Peter Gizzi. 

Graduate Students Describe the Program: 

• "The Creative/Critical Program facilitates a deep exploration of the critical and intellectual apparatuses involved in the creative process. Prospective students should prepare to excavate their creative practice and process to see how their work speaks to broader critical conversations and how to deepen the questions their work asks and the questions they ask of their work and process. We interrogate connections between ourselves, our work, and the world around us.”
• “ What I love about the C/C program, and the UCSC literature department more broadly, is the way it works to break down barriers between the creative and the critical--not just bringing the critical into the creative, but the creative into the critical. It has both helped me to bring a more personal approach--a personality--to my critical writing and more complex ideas to my creative writing.”
• “ We practice thinking both creatively and critically and those are often two siloed modes of thinking that we bring together.”
• “ In the Graduate Creative/Critical Writing Concentration I've gained mentors, colleagues, and friends who are committed to innovation and pushing the limits of critical and creative writing as we know it. The community has welcomed me with open arms and emboldened me to develop my craft beyond what I thought was possible in literature. Joining this program out of an M.F.A. was the best thing I could have done for my creative practice and my personal and professional development.”

See   Also

• An Overview of the Creative/Critical Writing Concentration
• Creative/Critical Ph.D. Students
• Creative Writing Faculty Mentors
• Literature Ph.D. Program
• About the Undergraduate Creative Writing Program
• Additional Ways to Support
• Report an accessibility barrier
• Land Acknowledgment
• Accreditation

Last modified: May 13, 2021 128.114.113.87

What are you looking for?

Suggested search, phd in creative writing & literature, at home in usc’s department of english,.

the Ph.D. in CREATIVE WRITING & LITERATURE PROGRAM is one of the few dual Ph.D. programs in the country that weaves the disciplines of literature and creative work into a single educational experience. Students complete coursework in both creative writing and literature. The dissertation project is comprised of creative and critical manuscripts, both of which are essential for completion of the degree.

USC CREATIVE WRITING FACULTY include recipients of the Pulitzer Prize, Guggenheim Fellowships, the National Book Award, National Endowment for the Arts grants, Pushcart Prizes and other prestigious recognitions for their exemplary writing and dedication to their creative and scholarly work. As professors, the faculty are committed to developing innovative seminars and guiding students in the cultivation of their abilities as writers and scholars. Each incoming student is assigned a faculty mentor, with whom the student will work closely during their years at USC. While Creative Writing faculty teach critical courses from time to time, most of these literature and theory-based seminars are led by the faculty in the Department of English, all of whom are impressively accomplished scholars who are devoted to the scholarly growth of their graduate students.

Our program prizes INTERDISCIPLINARY SCHOLARSHIP, so students are encouraged to cultivate their diverse interests with courses outside of the English Department. Many students choose to pursue a complimentary graduate certificate concurrent with the Ph.D. degree. The Dornsife College of Letters, Arts and Sciences offers graduate certificate programs in Gender Studies, Visual Studies, East Asian Studies and Visual Anthropology, among others.

IN ADDITION TO COURSEWORK, students have the opportunity to participate in Ph.D. student-run projects such as The Loudest Voice, a reading series, and Gold Line Press , a publisher of fiction, nonfiction, and poetry chapbooks.

Though known for its competitive sports teams, USC also organizes an array of stimulating events throughout the year, including the English Department’s Boudreaux Visiting Writers Series and Frank N. Magill Poetry Series, as well as the University-wide Visions & Voices series, which features diverse and dynamic performances, lectures, and discussions that extend the arts and humanities beyond the classroom.

USC also hosts the annual Los Angeles Times Festival of Books — one of the largest literary events in the nation. USC itself is located in the heart of beautiful Los Angeles, an international city with a vibrant arts scene, just miles from the beach or hiking trails; students will never be at a loss for something to do.

ADMISSION is extremely competitive: the program accepts 2 or 3 writers per genre every year from hundreds of applicants. All incoming students receive five years of guaranteed funding — three years of fellowship and two of teaching assistantship. Fellowship years are granted during the first, second, and fourth years of study. Funding packages also cover full tuition remission and health insurance.

OUR STUDENTS and ALUMNI have published book-length works and collections with Alice James Books, Anhinga Press, Black Lawrence Press, Copper Canyon Press, Farrar, Straus and Giroux, Hogarth, Northwestern University Press, Other Press, Penguin, Red Hen Press, Saturnalia, Siglio Press, Slope Editions, Tebot Bach, Ugly Duckling Presse, University of Iowa Press, and White Pine Press, among others. Their books, poems, stories, and essays have garnered an impressive array of accolades.

For information concerning admission, please visit our Application page.

Many questions concerning the Creative Writing & Literature Program are answered on our FAQ page.

If you do not find the information you are looking for on our website, please feel free to contact us.

Ph.D. in Creative Writing & Literature

3501 Trousdale Parkway

Taper Hall of Humanities 431

Los Angeles, CA  90089-0354

Office Hours

Monday — Friday

8:30 a.m. — 5:00 p.m.

Times may adjust in accordance with university holidays.

Stay Up-to-Date

• Undergraduate open days
• Order a prospectus
• Subject areas
• Why study at Manchester Met?
• Chat to our current students
• How to apply
• Schools and colleges
• Parents and guardians
• Mature students
• Online learning
• Admissions policies and procedures
• Virtual tour
• Postgraduate open days
• Join us in January 2024
• Find a postgraduate course
• Professional development
• Research study
• Information for employers
• Funding and the levy
• Employer case studies
• Apprenticeship information for students
• Student case studies
• Apprenticeship Research Unit
• How to apply for accommodation
• Living in halls
• Your contract
• Rent a private property
• Course enquiries Ask us a question
• Find your country
• Before you apply
• When you have an offer
• Apply for your visa
• Exchange to Manchester Metropolitan
• Study abroad
• Becoming a partner
• Innovation Work with world-leading academics
• Leadership and growth Get training and support from specialists
• Talent, recruitment and development Connect with our students. Develop your people
• Conferences and events Hire our spaces, technology and facilities
• Championing creative excellence
• Driving economic growth
• Leading sustainability
• Tackling inequalities
• Transforming health
• Case studies
• Research Excellence Framework
• Engaging the public with our research
• Equality, Diversity and Inclusion
• Our commitment to researchers
• Why study a doctoral degree
• Choose Manchester Met
• PhDs and Doctoral Degrees
• Research degree subjects
• Postgraduate research fees
• Scholarships
• Doctoral College
• News and events
• Academic partnerships
• Ethics and Governance
• Responsible metrics
• Internationalisation
• Board of Governors
• Vice-Chancellor
• University Executive Group
• Faculty of Arts and Humanities
• Faculty of Business and Law
• Faculty of Health and Education
• Faculty of Science and Engineering
• Institute for Children's Futures
• Institute of Sport
• Professional Services
• Honorary graduates
• Environment
• Equity, Diversity and Inclusion
• Close Search mmu.ac.uk Search
• Undergraduate
• Postgraduate
• Apprenticeships
• Become a degree apprentice
• Accommodation
• Course enquiries
• International
• Study at Manchester Met
• International partnerships
• Business and employers
• Leadership and growth
• Talent, recruitment and development
• Conferences and events
• Our research
• Research Integrity
• Our strategy
• Economic growth
• Current students

A–Z Index · Staff Directory

• Undergraduate Courses
• Postgraduate Courses
• Professional Development & Short Courses
• Research Degrees in English and Creative Writing
• Centre for Creative Writing, English Literature and Linguistics
• Centre for Migration and Postcolonial Studies
• Gothic Studies
• Manchester Game Studies Network
• Public Engagement and Research Impact
• Trauma and Memory Studies Group
• Troubling Globalisation
• Working with Archives
• Current Students
• Manchester Writing Competition
• QuietManDave Prize
• Manchester Writing School website
• Join our Mailing List
• Gothic Manchester Festival
• MA English Studies
• PhD Study in the Gothic
• Gothic Research Cluster
• Key Publications
• Public Engagement
• Press and Media
• Modern and Contemporary Gothic Reading Group
• Affiliated Presses
• Place Writing

Department of English » Research » Research Degrees in English and Creative Writing » Creative Writing PhD

The Creative Writing PhD at Manchester Metropolitan University

• Creative Writing PhD
• Distance Learning PhD Programmes

Our Creative Writing PhD is a practice based programme taught by teams of published creative writers and highly regarded literary scholars.

Staff have expertise in fiction, poetry, children’s and young adult fiction, creative non-fiction and scriptwriting. 78% of our research has been rated as world-leading or internationally excellent (REF 2014).

Creative PhD Structure

The PhD in Creative Writing (also known as the critical-creative, or practice-based PhD) combines a proposed manuscript (e.g. novel, short story collection, poems, playscript, narrative non-fiction, digital writing) with an element of supporting or contextualising research. The proposed creative manuscript will be volume-length (the natural length of a book, depending on genre). The length of the supporting research will be subject to negotiation with your tutor but would typically be 40,000 words. 

The emphasis is not on creating two separate pieces of work, but on integration. Your dissertation will consist of an interdependent project of contextual and practice-based creative work.

Both sections of the PhD should contain work of 'publishable standard', and the contextual and creative elements must make a new contribution to knowledge.

Full time students are expected to work full-time on their research and should not undertake more than six hours of formal duty or paid work in any given week. However, every attempt will be made to provide you with work experience in your chosen field.

Creative PhD Supervision and Research Training

Typically you will be allocated a team of two or three supervisors; specialists in the area of the creative part of your dissertation and in the critical or contextual component. Your supervisory team may also be a member of staff from another department e.g. History, where appropriate.

This is an independent research programme; there are no timetabled classes or modules, but you will need to attend supervision sessions as negotiated with your supervisors as well as specialist courses in e.g. Research Skills and Ethics Training. The frequency of supervisory sessions may vary depending on the stage of research, and whether you are full or part time, but in general these meetings will take place at least once a month.

Subject specific research training might include:

• presentation of creative work at a PhD Masterclass Writing Workshop
• the submission of a treatment to a publisher, attending one of the many professional events hosted by the Manchester Writing School, e.g. the National Creative Writing Industry Day, which features talks by agents, publishers and writers.
• leading undergraduate creative writing seminars

General research training might take the form of:

• a series of one-to-one tutorials with a supervisor on the subject of your contextualising critical research, or
• the presentation of a paper at a relevant academic conference, or
• the targeting of academic journals with material for publication

There is also a Research Training Programme  covering various aspects of research development and skills.

Staff and Supervisors

Academic and research staff are featured on the staff profiles page for the Department of English

Areas of Particular Supervisory Expertise

These include Poetry, Place Writing, Gothic Fiction and YA/Children’s Fiction.

An Example Doctoral Programme: The PhD in Children’s/YA Fiction

At Manchester Metropolitan we have expertise in both the critical and creative aspects of writing for children and young adults. A highly regarded team of writing professionals to guide you through the process of writing your novel and thesis:

• Dr Ellie Byrne
• Dr Chloe Buckley
• Dr Ginette Carpenter
• Iris Feindt , Graduate Teaching Assistant
• Dr Blanka Grzegorczyk
• Dr Livi Michael
• Dr Muzna Rahman
• Alex Wheatle
• Dr Catherine Wilcox

Resources for Young Adult and Children’s fiction:

• The Manchester Centre for Youth Studies (MCYS) which produces collaborative and interdisciplinary research into diversity, criminal justice, language and wellbeing;
• The Manchester Children’s Book Festival (MCBF) with an ongoing programme of events and opportunities to work with children in schools and at festivals;
• Former Poet Laureate, Professor Carol Ann Duffy DBE , who has written extensively for children.
• Our Special Collections features a Children’s Book Collection featuring 19th and 20th century children’s book illustrations, and the opportunity to work with the Manchester School of Art who offer courses in Illustration and Animation.

An examination team assesses the PhD thesis and conducts an oral examination (viva) of the student. The examination team consists of one internal examiner and one external examiner.

Opportunities for PhD Students

Wherever possible, we try to offer our PhD students teaching, as it is an important part of professional development. The availability of part time teaching varies from year to year, and all candidates for teaching will be subject to an interview with the relevant Programme Leader. Further opportunities may arise in subject-specific areas, e.g. through the Manchester Children’s Book Festival, for work in schools or at literary events.

The university has a vibrant event-culture in which students are invited to participate. Former Poet Laureate Carol Ann Duffy hosts a series of events at the Royal Exchange Theatre at which selected poetry students read with established poets. And similar events are arranged at the International Anthony Burgess Foundation  where our novel-writing students are invited to read with established novelists.

Fees and Funding

Postgraduate Doctoral loans are available to eligible candidates and further information is available at www.gov.uk/doctoral-loan .

Any current studentships are advertised at www2.mmu.ac.uk/research/research-study/scholarships/

10 scholarships per year are available to non-EU applicants applying for Distance Learning PhD programmes within certain subject areas.  Please see www2.mmu.ac.uk/study/postgraduate/research/distance-learning-research-degrees/ for details.

For more information on fees visit our Postgraduate Research page www2.mmu.ac.uk/study/postgraduate/research/fees/

Manchester Metropolitan University is a member of the North West Consortium Doctoral Training Partnership Consortium (NWCDTP) offers postgraduate studentships across the full range of arts and humanities including Creative Writing. See www.nwcdtp.ac.uk/prospective-students/ for more information.

Key Contacts

Dr Andrew Moor Research Degrees Co-Ordinator, Department of English 

Dr Nikolai Duffy Research Degrees Co-Ordinator for Creative Writing

Dr Myna Trustram Research Associate

How to Apply

Please look at this website: www2.mmu.ac.uk/study/postgraduate/research/research-degree-list/5047.php and click  ‘How to Apply’ to go to the online application form.

With your application form you will also need to upload:

• Two recent academic references which have been signed by your referee and provided on headed paper from the relevant institution. They must be saved in a format which prevents alteration of the content e.g. PDFs.
• A proposal – this should be written using the advice on the application form. You might like to try our online course on ‘How to Write a Research Proposal’ (see below for details).
• Copies of your Masters and Bachelors degree certificates, including transcripts of your marks or grades if you are applying for a PhD.
• Copies of any qualification you have in English Language, if English is not your first language.
• Examples of your work (if requested)
• A copy of your current passport.

The Admissions process for research degrees at the University includes assessment of your application form along with your supporting documents and an interview with a potential supervisor.  Some applicants may also need to apply for an ATAS certificate (depending on the research subject) and a visa to study in the UK.  You should therefore ensure that you apply with enough time to complete this process. The University has 3 possible start dates for research degrees, which are October, January and April.

Frequently Asked Questions

Why would i do a phd.

Increasingly, a PhD is a requirement for an academic career. As creative writing is a relatively new subject in British higher education, in the past academic staff have secured jobs without having doctorates, but this is changing gradually as more and more people complete PhDs.

The indispensable requirement if you want a permanent university job (as opposed to hourly paid teaching) is that you must be a published creative writer of some substance and reputation. It may be that this and a PhD will become the norm, though a successful writer will always be very attractive to departments.

University teaching may appeal to you if you enjoy your research and practice and want to share your expertise. Writers and artists usually find that university departments are sympathetic environments where their practice is valued as research and may therefore constitute part of their role.

You may also want to do a PhD in order to dedicate a substantial amount of time to your practice and to work with experts in your chosen field.

Finally there may be a particular aspect of your research that you want to pursue, and the university provides the best environment you’re your investigative study.

What qualifications do I need to do a PhD?

Our Creative Writing PhD students come from a variety of backgrounds, nationalities and writing experiences, but successful applicants display writing talent and experience, and the ability to engage critically with the contexts in which they write and their own process.

We would normally expect applicants to hold a first or upper second class honours degree (or equivalent) in a related subject, or a qualification which is regarded by the relevant Faculty Research Degrees committee as equivalent to an honours degree, e.g. professional qualifications. All doctoral candidates are normally expected to have completes a Masters degree successfully in a field relevant to the subject of their research. An MA/MFA in Creative Writing is an advantage, but evidence of creative writing engagement and achievement will be taken into consideration, as well as evidence of an ability to engage in the supporting research. Candidates holding other qualifications will be considered on their merits and in relations to the nature and scope of the proposed programme of work. Professional experience, publications, or other appropriate evidence of accomplishment may also be taken into consideration.

What is the difference between the MFA and the PhD?

On both programmes you will be expected to complete a creative project (novel, poetry collection) that is potentially publishable, but to obtain a PhD you will also be expected to make an original contribution to knowledge in your chosen field. The PhD incorporates an element of critical, theoretical or contextual argument and research which is submitted with the creative writing. At present, in the UK you are more likely to obtain academic work with a PhD. The MFA is allied to the MA, although it can be taken as a separate qualification. The primary requirement for the MFA is the submission of your creative writing.

Why is there so much emphasis on the academic part of the thesis when the creative is 70 – 80% of the project?

Your creative work will be considered when you apply and in your personal statement you should show evidence of relevant experience in your chosen field. The emphasis in the application process on the contextualising research ensures that you have an original contribution to make and that the research is rigorous and well-defined.

What are the starting dates?

The University has 3 possible start dates for research degrees, which are October, January and April.

How fast can I do it?

The minimum time for a full time PhD is three years. Part time is six years.

How long should the completed project be?

A traditional PhD is not usually longer than 80,000 words and a similar limit is suggested for the PhD in Creative Writing. The balance is typically weighted towards the creative work rather than the contextual dissertation, but this may be negotiated with your Director of Studies.

Do I have to do a PhD in one of the specialised areas mentioned above?

No; in fact it is expected that your own creative work will form the basis of your research and if your proposal is accepted, a supervisory team will be allocated accordingly.

Will I be offered teaching while I’m doing my PhD?

Teaching experience is usually available to all Postgraduate Research Students who would like it. It is not usually available during the first year of study (FT) and will depend on what provision is needed on the English BA programme. 

Is there a sample form I can look at?

There are no examples of completed admissions forma available as yet. Please contact Dr Andrew Moor, Research Degrees Co-Ordinator, for a sample pro-forma. [email protected]

Any questions can be directed to  [email protected]

You may also like to try our four week online course on how to write a research degree proposal, aimed at explaining the main components of the written proposal.

You can browse the course by visiting the site collectiveonlinelearning.harts.online/register

If you want to follow the course and receive feedback, register by opening the link in your browser, inputting the password r3Gi5t3R and then completing the registration form - fields marked with a red asterisk are required. Make a note of your username and password - you’ll need them for future logins. 

Once you’ve successfully registered you’ll also be logged into the site - for that first session at least - and can start the course immediately. There is an FAQ's page and a comments form if you need assistance. At the end of the course, if you want to, you can submit your draft proposal for feedback from our research degrees team.

Our cookies

We use cookies for three reasons: to give you the best experience on PGS, to make sure the PGS ads you see on other sites are relevant , and to measure website usage. Some of these cookies are necessary to help the site work properly and can’t be switched off. Cookies also support us to provide our services for free, and by click on “Accept” below, you are agreeing to our use of cookies .You can manage your preferences now or at any time.

Privacy overview

We use cookies, which are small text files placed on your computer, to allow the site to work for you, improve your user experience, to provide us with information about how our site is used, and to deliver personalised ads which help fund our work and deliver our service to you for free.

The information does not usually directly identify you, but it can give you a more personalised web experience.

You can accept all, or else manage cookies individually. However, blocking some types of cookies may affect your experience of the site and the services we are able to offer.

You can change your cookies preference at any time by visiting our Cookies Notice page. Please remember to clear your browsing data and cookies when you change your cookies preferences. This will remove all cookies previously placed on your browser.

For more detailed information about the cookies we use, or how to clear your browser cookies data see our Cookies Notice

Manage consent preferences

Strictly necessary cookies

These cookies are necessary for the website to function and cannot be switched off in our systems.

They are essential for you to browse the website and use its features.

You can set your browser to block or alert you about these cookies, but some parts of the site will not then work. We can’t identify you from these cookies.

Functional cookies

These help us personalise our sites for you by remembering your preferences and settings. They may be set by us or by third party providers, whose services we have added to our pages. If you do not allow these cookies, then these services may not function properly.

Performance cookies

These cookies allow us to count visits and see where our traffic comes from, so we can measure and improve the performance of our site. They help us to know which pages are popular and see how visitors move around the site. The cookies cannot directly identify any individual users.

If you do not allow these cookies we will not know when you have visited our site and will not be able to improve its performance for you.

Marketing cookies

These cookies may be set through our site by social media services or our advertising partners. Social media cookies enable you to share our content with your friends and networks. They can track your browser across other sites and build up a profile of your interests. If you do not allow these cookies you may not be able to see or use the content sharing tools.

Advertising cookies may be used to build a profile of your interests and show you relevant adverts on other sites. They do not store directly personal information, but work by uniquely identifying your browser and internet device. If you do not allow these cookies, you will still see ads, but they won’t be tailored to your interests.

Course type

Qualification, university name, phd degrees in creative writing.

49 degrees at 41 universities in the UK.

Customise your search

Select the start date, qualification, and how you want to study

About Postgraduate Creative Writing

Creative writing extends beyond the boundaries of normal professional journalism or academic forms of literature. It is often associated with fiction and poetry, but primarily emphasises narrative craft, character development, and the use of traditional literary forms.

A PhD level exploration of creative writing is a three-year full-time programme, where candidates delve into the complexities of literary expression, developing their own research and create projects with the goal of making an original contribution to the field.

There are more than fifty creative writing PhD programmes in the UK, and these give candidates a platform to fully immerse themselves in their ideas and take their work to the next level.

What to expect

A PhD in creative writing offers the time and space to develop personal creative methods, combined with advanced workshops, critical seminars, and guest lectures from working authors. Under an academic mentor's supervision, candidates typically work towards completing a novel, poetry collection or screenplay.

Postgraduate programmes such as these often foster a supportive community of writers and scholars, and collaboration with peers is encouraged. Graduates can expect to emerge as confident and aspirational authors, with a developed style and professional aspiration, prepared for careers in writing, publishing, academia, or other creative industries. The degree provides a pathway for making significant contributions to the world of literature through original and innovative creative works.

Related subjects:

• PhD Creative Writing
• PhD Biography Writing
• PhD Broadcasting Studies
• PhD Communication Design
• PhD Communication Skills
• PhD Communication Studies
• PhD Communications and Media
• PhD Digital Arts
• PhD Digital Media
• PhD Film Special Effects
• PhD Film Studies
• PhD Film and Television Production
• PhD Film and Video Production
• PhD Media Production
• PhD Media Studies
• PhD Multimedia
• PhD Photography
• PhD Play Writing
• PhD Television Programme Production
• PhD Television Studies
• PhD Television and Radio Production
• PhD Visual Communication
• PhD Writing

• Course title (A-Z)
• Course title (Z-A)
• Price: high - low
• Price: low - high

University of Hull

About our programmes English at Hull is friendly, inclusive and supportive, and characterised by the internationally excellent research Read more...

• 3 years Full time degree: £4,712 per year (UK)
• 5 years Part time degree: £2,356 per year (UK)

PhD in Creative Writing and English Literature

Manchester metropolitan university.

RESEARCH CULTURE We are a leading centre for the study of literature and culture. We host a large and vibrant community of renowned Read more...

• 3 years Full time degree: £4,850 per year (UK)
• 6 years Part time degree

English and Creative Writing PhD

University of gloucestershire.

What is History, Religion, Philosophy and Politics A research degree in the Humanities offers a multitude of opportunities, depending on Read more...

• 4 years Full time degree: £5,100 per year (UK)
• 6 years Part time degree: £3,400 per year (UK)

PhD English and Creative Writing

University of roehampton.

Research conducted in the School of Arts, Humanities, and Social Sciences covers a wide range of diverse and innovative arts practices, Read more...

• 4 years Full time degree: £4,711 per year (UK)
• 7 years Part time degree: £2,356 per year (UK)

PhD Postgraduate Research in Creative Writing

University of east anglia uea.

We are a top tier, research-led university and are committed to making a substantial impact on the global challenges facing society. Our Read more...

• 6 years Part time degree: £2,356 per year (UK)

Creative and Critical Writing PhD

Bangor university.

If you take this Creative and Critical Writing PhD or MPhil course you will experience One-to-one teaching and supervision by Read more...

• 2 years Full time degree: £4,712 per year (UK)

Creative Writing PhD

Bath spa university.

The PhD in Creative Writing combines a proposed manuscript (e.g. novel, short story collection, poems, playscript, narrative non-fiction, Read more...

• 24 months Full time degree: £7,325 per year (UK)

Aberystwyth University

PhD Creative Writing The English Department provides an excellent environment for postgraduate study, research, and creative work. The Read more...

Text, Practice and Research - PhD

University of kent.

This programme addresses one of our main aims at Kent, which is to enable research students to take risks and use cross-disciplinary Read more...

PhD Theatre Studies (Playwriting)

University of essex.

Theatre and Drama in the Department of Literature, Film and Theatre Studies is led by a vibrant group of playwrights and theatre Read more...

• 4 years Full time degree: £9,375 per year (UK)

Creative Writing PhD, MPhil

University of leicester.

PhD study in the area of Creative Writing is offered by the School of English at Leicester and this means becoming part of an exciting and Read more...

• 3 years Full time degree: £4,786 per year (UK)
• 6 years Part time degree: £2,393 per year (UK)

Creative Writing MPhil, PhD

Newcastle university.

Our MPhil, PhD in Creative Writing offers you the opportunity to develop a substantial, original piece of creative work and a related Read more...

• 36 months Full time degree: £4,712 per year (UK)
• 72 months Part time degree: £2,356 per year (UK)

University of Nottingham

Nottingham is a fantastic place to study creative writing. From readings to workshops, to guest lectures, we have a wide range of literary Read more...

• 48 months Online/Distance degree: £5,100 per year (UK)
• 96 months Online/Distance degree

University of Plymouth

Plymouth’s PhD in Creative Writing is one of the longest running in the UK, going back to the late 1990s. Our MA, and PhD students have had Read more...

• 3 years Full time degree: £4,500 per year (UK)
• 4 years Part time degree: £3,030 per year (UK)

PhD/ MPhil/ MRes Creative Writing

University of strathclyde.

As well as the popular MLitt in Creative Writing, we also offer a research-led Creative Writing route, which may suit those who wish to Read more...

University of Surrey

Why choose this programme We belong to the interdisciplinary School of Literature and Languages, which has research-active staff in Read more...

• 4 years Full time degree: £4,712 per year (UK)
• 8 years Part time degree: £2,356 per year (UK)

Contemporary Writing PhD

Brunel university london.

Research profile From modernist and post-war women's writing to Caribbean and migrant fiction, our research interests span a wide range of Read more...

• 3 years Full time degree

University of West London

A PhD in Creative Writing gives you the opportunity to develop an original piece of writing (for example a novel, play, screenplay, radio Read more...

• 4 years Full time degree: £3,995 per year (UK)
• 6 years Part time degree: £2,000 per year (UK)

Journalism, Communication & Creative Writing PhDs and MPhils

University of portsmouth.

If you're ready to take your expertise in Journalism, Communication and Creative Writing into a postgraduate research degree, Portsmouth is Read more...

Drama and Theatre Studies Practice-Based PhD (through Playwriting or Performance)

University of birmingham.

Our Drama and Theatre Studies Practice-Based programme allows academic research to be conducted through practical experimentation. It also Read more...

• 3 years Distance without attendance degree: £2,389 per year (UK)
• 3 years Full time degree: £4,778 per year (UK)

1-20 of 49 courses

Course type:

• Distance learning PhD
• Full time PhD
• Part time PhD

Qualification:

Universities:.

• Cardiff University
• University of Suffolk
• University of Buckingham
• The University of Edinburgh
• University of Aberdeen
• King's College London, University of London
• University of Sussex
• University of Lincoln
• Anglia Ruskin University
• University of Manchester
• Keele University
• University of York
• University of Liverpool
• Lancaster University
• Swansea University
• University of Hertfordshire
• University of Bristol
• Leeds Beckett University
• Goldsmiths, University of London
• University of Exeter

Related Subjects:

Browser does not support script.

Creative Writing (Online) PhD

• Full-time: 48 months
• Part-time: 96 months
• Start date: October 2024, February 2025
• UK fees: £5,100
• International fees: £21,500

Research overview

The University of Nottingham is a fantastic place to study creative writing.

We have expertise in poetry and fiction that range from haiku poetry to digital storytelling. In addition, all our lecturers are actively publishing their work and collaborating with cultural institutions across the United Kingdom.

You can also get editing experience through The Letters Page online journal, working with award-winning writer Jon McGregor. 

Hear from our students

Creative Writing PhD student, James Aitcheson, discusses doing a PhD as a published author.

Watch the video >

Course content

A PhD in Creative Writing is mainly made up of independent study, with supervision meetings occurring online (e.g. via Microsoft Teams) and spread throughout the year.

There are no taught credits attached to a PhD, although it is compulsory for full-time students to attend the Arts Faculty Researcher Skills training programme, which is available for online attendance.

Some PhD students also choose to audit masters modules taught by their supervisors where appropriate. This is not compulsory, nor does it involve any formal assessment, and would be limited to modules offered online.

Part-time students

Part-time students are required to take part in all required research training, attend postgraduate seminars where possible, and one postgraduate researcher (PGR) symposium over the period of their registration.

You will complete a written thesis of up to 100,000 words, with expert support and advice from your academic supervisor(s). You will also take a verbal examination called a viva voce, where you explain your project in depth to an examination panel.

A creative writing thesis will mainly consist of your own original creative work. This could be a novel, a manuscript of poems, a collection of short stories, a play, or another form of creative output. Your thesis will also include a critical analysis of your creative work, which you will situate within a theorised or analytical context.

A PhD thesis should not normally exceed 100,000 words in length. It is expected that the creative element would usually comprise 50,000-70,000 words. The critical analysis component will normally be 15,000-30,000 words in length.

What is the thesis pending period?

All periods of registration are followed by a period of writing-up, called the thesis-pending period, when tuition fees are not paid and students are writing up their thesis.

Find out more in the university's Quality Manual .

Progression review

All PhD students take part in progression review assessments to ensure that their project is progressing satisfactorily. A progression review consists usually consists of written reports from both the student and the supervisory team.

All students have an independent assessment interview for their Stage 1 and Stage 2 reviews (end of years 1 and 2 for full-time students, years 2 and 4 for part-time students).

Entry requirements

All candidates are considered on an individual basis and we accept a broad range of qualifications. The entrance requirements below apply to 2024 entry.

Meeting our English language requirements

If you need support to meet the required level, you may be able to attend a presessional English course. Presessional courses teach you academic skills in addition to English language. Our  Centre for English Language Education is accredited by the British Council for the teaching of English in the UK.

If you successfully complete your presessional course to the required level, you can then progress to your degree course. This means that you won't need to retake IELTS or equivalent.

For on-campus presessional English courses, you must take IELTS for UKVI to meet visa regulations. For online presessional courses, see our CELE webpages for guidance.

Visa restrictions

International students must have valid UK immigration permissions for any courses or study period where teaching takes place in the UK. Student route visas can be issued for eligible students studying full-time courses. The University of Nottingham does not sponsor a student visa for students studying part-time courses. The Standard Visitor visa route is not appropriate in all cases. Please contact the university’s Visa and Immigration team if you need advice about your visa options.

We recognise that applicants have a variety of experiences and follow different pathways to postgraduate study.

We treat all applicants with alternative qualifications on an individual basis. We may also consider relevant work experience.

If you are unsure whether your qualifications or work experience are relevant, contact us .

As well as IELTS (listed above), we also accept other English language qualifications .

This includes TOEFL iBT, Pearson PTE, GCSE, IB and O level English.

You will be required to provide a PhD proposal with your application, which will set out the structure of your project.

The basis of a good proposal is usually a set of questions, approaches, and objectives which clearly outline your proposed project and what you want to accomplish. The proposal should also clearly demonstrate how you are going to accomplish this.

A PhD proposal should be a minimum of 1000 words. There is no upward limit for proposals, although successful proposals are often not much longer than about 2000-3000 words. You should consider:

• The methodologies that you will use in your project (as appropriate)
• The necessary resources and facilities you will need to carry out your project

In addition, the proposal should outline your reasons (academic and/or personal) for registering for online study rather than by full or part-time on-campus options. In particular, you should make clear how will be able to carry out your project in your chosen location. The proposal must include evidence of:

• Experience and ability to work independently e.g. papers/presentations at professional and academic conferences or publications in professional journals or previous completion of an independent research project, etc
• Access to local library facilities (where needed)
• Access to suitable IT facilities
• Access to online communications, e.g. Microsoft Teams
• Access to facilities to support any study-related disability (where appropriate)

It is also helpful to include:

• A summary of any further research experience, in addition to your academic qualifications. This could include work undertaken at undergraduate or masters level, or outside the educational system
• The name of the supervisor who may supervise the project (see the full list of supervision areas in the school )

Find out more about how to write a research proposal .

You may find it helpful to get in touch with a member of academic staff about your research proposal before submitting an application. They may be able to help you with your proposal and offer support to find funding opportunities in your area.

Our step-by-step guide contains everything you need to know about applying for postgraduate research.

How to apply.

Additional information for international students

If you are a student from the EU, EEA or Switzerland, you may be asked to complete a fee status questionnaire and your answers will be assessed using guidance issued by the UK Council for International Student Affairs (UKCISA) .

These fees are for full-time study. If you are studying part-time, you will be charged a proportion of this fee each year (subject to inflation).

Additional costs

All students will need at least one device to approve security access requests via Multi-Factor Authentication (MFA). We also recommend students have a suitable laptop to work both on and off-campus. For more information, please check the equipment advice .

All students will need at least one device to approve security access requests via Multi-Factor Authentication (MFA). Students must also have a suitable desktop/laptop to carry out their research. For more information, please check the equipment advice .

You'll be able to access many of the books and journal papers you’ll need through our libraries, though you may wish to buy your own copies of core texts. Because some resources may not be available online, the University of Nottingham library offers postal loans for online learners and can scan up to one chapter or article from a book or journal on request. For details on postal loans, see the library website, and for scanning requests, use the dedicated request form .

For students studying elsewhere in the UK, as a University of Nottingham student, you can also access many other university libraries across the country. The SCONUL Access scheme allows you access to the buildings and resources on offer at other UK campuses, so you can study closer to home. For more information on participating libraries and to sign up, check out their main webpage.

Many academic libraries worldwide allow students to become library members. You may need to provide a letter confirming your student status: these can be ordered from the university's online store .

There are many ways to fund your research degree, from scholarships to government loans.

Check our guide to find out more about funding your postgraduate degree.

Regular supervision

You will have a team of at least two supervisors. Full-time students will meet with their supervisory team at least 10 times each year (six times for part-time students).

Your supervisors will help you to realise your research project and to guide you through your research. Many students will also attend conferences and publish papers in conjunction with their supervisors, to gain valuable experience and contacts in the academic community.

Professional development

Research students in the School of English may benefit from:

• Student-led research seminars and an annual symposium (recorded and/or hybrid for online students)
• Research networks created by the research centres and individual research projects
• Research council-funded international research exchange visits with leading universities
• Co-authorship with members of staff
• Dedicated staff-postgraduate reading groups
• Support for participation in international conferences and seminars

Postgraduate seminars and conference attendance

A seminar series is run by and for the postgraduate students in the school during term time, which will be hybrid and/or recorded for online students.

The seminars provide a forum for students to share work in progress with staff and peers, to hear from invited speakers, and to explore key academic and career topics in a supportive atmosphere.

Researcher training and development

The Researcher Academy is the network for researchers, and staff who support them. We work together to promote a healthy research culture, to cultivate researcher excellence, and develop creative partnerships that enable researchers to flourish.

Postgraduate researchers at Nottingham have access to our online Members’ area, which includes a wealth of resources, access to training courses and award-winning postgraduate placements.

Graduate centres

Our graduate centres are dedicated community spaces on campus for postgraduates.

Each space has areas for:

• socialising
• computer work
• kitchen facilities

Student support

You will have access to a range of support services , including:

• academic and disability support
• childcare services
• counselling service
• faith support
• financial support
• mental health and wellbeing support
• visa and immigration advice
• welfare support

Students' Union

Our Students' Union represents all students. You can join the Postgraduate Students’ Network or contact the dedicated Postgraduate Officer .

There are also a range of support networks, including groups for:

• international students
• black and minority ethnic students
• students who identify as women
• students with disabilities
• LGBT+ students

SU Advice provides free, independent and confidential advice on issues such as accommodation, financial and academic difficulties.

Where you will learn

Special collections - english phd online learning.

While many of our Special Collections have been or are being digitised, some of the following offering will only available on-campus and would require visits to Nottingham to access:

• manuscripts from the 12th-15th centuries and books in Old and Middle English, Old Icelandic, Viking Studies, and runology
• the English Place-Name Society library and archive
• Hallward Library's DH Lawrence archive (containing Lawrence family papers, manuscripts, first editions, and books owned by Lawrence)
• the Cambridge Drama Collection (over 1,500 items including plays and works about the British theatre from 1750-1850)

If your PhD research will require access to these collections, please consult with a potential supervisor about the suitability of the topic for online study. 

Whether you are considering a career in academia, industry or haven't yet decided, we’re here to support you every step of the way.

Expert staff will work with you to explore PhD career options and apply for vacancies, develop your interview skills and meet employers. You can book a one-to-one appointment, take an online course or attend a workshop.

International students who complete an eligible degree programme in the UK on a student visa can apply to stay and work in the UK after their course under the Graduate immigration route . Eligible courses at the University of Nottingham include bachelors, masters and research degrees, and PGCE courses.

Careers advice

Whether you are considering a career in academia, industry or haven't yet decided, we’re here to support you every step of the way.

International students who complete an eligible degree programme in the UK on a student visa can apply to stay and work in the UK after their course under the Graduate immigration route. Eligible courses at the University of Nottingham include bachelors, masters and research degrees, and PGCE courses.

Graduate destinations

This course will develop key transferable skills, including:

• analysis and problem-solving
• independent research
• information gathering and data management
• construction of logical and persuasive arguments

As a result, our graduates enter a wide range of careers. These include:

• lecturing, teaching and academic research
• specialist archive, librarian, heritage and museum work
• journalism, publishing and research
• local and central government
• social policy

100% of postgraduates from the School of English secured graduate level employment or further study within 15 months of graduation. The average annual salary for these graduates was £37,402.*

*HESA Graduate Outcomes 2019/20 data published in 2022 . The Graduate Outcomes % is derived using The Guardian University Guide methodology. The average annual salary is based on data from graduates who completed a full-time postgraduate degree with home fee status and are working full-time within the UK.

Related courses

English (online) phd, applied linguistics (online) phd, applied linguistics and english language teaching (online) phd, research excellence framework.

The University of Nottingham is ranked 7th in the UK for research power, according to analysis by Times Higher Education. The Research Excellence Framework (REF) is a national assessment of the quality of research in UK higher education institutions.

• We are proud to be in the top 10 UK universities for research into English, while our ranking of 9th by 'research power' reflects our research excellence
• 90%* of our research is classed as 'world-leading' (4*) or 'internationally excellent' (3*)
• 100%* of our research is recognised internationally
• 51% of our research is assessed as 'world-leading' (4*) for its impact**

*According to analysis by Times Higher Education ** According to our own analysis.

This content was last updated on 27 September 2023 . Every effort has been made to ensure that this information is accurate, but changes are likely to occur between the date of publishing and course start date. It is therefore very important to check this website for any updates before you apply.

The browser you are using is no longer supported and for that reason you will not get the best experience when using our website.

You currently have JavaScript disabled in your web browser, please enable JavaScript to view our website as intended.

English at Leicester

• Midlands4Cities
• Application process
• Resources and facilities

PhD in Creative Writing

Pursuing a PhD in Creative Writing at Leicester means becoming part of an exciting and dynamic research and creative environment.

The PhD programme helps give structure to your creative project, and invites you to ask searching questions about your practice, to reflect on the process of producing creative work, and so to write a long critical-reflective essay (usually 15-20,000 words) to accompany the creative work. The creative body of work normally makes up 70% of the PhD, and the reflective thesis 30%.

At its broadest, the emphasis is on trying to comprehend the practice of creation itself - surely one of the most fascinating subjects imaginable.

Creative Writing doctorates lead to a variety of potential career paths. These include novelist, poet, playwright or screenwriter, of course, but there are many related industries that Creative Writing research degree graduates nationally have gone on to work in, including (but not limited to):

• TV storyline writing
• Video game creation
• TV and film production
• Working as a literary agent
• Teaching or lecturing
• Working as a professional stand-up comedian
• Post-doctoral academic research
• Public relations
• Advertising & marketing
• Political research & speech writing
• Arts management
• Content provision
• Tweet writing
• Web editing
• Franchise creation
• Branding consultancy
• Literary and other arts events management
• Intellectual property advising

Application information

It is a good idea to make informal enquiries to the lecturer you believe might be interested in supervising your PhD, prior to making a formal application.

• List of English at Leicester staff  
• Recent creative publications by students and staff  

You should have a strong creative and academic track record - entry requirements are an MA or similar in Creative Writing and some prior publication history.

Otherwise, you should have compelling evidence of advanced writing experience, and an awareness of the technical and reflective elements of creative writing practice in an academic environment.

Your application should consist of a persuasive outline for a creative project: a body of poetry, a novel, a work of creative non-fiction, a graphic novel or a substantial film script. This should be accompanied by a theoretical and canonical series of questions that you believe will prove relevant as the creative work progresses.

You should be conscious of the fact that the critical element of a creative PhD is not separate literary critical study - although it may involve such. It is involved in the deeper comprehension of the creative process itself through an articulation of creative practice. As such it may involve historical, ethnographic, practice-based philosophical, social scientific and other theoretical models.

Places on the PhD are awarded on the basis of the quality of the creative sample submitted and the originality of the proposal.

Audio clip: Gwynne Harries discusses his Creative PhD

Listen to PhD student Gwynne Harries discuss his Creative PhD in Welsh Poetic Forms in English Verse.

• Schools & departments

Creative Writing PhD

Awards: PhD

Study modes: Full-time, Part-time

Funding opportunities

Programme website: Creative Writing

Upcoming Introduction to Postgraduate Study and Research events

Join us online on the 19th June or 26th June to learn more about studying and researching at Edinburgh.

Choose your event and register

Research profile

The PhD in Creative Writing offers committed and talented writers the opportunity to study Creative Writing at the highest level.

Supported by an expert supervisory team you will work independently towards the production of a substantial, publishable piece of creative writing, accompanied by a sustained exercise in critical study.

The academic staff you will be working with are all active researchers or authors, including well-published and prize-winning writers of poetry, prose, fiction and drama. They include:

• Dr Jane Alexander - Fiction
• Dr Lynda Clark - Fiction
• Dr Patrick Errington - Poetry
• Dr Miriam Gamble - Poetry
• Dr Alan Gillis - Poetry
• Nicola McCartney - Drama
• Dr Jane McKie - Poetry
• Dr Allyson Stack - Fiction
• Kim Sherwood - Fiction
• Alice Thompson - Fiction

Find out more about the programme and our team

Training and support

We encourage you to share your research and learn from the work of others through a programme of seminars and visiting speakers.

We have an in-house Writer-in-Residence, annual writing prizes, and a range of opportunities to learn from experts in the publishing industry.

We also offer access to opportunities provided by the Sottish Graduate School for Arts & Humanities.

Our postgraduate journal, Forum, is a valuable conduit for research findings and provides an opportunity to gain editorial experience.

• Forum: postgraduate journal of culture and the arts

A UNESCO World City of Literature, Edinburgh is a remarkable place to study, write, publish, discuss and perform prose, poetry and drama.

Take a PhD with us and you will be based in the School of Literatures, Languages and Cultures (LLC) in the historic centre of this world-leading festival city.

Our buildings are close to:

• National Library of Scotland (where collections include the Bute Collection of early modern English drama and the John Murray Archive)
• Edinburgh Central Library
• Scottish Poetry Library
• Scottish Storytelling Centre
• Writers’ Museum
• Traverse Theatre

We have strong links with the Edinburgh International Book Festival, which annually welcomes around 1,000 authors to our literary city.

There are lots of opportunities to write and share your work, from Forum to The Selkie, which was founded by Creative Writing students in 2018 to showcase work by people who self-identify as underrepresented.

Around the city, you’ll find library readings and bookshop launches, spoken word gigs, cabaret nights and poetry slams, including events run by celebrated publishing outlets, from Canongate and Polygon / Birlinn to Luath Press, 404 Ink, Taproot Press and Mariscat.

You will have access to the University’s many literary treasures, which include:

• William Drummond library
• Lewis Grassic Gibbon library
• Hugh MacDiarmid library
• Norman MacCaig library
• W.H. Auden collection
• Corson collection
• works by and about Sir Walter Scott
• Ramage collection of poetry pamphlets

The Centre for Research Collections also holds a truly exceptional collection of early Shakespeare quartos and other early modern printed plays. These have been put together by the 19th century Shakespearean James Halliwell-Phillipps, the correspondence of Thomas and Jane Welsh Carlyle (the focus of one of the major editorial projects in Victorian studies of the last half-century), and the extensive Laing collection of medieval and early modern manuscripts.

You will also have access to letters and papers by - and relating to - authors including:

• Christopher Isherwood
• Rudyard Kipling
• John Middleton Murry
• Walter de la Mare
• George Mackay Brown
• Compton Mackenzie

Many of the University's Special Collections are digitised and available online from our excellent Resource Centre, Computing Labs, and dedicated PhD study space in the School of Literatures, Languages and Cultures (LLC).

Look inside the PhD study space in LLC

Entry requirements

These entry requirements are for the 2024/25 academic year and requirements for future academic years may differ. Entry requirements for the 2025/26 academic year will be published on 1 Oct 2024.

A UK masters degree, or its international equivalent, in creative writing, normally with distinction.

We may also consider your application if you have equivalent qualifications or experience. For additional information please refer to the pre-application guidance in the 'How to apply' section.

International qualifications

Check whether your international qualifications meet our general entry requirements:

• Entry requirements by country
• English language requirements

Regardless of your nationality or country of residence, you must demonstrate a level of English language competency at a level that will enable you to succeed in your studies.

English language tests

We accept the following English language qualifications at the grades specified:

• IELTS Academic: total 7.0 with at least 6.5 in each component. We do not accept IELTS One Skill Retake to meet our English language requirements.
• TOEFL-iBT (including Home Edition): total 100 with at least 23 in each component. We do not accept TOEFL MyBest Score to meet our English language requirements.
• C1 Advanced ( CAE ) / C2 Proficiency ( CPE ): total 185 with at least 176 in each component.
• Trinity ISE : ISE III with passes in all four components.
• PTE Academic: total 70 with at least 62 in each component.

Your English language qualification must be no more than three and a half years old from the start date of the programme you are applying to study, unless you are using IELTS , TOEFL, Trinity ISE or PTE , in which case it must be no more than two years old.

Degrees taught and assessed in English

We also accept an undergraduate or postgraduate degree that has been taught and assessed in English in a majority English speaking country, as defined by UK Visas and Immigration:

• UKVI list of majority English speaking countries

We also accept a degree that has been taught and assessed in English from a university on our list of approved universities in non-majority English speaking countries (non-MESC).

• Approved universities in non-MESC

If you are not a national of a majority English speaking country, then your degree must be no more than five years old* at the beginning of your programme of study. (*Revised 05 March 2024 to extend degree validity to five years.)

Find out more about our language requirements:

• Fees and costs

Read our general information on tuition fees and studying costs:

Scholarships and funding

Featured funding.

There are a number of scholarship schemes available to eligible candidates on this PhD programme, including awards from the Arts and Humanities Research Council.

Please be advised that many scholarships have more than one application stage, and early deadlines.

• Find out more about scholarships in literatures, languages and cultures

Other funding opportunities

Search for scholarships and funding opportunities:

• Search for funding

Further information

• Phone: +44 (0)131 650 4086
• Contact: [email protected]
• School of Literatures, Languages & Cultures
• 50 George Square
• Central Campus
• Programme: Creative Writing
• School: Literatures, Languages & Cultures
• College: Arts, Humanities & Social Sciences

This programme is not currently accepting applications. Applications for the next intake usually open in October.

Start date: September

Awards: PhD (36 mth FT, 72 mth PT)

Application deadlines

Due to high demand, the school operates a number of selection deadlines. We will make a small number of offers to the most outstanding candidates on an ongoing basis, but hold the majority of applications until the next published selection deadline when we will offer a proportion of the places available to applicants selected through a competitive process.

Deadlines for applicants applying to study in 2024/25:

• How to apply
• Pre-application guidance

Before you formally apply for this PhD, you should look at the pre-application information and guidance on the programme website.

This will help you decide if this programme is right for you, and help us gain a clearer picture of what you hope to achieve.

The guidance details the writing samples you should send us as part of your application (either fiction or poetry, along with a shorter sample of your academic writing).

It will also give you practical advice for writing your project summary – one of the most important parts of your application.

Find out more about the general application process for postgraduate programmes:

Creative and Critical Writing

The PhD Programme in Creative and Critical Writing is for students and writers wishing to complete a substantial creative work of marketable quality. Our own MA in Creative Writing provides an ideal basis for students wishing to undertake a PhD.

• Career prospects
• Fees and funding
• Entry requirements
• How to apply

The PhD programme at Cardiff caters to individuals keen to join a thriving community of writers—from novelists and memoirists to poets and scriptwriters—all of whom share the common purpose of immersing themselves in the composition of a substantial piece of creative research.

The programme includes a compulsory critical element in which students relate the creative work they produce to its wider critical and cultural contexts and evaluate the conceptual and theoretical contribution the work represents.

Programme aims

• The PhD programme is designed to enable students to put together an original piece of creative work—a novel, collection of poems or short stories, a play, film script, or work of creative non-fiction—together with a reflective critical commentary.
• The programme offers knowledge and expertise to take you on to a role in Higher Education, or employment requiring high-level skills in research or advanced subject knowledge.
• The programme recruits a diverse range of Home/EU and International students who want to engage in a research environment characterised by world-leading research expertise in all aspects of creative writing.

Distinctive features

• The PhD programme offers a monthly seminar series specific to Creative Writing research students.
• The School makes funding available each year for PGR students who wish to attend conferences / undertake library or archive visits in order to assist with their PhD studies.
• PhD students are encouraged to attend the annual writers’ retreat at Gregynog Hall , a country house with a distinguished artistic heritage that is set in glorious countryside in mid-Wales.
• PhD students are also encouraged to publish and advice can be sought from Creative Writing staff, all of whom are published authors.
• We offer teaching opportunities on the undergraduate degree and PhD students can undertake the School’s unique “Learning to Teach” programme, accredited by the Higher Education Academy.

Our PhD students in Creative and Critical Writing are producing dynamic work both in established modes and forms and across a range of (hybrid) genres from experimental poetry and short stories to radio and film scripts, ambitious novels and innovative narrative non-fiction and are supported by supervisors who are experienced, published writer-academics with emerging and established international reputations. Our students are further trained in the ability to reflect critically on their own work. Though the balance between self-reflective analysis of the creative element on the one hand and the wider disciplinary and intellectual context on the other will vary according to the contours of each doctoral project, the commentary should be a rigorous evaluative analysis of the territory in which the creative work intervenes, and of the ways in which that intervention is accomplished.

Examples of recent and current PhD topics are given below:

• “Modest Venus: Experiments in Seeing” (Narrative Non-Fiction)
• “World of Appearances: Defining a Post-Projective Method in Contemporary Poetics”
• “Poetic Grief: Writing the Death of an Addict”
• “Representations of Italy in Contemporary English Literature” and a Novel
• “Root and Branch: Direction in the Urban Novel in Contemporary Welsh Fiction in English”
• “The Gwerin and the Crachach: A Novel”
• “The Myth and its Registration”: Intellectual Property and Trademarks and a Novel

The PhD programme involves the preparation of an original piece of creative work—fiction, non-fiction, script or screenplay, a collection of poems or short stories—and a critical commentary.

Candidates for the PhD in Creative and Critical Writing will submit one of the following:

• Prose: novel, short story, work of creative non-fiction or play/film script; the creative portion and critical commentary will not normally exceed 100,000 words with the critical commentary comprising not less than 20,000 words.
• Poetry: a collection of poetry, prose poetry or micro-fiction amounting to around 60 pages, with an accompanying critical commentary of not less than 20,000 words.
• An integrated Creative-Critical submission of no more than 100,000 words.

"Positioned at the interface of different traditions, methodologies, theoretical approaches, disciplines and practices, our internationally recognized and pioneering research engenders challenging and fascinating questions for our staff and also, through our PhD supervision and research-led teaching, for our students at all levels." Professor Ann Heilmann, Director of Research in the School of English, Communication and Philosophy.

The School was ranked in the top ten for the quality of its English Language and Literature research, including Creative and Critical Writing, in the latest  Research Excellence Framework (REF2014). Cardiff University recently joined the world's top 100 universities for the study of English Language and Literature (again including Creative and Critical Writing) in the  2016 QS World University Rankings .

Research environment

The School takes the training of research students very seriously, providing the facilities and supervisory guidance to help them flourish intellectually and work productively. The School has a dedicated suite of PhD research rooms with excellent networked IT facilities. Each student has a conference budget and is given a contribution to photocopying costs, as well as free printing facilities.

We regularly check with students what training they need and ensure that it is provided. Our PhD students can apply to get teaching experience with us and our unique “Learning to Teach” programme is accredited by the Higher Education Academy. The School holds a yearly conference to allow PhD students the opportunity to share work with their peers in a supportive and stimulating multi-disciplinary environment. The Arts and Social Studies Library is well-stocked with books and academic journals in all our subject areas, substantial electronic resources and specialist collections such as Cardiff Rare Books, a rich archive of over 14,000 items ranging from fifteenth-century incunabula to twentieth-century fine press books.

In a competitive jobs market, our students are encouraged and supported in building up the skills that will make them employable, whatever their career direction. We value the rich experience of our many overseas students and actively attend to their specific needs in relation to their cultural context of study and the demands of writing elegantly in a second language.

The programme offers ideal preparation for those wishing to pursue careers in freelance writing and academia as well as journalism, publishing, teaching, public relations and arts management and administration.

Job roles: Writer, Lecturer, Editor, Head Teacher, English Teacher, EFL Teacher, PR Officer.

Employers: Universities from Cork (Ireland) to Wisconsin State (USA), Oxford University Press, Penguin Random House, Palgrave MacMillan, London Film School, Virgin Media, Literature Wales, Visit Wales.

UK government postgraduate doctoral loans

Candidates for the Professional Doctorate programme may be eligible to apply for a UK government postgraduate doctoral loan.

The School welcomes enquiries from applicants who are considering applying for funding for a PhD in Creative and Critical Writing from the South, West and Wales Doctoral Training Partnership .

See our latest PhD studentships and projects and find out more about other funding opportunities .

Tuition fees

Students from the uk.

Get the latest information on postgraduate fees.

Students from the EU, EEA and Switzerland

Students from the rest of the world (international).

In addition to the application form, research proposal and supporting documents we also require copies of recent creative work, the word count of which will depend very much on the genre of work produced but we would expect approximately 3,000 words of prose or 10-15 poems.

Applicants should include a research proposal (approx 1000 words), 2 academic references, a sample of creative writing, copies of BA and MA degree certificates and a transcript of the marks.

Further information and guidelines for Personal Statement or supporting material.

Research proposal

The research proposal should be approximately 1,000 words in length. This should provide an outline of the aims and objectives of your project and indicate how you see it intervening in the field, in creative and critical terms alike.

In addition to this, we require copies of recent creative work, the word-count of which will depend very much on the genre of work produced. We would expect approximately 3,000 words of prose or 10-15 poems.

Applicants should also include supporting documents in the form of two academic references, copies of BA and MA degree certificates and a transcript of marks.

Admission process

The Director of the Creative and Critical Writing Postgraduate Research Programme assesses all applications, taking into consideration the quality and viability of the project, as well as the capacity of staff to supervise it. This will include consultation with potential supervisors. Applicants who pass this initial stage of assessment will then be invited for interview.

A list of staff working within Creative Writing .

Applications are welcome from graduates with at least a 2.1 at undergraduate level (in any academic discipline). While an MA in Creative Writing or English Literature is an advantage, it is not a prerequisite.

You are recommended to email the postgraduate administrator at [email protected] with your research proposal and a sample of creative work prior to making a formal application.

English language requirements

The School welcomes applications from students outside the United Kingdom. For non-native speakers of English, an IELTS overall score of 7.5 with at least 7.0 in each sub score is essential.

Please read our English language requirements for more details.

Administrative contact(s)

Encap postgraduate admissions.

Administrative contact

• Email [email protected]
• Telephone +44 029 2087 0322

Admissions policies Chevron right

PhD Studentships and projects

Related courses.

• Browse by School

Related subjects

• Search subjects
• Search Subjects

Related links

• Postgraduate tuition fees Chevron right
• Admissions criteria for postgraduate study Chevron right
• Information for your country Chevron right

Postgraduate

Be part of a thriving postgraduate community in a university known internationally for outstanding research and teaching.

Postgraduate prospectus 2024

Download a copy of our prospectus, school and subject brochures, and other guides.

Order or download

Get in touch if you have a question about studying with us.

Master of Fine Arts in Creative Writing The Write Stuff for Writers

Credit Hours

View Courses

100% online, 8-week courses

Transfer in up to 50% of the degree total

Grow Your Writing Passion into a Career with Liberty’s Online MFA in Creative Writing

Many people write creatively, but few hone their skills to develop their writing craft to its highest form. Even fewer learn the other skills it takes to become a successful writer, such as the steps needed to get a book published and into the hands of readers. Liberty’s 100% online Master of Fine Arts (MFA) in Creative Writing can help you develop your writing passion into a career so you can set your works free to impact culture and the world.

Employers in every industry need professionals who have strong writing skills, so you can be confident that your ability to write effectively can also help set you apart in your current career. With in-demand writing expertise and the ability to customize your degree with electives in literature or writing practice, Liberty’s online MFA in Creative Writing can help you achieve your professional writing goals.

Our online MFA in Creative Writing is designed to help you build on your writing skills with specific workshops dedicated to the craft of fiction, poetry, creative nonfiction, or screenwriting. With a work-in-progress approach to writing practice and mentorship from our faculty of experienced writers and scholars, you can learn the specific skills you need to make your writing stand out.

Ranked in the Top 10% of Niche.com’s Best Online Schools in America

• What Sets Us Apart?
• Private Nonprofit University
• 600+ Online Degrees
• No Standardized Testing for Admission
• Transfer in up to 75% of an Undergrad Degree
• Transfer in up to 50% of a Grad/Doctoral Degree

Why Choose Liberty’s MFA in Creative Writing?

Our online MFA in Creative Writing is mainly offered in an 8-week course format, and our tuition rate for graduate programs hasn’t increased in 9 years. Through our program, you can study the writing process and develop your creative skills through workshops with experienced writing professionals. With our flexible format, you can grow in your creative writing while continuing to do what is important to you.

As a terminal degree, the online MFA in Creative Writing can also help you pursue opportunities to teach writing at the K-12 or college level. You will gain comprehensive and in-depth exposure to writing, literature, publishing, and many other professional writing skills that you can pass on to students. Partner with the Liberty family and learn under faculty who have spent years in the field you love. Your career in professional writing starts here.

What Will You Study in Our MFA in Creative Writing?

The MFA in Creative Writing program is designed to help you become an excellent creative writer across the genres of creative fiction, nonfiction, screenwriting, and poetry. You can learn how to produce aesthetically and culturally engaged creative works while gaining professional knowledge and practice. You will also study foundational contemporary literature so that you have a background in studying important works to draw on for your writing.

To help you in your professional writing, you will also study many essential skills in editing, layout, and the business of publishing so that you can best position yourself for success in the market. Through your creative writing courses and workshops, you can develop your craft so that you will be ready for your thesis project.

Here are a few examples of the skills Liberty’s MFA in Creative Writing can help you master:

• Marketing your projects and pursuing new writing opportunities
• Organizing writing and adapting it to different types of writing
• Tailoring writing to specific audiences and markets
• Understanding what makes art effective, compelling, and impactful
• Writing compelling stories that engage readers

Potential Career Opportunities

• Book and magazine writer
• Business communications specialist
• Creative writing instructor
• Publications editor
• Screenwriter
• Website copy editor and writer
• Writing manager

Featured Courses

• ENGL 600 – Editing, Layout, and Publishing
• ENGL 601 – Writing as Cultural Engagement
• ENGL 603 – Literary Theory and Practice
• WRIT 610 – Writing Fiction

Degree Information

• This program falls under the College of Arts and Sciences .
• View the Graduate Arts and Sciences Course Guides (login required).
• Download and review the Graduate Manual for MFA .

Degree Completion Plan (PDF)

Not sure what to choose?

Speak to one of our admissions specialists to help you choose the program that best fits your needs.

• Tuition & Aid

Your success is our success, which is why we are committed to providing quality academics at an affordable tuition rate. While other colleges are increasing their tuition, we have frozen tuition rates for the majority of our undergraduate, graduate, and doctoral programs for the past 9 years – and counting.

All Tuition & Fees

Financial Aid & Scholarships

Financial Aid Forms & Eligibility

Scholarship Opportunities

Admission Information for the Master of Fine Arts in Creative Writing (MFA)

Admission requirements.

• A non-refundable, non-transferable $50 application fee will be posted on the current application upon enrollment (waived for qualifying service members, veterans, and military spouses – documentation verifying military status is required) .
• Unofficial transcripts can be used for acceptance purposes with the submission of a Transcript Request Form .
• Creative Writing Sample – A creative writing sample of one creative writing work of at least 2,500 words or a culmination of creative writing samples totaling 2,500 words.*
• Applicants whose native language is other than English must submit official scores for the Test of English as a Foreign Language (TOEFL) or an approved alternative assessment. For information on alternative assessments or TOEFL waivers, please call Admissions or view the official International Admissions policy .

*A sample of one or more poems totaling a minimum of 750 words may also be submitted. Song lyrics are not accepted at this time as writing samples.

Preliminary Acceptance

If you are sending in a preliminary transcript for acceptance, you must:

• Be in your final term and planning to start your master’s degree after the last day of class for your bachelor’s degree.
• Complete a Bachelor’s Self-Certification Form confirming your completion date. You may download the form from the Forms and Downloads page or contact an admissions counselor to submit the form on your behalf.
• Submit an official/unofficial transcript to confirm that you are in your final term. The preliminary transcript must show a minimum of 105 completed credit hours.
• If you are a current Liberty University student completing your undergraduate degree, you will need to submit a Degree/Certificate Completion Application .
• Send in an additional, final official transcript with a conferral date on it by the end of your first semester of enrollment in the new master’s degree.

Dual Enrollment

Please see the Online Dual Enrollment page for information about starting graduate courses while finishing your bachelor’s degree.

Transcript Policies

Unofficial college transcript policy.

Unofficial transcripts combined with a Transcript Request Form can be used for admission. Official transcripts are required within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first, and will prevent enrollment into future terms until all official transcripts have been received.

Before sending unofficial college transcripts, please make sure they include the following:

• Your previous school’s name or logo printed on the document
• Cumulative GPA
• A list of completed courses and earned credit broken down by semester
• Degree and date conferred (if applicable)

Official College Transcript Policy

An acceptable official college transcript is one that has been issued directly from the institution and is in a sealed envelope. If you have one in your possession, it must meet the same requirements. If your previous institution offers electronic official transcript processing, they can send the document directly to [email protected] .

If the student uses unofficial transcripts with a Transcript Request Form to gain acceptance, all official transcripts must be received within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first. Failure to send all official transcripts within the 60-day period will prevent enrollment into future terms until all official transcripts have been received.

Admissions Office Contact Information

(800) 424-9596

(888) 301-3577

Email for Questions

[email protected]

Email for Documents

[email protected]

Liberty University Online Admissions Verification

1971 University Blvd.

Lynchburg, VA 24515

Ready to Apply?

Submit your application online or over the phone.

Apply by phone: (800) 424-9595

Liberty University is dedicated to providing world-class educational experiences to military students across the globe.

Who May Qualify?

• Active Duty
• Reserve/National Guard
• Veterans/Retirees
• Spouses of Service Members and Veterans/Retirees
• Current Department of Defense Employees

Available Benefits:

• Tuition discounts – $275 per credit hour for graduate courses
• Additional discount for veterans who service in a civilian capacity as a First Responder (less than $625 per course) *
• 8-week courses, 8 different start dates each year, and no set login times (may exclude certain courses such as practicums, internships, or field experiences)

*Not applicable to certificates.

Frequently Asked Questions

What is an mfa in creative writing.

A Master of Fine Arts degree, or MFA, is a terminal degree in an artistic craft that demonstrates that you have achieved the highest level of training and skill in your discipline. Like a doctorate, an MFA often allows you to teach courses at the graduate level while also providing many opportunities for scholarship and leadership in education. If you want to grow your creative writing skills to become the best writer you can be, then the Master of Fine Arts can help you get there.

How will students work towards developing their writing skills?

With creative writing workshops and a thesis project, you will receive support and guidance to help you become the best writer you can be.

How long will it take to complete the MFA in Creative Writing?

You can complete the MFA in Creative Writing in just 48 credit hours!

Inner Navigation

• Why Choose Liberty?
• What Will You Study?
• Admission Information

Have questions?

Are you ready to change your future?

Apply FREE This Week*

Request Information

*Some restrictions may occur for this promotion to apply. This promotion also excludes active faculty and staff, military, non-degree-seeking, DGIA, Continuing Education, WSB, and certificate students.

Request Information About a Program

Request info about liberty university online, what program are you interested in, choose a program level.

Choose a program level

Bachelor’s

Master’s

Certificate

Select a Field of Study

Select a field of study

Select a Program

Select a program

Next: Contact Info

Legal full name.

Enter legal full name

Legal Last Name

Enter legal last name

Enter an email address

Enter a phone number

Full Address

Enter an address

Apt., P.O. Box, or can’t find your address? Enter it manually instead .

Select a Country

Street Address

Enter Street Address

Enter State

ZIP/Postal Code

Enter Zip Code

Back to automated address search

Start my application now for FREE