phd english writing

Ph.D. Program

Click  here for the Handbook for Graduate Study in English .  This document includes departmental policies and procedures concerned with graduate study.

The Berkeley English Department offers a wide-ranging Ph.D. program, engaging in all historical periods of British and American literature, Anglophone literature, and critical and cultural theory. The program aims to assure that students gain a broad knowledge of literature in English as well as the highly-developed skills in scholarship and criticism necessary to do solid and innovative work in their chosen specialized fields.

Please note that the department does not offer a Master’s Degree program or a degree program in Creative Writing. Students can, however, petition for an M.A. in English with an emphasis in Creative Writing upon completion of the Ph.D. course requirements (one of which must be a graduate writing workshop) and submission of a body of creative work.

Students interested in combining a Ph.D. in English with studies in another discipline may pursue Designated Emphases or Concurrent Degrees in a number of different fields

Normative time to complete the program is six years. The first two years are devoted to fulfilling the course and language requirements. The third year is spent preparing for and taking the Ph.D. oral qualifying examination. The fourth through sixth years are devoted to researching and writing the prospectus and dissertation.

The general goal of the first two years is to assure that the students have a broad and varied knowledge of the fields of British and American literature in their historical dimensions, and are also familiar with a wide range of literary forms, critical approaches, and scholarly methods. Students will complete twelve courses distributed as follows:

• 1) English 200, “Problems in the Study of Literature”
• 2) Medieval through 16 th -Century
• 3) 17 th - through 18 th -Century
• 4) 19 th -Century
• 5) 20 th -Century
• 6) a course organized in terms other than chronological coverage.
• 7-12) Elective courses.

(A thirteenth required course in pedagogy can be taken later.) Students who have done prior graduate course work may transfer up to three courses for credit toward the 12-course requirement. Up to five of the 12 courses may be taken in other departments.

Students must demonstrate either proficiency in two foreign languages or advanced knowledge in one foreign language before the qualifying examination. There are no "canonical languages" in the department. Rather, each specifies which languages are to count, how they relate to the student's intellectual interests, and on which level knowledge is to be demonstrated. "Proficiency" is understood as the ability to translate (with a dictionary) a passage of about 300 words into idiomatic English prose in ninety minutes. The proficiency requirement may also be satisfied by completing one upper-division or graduate literature course in a foreign language. The advanced knowledge requirement is satisfied by completing two or three literature courses in the language with a grade of "B" or better.

At the end of the second year each student’s record is reviewed in its entirety to determine whether or not he or she is able and ready to proceed to the qualifying exam and the more specialized phase of the program.

The Qualifying Examination

Students are expected to take the qualifying examination within one year after completing course and language requirements. The qualifying exam is oral and is conducted by a committee of five faculty members. The exam lasts approximately two hours and consists of three parts: two comprehensive historical fields and a third field which explores a topic in preparation for the dissertation. The exam is meant both as a culmination of course work and as a test of readiness for the dissertation.

The Prospectus and Dissertation

The prospectus consists of an essay and bibliography setting forth the nature of the research project, its relation to existing scholarship and criticism on the subject, and its anticipated value. Each candidate must have a prospectus conference with the members of their committee and the Graduate Chair to discuss the issues outlined in the proposal and to give final approval to the project. The prospectus should be approved within one or two semesters following the qualifying exam.

The dissertation is the culmination of the student's graduate career and is expected to be a substantial and original work of scholarship or criticism. Students within normative time complete the dissertation in their fourth through sixth years.

PhD Program in English Language and Literature

The department enrolls an average of ten PhD students each year. Our small size allows us to offer a generous financial support package. We also offer a large and diverse graduate faculty with competence in a wide range of literary, theoretical and cultural fields. Each student chooses a special committee that works closely along side the student to design a course of study within the very broad framework established by the department. The program is extremely flexible in regard to course selection, the design of examinations and the election of minor subjects of concentration outside the department. English PhD students pursuing interdisciplinary research may include on their special committees faculty members from related fields such as comparative literature, medieval studies, Romance studies, German studies, history, classics, women’s studies, linguistics, theatre and performing arts, government, philosophy, and film and video studies.

The PhD candidate is normally expected to complete six or seven one-semester courses for credit in the first year of residence and a total of six or seven more in the second and third years. The program of any doctoral candidate’s formal and informal study, whatever his or her particular interests, should be comprehensive enough to ensure familiarity with:

• The authors and works that have been the most influential in determining the course of English, American, and related literatures
• The theory and criticism of literature, and the relations between literature and other disciplines
• Concerns and tools of literary and cultural history such as textual criticism, study of genre, source, and influence as well as wider issues of cultural production and historical and social contexts that bear on literature

Areas in which students may have major or minor concentrations include African-American literature, American literature to 1865, American literature after 1865, American studies (a joint program with the field of history), colonial and postcolonial literatures, cultural studies, dramatic literature, English poetry, the English Renaissance to 1660, lesbian, bisexual and gay literary studies, literary criticism and theory, the nineteenth century, Old and Middle English, prose fiction, the Restoration and the eighteenth century, the twentieth century, and women's literature.

By the time a doctoral candidate enters the fourth semester of graduate study, the special committee must decide whether he or she is qualified to proceed toward the PhD. Students are required to pass their Advancement to Candidacy Examination before their fourth year of study, prior to the dissertation.

PhD Program specifics can be viewed here: PhD Timeline PhD Procedural Guide

Special Committee

Every graduate student selects a special committee of faculty advisors who work intensively with the student in selecting courses and preparing and revising the dissertation. The committee is comprised of at least three Cornell faculty members: a chair, and typically two minor members usually from the English department, but very often representing an interdisciplinary field. The university system of special committees allows students to design their own courses of study within a broad framework established by the department, and it encourages a close working relationship between professors and students, promoting freedom and flexibility in the pursuit of the graduate degree. The special committee for each student guides and supervises all academic work and assesses progress in a series of meetings with the students.

At Cornell, teaching is considered an integral part of training in academia. The field requires a carefully supervised teaching experience of at least one year for every doctoral candidate as part of the program requirements. The Department of English, in conjunction with the  John S. Knight Institute for Writing  in the Disciplines, offers excellent training for beginning teachers and varied and interesting teaching in the university-wide First-Year Writing Program. The courses are writing-intensive and may fall under such general rubrics as “Portraits of the Self,” “American Literature and Culture,” “Shakespeare,” and “Cultural Studies,” among others. A graduate student may also serve as a teaching assistant for an undergraduate lecture course taught by a member of the Department of English faculty.

Language Requirements

Each student and special committee will decide what work in foreign language is most appropriate for a student’s graduate program and scholarly interests. Some students’ doctoral programs require extensive knowledge of a single foreign language and literature; others require reading ability in two or more foreign languages. A student may be asked to demonstrate competence in foreign languages by presenting the undergraduate record, taking additional courses in foreign languages and literature, or translating and discussing documents related to the student’s work. Students are also normally expected to provide evidence of having studied the English language through courses in Old English, the history of the English language, grammatical analysis or the application of linguistic study to metrics or to literary criticism. Several departments at Cornell offer pertinent courses in such subjects as descriptive linguistics, psycholinguistics and the philosophy of language.

All PhD degree candidates are guaranteed five years of funding (including a stipend , a full tuition fellowship and student health insurance):

• A first-year non-teaching fellowship
• Two years of teaching assistantships
• A fourth-year non-teaching fellowship for the dissertation writing year
• A fifth-year teaching assistantship
• Summer support for four years, including a first-year summer teaching assistantship, linked to a teachers’ training program at the Knight Institute. Summer residency in Ithaca is required.

Students have also successfully competed for Buttrick-Crippen Fellowship, Society for the Humanities Fellowships, American Council of Learned Societies (ACLS), Shin Yong-Jin Graduate Fellowships, Provost’s Diversity Fellowships, fellowships in recognition of excellence in teaching, and grants from the Graduate School to help with the cost of travel to scholarly conferences and research collections.

Admission & Application Procedures

The application for Fall 2024 admission will open on September 15, 2023 and close at 11:59pm EST on December 1, 2023.

Our application process reflects the field’s commitment to considering the whole person and their potential to contribute to our scholarly community.  Applicants will be evaluated on the basis of academic preparation (e.g., performance in relevant courses, completion of substantive, independent research project). An applicant’s critical and creative potential will be considered: applicants should demonstrate interest in extensive research and writing and include a writing sample that reveals a capacity to argue persuasively, demonstrate the ability to synthesize a broad range of materials, as well as offer fresh insights into a problem or text. The committee will also consider whether an applicant demonstrates a commitment to inclusion, equity, and diversity and offers a substantive explanation for why study at Cornell is especially compelling (e.g., a discussion of faculty research and foci). Admissions committees will consider the entire application carefully, including statements and critical writing, as well as transcripts, letters of recommendation, and a resume/cv (if provided). Please view the requirements and procedures listed below, if you are interested in being considered for our PhD in English Language and Literature program.

Eligibility: Applicants must currently have, or expect to have, at least a BA or BS (or the equivalent) in any field before matriculation. International students, please verify degree equivalency here . Applicants are not required to meet a specified GPA minimum.

To Apply: All applications and supplemental materials must be submitted online through the Graduate School application system . While completing your application, you may save and edit your data. Once you click submit, your application will be closed for changes. Please proofread your materials carefully. Once you pay and click submit, you will not be able to make any changes or revisions.

Deadline: December 1st, 11:59pm EST.  This deadline is firm. No applications, additional materials, or revisions will be accepted after the deadline.

PhD Program Application Requirements Checklist

• Academic Statement of Purpose Please describe (within 1000 words) in detail the substantive research questions you are interested in pursuing during your graduate studies and why they are significant. Additionally, make sure to include information about any training or research experience that you believe has prepared you for our program. You should also identify specific faculty members whose research interests align with your own specific questions.  Note that the identification of faculty is important; you would be well advised to read selected faculty’s recent scholarship so that you can explain why you wish to study with them. Do not rely on the courses they teach.  Please refrain from contacting individual faculty prior to receiving an offer of admission.
• Personal Statement Please describe (within 1000 words) how your personal background and experiences influenced your decision to pursue a graduate degree and the research you wish to conduct.  Explain, for example the meaning and purpose of the PhD in the context of your personal history and future aspirations.  Please note that we will pay additional attention to candidates who identify substantial reasons to obtain a PhD beyond the pursuit of an academic position. Additionally, provide insight into your potential to contribute to a community of inclusion, belonging, and respect where scholars representing diverse backgrounds, perspectives, abilities, and experiences can learn (productively and positively) together.
• Critical Writing Sample Your academic writing sample must be between 3,000 and 7,500 words (12-30 pages), typed and double-spaced. We accept excerpts from longer works, or a combination of shorter works.
• Three Letters of Recommendation We require 3 letters of recommendation.  At the time of application, you will be allowed to enter up to 4 recommenders in the system.  Your application will be considered “Complete” when we have received at least 3 letters of recommendation.   Letters of recommendation are due December 1 . Please select three people who best know you and your work. Submitting additional letters will not enhance your application. In the recommendation section of the application, you must include the email address of each recommender. After you save the information (and before you pay/submit), the application system will automatically generate a recommendation request email to your recommender with instructions for submitting the letter electronically. If your letters are stored with a credential service such as Interfolio, please use their Online Application Delivery feature and input the email address assigned to your stored document, rather than that of your recommender’s. The electronic files will be attached to your application when they are received and will not require the letter of recommendation cover page.
• Transcripts Scan transcripts from each institution you have attended, or are currently attending, and upload into the academic information section of the application. Be sure to remove your social security number from all documents prior to scanning. Please do not send paper copies of your transcripts. If you are subsequently admitted and accept, the Graduate School will require an official paper transcript from your degree-awarding institution prior to matriculation.
• English Language Proficiency Requirement All applicants must provide proof of English language proficiency. For more information, please view the  Graduate School’s English Language Requirement .
• GRE General Test and GRE Subject Test are NO LONGER REQUIRED, effective starting with the 2019 application In March 2019, the faculty of English voted overwhelmingly to eliminate all GRE requirements (both general and subject test) for application to the PhD program in English. GRE scores are not good predictors of success or failure in a PhD program in English, and the uncertain predictive value of the GRE exam is far outweighed by the toll it takes on student diversity. For many applicants the cost of preparing for and taking the exam is prohibitively expensive, and the exam is not globally accessible. Requiring the exam narrows our applicant pool at precisely the moment we should be creating bigger pipelines into higher education. We need the strength of a diverse community in order to pursue the English Department’s larger mission: to direct the force of language toward large and small acts of learning, alliance, imagination, and justice.

General Information for All Applicants

Application Fee: Visit the Graduate School for information regarding application fees, payment options, and fee waivers .

Document Identification: Please do not put your social security number on any documents.

Status Inquiries:  Once you submit your application, you will receive a confirmation email. You will also be able to check the completion status of your application in your account. If vital sections of your application are missing, we will notify you via email after the Dec. 1 deadline and allow you ample time to provide the missing materials. Please do not inquire about the status of your application.

Credential/Application Assessments:  The Admission Review Committee members are unable to review application materials or applicant credentials prior to official application submission. Once the committee has reviewed applications and made admissions decisions, they will not discuss the results or make any recommendations for improving the strength of an applicant’s credentials. Applicants looking for feedback are advised to consult with their undergraduate advisor or someone else who knows them and their work.

Review Process:  Application review begins after the submission deadline. Notification of admissions decisions will be made by email by the end of February.

Connecting with Faculty and/or Students: Unfortunately, due to the volume of inquiries we receive, faculty and current students are not available to correspond with potential applicants prior to an offer of admission. Applicants who are offered admission will have the opportunity to meet faculty and students to have their questions answered prior to accepting. Staff and faculty are also not able to pre-assess potential applicant’s work outside of the formal application process. Please email [email protected] instead, if you have questions.

Visiting: The department does not offer pre-admission visits or interviews. Admitted applicants will be invited to visit the department, attend graduate seminars and meet with faculty and students before making the decision to enroll.

Transfer Credits:  Students matriculating with an MA degree may, at the discretion of the Director of Graduate Studies, receive credit for up to two courses once they begin our program.

For Further Information

Contact [email protected]

What are you looking for?

Suggested search, ph.d. in creative writing and literature, about the ph.d. track in creative writing and literature.

The Ph.D. program provides dual emphasis in literature and creative writing, culminating in the dissertation, which combines critical analysis with creative originality. Doctoral candidates not only read and write texts as finished products of scholarship in researching their creative work’s literary and historical milieu, but also consider the text as writers create it, then compose texts as writers, a process that goes to the source of the study of literature and of literature itself. This integration of literature and creative writing is reflected in the structure of the dissertation, which introduces the creative work within a context of critical inquiry, bringing together the examination and embodiment of the literary act, a new model of scholarship and creative innovation.

For complete information, please visit  https://dornsife.usc.edu/cwphd .

Requirements for admission to study in the Ph.D. program in Creative Writing and Literature include:

• B.A. degree in any area of study
• GPA, undergraduate and graduate (if applicable)
• Creative writing sample (25 pages of prose or 10-12 pages of poetry)
• Critical writing sample (10-25 pages)
• Statement of purpose (no more than three pages)
• Three letters of recommendation
• Official transcripts of all undergraduate and graduate coursework

Application deadline: December 1

For More Information:

>> See Ph.D. in Creative Writing & Literature Website <<

Potential applicants may contact:

Janalynn Bliss, Graduate Coordinator

Ph.D. in Creative Writing and Literature Department of English Taper Hall 431 University of Southern California University Park Campus Los Angeles, CA 90089-0354

(213) 821-0477

Contact Details

Usc department of english.

3501 Trousdale Parkway Taper Hall of Humanities 404 Los Angeles, CA 90089-0354

Office Hours

Monday – Friday

8:30am- 5pm

Times may adjust in accordance with university holidays.

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The graduate program in English provides you with a broad knowledge in the discipline, including critical and cultural theory and literary history. This solid foundation enables you to choose your own path based on the wide variety of areas of concentration. Our flexible program allows you to take courses outside the department to further explore your chosen field(s). Our program emphasizes excellence in writing, innovative scholarship, and eloquent presentations—important skills you will need in your future profession. The program and its faculty are committed both to diversity in its student body and in the diversity of thought and scholarship.

Examples of student theses and dissertations include “The Write to Stay Home: Southern Black Literature from the Great Depression to Early Twenty-first Century,” “Profaning Theater: The Drama of Religion on the Modernists Stage,” and “Sentimental Borders: Genre and Geography in the Literature of Civil War and Reconstruction.”

Graduates have secured faculty positions at institutions such as Brown University, Columbia University, and University of California, Los Angeles. Others have begun their careers with leading organizations such as Google and McKinsey & Company.

Additional information on the graduate program is available from the Department of English and requirements for the degree are detailed in Policies .

Areas of Study

Unspecified | Medieval | Renaissance/Early Modern | 18th Century/Enlightenment | 19th Century British/Romantics/Victorian | Early American (to 1900) | 20th Century British | 20th Century American | Criticism and Theory | The English Language | Transnational Anglophone/Postcolonial | African American Literature | Drama | Poetry

Admissions Requirements

Please review admissions requirements and other information before applying. You can find degree program-specific admissions requirements below and access additional guidance on applying from the Department of English .

Writing Sample

The writing samples (one primary and one secondary) are highly significant parts of the application. Applicants should submit 2 double-spaced, 15-page papers of no more than 5,000 words each, in 12-point type with 1-inch margins. The writing samples must be examples of critical writing (rather than creative writing) on subjects directly related to English. Applicants should not send longer papers with instructions to read an excerpt or excerpts but should edit the samples themselves so that they submit only 15 pages for each paper. Applicants who know the field in which they expect to specialize should, when possible, submit a primary writing sample related to that field.

Statement of Purpose

The statement of purpose is not a personal statement and should not be heavily weighted down with autobiographical anecdotes. It should be no longer than 1,000 words. It should give the admissions committee a clear sense of applicants’ individual interests and strengths. Applicants need not indicate a precise field of specialization if they do not know, but it is helpful to know something about a candidate’s professional aspirations and sense of their own skills, as well as how the Harvard Department of English might help in attaining their goals. Those who already have a research topic in mind should outline it in detail, giving a sense of how they plan their progress through the program. Those who do not should at least attempt to define the questions and interests they foresee driving their work over the next few years.

Standardized Tests

GRE: Not Accepted

While there are no specific prerequisites for admission, a strong language background helps to strengthen the application, and students who lack it should be aware that they will need to address these gaps during their first two years of graduate study.

While a candidate's overall GPA is important, it is more important to have an average of no lower than A- in literature (and related) courses. In addition, while we encourage applications from candidates in programs other than English, they must have both the requisite critical skills and a foundation in English literature for graduate work in English. Most of our successful candidates have some knowledge of all the major fields of English literary study and advanced knowledge of the field in which they intend to study.

Theses & Dissertations

Theses & Dissertations for English

See list of English faculty

APPLICATION DEADLINE

Questions about the program.

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Higher Degrees in English

The Graduate Program in English leads to the degrees of Master of Arts (AM) and Doctor of Philosophy (PhD). The AM is an integral part of the doctoral program, and therefore only students who intend to pursue the PhD are eligible for admission to the Graduate Program in English.

The Program

The program takes from four to seven years to complete, with the majority finishing in five or six years. The first two years are devoted to coursework and, in the first year, to preparation for the PhD Qualifying Exam (the “General” exam) at the beginning of the second year. The second and third years are devoted to preparing for the Dissertation Qualifying Exam (the “Field” exam) and writing the Dissertation Prospectus. The fourth, fifth, and sixth years are spent completing the doctoral dissertation. From the third year until the final year (when they are generally supported by Dissertation Completion Fellowships), students also devote time to teaching and to developing teaching skills. Students with prior graduate training or those with a demonstrated ability may complete their dissertations in the fourth or fifth years. Students are strongly discouraged from taking more than seven years to complete the program except under the most exceptional circumstances.

The program aims to provide the PhD candidate with a broad knowledge of the field of English, including critical and cultural theory. Additional important skills include facility with the tools of scholarship—ancient and modern foreign languages, bibliographic procedures, and textual and editorial methods. The program also emphasizes the ability to write well, to do solid and innovative scholarly and critical work in a specialized field or fields, to teach effectively, and to make articulate presentations at conferences, seminars, and symposia.

The minimum residence requirement is two years of enrollment in full-time study, with a total of at least fourteen courses completed with honor grades (no grade lower than B-).

The minimum standard for satisfactory work in the Graduate School is a B average in each academic year.

• A minimum of 14 courses must be completed no later than the end of the second year.
• At least ten courses must be at the 200- (graduate) level, and at least six of these ten must be taken within the department. Graduate students in the English department will have priority for admission into 200-level courses.
• Beginning with the incoming class of 2020-21, two proseminars are now required as part of the ten required seminars.
• The remaining courses may be either at the 100- or the 200-level.
• Students typically devote part of their course work in the first year to preparing for the “General” exam, focusing increasingly on their field in the second year.
• Students are strongly encouraged to take at least two courses that engage extensively with texts in Literary Theory. Such courses should introduce works by writers such as Freud, Barthes, Derrida, Foucault, de Beauvoir, Fanon, Gates, Bhabha, and Jameson, and texts such as  The Poetics  by Aristotle,  The Birth of Tragedy  by Friedrich Nietzsche,  Mimesis  by Eric Auerbach, and  The Theory of the Novel  by Georg Lukacs. We recommend students consult with mentors and the graduate office if they need help finding courses that introduce these and similar works of theory.

Proseminars

• Beginning with the incoming class of 2020-21, two proseminars will now be required as part of the ten required seminars.

• The first-year proseminar (taken in the spring semester of the first year) introduces students to the theories, methods, and history of English as a discipline, and contemporary debates in English studies. The readings feature classic texts in all fields, drawn from the General Exam list. This first-year proseminar helps students prepare for the General Exam (taken at the beginning of their second year); it gives them a broad knowledge for teaching and writing outside their specialty; and it builds an intellectual and cultural community among first-year students.

• The second-year proseminar has a two-part focus: it introduces students to the craft of scholarly publishing by helping them revise a research paper for publication in a peer-reviewed journal by the end of the course. It thus gives students the tools to begin publishing early in their career. It also introduces students to the growing array of alternative careers in the humanities by exposing them to scholars who are leaders in fields such as editing, curating, and digital humanities.

Independent Study and Creative Writing

• Students may petition to take one of the 100-level courses as independent study (English 399) with a professor, but not before the second term of residence.
• Other independent study courses will be permitted only in exceptional circumstances and with the consent of the professor and director of graduate studies (DGS).
• Only one creative writing course, which counts as a 100-level course, may count toward the PhD degree course requirements.

Credit for Work Done Elsewhere (Advanced Standing)

Once the student has completed at least three 200-level courses with a grade of A or A-, a maximum of four graduate-level courses may be transferred from other graduate programs, at the discretion of the Director of Graduate Studies.

Transferred courses will not count toward the minimum of ten required 200-level courses, but will be counted as 100-level courses.

Incompletes

No more than one Incomplete may be carried forward at any one time by a graduate student in the English Department. It must be made up no later than six weeks after the start of the next term.

In applying for an Incomplete, students must have signed permission from the instructor and the DGS, or the course in question may not count toward the program requirements. If students do not complete work by the deadline, the course will not count toward the program requirements, unless there are documented extenuating circumstances.

Language Requirements

A reading knowledge of two languages is required. Normally, Latin, Ancient Greek, Old English, French, German, Spanish, and Italian are the accepted languages. Other languages, including ASL and computer languages, may be acceptable if the DGS deems them relevant and appropriate to a student’s program of study. Students may fulfill the language requirements:

(1) by passing a two-hour translation exam with a dictionary; (2) by taking a one-term literature course in the chosen language, when conducted in the language and/or the readings are in the language (DGS approval may be necessary in some cases) (3) or by taking two terms of Old English*, elementary Latin or Ancient Greek.

Any course taken to fulfill the language requirement must be passed with a grade of B- or better. Literature-level language courses count for course credit ; elementary language courses do not. *Please note that only the spring semester of Old English will count towards the graduate course requirement (as a 100-level course, or as a 200-level course in the case of ENG 200d) when taken to fulfill a language requirement.

Examples of past language exams can be found  here .

The (Non-Terminal) Master of Arts Degree

In order to apply for the AM degree, students must complete, with a grade of B+ or better, no fewer than a total of seven courses, including a minimum of four English courses, at least three of which must be at the graduate (200-) level, and one additional course that must be taken at the graduate level, but may be taken in another department. Students must also fulfill at least one of their departmental language requirements.

General Exam

At the beginning of the second year, students will take a 75-90 minute oral exam, based on a list of authors and/or titles which the Department will make available for each entering class in the summer prior to its arrival. The examiners will be three regular members of the department (assistant, associate, or full professors), whose names will not be disclosed in advance.

Candidates whose performance on the exam is judged inadequate will be marked as “not yet passed” and must retake the exam at a time to be determined. If candidates do not pass on the second attempt, they will not be able to continue in the program.

Note: Students must fulfill at least one language requirement by the end of the first year in order to be eligible to take the General Exam.

Field Oral Exam

The purpose of the Field Oral exam is twofold: to discuss an emerging dissertation topic, and to examine students' preparation in primary teaching and the scholarly field(s) they mean to claim, particularly field(s) related to the dissertation. Students should be prepared to display knowledge of the field(s) in general based on the books and articles listed in their field bibliography.

The order of events in the exam is up to the committee and student to establish beforehand, but typically the exam has two parts: a discussion of the field(s) in which the proposed dissertation situates itself and in which the student intends to teach; and a discussion of the dissertation topic. The exam should assess both the viability of the thesis topic and the preparedness of the student to pursue it at this time. The level of preparedness should be clarified between the student and committee in their meetings before the exam. The discussion of the dissertation topic should substantially aid the student in writing the prospectus, due six weeks after the exam.

In some field exams, there is already a clear idea of the dissertation, one that the student has already discussed with the committee. The discussion in the exam can thus dive more deeply into the details of the project. In other field exams, the student's dissertation project is not yet fully formed, and the exam actively contributes to fleshing out the formation of the project's scope and direction. The committee and student should agree beforehand on the specific format and scope of the exam.

The two-hour examination is typically taken before the end of the Fall Reading Period of the third year of graduate study, although it is possible to take it as late as the end of February, should the need arise. The exam is conducted by a three-person examination committee, chosen by the individual student, normally from among the tenured and ladder faculty of the English department, (the chair is chosen by May 15 of the second year, and the remaining examiners by no later than September 1 of the third year). One faculty member acts as chair of the committee and often assists the student in selecting other members. The committee, or some part of it, will likely continue to serve as individual students’ dissertation advisors.

During the exam, students are asked to describe and discuss their dissertation project, and to demonstrate an adequate knowledge both of the major primary works and of selected scholarly works in the field(s) as they relate to their dissertation.

The twin purposes of the exam--representing the chosen field, and giving a first account of a dissertation project--are represented by two separate bibliographies, each consisting of primary and scholarly works, drawn up by the student in consultation with the examination committee. There may be considerable overlap between these two bibliographies.

At least four weeks before the exam, the student should meet with the committee, present the two bibliographies (of the chosen field(s) and of the dissertation project), and discuss the format of the exam.

The exam is graded Pass/Fail.

Dissertation Prospectus

The dissertation prospectus, signed and approved by three advisors (or two co-advisors, with a third committee member to be added at a later date), is due to the Graduate Office six “business weeks” after passing the Field Oral Examination. The “business weeks” do not include the Winter Recess, so a student passing the exam four weeks before Winter Recess begins, for example, would have another two weeks after the start of classes in the Spring Term to complete the prospectus.

The prospectus is neither a draft chapter nor a detailed road-map of the next two years work but a sketch, no longer than seven to ten pages, of the topic upon which the student plans to write. It gives a preliminary account of the argument, structure, and scope of the intended treatment of the topic. The overview will be followed by a bibliography.

The prospectus is written in consultation with the dissertation advisors, who will meet with students at least once in the spring of the third year to discuss the prospectus and to draw up a timetable for the writing of the dissertation.

In planning a timetable, students need to bear in mind (1) that two draft chapters of the dissertation must be completed by the middle of their fifth year, if they are to be eligible to apply for completion fellowships in their sixth year, and (2) that students generally enter the job market in the fall of their sixth year, with at least two final chapters and a third draft chapter completed. They should also remember that term-time fellowships and traveling fellowships may be available to them in the fifth year, but that these require applications which are due as early as December or January of the fourth year.  Note: The timetable described above can be accelerated if a student so wishes and is in the position to do so.

Article Submission and Professional Writing Workshop

Students are required to submit an article to a scholarly journal by the end of their 5th year (acceptance is not required). Failure to do so would result in the loss of good standing. This is encouraged for all students, but is a requirement beginning with the incoming class of 2015-16. In conjunction with this new requirement, the department has established a professional writing workshop open to English department students only. Attendance will not be required but expected of students in residence. Students will be expected to take the course at some time before the beginning of the 6th year, and ordinarily in the spring of their 5th year. The course will be graded Sat/Unsat.

Dissertation Advising

Students should assemble a group of faculty members to supervise the dissertation. Several supervisory arrangements are possible: students may work with a committee of three faculty members who share nearly equal responsibility for advising, or with a committee consisting of a principal faculty advisor and a second and third reader. In the first scenario, one of the three faculty members will be asked to serve as a nominal chair of the committee; in the second scenario, the principal advisor serves as chair. If the scope of the project requires it, students should consult the DGS about including a faculty advisor from a department other than English or from another university.

The advising mode chosen will be indicated to the department when the prospectus is submitted. Regardless of the structure of advising, three faculty readers are required to certify the completed dissertation. If it is deemed useful, chapter meetings between the student and the entire committee may be arranged in consultation with the chair.

The Dissertation

After the dissertation prospectus has been approved, candidates work with their dissertation directors or their dissertation committee. All of the designated advisors must approve the final work.

The doctoral dissertation is expected to be an original and substantial work of scholarship or criticism, excellent in form and content. The department accepts dissertations on a great variety of topics involving a broad range of approaches to literature. It sets no specific page limits, preferring to give students and directors as much freedom as possible.

Dissertation Defense

The Dissertation Defense will be a necessary part of receiving the PhD, though it will not be a pass/fail examination. The defense is required for all students who entered the program in 2007 or after.

The form of the defense is as follows:

• Each student’s defense will be a separate event
• In addition to the student and the advisors, the participants typically include any interested faculty and any interested graduate students
• The Graduate Office will announce the upcoming defense to all members of the department, unless otherwise specified by the student
• The event will start with a 15–20 minute presentation by the student and last at most 90 minutes
• If a student has left Cambridge and cannot return easily for this purpose, the defense may be held remotely

Arrangements will be overseen by the Graduate Office but conducted by the student (as with the Fields examination); students will be required to send an email to the Director of Graduate Studies and to the Graduate Program Administrator, with a copy to their advisors, indicating the day, time, and location of the defense.

The meeting for a November, March, or May degree must take place any time after advisors have signed off on the dissertation (by signing the Dissertation Acceptance Certificate) and, in the case of the May degree, at least a week before Commencement. In practice, however, the student will need to defend after advisors have signed off and before advisors disperse. That period will normally be between 1–14 May, and most probably in the early days of May. It is up to the student to coordinate the arrangements.

Students begin teaching in their third year*. Ordinarily they teach discussion sections in courses and in the department’s program of tutorials for undergraduate honors majors.

Preparation for a teaching career is a required part of students’ training, and Teaching Fellows benefit from the supervision and guidance of department members.

Teaching fellows are required to take English 350, the Teaching Colloquium, in their first year of teaching. In addition, they are encouraged to avail themselves of the facilities at the Bok Center for Teaching and Learning.

*English graduate students wishing to teach in their 2nd year must have 1) passed Generals, 2) completed all required course work by the end of their first year OR must have previous comparable teaching experience, and 3) received written authorization from the Director of Graduate Studies and the GSAS Dean for Admissions and Financial Aid.

Doctoral Conferences "Colloquia"

The Department of English’s  Doctoral Conferences (commonly referred to as “Colloquia”) bring together students and faculty from Harvard and other institutions to discuss current research in literature. Colloquia meet regularly throughout the academic year, and all Harvard graduate students and faculty should feel free to attend any of them, regardless of primary field(s) of interest.

Careers and Placement Seminar

As students near the end of their dissertation writing, they may take a seminar preparing them to seek academic and other employment. Students learn about the job application process, develop cover letters and CVs, and practice presenting their work in interviews and job talks, all in a rigorous and supportive environment. Students should leave the seminar with strong materials for the job market, confident identities as the expert scholars and teachers they have become, and clear articulations of how they will contribute to literary studies in the years ahead. The seminar supplements and formalizes the extensive informal placement advising offered in the department.

Graduate Student Progress Timeline

This document  provides a year-by-year breakdown of requirements for satisfactory progress in our program.

• Guidelines for Admission
• Teaching Fellows
• Fellowships
• Graduate Prizes
• Resources for Grad Students
• English PhD Alumni Network & Placement Information

Ph.D. Admissions

Thank you for your interest in our Ph.D. program, which offers an unparalleled combination of intellectual rigor and graduate support.  We are dedicated to training the next generation of scholars, and to confronting the opportunities offered by a changing job market. We look for various qualities in our applicants, including a proven capacity for advanced critical thinking and independent research.

The Department of English recognizes that the Supreme Court issued a ruling in June 2023 about the consideration of certain types of demographic information as part of an admission review. All applications submitted during upcoming application cycles will be reviewed in conformance with that decision. 

Note: Stanford does not offer a terminal Master of Arts in English.  

Autumn 2025 Admission

The deadline for the submission of graduate application forms to the Department of English for matriculation in Autumn 2024 will be  December 1, 2024 at 11:59pm PST .

Read all instructions at the  University Graduate Admissions website  before starting the application process.

Application Requirements/Checklist:

• Application form: Completed online through the  University Graduate Admissions website
• Non-refundable fee of $125.  For information on eligibility for fee waivers, please refer to  Graduate Application Fee Waiver
• Statement of Purpose (ideally 500-600 words, maximum 1000, double spaced, submitted as part of the application): reasons for applying, preparation, specific study and research interests (e.g., 18th century, American lyric poetry, Middle English, etc.), future career plans, and any other information to elucidate background and potential as a scholar/teacher.
• Letters of Recommendation:  Three letters of recommendation are required from faculty members or others who are qualified to evaluate academic work and teaching potential.  Recommenders submit their letters through the online system by the application deadline.
• Transcripts: Unofficial transcripts from all universities and colleges you have attended for one year or more must be uploaded to the online application.  We only require admitted applicants who accept the offer of admission to submit official transcripts that show degree conferral. Please do not send any official transcripts to us at this time.
• Writing sample: a critical paper of approximately 12-25 pages, ideally in your stated field of interest. The writing sample is also submitted with the online application.
• Official TOEFL and/or TSE: required for all international applicants (whose primary language is not English) sent via ETS.  To see if you need to provide this information, please check the  Exam Requirements for International Applicants . Stanford does not accept IELTS scores.

Note to Stanford Undergraduates (both current and former):  

As a department we are gratified when some of our undergraduate majors decide to pursue advanced degrees in English.  To foster breadth in the students’ educational experience and also to expose our department to diverse ideas, our philosophy is that students who receive their undergraduate degrees from our department should generally look elsewhere to pursue their doctorates.

Inquiries about the Ph.D. in English should be directed to  englishadmissions [at] lists.stanford.edu (englishadmissions[at]lists[dot]stanford[dot]edu) .

Knight-Hennessy Scholars 

Join dozens of  Stanford School of Humanities and Sciences students  who gain valuable leadership skills in a multidisciplinary, multicultural community as  Knight-Hennessy Scholars (KHS). KHS admits up to 100 select applicants each year from across Stanford’s seven graduate schools, and delivers engaging experiences that prepare them to be visionary, courageous, and collaborative leaders ready to address complex global challenges. As a scholar, you join a distinguished cohort, participate in up to three years of leadership programming, and receive full funding for up to three years of your PhD studies at Stanford. Candidates of any country may apply. KHS applicants must have earned their first undergraduate degree within the last seven years, and must apply to both a Stanford graduate program and to KHS. Stanford PhD students may also apply to KHS during their first year of PhD enrollment. If you aspire to be a leader in your field, we invite you to apply. The KHS application for 2025 cohort opens on June 1, 2024. Learn more about  KHS admission .

Start English PhD Application

University of Missouri

College of arts and science, phd program.

For those entering the program with an MA, the PhD in English is designed to be a five-year program requiring 30 hours of coursework.* This coursework will contribute to a total of 72 graduate credit hours beyond the BA (the 72-hour total may include credits transferred from the MA degree). Students entering the program with an MA will generally complete their coursework within the first two years.

Students can also enter the PhD program with a BA but without an MA, in which case the program is designed to be a six-year program requiring 72 hours of graduate credit beyond the BA. Of these, 48 hours will consist of coursework,* including at least 27 hours of coursework taken at the 8000-level. Students entering the program with a BA will generally complete their coursework within the first three years. 

Students select and work closely with a faculty advisory committee to plan a course of professional study and training in their chosen primary and secondary fields. The PhD program is meant to provide deep knowledge as well as methodological sophistication. 

* The term "coursework" refers to credits earned in classes and seminars at the graduate level. The term "credit hours" also includes credits earned through dissertation research.

The PhD candidate will take  30 hours of coursework beyond the MA . Coursework must include:

• At least 18 hours in English at the 8000-level (English 8001, English 8005, English 8095 and 9090 hours do not count toward the 18-hour requirement). 

Candidates’ coursework and program of study will be designed to prepare them as competent scholars in the designated fields. All PhD candidates are required to take:

• English 8005, Introduction to Graduate Studies, a one-hour course in fall semester of the first year in the program
• English 8010, Theory and Practice of Composition, is required in the first semester for students teaching English 1000
• A course in English linguistics focused on the structure of the language (English 7600 or an equivalent graduate course at another institution), on its history (English 7610, English 7200, or an equivalent graduate course at another institution), or on sociolinguistic aspects of English (English 7620 or an equivalent graduate course at another institution)
• A course in literary criticism (English 8050, 8060, 8070, or an equivalent graduate course at another institution)
• English 8020, The Theory and Practice of Teaching in English (for students who want to teach literature classes)

PhD students in the creative writing program are required to take:

• 9 workshop hours at the 8000 level 
• 6 hours of 8000-level seminars whose content includes in-depth analysis of literary texts. Workshops do not fulfill this requirement. 7000-level courses, or courses outside of the English department may be substituted with the approval of the Director of Creative Writing and the Director of Graduate Studies

A student may elect one English 8095 problems course (a maximum of 3 hours credit), with the prior consent of the Director of Graduate Studies (DGS), but the credits will not count towards the 18-hour 8000-level course requirement. Students may also take up to 9 hours of coursework outside English in fields related to their programs of study upon the advice and consent of the advisory committee. In general, students with limited backgrounds in related areas (such as history, philosophy, art history) are encouraged to take coursework in such areas, while students with extensive background in other areas (e.g., one whose undergraduate major or MA is in a field other than English) should choose to concentrate coursework within the department.

PhD students must fulfill a language requirement to ensure that all students have a familiarity with a language other than English. Students, regardless of specialty, gain substantially by making meaningful connections between their own work and a non-English-speaking culture. 

A student may satisfy the language requirement for the PhD in English by one of the following:

• By taking coursework at MU. The student must pass with a grade of B or better an intensive introduction to a language, the two-semester introductory sequence of courses, or one course at or beyond the second semester level in the language chosen. 
• By demonstrating to the Director of Graduate Studies that the student has taken courses equivalent to those specified in item #1 at another college or university.
• By demonstrating proficiency through a language test. Language tests will be administered by the department in November and April. Those wishing to take a test must notify the DGS in the semester prior. Those students who submitted a TOEFL score as part of their application to graduate school will be considered to have passed the language requirement.

Upon entering the program, students should work with the DGS or a faculty advisor to plan how they will fulfill the language requirement. Projects and areas of study will require different levels of language proficiency. Students’ committees may recommend that they pursue language study beyond the level required by the department.

Below is a sample timeline for completing the PhD within five years of funding. Variations to the timeline can be developed in consultation with a student’s advisor and the Director of Graduate Studies.

Students who are unable to keep to the 5-year funded PhD timeline because of extreme circumstances (e.g., disability, medical condition, family emergency) should consider applying for an additional semester of funding (see "Additional Semester of Teaching Policy" form in the box to the right side of this page).

Although the Department of English offers only 5 years of guaranteed funding, the Graduate School allows 5 years after entering the program for students to pass their Comprehensive Exams and 5 additional years for students to defend their dissertations after passing their Comprehensive Exams. 

The Qualifying Exam satisfies a Graduate School requirement. The student and advisor should decide on a proposed Plan of Study (D-2 form) to be discussed and approved at the meeting by the doctoral committee. The doctoral committee is composed of at least three faculty members from the English department and at least one faculty member from a department other than English.

Students may use this meeting to shape their fields of study or their lists for the Comprehensive Exam, but this is not required to pass the exam.

Students are encouraged to take the Qualifying Exam by the end of their first year, but may take the exam at the beginning of the second year, if they need more time to compose their doctoral committees.  Regardless of the timing of the exam, all students should discuss a plan for fulfilling degree requirements with their advisors and/or with the Director of Graduate Studies by the end of their first year.

The Qualifying Exam must be a formal meeting, scheduled by the committee chair, with at least three of the four members present. The outside faculty member need not be involved in this meeting, but all four members of the committee must sign the D-1 form. The student is responsible for preparing the forms and bringing them to the meeting.

Selecting an Advisor

The advisor guides students through the qualifying examination, provides crucial advice for a student’s plan of study, helps with topics for the comprehensive examination, and works closely with students as they research and write dissertations or theses. Advisors will help students select internal and external members of examination and thesis/dissertation committees.

Upon entering the English Department, students will be advised by the Director of Graduate Studies. Through individual meetings and in English 8005, the DGS will help students prepare to approach potential advisors. PhD students should research potential advisors in their first semester by taking classes in their fields of interest, talking with experienced graduate students, and consulting with the DGS. Early in the second semester of their study students should meet with potential advisors to determine academic compatibility. Students will need to find an advisor working in their primary area of concentration. This primary area will consist of some combination of historical period, genre, and approach and should be reflected in professional associations and in job listings. Within these areas of primary interest, most students will choose among a small number of potential faculty mentors. In some cases, students will change fields on account of excellent experiences in their first year of graduate study. In choosing an advisor, one should also consider to what extent the faculty member shares methodological interests with the student.

When meeting with a potential advisor, a student should be prepared to discuss both the topic and the methodology that they desire to pursue. A one- or two-page research proposal detailing the broad questions the project will answer and the means by which research questions will be addressed.

For further information, please see the  Graduate School's Guidelines for Good Practice in Graduate Education .

Selecting a Program Committee

Students should approach potential faculty committee members by the end of their first year in the program. The committee is registered with the Graduate School with the D-1 form. 

The PhD Committee consists of at least four faculty members (including the chair). Three of the members will be faculty in the English Department; the fourth may either be an additional member of the English Department or a faculty member from a different department.  Members from outside the department are extremely helpful for some dissertation projects, and students should consult with their faculty advisors about the potential benefits of including one, as well about the composition of their committees in general. As a group, members of the PhD Committee should be equipped to support the student in both prospective primary and secondary fields for the comprehensive examination.

Students can fill out a form to change the composition of the committee, to be signed by the new committee member and the Director of Graduate Studies.

Advising Guidelines

Recognizing that the advising relationship is a mutual one, in which both advisors and students must take responsibility for good communication—about expectations, about what is working well, and about what can be improved—the following is a codification of the observable behaviors that define high-quality graduate advising.

Given that advisors are in positions of power, high-quality advisors consider how their words and actions can impact mentees’ progress. We see high-quality graduate advising as defined by:

Supporting Academic and Professional Development

• Advisors should meet with their advisees at least once each semester to assess progress toward the degree.
• Advisors should explain the demands of all aspects of the degree program and work with their advisees to form a communication and collaboration plan in order to do the work of the degree program.
• Advisors should work with their students to establish a timeline for completing the degree program that includes a schedule of meetings and exams, selecting courses and/or committee members, and a plan for coordinating with other committee members. Advisors should also prepare their advisees for oral exams and defenses.

Providing and Asking for Timely and Substantive Feedback

• Advisors should strive to respond to student emails within one week of receipt, and provide students with feedback on large documents, such as drafts of exam essays and thesis/dissertation chapters, within 3-4 weeks of receiving them.
• The advisor should contribute to their students’ professional development by observing their teaching, reviewing documents such as syllabi, conference abstracts, grant and fellowship applications, job letters, etc. Students should allow for at least two weeks for the completing of this work.

Treating Graduate Students as Junior Colleagues

• Advisors should help the student to find professional employment inside or outside the academy and access other networks/mentors. This will usually involve writing recommendation letters. The student should give the advisor at least one month’s notice of any letters to be written and the advisor should respect the stated deadlines.
• High-quality mentors provide time, resources, and opportunities fairly and equitably across students they advise. The advisor should avoid any appearance of a quid pro quo relationship with the advisee by refraining from accepting gifts, professional favors, domestic labor, or offers to provide refreshments at exams and meetings.
• Advisors should be mindful and self-reflective regarding potential subtle barriers for underrepresented advisees (such as race, gender, disability, family responsibilities, mental health and/or personal and financial difficulties) and focus on inclusive ways of achieving the specific tasks and goals associated with degree completing.
• Advisors recognize there is no “one-size-fits-all” approach to supporting students and enabling their success. High quality advisors make an effort to “meet students where they are” in their professional development and to provide appropriate oversight and scaffolding that allows for continued professional development.

After all required coursework has been completed, PhD students must take the comprehensive examination. This exam consists of a written section and a two-and-a-half-hour oral exam.

Reading Lists

The major field list should reflect the student’s area of scholarly specialization and take into account the student’s interests and intellectual, pedagogical, and/or professional fields.

The minor field list should be a more narrowly focused secondary specialization (for instance, a student with a major list in African-American literature might have a minor list in twentieth-century American fiction), a genre or sub-genre (creative nonfiction, the sonnet, etc.), or an area of thematic focus (Transcendentalism, nature poetry, etc.).

The criticism and theory list should enhance students’ understanding of critical conversations surrounding the works on their major and minor list and can also be used to develop a separate area of specialization in theory that is anticipated to be useful for the dissertation.

All three lists together should comprise approximately 100-120 book-length works or the equivalent in scholarly articles or works in other media (as decided in consultation with the committee), with the major list roughly equivalent in size to the combined minor and criticism/theory lists.

Written Exam

The written section of the comprehensive exam is comprised of  one  essay, intended to prepare students for the dissertation. The essay will prepare creative writing students for the critical introduction and/or the creative dissertation. Although the written exam is submitted to the committee prior to the oral exam, it is expected that students will complete their reading of works on all three lists  before  turning in the final draft of the written exam. The order of this process is crucial, as this reading may well shape a student’s plans for the dissertation and hence inform the topic and substance of the written exam.

The essay will identify and summarize the critical conversation(s) in which a student’s individual dissertation work will participate. This essay may have, but does not require, an original argument. In consultation with their committee members, students are encouraged to shape their written exam to best serve their research needs. The essay must be  15-20 pages ,  not counting additional materials such as bibliography, illustrations, or charts (which should be placed in an appendix). While the essay should refer to both  primary and secondary sources from students’ lists , students may also use other sources relevant to their projected dissertation.

Students will submit two drafts to their committee members: a first draft and a final written exam. The first draft must be submitted for written or oral feedback on how to proceed with revisions at least  four weeks and no more than sixteen weeks before  turning in the final written exam. The committee will evaluate each version of the essay for range and depth of coverage, specificity of references to the works discussed, theoretical grasp of the material, effective synthesis of important approaches or debates, and clarity of organization and style. Once the final written exam has been submitted, committee members will use these criteria to vote on whether the student has passed the written portion of the exam. To proceed to the oral exam, students must receive no more than one vote of “fail” or “abstain.”

At least one month prior to the submission of the final written exam, students should communicate with committee members, alerting committee members to the date the final written exam will be submitted. The advisor should consult with committee members to schedule a tentative date and time for the oral portion of the exam. The oral portion of the exam should take place  at least two weeks and no more than one month  after the final written exam has been submitted. The advisor should inform the Graduate Secretary of the time and place scheduled for the oral examination.

On the agreed upon date, the student should submit the final version of the written exam to the Graduate Secretary, who will distribute the exam to the student’s committee.  Exams submitted to the Graduate Secretary that are either under or over the required page length will not be sent to committee members, but will be referred to the Director of Graduate Study.  Within two weeks of receiving a copy of the exam, committee members will submit evaluations discussing strengths and weaknesses of the essay to the Graduate Studies Secretary, who will forward them to the student and also place copies in the student's file. If the student does not pass the written exam, the oral examination date will be cancelled and the committee will offer advice on rewriting and resubmitting the essay.

University rules require that students are enrolled during the term in which they take their oral exam (to be administered only when MU is officially in session). The oral exam must be completed at least seven months before the defense of the dissertation.  See  https://gradstudies.missouri.edu/current-students/doctoral

The oral section of the comprehensive exam is designed to test a student’s knowledge of the teaching and research fields represented by their reading lists.  Students should be prepared both to answer focused questions about individual works and to speak broadly about the connections among them.  Students should send final copies of their lists to their committee members at least two weeks before the oral exams.

The oral exam will be scheduled for two and half hours and will consist of:

• Two hours of questions, with format and time allotted to committee members arranged beforehand by the chair of the student's committee
• Fifteen minutes during which the committee deliberates about the exam
• Fifteen minutes during which the committee informs the student whether he or she has passed or failed, and discusses the exam with the student. The student may also use this time to schedule follow up meetings with each committee member so that they can discuss the student’s movement toward the prospectus.

Within one week of the oral exam, the chair of the committee is responsible for writing a brief document (up to one page) discussing the exam-- things the student did well on, and things that might be improved upon. The chair must give a copy of this document to the Graduate Secretary, who will forward it to the student and place a copy in the student's file.

In order to pass the student must receive no more than one vote of “fail” or “abstain” on the oral exam. Students who fail the oral examination will be allowed to retake it, but cannot do so sooner than 12 weeks after, or later than the end of the semester following the initial examination. If the student passes the oral examination, all members of the committee must sign the D-3 form. The chair of the committee is responsible for submitting the D-3 form to the English graduate studies office, and the form must be filed with the Graduate School within two weeks after the final completion of the exams. Per Graduate School rules, failure to pass two comprehensive examinations automatically prevents candidacy.

While studying for the Comprehensive Exams and after completing required coursework, students may elect to take English 9090: Dissertation Hours in order to maintain Full Time status (Full Time status according to the Graduate School is 9 hours before a student advances to ABD status). English 9090 may be taken before completion of coursework only with permission of the DGS.

After students complete their Comprehensive Exams, candidacy for the doctoral degree is maintained by enrolling in two credit hours in the fall and spring semesters and one credit in the summer semester up to and including the term in which the dissertation is defended. Failure to enroll continuously in 9090 Research hours (or alternatively, in the 8001 Critical Writing Workshop or Job Market Workshops) until the doctoral degree is awarded terminates candidacy. Guidelines for continuous enrollment can be found on the  Graduate School website .

As soon as possible after passing the comprehensive examination, a candidate should explore a dissertation topic under the guidance of the student’s adviser. Candidates must formally present and describe the topic in a prospectus of no more than 15 pages (excluding bibliography). For the student to remain in good standing, the prospectus and a signed Dissertation Prospectus Approval Form (posted to the right on this page) must be submitted to the English graduate studies office within three months of a successful oral defense of the Comprehensive Examination or first two weeks of the semester following.  In the event revisions are requested by the committee, the advisor will keep the signed form until revisions are made and then submit the form to the office. The advisor should schedule the prospectus conference.

The prospectus should contain five elements:

• The state of current scholarship in the relevant fields
• The nature of the dissertation’s intervention in current scholarship
• A description of method
• A description of the materials—that is, the objects/archives studied and consulted
• A short bibliography  

In the case of students writing creative dissertations, the prospectus should primarily describe the critical introduction (see “Creative Dissertation” below); ten pages is a good goal here.

The prospectus should be drafted in consultation with the adviser. Once drafted, it will be the subject of the Prospectus Conference, a meeting of the dissertation committee (outside member optional) covering the student’s ideas and research plans, including schedule. If a majority of the student’s committee doesn’t approve the prospectus, suggestions for revision will be made and the student will submit the revised prospectus only to the adviser; for this reason, students should schedule their meeting with enough time to revise and meet the deadline.

The prospectus must be completed for the student to begin writing, but it is also important because it usually forms the basis of grant applications and dissertation descriptions when the student goes on the job market. It is of long-term use to have a prospectus on file early, even though it is understood that the dissertation may change during research and writing. 

Dissertation

Two types of dissertations are written for our program: the scholarly dissertation and the creative dissertation. 

The  scholarly PhD Dissertation  is a work of original scholarship in a recognizable field covered by departmental expertise. Most dissertations in English are between 200 and 350 pages and combine an original argument with research into the field you explore. By the end of the process of researching and writing the dissertation, the successful student will be one of a few world experts in the field addressed. Therefore topics should be specific enough to allow students to stake a claim to expertise, while broad enough to speak to the general field in which the dissertation is placed. The dissertation becomes the central document upon which you build your academic reputation. At best, it will be ready to go as a book project. Chapters of your dissertation will likely serve as writing samples on the academic job market and might be revised into publications either before or after you have defended it and received your PhD. The dissertation itself will be read by the student’s adviser and a minimum of three other readers. One member of the committee may  be a member of a department other than English. In the process of research and writing, some students work closely with an entire committee; others focus on the responses of their primary adviser to preliminary work.

PhD candidates in Creative Writing generally write a  creative PhD dissertation , which may take the form of a collection of poetry, a novel, a novella, a book-length collection of short stories, or a book-length work of creative non-fiction. To exercise this option, the candidate must have taken 9-12 hours of creative writing seminars as part of the PhD coursework. In addition to the creative part of the dissertation, the candidate will compose a  Critical Introduction , which is an article-length and rigorous critical essay that substantively engages the candidate’s areas of critical interest.

By the rules of the Graduate School, seven months must elapse between a student's successfully passing the PhD Comprehensive Examination and submitting the PhD dissertation.

Defense usually occurs within a month of submission to the committee of an acceptable dissertation. Committee members prepare questions in advance and the defense consists of a conversation regarding the scholarship and writing of the dissertation. The defense is customarily a celebratory occasion. But committee members can—and sometimes do—ask challenging questions that undercut specific and general issues in the project. Students have a chance to incorporate suggestions from the defense into the final document submitted to the Graduate School. Therefore, it is useful to schedule the defense some weeks before the final deadline for submission to the Graduate School in the term in which the student wishes to graduate. For the dissertation to be successfully defended, the committee must vote to pass it with no more than one abstaining or dissenting vote. If the dissertation is not passed, the student can revise in accordance with suggestions and resubmit.

The advisor will schedule two and half hours for the defense. It will consist of: two hours of questions and conversation, fifteen minutes during which the committee deliberates about the exam, and fifteen minutes during which the committee discusses the outcome and any revisions to be incorporated into the final copy turned in to the Graduate School.

PhD students may elect to invite people outside of their committees to attend their defenses. The student and advisor should agree on whether the audience can be present for the whole defense or just the opening portion. The audience may not be present for committee deliberations from which the PhD candidate is excluded. Audience members may observe but cannot ask questions, give comments, or reduce the allotted time for committee questioning in any way. Recording or livestreaming the defense is not permitted.

For instructions on filing your dissertation, see:  https://gradstudies.missouri.edu/current-students/thesis-dissertation/thesis-dissertation-guidelines/

Dissertations in Progress

Updated 5/2/2024

Heather Asbeck

“Pockets in Print: Reading the Material Circumstances of Women's Lives, 1840-1870”

Director: Nancy West

Erick Burdock

"Queern Humor & Resistant Readings in Canonical Gothic Film and Literature"

Director: Elizabeth Chang

Director: Anand Prahlad

Blake Estep

"'Continually Reimagined and Contested': A Narrative Theory Approach to Four Reconstruction Novels"

Director: John Evelev

Chelsea Fabian

“Identities Unbound: Queer Liminality, Futurity, and Other-World Speculative Fiction”

Director: Becca Hayes

Anna McAnnally

"Unserious Adaptation: Connections between 19th and 21st Century Literary Culture in Adaptations of Little Women"

Director: Alexandra Socarides

Jesutofunmi Omowumi

“The African Diasporic Novels of Geo-Poethics: Decolonizing Black

Anthropocenes in the Contemporary Climate Change Crisis”

Director: Christopher Okonkwo

McKenzie Peck

"A History and Examination on Robert Thornton and His Manuscripts"

Director: Emma Lipton

Maurine Pfuhl

"Heavily Perfumed Women"

Director: Julija Ŝukys

Shelby Preston

"Performing Disidentifications in Chivalric Romance at the Anglo Scottish Border"

Yoonjae Shin

“Gothic Jurisprudence: Genre, Gender, and the Rule of Law”

Director: Noah Heringman

Recent Dissertations

(2023-2026)

Micaela Bombard (PhD 2023) "Grievances & Appeals" poetry collection and "Poetry as Accommodation: Reconciling Pain, Language & Theory in Disability Studies" critical introduction.

K. Mikey Borgard (PhD 2024) "Marathon"

Bailey Boyd (PhD 2023) "Fathoming"

Tyler Corbridge (PhD 2024) "Desert Whaling"

Hailey Cox (PhD 2024) "The Opposite of Gone"

Cass Donish (PhD 2024) "Your Dazzling Death"

Samantha Edmonds (PhD 2024) "A World to Hold Us All"

Lindsay Fowler (PhD 2023) "Bury the Key: A Book of Houses"

Ariel Fried (PhD 2024) "Being and Belonging in Victorian Fiction, Science, and Medicine: Subjectivity and Affective Relations Constructing Victorian Time and Space (1847-1897)"

AnneElise Hatjakes (PhD 2024) "The Suicide Table"

Heather-Heckman-McKenna (PhD 2023)  " Eighteenth-Century Sensibility and the Subversive Female Body"

Jolie Mandelbum (PhD 2023) "The Monstrous Ordinary: The Erasure of the Women of Weird Tales and the Implications for Monster Theory"

Thanh Nguyen (PhD 2024) "The English and Vietnamese Languages of the Vietnamese Americans in the US"

Anna Perrigo (PhD 2024) "Motherhood and Food in Twenty-First Cetury Transnational Literature"

Erin Regneri (PhD 2023) "We Must Look a Long Time Before We Can See: The Art and Science of Thoreau's Early Work"

Brittany Wilson (PhD 2024) "Futurist Deep Mapping: Cartographies of Resistance in Contemporary BIWOC Climate Justice Literature"

Allison Wiltshire (PhD 2024) "Breakable Binaries: Representations of Twins in African and African American Literature, Film, Television, and Cultures"

(2019-2022)

Ashley Anderson (PhD 2022) “ Sifting the Feminine Bones: Essays”

Megan Abrahamson (PhD 2020) “Medieval Romance, Fanfiction, and the Erotics of Shame”

Gregory Allendorf (PhD 2019) “Bottle Fly”

Jordi Alonso (PhD 2021) "An Island of Nymphs:" Elizabeth Barrett Browning and Victoria Women's Classical Education"

London Brickley (PhD 2019) “Science Frictions:  S cience, Folklore, and ‘The Future’”

Elise Broaddus (PhD 2020) "`the back-and-forth form': Epistolary Mediation in Late Medieval English Literature"

Gwendolyn Edward (PhD 2021) "Refrain"

Carley Gomez (PhD 2021) "The First Inch of a Saguaro"

Elijah Guerra (PhD 2022) “Spatial Politics in Genre in the 21st Century Arabic Novel in English”

Jacob Hall (PhD 2022) “The Conditions”

Kate Harlin (PhD 2020) “'One Foot on the Other Side': Suicideality in Contemporary African Diaspora Fiction”

Aaron Harms (PhD 2021) "Selling You On Flexibility: Toward a Flexible Framework for Reflexive Administration of Writing Centers"

Emilee Howland-Davis (PhD 2019) “Magical Safe Spaces: The Role of Literature in Medieval and Early Modern Magic”

Vedran Husic (PhD 2020) “Book of Apparitions”

Sean Ironman (PhD 2020) “As Many Roast Bones As You Need”

Kate Kelley (PhD 2019) “Policing the Boundaries of Whiteness: Monsters Made in the USA”

Travis Knapp (PhD 2021) "Anti-Calvinist? Ceremonial Conformity and Laudian Writing, Reconsidered (c. 1590-1640)"

Neriman Kuyucu (PhD 2020) “Transnational Spaces, Transitional Places: Muslimness in Contemporary Literary Imaginations”

Peter Lang (PhD 2022) “Between the body and language: Subjectivity and the literary arts”

Lawrence Loiseau (PhD 2019) “A Lacanian Reply to Marx: The Necessity of Topology in the Formation of the Social”

Timothy Love (PhD 2021) "Black Skin Matters: The Significance of Color in Early Modern England"

Jennifer McCauley (PhD 2020) “When Trying to Return Home: Stories”

Teresa Mildbrodt (PhD 2019) “Sharp Things, or the Silver Lines are Not Scars”

William Moore (PhD 2019) “Brain Catalogue”

Angela Netro (PhD 2022) "The Wise Avenue"

Rebecca Pelky (PhD 2020) “Through a Red Place”

Katie Rhodes (PhD 2022) “ Rites of Leaving”

Brian Rodriguez (PhD 2021) "Beautiful Phantoms: British Literature, Political Economy, and Biopolitics from 1780-1855"

Donald Quist (PhD 2021) “The Freedoms of B. Kumasi”

Bradley Smith (PhD 2018) “Canon”

Joseph D. Smith (PhD 2019) “Worried Notes: Poems”

Nicole Songstad (PhD 2021) "Social Networks of Friendship in the Writings of Early Medieval English Women"

Steven Watts (PhD 2020) “Occupy, Blockade, Circulate: Narrating Community in 21st Century Crisis Fiction”

Kacy Walz (PhD 2022) “ The Graduate Student Novel: A New Subgenre in University Fiction”

Jake Young (PhD 2020) “All I Wanted” (creative); “On Poetry: The Emergence and Function of Meaning” (critical)

(2014-2018)

Jessie Adolph (PhD 2018) “Dee-Jay Drop that ‘Deadbeat’: Hip-Hop’s Remix of Fatherhood Narratives”

Khem Aryal (PhD 2015) “Rewriting the Creative: Toward a Happenings Theory of Creative Compositions” (critical); “The Last Monarchist:Stories from Nepal” (creative)

Dorothy Atuhura (PhD 2018) “Documenting ‘Harm’: Mediated Representations of Gendered Bodylore from Sub-Saharan Africa”

Constance Bailey (PhD 2015) “It Takes a Village: Twentieth Century Black Women’s Fiction and the Spiritual Apprenticeship Narrative”

Allison Balaskovits (PhD 2015) “Magic for Unlucky Girls:Stories”

Anne Barngrover (PhD 2016) “Brazen Creature”

Toby Beeny (PhD 2018) “Ecclesiastical Advice Literature in Anglo-Saxon England”

Colin Beineke (PhD 2018) “Assembling Comics: The House Style and Legacy of  RAW  Books and Graphics”

Deanna Benjamin (PhD 2018) “The Education of a Gambler’s Daughter”

Julie Christenson (PhD 2018) “Interpretive Cultures and Anglo-Saxon Texts”

Corinna Cook (PhD 2018) “Leavetakings”

Andrew Darr (PhD 2018) “Masculinity in Early Modern English Revenge Drama and City Comedy”

Joanna Eleftheriou (PhD 2015) “This Way Back: Essays from Cyprus”

Lauren Fath (PhD 2015) “My Hands, Remembering”

Marissa Fugate (PhD 2016) “Midnight’s Children: The Adolescent Body in the Age of Nations”

Lianuska Guiterrez (PhD 2015) “And the Wood Doll Arose and Told, I’m a Real”

Ryan Habermeyer (PhD 2017) “Babbler: A Novel”

Rachel Hanson (PhD 2016) “Dislocations”

Stephen Haynie (PhD 2018) “Escalations: Stories”

Brianne Jaquette (PhD 2015) “The Locomotive and the Tree: Industrial Pittsburgh’s Late Nineteenth-Century Literary Culture”

Sarah Johnson (PhD 2017) “Mr. Boswell Peels an Orange”

Jennifer Julian (PhD 2017) “I’m Here, I’m listening: Short Stories”

Ruth Knezevich (PhD 2015) “Narrative as Archive: Ethno-Historical Paratexts in British Literature, 1760-1830”

Patrick Lane (PhD 2016) “Medieval Death Trip”

Miranda Mattingly (PhD 2016) “A Circuit of Haunting Pictures: Theorizing the Space of Readership in ‘Condition of England’ Literature and the Periodical Press, 1845-1889”

Elizabeth McConaghy (PhD 2015) “Migrations”

LaTanya McQueen (PhD 2017) “When the Evening Comes” (fiction); “And It Begins Like This” (nonfiction)

Juliette Paul (PhD 2015) “Transatlantic Geographies of Faith in the Long Eighteenth Century”

Kavita Pillai (PhD 2018) “The Refashioning of Fundamentalist Nostalgia in the Age of Globalization: Charting the Rise of the Right Wing via Textual Trends”

Nick Potter (PhD 2018) “Big Gorgeous Jazz Machine”

Nick Robinson (PhD 2016) “Our Family Walks”

Eric Russell (PhD 2016) “Nature, Materiality, and Human Agency in the Literature of the Great Lakes, 1790-1853”

Travis Scholl (PhD 2018) “Of the Burning”

Eric O. Scott (PhD 2018) “The Pagan’s Progress, or, The Invention of Pilgrimage”

Carli Sinclair (PhD 2018) “‘This Land is My Land’: Authority and Landscape in American Women’s Nonfiction, 1843-1903”

Magi Smith (PhD 2016) “The Drama of Dissent: Pamphleterring Culture and Performative Protestantism:1650-1795”

Gregory Specter (PhD 2014) “Harriet Beecher Stowe and the Circulation of Texts”

Jennifer Spitulnik (PhD 2015) “No People Like #ShowPeople: Broadway Performers”

Christopher Strelluf (PhD 2015) “We Have Such a Normal, Non-Accented Voice’: A Sociophoentic Study of English in Kansas City

Raymond Summerville (PhD 2016) “The Fetishization of Firearms in African‐American Folklore and Culture”

Chun Ye (PhD 2016) “HAO”

Jihun Yoo (PhD 2015) “The Frontier Myth and The Frontier Thesis Contemporary Genre Fiction”

Admissions Criteria:

We admit students with only a BA into our PhD program only if their academic records are extremely strong, if they demonstrate in their applications the necessary maturity for a PhD program, and if they already had a good idea of the area in which they want to research and specialize.

Funding and teaching load:

These students are paid the PhD stipend for each of 6 years; they teach 2 courses each semester.

6-year timeline:

The timeline is essentially the same for students entering our PhD program with a BA as it is for students entering with an MA, except that an extra year of coursework is needed in year 2 to allow students to complete the 72 graduate credit hours required by the Graduate School for students entering a PhD program with a BA.

Degree Requirements:

The degree requirements are the same for students entering the PhD with a BA as they are currently for those entering with an MA except that 72 graduate credit hours are required. Forty-eight of these credit hours will consist of coursework, with at least 27 hours of coursework being completed at the 8000-level. 

MA Information:

Students who enter the PhD program with a BA will not get an MA degree along the way. However, if a student chooses not to complete the PhD degree, they can get an MA degree by either writing an MA thesis or completing the comprehensive exam for the PhD degree (which can also function as an MA exam).

Anne Myers Director of Graduate Studies for Advising and Admission [email protected]

• Enroll & Pay
• Prospective Undergraduate Students
• Prospective Graduate Students
• Current Students

Ph.D. Creative Writing

Ph.d. in creative writing.

A rigorous program that combines creative writing and literary studies, the Ph.D. in Creative Writing prepares graduates for both scholarly and creative publication and teaching. With faculty guidance, students admitted to the Ph.D. program may tailor their programs to their goals and interests.

The creative writing faculty at KU has been widely published and anthologized, winning both critical and popular acclaim. Faculty awards include such distinctions as the Nebula Award, Hugo Award, Osborn Award, Shelley Memorial Award, Gertrude Stein Award, the Kenyon Review Prize, the Kentucky Center Gold Medallion, and the Pushcart Prize.

Regarding admission to both our doctoral and MFA creative writing programs, we will prioritize applicants who are interested in engaging with multiple faculty members to practice writing across genres and forms, from speculative fiction and realism to poetry and playwriting/screenwriting, etc.

The University of Kansas' Graduate Program in Creative Writing also offers an  M.F.A degree .

Opportunities

A GTA appointment includes a tuition waiver for ten semesters plus a competitive stipend. In the first year, GTA appointees teach English 101 (first year composition) and English 102 (a required reading and writing course). Creative Writing Ph.D. students may have the opportunity to teach an introductory course in creative writing after passing the doctoral examination, and opportunities are available for a limited number of advanced GTAs to teach in the summer.

Department Resources

• Graduate Admissions
• Graduate Contacts
• Master of Fine Arts (M.F.A.)

Affiliated Programs

• LandLocked Literary Magazine
• The Project on the History of Black Writing
• Center for the Study of Science Fiction
• Ad-Hoc African/Americanists and Affiliates

Degree Requirements

• At least 24 hours of credit in appropriate formal graduate courses beyond the M.A. or M.F.A. At least 15 hours (in addition to ENGL 800 if not taken for the M.A.) of this course work must be taken from among courses offered by the Department of English at the 700-level and above. English 997 and 999 credits cannot be included among the 24 hours. Students may petition to take up to 6 hours outside the Department.
• ENGL 800: Methods, Theory, and Professionalism (counts toward the 24 required credit hours).
• The ENGL 801/ENGL 802 pedagogy sequence (counts toward the 24 required credit hours).
• Two seminars (courses numbered 900 or above) offered by the Department of English at the University of Kansas, beyond the M.A. or M.F.A. ENGL 998 does not fulfill this requirement.
• ENGL 999, Dissertation (at least 12 hours).

If the M.A. or M.F.A. was completed in KU’s Department of English, a doctoral student may petition the DGS to have up to 12 hours of the coursework taken in the English Department reduced toward the Ph.D.

For Doctoral students,  the university requires completion of a course in responsible scholarship . For the English department, this would be ENGL 800, 780, or the equivalent). In addition, the Department requires reading knowledge of one approved foreign language: Old English, French, German, Spanish, Italian, Russian, Japanese, Greek, Latin, or Hebrew. Upon successful petition, a candidate may substitute reading knowledge of another language or research skill that is studied at the University or is demonstrably appropriate to the candidate’s program of study.

Doctoral students must fulfill the requirement  before  they take their doctoral examination, or be enrolled in a reading course the same semester as the exam. Students are permitted three attempts at passing each foreign language or research skill. Three methods of demonstrating reading knowledge for all approved languages except Old English are acceptable:

• Presenting 16 hours, four semesters, or the equivalent of undergraduate credit, earned with an average of C or better.
• Passing a graduate reading course at the University of Kansas or peer institution (e.g., French 100, German 100, etc.) with a grade of C or higher. In the past, some of these reading courses have been given by correspondence; check with the Division of Continuing Education for availability.
• Passing a translation examination given by a designated member of the English Department faculty or by the appropriate foreign language department at KU. The exam is graded pass/fail and requires the student to translate as much as possible of a representative text in the foreign language in a one-hour period, using a bilingual dictionary.
• Passing a translation examination given by the appropriate foreign language department at the M.A.-granting institution. Successful completion must be reflected either on the M.A. transcript or by a letter from the degree-granting department.

To fulfill the language requirement using Old English, students must successfully complete ENGL 710 (Introduction to Old English) and ENGL 712 (Beowulf).

Post-Coursework Ph.D. students must submit, with their committee chair(s), an annual review form to the DGS and Graduate Committee.

Doctoral students must take their doctoral examination within three semesters (excluding summers) of the end of the semester in which they took their final required course. If a student has an Incomplete, the timeline is not postponed until the Incomplete is resolved. For example, a student completing doctoral course work in Spring 2018 will need to schedule their doctoral exam no later than the end of Fall semester 2019. Delays may be granted by petition to the Graduate Director in highly unusual circumstances. Failure to take the exam within this time limit without an approved delay will result in the student’s falling out of good standing. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

A student may not take their doctoral exam until the university’s Research Skills and Responsible Scholarship requirement is fulfilled (ENGL 800 or equivalent and reading knowledge of one foreign language or equivalent).

Requirements for Doctoral Exams

Reading Lists: 

All students are required to submit three reading lists, based on the requirements below, to their committee for approval. The doctoral exam will be held on a date at least twelve weeks after the approval from the whole committee is received. To facilitate quick committee approval, students may copy the graduate program coordinator on the email to the committee that contains the final version of the lists. Committee members may then respond to the email in lieu of signing a printed copy. Students should work with their committee chair and graduate program coordinator to schedule the exam at the same time as they finalize the lists.

During the two-hour oral examination (plus an additional 15-30 minutes for a break and committee deliberation), a student will be tested on their comprehension of a literary period or movement, including multiple genres and groups of authors within that period or movement. In addition, the student will be tested on two of the following six areas of study:

• An adjacent or parallel literary period or movement,
• An author or group of related authors,
• Criticism and literary theory,
• Composition theory, and
• English language.

No title from any field list may appear on either of the other two lists. See Best Practices section for more details on these six areas. See below for a description of the Review of the Dissertation Proposal (RDP), which the candidate takes the semester after passing the doctoral exam. 

While many students confer with the DGS as they begin the process of developing their lists, they are also required to submit a copy of their final exam list to the DGS. Most lists will be left intact, but the DGS might request that overly long lists be condensed, or extremely short lists be expanded.

Review of Literature

The purpose of the Review of Literature is to develop and demonstrate an advanced awareness of the critical landscape for each list. The student will write an overview of the defining attributes of the field, identifying two or three broad questions that animate scholarly discussion, while using specific noteworthy texts from their list ( but not all texts on the list ) as examples.

The review also must accomplish the following:

• consider the historical context of major issues, debates, and trends that factor into the emergence of the field
• offer a historical overview of scholarship in the field that connects the present to the past
• note recent trends and emergent lines of inquiry
• propose questions about (develop critiques of, and/or identify gaps in) the field and how they might be pursued in future study (but not actually proposing or referencing a dissertation project)

For example, for a literary period, the student might include an overview of primary formal and thematic elements, of the relationship between literary and social/historical developments, of prominent movements, (etc.), as well as of recent critical debates and topics.

For a genre list, the Review of Literature might include major theories of its constitution and significance, while outlining the evolution of these theories over time.

For a Rhetoric and Composition list, the review would give an overview of major historical developments, research, theories, methods, debates, and trends of scholarship in the field.

For an English Language Studies (ELS) list, the review would give an overview of the subfields that make up ELS, the various methodological approaches to language study, the type of sources used, and major aims and goals of ELS. The review also usually involves a focus on one subfield of particular interest to the student (such as stylistics, sociolinguistics, or World/Postcolonial Englishes).

Students are encouraged to divide reviews into smaller sections that enhance clarity and organization. Students are not expected to interact with every text on their lists.

The review of literature might be used to prepare students for identifying the most important texts in the field, along with why those texts are important to the field, for the oral exam. It is recommended for students to have completed reading the bulk of (if not all) texts on their lists before writing the ROL.

The Reviews of Literature will not be produced in an exam context, but in the manner of papers that are researched and developed in consultation with all advisors/committee members,  with final drafts being distributed within a reasonable time for all members to review and approve in advance of the 3-week deadline . While the Review of Literature generally is not the focus of the oral examination, it is frequently used as a point of departure for questions and discussion during the oral examination.

Doctoral Exam Committee

Exam committees typically consist of 3 faculty members from the department—one of whom serves as the Committee Chair—plus a Graduate Studies Representative.  University policy dictates the composition of exam committees . Students may petition for an exception for several committee member situations, with the exception of  the Graduate Studies Representative .

If a student wants to have as a committee member a person outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and Graduate Studies. Requests for exam/defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status

Remote participation of committee members via technology

Students with committee members who plan to attend the defense via remote technology must be aware of  college policy on teleconferencing/remote participation of committee members .

A majority of committee members must be physically present for an examination to commence; for doctoral oral examinations this requirement is 2 of the 4 members, for master’s oral examinations the requirement is 2 of the 3 members. In addition, it is required that the student being examined, the chair of the committee, and the Graduate Studies Representative all be physically present at the examination or defense. Mediated attendance by the student, chair and Grad Studies Rep is prohibited.

The recommended time between completion of coursework and the doctoral examination is two semesters.

Final exam lists need to be approved and signed by the committee at least 12 weeks prior to the prospective exam date. This includes summers/summer semesters. The lists should then be submitted to the Graduate Program Coordinator. Reviews of Literature need to be approved and signed by the committee at least 3 weeks prior to the exam date. Failure to meet this deadline will result in rescheduling the exam. No further changes to lists or Reviews of Literature will be allowed after official approval. The three-week deadline is the faculty deadline--the last date for them to confirm receipt of the ROLs and confer approval--not necessarily the student deadline for submitting the documents to the faculty. Please keep that timing in mind and allow your committee adequate time to review the materials and provide feedback.

Students taking the Doctoral Exam are allowed to bring their text lists, the approved Reviews of Literature, scratch paper, a writing utensil, and notes/writing for an approximately 5-minute introductory statement to the exam. (This statement does not need to lay out ideas or any aspect of the dissertation project.)

Each portion of the oral examination must be deemed passing before the student can proceed to the Review of the Dissertation Proposal. If a majority of the committee judges that the student has not answered adequately on one of the three areas of the exam, the student must repeat that portion in a separate oral exam of one hour, to be taken as expeditiously as possible.  Failure in two areas constitutes failure of the exam and requires a retake of the whole.  The doctoral examining committee will render a judgment of Satisfactory or Unsatisfactory on the entire examination. A student who fails the exam twice may, upon successful petition to the Graduate Committee, take it a third and final time.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the exam. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The doctoral oral examination has the following purposes:

• To establish goals, tone, and direction for the pursuit of the Ph.D. in English for the Department and for individual programs of study;
• To make clear the kinds of knowledge and skills that, in the opinion of the Department, all well-prepared holders of the degree should have attained;
• To provide a means for the Department to assess each candidate’s control of such knowledge and skills in order to certify that the candidate is prepared to write a significant dissertation and enter the profession; and
• To enable the Department to recommend to the candidate areas of strength or weakness that should be addressed.

In consultation with the Graduate Director, a student will ask a member of the Department’s graduate faculty (preferably their advisor) to be the chairperson of the examining committee. The choice of examination committee chair is very important, for that person’s role is to assist the candidate in designing the examination structure, preparing the Review of Literature (see below), negotiating reading lists and clarifying their purposes, and generally following procedures here outlined. The other three English Department members of the committee will be chosen in consultation with the committee chair. (At some point an additional examiner from outside the Department, who serves as the Graduate School representative, will be invited to join the committee). Any unresolved problems in negotiation between a candidate and their committee should be brought to the attention of the Graduate Director, who may choose to involve the Graduate Committee. A student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the examining committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

Reading Lists

Copies of some approved reading lists and Reviews of Literature are available from the Graduate Secretary and can be found on the U: drive if you are using a computer on campus. Despite the goal of fairness and equity, some unavoidable unevenness and disparity will appear in the length of these lists. It remains, however, the responsibility of the examining committee, and especially the student’s chair, to aim toward consonance with the most rigorous standards and expectations and to insure that areas of study are not unduly narrow.

To facilitate quick committee approval, students may copy the graduate secretary on the email to the committee that contains the final version of the lists and reviews of literature. Committee members may then respond to the email in lieu of signing a printed copy.

Comprehension of a literary period (e.g., British literature of the 18th century; Romanticism; US literature of the 19th century; Modernism) entails sufficient intellectual grasp of both the important primary works of and secondary works on the period or movement to indicate a student’s ability to teach the period or movement and undertake respectable scholarship on it.

Comprehension of an author or group of related authors (e.g., Donne, the Brontës, the Bloomsbury Group, the Black Mountain Poets) entails knowledge, both primary and secondary, of a figure or figures whose writing has generated a significant body of interrelated biographical, historical, and critical scholarship.

Comprehension of one of several genres (the short story, the lyric poem, the epistolary novel). To demonstrate comprehension of a genre, a student should possess sufficient depth and breadth of knowledge, both primary and secondary, of the genre to explain its formal characteristics and account for its historical development.

Comprehension of criticism and literary theory entails a grasp of fundamental conceptual problems inherent in a major school of literary study (e.g., historicist, psychoanalytic, feminist, poststructuralist, etc.). To demonstrate comprehension of that school of criticism and literary theory, a student should be able to discuss changes in its conventions and standards of interpretation and evaluation of literature from its beginning to the present. Students will be expected to possess sufficient depth and breadth of theoretical knowledge to bring appropriate texts and issues to bear on questions of literary study.

Comprehension of composition theory entails an intellectual grasp of fundamental concepts, issues, and theories pertaining to the study of writing. To demonstrate comprehension of composition theory, students should be able to discuss traditional and current issues from a variety of perspectives, as well as the field’s historical development from classical rhetoric to the present.

Comprehension of the broad field of English language studies entails a grasp of the field’s theoretical concepts and current issues, as well as a familiarity with significant works within given subareas. Such subareas will normally involve formal structures (syntax, etc.) and history of the English language, along with other subareas such as social linguistics, discourse analysis, lexicography, etc. Areas of emphasis and specific sets of topics will be arranged through consultation with relevant faculty.

Ph.D. candidates must be continuously enrolled in Dissertation hours each Fall and Spring semester from the time they pass the doctoral examination until successful completion of the final oral examination (defense of dissertation).

• Students enroll for a minimum of 6 hours each Fall and Spring semester until the total of post-doctoral exam Dissertation hours is 18. One hour each semester must be ENGL 999. In order to more quickly reach the 18-hour minimum, and to be sooner eligible for GRAships, it is highly recommended that students enroll in 9 hours of Dissertation in the Spring and Fall semesters. 
• Once a student has accumulated 18 post-doctoral exam  hours, each subsequent enrollment will be for a number of hours agreed upon as appropriate between the student and their advisor, the minimal enrollment each semester being 1 hour of ENGL 999.
• A student must be enrolled in at least one hour of credit at KU during the semester they graduate. Although doctoral students must be enrolled in ENGL 999 while working on their dissertations, per current CLAS regulations, there is no absolute minimum number of ENGL 999 hours required for graduation.
• Students who live and work outside the Lawrence area may, under current University regulations, have their fees assessed at the Field Work rate, which is somewhat lower than the on-campus rate. Students must petition the College Office of Graduate Affairs before campus fees will be waived.

Please also refer to  the COGA policy on post-exam enrollment  or the  Graduate School’s policy .

As soon as possible following successful completion of the doctoral exam, the candidate should establish their three-person core dissertation committee, and then expeditiously proceed to the preparation of a dissertation proposal.  Within the semester following completion of the doctoral exam , the student will present to their core dissertation committee a written narrative of approximately  10-15 pages , not including bibliography, of the dissertation proposal. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to take the review , students will work with their committee chair and the graduate program coordinator to schedule the 90-minute RDP. Copies of this proposal must be submitted to the members of the dissertation committee and Graduate Program Coordinator no later than  three weeks prior  to the scheduled examination date.

In the proposal, students will be expected to define: the guiding question or set of questions; a basic thesis (or hypothesis); how the works to be studied or the creative writing produced relate to that (hypo)thesis; the theoretical/methodological model to be followed; the overall formal divisions of the dissertation; and how the study will be situated in the context of prior scholarship (i.e., its importance to the field). The narrative section should be followed by a bibliography demonstrating that the candidate is conversant with the basic theoretical and critical works pertinent to the study. For creative writing students, the proposal may serve as a draft of the critical introduction to the creative dissertation. Students are expected to consult with their projected dissertation committee concerning the preparation of the proposal.

The review will focus on the proposal, although it could also entail determining whether or not the candidate’s knowledge of the field is adequate to begin the composition process. The examination will be graded pass/fail. If it is failed, the committee will suggest areas of weakness to be addressed by the candidate, who will rewrite the proposal and retake the review  by the end of the following semester . If the candidate abandons the entire dissertation project for another, a new RDP will be taken. (For such a step to be taken, the change would need to be drastic, such as a move to a new field or topic. A change in thesis or the addition or subtraction of one or even several works to be examined would not necessitate a new proposal and defense.)  If the student fails to complete the Review of the Dissertation Proposal within a year of the completion of the doctoral exams, they will have fallen out of departmental good standing.  For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices.

After passing the Review of the Dissertation Proposal, the student should forward one signed copy of the proposal to the Graduate Program Coordinator. The RDP may last no longer than 90 minutes.

Students cannot bring snacks, drinks, treats, or gifts for committee members to the review. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student exams but not others.

The Graduate Catalog states that the doctoral candidate “must present a dissertation showing the planning, conduct and results of original research, and scholarly creativity.” While most Ph.D. candidates in the Department of English write dissertations of a traditional, research-oriented nature, a creative writing candidate may elect to do a creative-writing dissertation involving fiction, poetry, drama or nonfiction prose.  Such a dissertation must also contain a substantial section of scholarly research related to the creative writing.  The precise nature of the scholarly research component should be determined by the candidate in consultation with the dissertation committee and the Graduate Director. Candidates wishing to undertake such a dissertation must complete all Departmental requirements demanded for the research-oriented Ph.D. degree.

Scholarly Research Component (SRC)

The Scholarly Research Component (SRC) of the creative-writing dissertation is a separate section of the dissertation than the creative work. It involves substantial research and is written in the style of academic prose. It should be 15-20 pages and should cite at least 20 sources, some of which should be primary texts, and many of which should be from the peer-reviewed secondary literature. The topic must relate, in some way, to the topic, themes, ideas, or style of the creative portion of the dissertation; this relation should be stated in the Dissertation Proposal, which should include a section describing the student’s plans for the SRC. The SRC may be based on a seminar paper or other work the student has completed prior to the dissertation; but the research should be augmented, and the writing revised, per these guidelines. The SRC is a part of the dissertation, and as such will be included in the dissertation defense.

The SRC may take two general forms:

1.) An article, publishable in a peer-reviewed journal or collection, on a specific topic related to an author, movement, theoretical issue, taxonomic issue, etc. that has bearing on the creative portion. The quality of this article should be high enough that the manuscript could be submitted to a peer-reviewed publication, with a plausible chance of acceptance.

2.) A survey . This survey may take several different forms:

• A survey of a particular aspect of the genre of the creative portion of the dissertation (stylistic, national, historical, etc.)
• An introduction to the creative portion of the dissertation that explores the influences on, and the theoretical or philosophical foundations or implications of the creative work
• An exploration of a particular technical problem or craft issue that is salient in the creative portion of the dissertation
• If the creative portion of the dissertation includes the results of research (e.g., historical novel, documentary poetry, research-based creative nonfiction), a descriptive overview of the research undertaken already for the dissertation itself
• A combination of the above, with the prior approval of the student’s dissertation director.

The dissertation committee will consist of at least four members—two “core” English faculty members, a third faculty member (usually from English), and one faculty member from a different department who serves as the Graduate Studies representative. The committee may include (with the Graduate Director’s approval) members from other departments and, with the approval of the University’s Graduate Council, members from outside the University. If a student wants to have a committee member from outside the university, or a person who is not in a full-time tenure-track professorship at KU, the student must contact the Graduate Secretary as early as possible. Applications for special graduate faculty status must be reviewed by the College and the Office of Graduate Studies. Requests for defense approval will not be approved unless all committee members currently hold either regular or special graduate faculty status.

The candidate’s preferences as to the membership of the dissertation committee will be carefully considered; the final decision, however, rests with the Department and with the Office of Graduate Studies. All dissertation committees must get approval from the Director of Graduate Studies before scheduling the final oral exam (defense). Furthermore, any changes in the make-up of the dissertation committee from the Review of the Dissertation Proposal committee must be approved by the Director of Graduate Studies.

Once the dissertation proposal has passed and the writing of the dissertation begins, membership of the dissertation committee should remain constant. However, under extraordinary circumstances, a student may request a substitution in, or a faculty member may ask to be dismissed from, the membership of the dissertation committee. Such requests must be approved, in writing, by the faculty member leaving the committee and by the Graduate Director.

If a student does not make progress during the dissertation-writing stage, and accumulates more than one “Limited Progress” and/or “No Progress” grade on their transcript, they will fall out of good standing in the department. For details on the consequences of falling out of good standing, see “Falling Out of Good Standing,” in General Department Policies and Best Practices

Final Oral Exam (Dissertation Defense)

When the dissertation has been tentatively accepted by the dissertation committee (not including the Graduate Studies Representative), the final oral examination will be held, on the recommendation of the Department. While the exam schedule is always contingent on student progress, in the first two weeks of the semester in which they intend to defend the dissertation, students should work with their committee chair and graduate program coordinator to schedule it.

Although the dissertation committee is responsible for certification of the candidate, any member of the graduate faculty may be present at the examination and participate in the questioning, and one examiner—the Graduate Studies Representative—must be from outside the Department. The Graduate Secretary can help students locate an appropriate Grad Studies Rep. The examination normally lasts no more than two hours. It is the obligation of the candidate to advise the Graduate Director that they plan to take the oral examination; this must be done at least one month before the date proposed for the examination.

At least three calendar weeks prior to the defense date, the student will submit the final draft of the dissertation to all the committee members (including the GSR) and inform the Graduate Program Coordinator. Failure to meet this deadline will necessitate rescheduling the defense.  The final oral examination for the Ph.D. in English is, essentially, a defense of the dissertation. When it is passed, the dissertation itself is graded by the dissertation director, in consultation with the student’s committee; the student’s performance in the final examination (defense) is graded by the entire five-person committee

Students cannot bring snacks, drinks, treats, or gifts for committee members to the defense. Professors should avoid the appearance of favoritism that may occur if they bring treats to some student defenses but not others

These sets of attributes are adapted from the Graduate Learner Outcomes that are a part of our Assessment portfolio. “Honors” should only be given to dissertations that are rated “Outstanding” in all or most of the following categories:

• Significant and innovative plot/structure/idea/focus. The writer clearly places plot/structure/idea/focus in context.
• Thorough knowledge of literary traditions. Clear/flexible vision of the creative work produced in relation to those literary traditions.
• Introduction/Afterword is clear, concise, and insightful. A detailed discussion of the implications of the project and future writing projects exists.
• The creative dissertation reveals the doctoral candidate’s comprehensive understanding of poetics and/or aesthetic approach. The application of the aesthetic approach is innovative and convincing.
• The creative dissertation represents original and sophisticated creative work.
• The creative dissertation demonstrates thematic and/or aesthetic unity.

After much discussion about whether the “honors” designation assigned after the dissertation defense should be for the written product only, for the defense/discussion only, for both together, weighted equally, or eradicated altogether, the department voted to accept the Graduate Committee recommendation that “honors” only apply to the written dissertation. "Honors" will be given to dissertations that are rated "Outstanding" in all or most of the categories on the dissertation rubric.

Normally, the dissertation will present the results of the writer’s own research, carried on under the direction of the dissertation committee. This means that the candidate should be in regular contact with all members of the committee during the dissertation research and writing process, providing multiple drafts of chapters, or sections of chapters, according to the arrangements made between the student and each faculty member. Though accepted primarily for its scholarly merit rather than for its rhetorical qualities, the dissertation must be stylistically competent. The Department has accepted the MLA Handbook as the authority in matters of style. The writer may wish to consult also  the Chicago Manual of Style  and Kate L. Turabian’s  A Manual for Writers of Dissertations, Theses, and Term Papers .

Naturally, both the student and the dissertation committee have responsibilities and obligations to each other concerning the submitting and returning of materials. The student should plan on working steadily on the dissertation; if they do so, they should expect from the dissertation committee a reasonably quick reading and assessment of material submitted.

Students preparing their dissertation should be showing chapters to their committee members as they go along, for feedback and revision suggestions. They should also meet periodically with committee members to assess their progress. Prior to scheduling a defense, the student is encouraged to ask committee members whether they feel that the student is ready to defend the dissertation. Ideally, the student should hold the defense only when they have consulted with committee members sufficiently to feel confident that they have revised the dissertation successfully to meet the expectations of all committee members.

Students should expect that they will need to revise each chapter at least once. This means that all chapters (including introduction and conclusion) are shown to committee members once, revised, then shown to committee members again in revised form to assess whether further revisions are needed, prior to the submitting of the final dissertation as a whole. It is not unusual for further revisions to be required and necessary after the second draft of a chapter; students should not therefore simply assume that a second draft is necessarily “final” and passing work.

If a substantial amount of work still needs to be completed or revised at the point that the dissertation defense is scheduled, such a defense date should be regarded as tentative, pending the successful completion, revision, and receipt of feedback on all work. Several weeks prior to the defense, students should consult closely with their dissertation director and committee members about whether the dissertation as a whole is in a final and defensible stage. A project is ready for defense when it is coherent, cohesive, well researched, engages in sophisticated analysis (in its entirety or in the critical introduction of creative dissertations), and makes a significant contribution to the field. In other words, it passes each of the categories laid out in the Dissertation Rubric.

If the dissertation has not clearly reached a final stage, the student and dissertation director are advised to reschedule the defense.

Prior Publication of the Doctoral Dissertation

Portions of the material written by the doctoral candidate may appear in article form before completion of the dissertation. Prior publication does not ensure the acceptance of the dissertation by the dissertation committee. Final acceptance of the dissertation is subject to the approval of the dissertation committee. Previously published material by other authors included in the dissertation must be properly documented.

Each student beyond the master’s degree should confer regularly with the Graduate Director regarding their progress toward the doctoral examination and the doctorate.

Doctoral students may take graduate courses outside the English Department if, in their opinion and that of the Graduate Director, acting on behalf of the Graduate Committee, those courses will be of value to them. Their taking such courses will not, of course, absolve them of the responsibility for meeting all the normal departmental and Graduate School requirements.

Doctoral students in creative writing are strongly encouraged to take formal literature classes in addition to forms classes. Formal literature classes, by providing training in literary analysis, theory, and/or literary history, will help to prepare students for doctoral exams (and future teaching at the college level).

FALL SEMESTER            

• GTAs take 2 courses (801 + one), teach 2 courses; GRAs take 3 courses.
• Visit assigned advisor once a month to update on progress & perceptions. 1st-year advisors can assist with selecting classes for the Spring semester, solidifying and articulating a field of specialization, advice about publishing, conferences, professionalization issues, etc.

SPRING SEMESTER

• GTAs take 2 courses (780/800/880 + one), teach 2 courses. GTAs also take ENGL 802 for 1 credit hour. GRAs take 3 courses.
• Visit assigned advisor or DGS once during the semester; discuss best advisor choices for Year 2.

SUMMER SEMESTER

• Enroll in Summer Institute if topic and/or methodology matches interests.
• Consider conferences suited to your field and schedule; choose a local one for attendance in Year 2 and draft an Abstract for a conference paper (preferably with ideas/materials/ writing drawn from a seminar paper).  Even if abstract is not accepted, you can attend the conference without the pressure of presenting.
• Attend at least one conference to familiarize yourself with procedure, network with other grad students and scholars in your field, AND/OR present a paper.

FALL SEMESTER

• Take 2 courses, teach 2 courses.
• Visit advisor in person at least once during the semester.

WINTER BREAK

• Begin revising one of your seminar papers/independent study projects/creative pieces for submission to a journal; research the journals most suited to placement of your piece.
• Begin thinking about fields and texts for comprehensive examinations.
• Choose an advisor to supervise you through the doctoral examination process.
• Visit assigned 1st-year advisor in person at least once during the semester (at least to formally request doctoral exam supervision OR to notify that you are changing advisors).
• Summer teaching, if eligible.
• Continue revising paper/creative writing for submission to a journal.
• Begin reading for comprehensive exams.
• Attend one conference and present a paper. Apply for one-time funding for out-of-state travel  from Graduate Studies .
• Teach 2 courses; take 997 (exam prep).
• Finalize comps list by end of September; begin drafting rationales.
• Circulate the draft of your article/creative piece to your advisor, other faculty in the field, and/or advanced grad students in the field for suggestions.
• Revise article/creative piece with feedback from readers.
• Teach 2 courses; take 997 or 999 (dissertation hours). Enroll in 999 if you plan to take your comps this semester, even if you don’t take them until the last day of classes.
• Take comps sometime between January and May.
• Summer teaching, if available.
• Submit article/creative work for publication.
• Continuous enrollment after completing doctoral exam (full policy on p. 20)
• Research deadlines for grant applications—note deadlines come early in the year.
• Attend one conference and present a paper.
• Teach 2 courses, take 999.
• Compose dissertation proposal by November.
• Schedule Review of Dissertation Proposal (RDP—formerly DPR).
• Apply for at least one grant or fellowship, such as a departmental-level GRAship or dissertation fellowship. (Winning a full-year, non-teaching fellowship can cut down your years-to-degree to 5 ½, or even 5 years.)
• Conduct research for and draft at least 1 dissertation chapter.
• Conduct research and complete a draft of at least 1 dissertation chapter.
• Revise & resubmit journal article, if necessary.
• Attend 1st round of job market meetings with Job Placement Advisor (JPA) to start drafting materials and thinking about the process.
• Research and complete a draft of at least 1 dissertation chapter, if teaching (1-2 chapters if not).
• Visit dissertation chair  and  committee members in person at least once during the semester.
• Research and complete a draft of at least 1 dissertation chapter (1-2 chapters if not teaching).
• Apply for a departmental grant or fellowship, or, if already held, try applying for one from outside the department, such as those offered by KU’s Hall Center for the Humanities or the Office of Graduate Studies. For  a monthly list of funding opportunities , visit the Graduate Studies website.
• Research and complete a draft of at least 1 dissertation chapter.
• Attend job market meetings with JPA in earnest.
• Apply for external grants, research fellowships, postdoctoral positions with fall deadlines (previous fellowship applications, your dissertation proposal, and subsequent writing should provide a frame so that much of the application can be filled out with the “cut & paste” function).
• Research and complete a draft of at least 1 dissertation chapter (1-2 if not teaching).
• Visit dissertation chair and committee members in person at least once during the semester.
• Polish dissertation chapters.
• Apply for grants and fellowships with spring deadlines.
• Defend dissertation.

Creative Writing Faculty

• Associate Professor

• Professor of English & Environmental Studies

• Assistant Professor

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English Creative Writing Ph.D.

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Why Earn an English Creative Writing Ph.D.?

The Ph.D. program is designed to give you a broad, solid foundation in the academic profession, while at the same time preparing you to conduct original, in-depth research or to compose original works of literature. You'll benefit from the guidance of a nationally recognized faculty with a strong record of publication in prestigious journals like PMLA, Philological Quarterly, The Paris Review and Granta.

We make every effort to foster our graduate students' success and help them attain their educational and career goals.

While at UNT, our students have published their work in nationally and internationally recognized journals and magazines, including The New Yorker , Shakespeare and SEL: Studies in English Literature . They have placed books with presses like Button Poetry, the University of Georgia Press and the University of Wisconsin Press. And they have won prestigious awards and fellowships, including grants from the Newberry Library and from the National Endowment for the Arts.

• Reason rigorously, subtly and independently
• Analyze minutely sources and narratives
• Identify and address interpretative complexity
• Develop and contribute new knowledge
• Convey knowledge in self-designed courses

English Creative Writing Ph.D. Highlights

What can you do with an english creative writing ph.d..

Many recent Ph.D. graduates have gone on to tenure-track positions at other institutions all over the country, including Texas Women's University (Texas), Radford University (Virginia), St. Catherine University (Minnesota), Valparaiso University (Indiana), SUNY-Potsdam (New York) and Brigham Young University (Utah).

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PhD Program

The English Department will begin reviewing completed MA applications on January 1, 2024 and will continue to accept them until the March 15, 2024 deadline

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Requirements for the PhD

In the PhD Program, students move toward specialization in a particular area of study. The requirements include:

• Sixteen graduate-level courses, including a required eight courses taken in the first year.
• A successful review by the Graduate Committee upon completion of the first year.
• Demonstration of a reading knowledge of one foreign language at an advanced level or two foreign languages at an intermediate level – including one language completed as part of the first year.
• Completion of a Qualifying Oral Examination
• Submission and approval of a Dissertation Prospectus
• Completion and defense of a Ph.D. dissertation

Please note that successful completion of requirements in the first year earns each Ph.D. student an M.A. degree as a matter of course.

Satisfactory Academic Progress for PhD Students

The Graduate School of Arts and Sciences and the Department of English guarantee five full years (12 months each) of financial support for PhD students who maintain Satisfactory Academic Progress . This support will be in the form of Teaching Fellowships or Graduate Fellowships. All requirements for the doctorate, including dissertation, must be completed within seven years (exceptions require a petition to GRS). A leave of absence of up to two semesters is permitted for appropriate cause.

Given these time constraints, students should work closely with their advisers and dissertation readers to devise an efficient schedule for meeting all benchmarks. Faculty and students share responsibility for adhering closely to this schedule.

The following achievements are required to maintain Satisfactory Academic Progress:

Students must maintain a GPA of 3.0 or higher, have no more than 2 failing grades (lower than B- or an incomplete grade older than 12 months), and pass qualifying exams and other milestones on the following recommended schedule:

Year 1:      Eight graduate courses – for the M.A. degree / first foreign language requirement.

Year 2:      Continue course work and study toward the completion of the language requirement.

Year 3:     Complete course work and language requirements. In the fall of the third year, students take the pro-seminar (EN794 A1), in which they develop their Qualifying Oral Examination rationale and reading list, and form an oral exam committee.

Year 4:      Fall: Students should take the Qualifying Exam early in the Fall semester.

Spring: Prospectus submitted and dissertation writing begins.

Years 5+ : Dissertation.

Additional departmental details regarding all stages of the degree can be found in the graduate handbook

For GRS college policies and general information please see the Graduate Bulletin

Robert Chodat, Director of Graduate Studies

English (Writing, Rhetorics, and Literacies), PHD

On this page:.

At a Glance: program details

• Location: Tempe campus
• Second Language Requirement: No

Program Description

Degree Awarded: PHD English (Writing, Rhetorics, and Literacies)

The PhD program in English with a concentration in writing, rhetorics and literacies promotes the study of rhetorical strategies, production, distribution and interpretation of oral, written, digital, visual, discursive, material and symbolic texts.

Students study the history, theories and methods of inquiry as well as pragmatic and social actions of writing, rhetoric and literacies. With theories and methods from both historical and contemporary contexts, students learn strategies for inquiry; the ways in which communication creates knowledge and action; and how communication is constructed, circulated, reacted to and repurposed over time and across space. Program requirements are designed to encourage a full understanding of theoretical and applied aspects of writing studies, rhetorical studies and literacy studies. Students also are provided many opportunities to explore the intersections and tensions that exist within and between the three different areas of inquiry.

The program encourages transdisciplinary study, and its flexible requirements enable students to pursue those aspects of the disciplines that interest them the most.

The PhD in English, concentration in writing, rhetorics, and literacies at Arizona State University promotes the study of the production, distribution, and interpretation of texts (oral, written, digital, visual, discursive, material, symbolic) and the rhetorical strategies involved in such processes. Students draw on composition/writing theory, rhetorical theory, and literacy studies to examine the ideological, pedagogical, pragmatic and social dimensions of words, symbols, texts, images, and artifacts. Using theories and methods from both historical and contemporary contexts, we teach students strategies for inquiry; the ways in which communication creates knowledge, meaning and action; and how texts, meanings, and communication are constructed, circulated, reacted to, and repurposed over time and across space. Program requirements are designed to encourage students to develop a nuanced understanding of the role of critical inquiry and rhetorical analysis in framing problems, advocating for change, exploring solutions, or disrupting the status quo. With a sophisticated understanding of how words work in the world, student pursue avenues of original inquiry that have relevance and implications for the challenges and opportunities of an increasingly complex and dynamic landscape. The program encourages interdisciplinary study, and its flexible requirements enable students to pursue areas of inquiry that interest them the most and tailor those pursuits to their career goals. The program prepares students for multiple career paths including in academia, the public sector and private industry--as teachers, scholars, advocates, professionals, and public intellectuals.

Mark Hannah, Director

Sheila Luna, Program Manager

Faculty in Writing, Rhetorics and Literacies

Doctoral Examinations

Doctoral Procedures and Timeline

Teaching Assistantships

Degree Requirements

84 credit hours, a foreign language exam, a written comprehensive exam, a prospectus and a dissertation

Required Core (3 credit hours) ENG 501 Approaches to Research (3)

Concentration (9 credit hours) ENG 551 Rhetorical Traditions (3) ENG 552 Composition Studies (3) ENG 556 Theories of Literacy (3)

Focus Area (9 credit hours)

Electives or Research (48 credit hours)

Other Requirements (3 credit hours) writing for publication/scholarly writing coursework (3)

Culminating Experience (12 credit hours) ENG 799 Dissertation (12)

Additional Curriculum Information When approved by the student's supervisory committee and the Graduate College, this program allows 30 credit hours from a previously awarded master's degree to be used for this degree. Students who do not hold a master's degree are required to take additional elective and research credit hours to reach the 84 credit hours required for this program.

Admission Requirements

Applicants must fulfill the requirements of both the Graduate College and The College of Liberal Arts and Sciences.

Applicants are eligible to apply to the program if they have earned a bachelor's or master's degree from a regionally accredited institution. Applicants with bachelor's or master's degrees in fields such as anthropology, applied linguistics, cognitive science, communication, comparative languages and literatures, English literature, education, history, law, linguistics, modern languages, philosophy, political science, psychology, religion, rhetoric, composition, sociology, and speech and hearing science will be considered.

Applicants must have a minimum cumulative GPA of 3.00 (scale is 4.00 = "A") in the last 60 hours of their first bachelor's degree program, or a minimum cumulative GPA of 3.50 (scale is 4.00 = "A") in an applicable master's degree program.

All applicants must submit:

• graduate admission application and application fee
• official transcripts
• statement of purpose
• resume or curriculum vitae
• three letters of recommendation
• academic writing sample relevant to the field
• proof of English proficiency

Additional Application Information An applicant whose native language is not English and has not graduated from an institution of higher learning in the United States must provide proof of English proficiency regardless of their current residency. Applications will not be processed without valid proof of English proficiency; official scores must be sent to ASU in order for the application to be processed.

The well-considered, one- to two-page statement of purpose should explain the applicant's scholarly background and training, career goals, proposed research specialization, any secondary field of interest, and why the applicant wishes to pursue a PhD in English with a concentration in writing, rhetorics and literacies at Arizona State University. Applicants applying for funding must also submit a statement of teaching philosophy.

Courses and Electives

The Doctor of Philosophy is a total of 84 hours. In general, a student with an appropriate master's degree must complete a minimum of 54 credit hours of approved graduate work, which includes 12 hours of dissertation. Research hours may be used towards course work in consultation with the advisor. A student without an appropriate master's degree usually must complete 84 hours of work at ASU. At the advisor’s discretion, students may include up to 12 hours of appropriate, graduate-level course work undertaken at another university, and not previously counted towards any other degree.

Approaches to Research (3) : Students are required to take ENG 501 Approaches to Research during their first semester in the program.

Writing, Rhetorics, and Literacies Concentration Coursework (9) : Students are expected to complete the following courses within their first three semesters. If a student has taken a very similar course elsewhere (e.g., while pursuing an MA), the student may bring the syllabus for the completed course to the Writing, Rhetorics, and Literacies (WRL) Program Director (or the faculty member scheduled to teach the course) and request that it be waived.  If any of the concentration courses are waived because they were previously taken under the MA in English, the students must take additional elective or research methods coursework to reach the 84 credit hours.

•     ENG 551 Rhetorical Traditions
•     ENG 552 Composition Studies
•     ENG 556 Theories of Literacy

Focus Area (9) :  Students are encouraged to consult with their advisor or the WRL Program Director when selecting additional courses for their focus area as these courses provide the depth of training needed for dissertation research. Students should take at least two 600-level courses.  Students may choose to take most of their courses from one area of study (e.g., writing/composition studies, rhetorical studies, or literacy studies), from two areas of study, or from all three areas. All ENG 500 and ENG 600 level courses may be repeated for credit when topics vary. Thus, two classes with the same course number (e.g., two ENG 651s, two ENG 654s, or ENG 655s) may count toward this requirement when the topics vary.  To fulfill the focus area requirement, students may choose from the following:

•     ENG 525 Teaching Second Language Writing
•     ENG 553 Technologies of Writing
•     ENG 554 Rhetorics of Race, Class, and Gender
•     ENG 560 Genre Studies
•     ENG 625 Advanced Studies in Second Language Writing
•     ENG 651 Advanced Studies in History and Theories of Rhetoric
•     ENG 652 Advanced Composition Studies
•     ENG 654 Advanced Studies in Rhetoric, Writing, Technology & Culture
•     ENG 655 Disciplinary Discourses
•     ENG 656 Studies in Cross-Cultural Discourse

Research Methods (3) : Students are expected to take at least one additional course in research methods (beyond ENG 501) and are strongly encouraged to consider enrolling in an advanced research methods course offered by graduate faculty in the Writing, Rhetorics, and Literacies program. With the approval of their advisor, students may choose to take a research methods course outside of the area/unit to fulfill the advanced research methods requirement.  Students who take more than 6 credits of research methods may count any additional course in research methods as an elective.

Electives (15) :   Students may fulfill the Elective requirement by taking additional 500 or 600-level courses from Writing, Rhetorics, and Literacies faculty (e.g., courses listed under Specialization Concentration), by taking ENG 594 Conference and Workshop (the Teaching Practicum), or by taking courses from other programs in English or programs outside the area. With the approval of their advisor, students may choose to take additional research methods courses from faculty outside of the area or the department if needed to pursue their research agenda. Students have the option of taking ENG 792 Research, on an individual basis, for the purpose of working independently in preparation for the doctoral examination. This is an alternative to be selected by the student with the approval of the advisor and supervisory committee. Satisfactory completion of ENG 792 is indicated by the grade of "Y."

Writing for Publication/Scholarly Writing (3) : Students are encouraged to enroll in ENG 598 Topic: Writing for Publication/Scholarly Writing after they have completed both 15-18 credits of coursework at ASU and an acceptable draft paper.  In this course (to be capped at 15), students will read about, discuss, and practice strategies that will help them prepare manuscripts for publication. In a supportive environment and under the guidance of faculty, students will become more adept at identifying a potential venue for their work, using effective strategies for revision, and soliciting and give critical feedback. This course provides a structured opportunity to revise a paper for the portfolio and/or for submission to a journal or edited volume.

Other Requirements

PhD Examinations : Portfolio, oral or written exam, colloquy on the dissertation prospectus.

Dissertation : Students must include 12 (and only 12) credit hours of ENG 799 on the doctoral plan of study.

Language Requirement : PhD students must demonstrate evidence of a competent knowledge of a natural language other than modern English, to be selected by the student, subject to the approval of the chair of the dissertation committee. The language requirement must be completed before the student is eligible to take the doctoral exams. This requirement may be met by

• Earning a “B” (3.00) or higher in a 400- or 500-level course in an appropriate (approved) language.
• Demonstrating comparable proficiency by taking a language examination, administered by the School of International Letters and Cultures, in a language approved by the student’s supervisory committee.
• Demonstrating native-speaker proficiency, as determined by the School of International Letters and Cultures, in a language approved by the student’s supervisory committee.
• Earning a “B” (3.00) or higher in both ENG 530 Old English and ENG 531 Old English Literature or their equivalent.
• Holding a bachelor’s degree in an approved foreign language.
• Having fulfilled a foreign language requirement towards a previously awarded master’s degree that has been completed within five years of the semester for which the student has been admitted to the doctoral program. This foreign language must be in a language approved by the student’s doctoral supervisory committee.
• For languages which the School of International Letters and Cultures does not offer or does not offer above the 200 level, two years (4 semesters) of successfully completed college level coursework at least at the 100 and 200 level with a C or better would fulfill the requirement. The coursework must have been successfully completed no more than six years prior to admission to the degree program.

The Graduate College also requires that students be enrolled every semester, excluding summer sessions, until they have completed all requirements for the degree. Continuous enrollment may be satisfied by registration for one hour of ENG 799, or, in cases where dissertation or other credit hours are not needed, Continuous Registration (ENG 595 or 795). If students wish to interrupt their programs of study for one or more semesters, they may apply for a leave of absence, not to exceed one year. Failure to enroll or obtain leave status for the semesters in which they are not enrolled will result in dismissal from the program.

Doctoral Supervisory Committee

The doctoral supervisory committee consists of a minimum of three members from the graduate faculty selected at the time the student files a program of study. In consultation with the director of the doctoral program, the student will select the committee chair, who also serves as the student's advisor. Once a graduate faculty member has agreed to serve as the student's chair, the student and chair will then consult before recommending two other members to the director of the doctoral program. Ideally another member of the supervisory committee in addition to the chair should be in the area of specialization. It is the responsibility of each student to form a supervisory committee very early in the program so that the chair and members of the committee may be involved in shaping the course of study, for example, in determining such matters as the choice of foreign language(s) and in specifying courses that will be required for the student's particular area of concentration.

Important Notice to Current International Students

In order for international students to maintain good standing for their VISAs, they must take a minimum of 9 credit hours per semester (i.e., 3 classes), 6 credits (2 classes) should be face-to-face classes.

Next Steps to attend ASU

Learn about our programs, apply to a program, visit our campus, application deadlines, learning outcomes.

• Evaluate competing knowledge claims within rhetorical studies and draw relevant interdisciplinary connections between those claims and one's own research topics.
• Design and carry out an original research study that produces data, findings and applied strategies for publication in professional, scholarly venues.
• Evaluate and draw from relevant disciplinary histories, theories and methods to support rhetorical inquiry into their research topics.

Career Opportunities

Professionals with expertise in written communication, research and knowledge management are in high demand across sectors and industries, including business, media, law, entertainment, politics, nonprofits and community organizations. Skills in the measurement and analysis of data for the development of multimodal content (digital, print, oral, visual) are valuable to businesses, organizations and institutions relying on data-driven strategies to address and communicate complex, knowledge-rich issues to broad professional audiences.

Graduates are prepared for work as teachers, scholars and communications professionals. Career examples include:

• editor and content manager
• English or communications professor
• human resources specialist
• market research analyst
• public relations specialist
• publishing copyeditor or proofreader
• social media manager
• technical writer

Global Opportunities

Global experience.

With over 250 programs in more than 65 countries (ranging from one week to one year), study abroad is possible for all ASU students wishing to gain global skills and knowledge in preparation for a 21st-century career. Students earn ASU credit for completed courses, while staying on track for graduation, and may apply financial aid and scholarships toward program costs. https://mystudyabroad.asu.edu

Program Contact Information

If you have questions related to admission, please click here to request information and an admission specialist will reach out to you directly. For questions regarding faculty or courses, please use the contact information below.

• [email protected]
• 480/965-3194

College of Liberal Arts & Sciences

Department of English

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PhD in Writing Studies

• English 505 ( if not already satisfied at the M.A. level )
• Two Methods courses, English 582 or other equivalent courses ( if not already satisfied at the M.A. level )
• 1 course in Literature or Theory
• Professional Seminar in the Teaching of Rhetoric (593)
• Electives in consultation with an advisor
• Center for Writing Studies Concentration: Students pursuing the PhD in English with a specialization in Writing Studies often also choose to complete the Center for  Writing Studies Concentration . 
• Completing the equivalent of three full years of undergraduate work;
• Passing a proficiency exam administered by a UIUC foreign language department;
• Passing a non-credit 501 language course with a grade of B or higher;
• Fulfilling the Old English course sequence of ENGL 407 and ENGL 514 (on an Old English topic) with a B or higher; or
• In consultation with the DGS, pursuing a plan of study to fulfill an alternative competency in a language such as Tagalog, Hmong, ASL, or computer programming (this list is not meant to be exhaustive).
• Completion of a Special Field Examination (oral, written, or both)—The exam, administered by a committee of four faculty members selected by the student in consultation with an advisor and approved by the Director of Graduate Studies, is based upon the student's approved Special Field list of scholarship and relevant sources, including a discussion of its rationale and relation to the proposed dissertation topic.  For more information on preparing for the exam, see  Advice for Special Field Exams.
• Completion and two-hour oral defense of a dissertation—Students working on their dissertations are eligible for fellowship support or released time from teaching. All students in good standing and making good progress will ordinarily receive at least one semester free from teaching. A few students receive a year or more of fellowship aid to work full-time on their dissertations.

PhD in Creative Writing

Program overview.

The PhD in Creative Writing and Literature is a four-year course of study. Following two years of course work that includes workshop, forms classes, pedagogical training, and literature, students take exams in two areas, one that examines texts through the lens of craft and another that examines them through the lens of literary history and theory. Recent examples of the genre area include Comic Fiction, History of the Love Lyric, and Fantasy; recent examples of the scholarly area include History of the Novel, 20th Century American Poetry, and Modern & Contemporary British Fiction. In the first two years, students take three courses per semester; the teaching load throughout the program is one class per semester. Every PhD student has the opportunity to teach creative writing, with many also teaching literature classes. Most students are funded by teaching, with two or three at a time funded by editorial work at  The Cincinnati Review or Acre Books, and others funded in their dissertation year by college- or university-level fellowships. Fifth-year support, while not guaranteed, has generally been available to interested students in the form of student lecturerships, which carry a 2-2 load. The Creative Writing PhD at the University of Cincinnati has maintained over the last decade more than a 75% placement rate into full-time academic jobs for its doctoral graduates. Two-thirds of these positions are tenure-track.

Application Information

• Exam Areas and Committee
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• Working for The Cincinnati Review
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Department of English

“I chose Notre Dame for my English Ph.D. because I wanted to land in a program with as much community support as possible. The stresses of graduate school are real, and it's important to be surrounded by supportive people who respect your needs, interests, and personal career goals. Notre Dame’s English Department is filled with faculty and administrators who truly care about setting their students up for success, whether that's on the academic job market or beyond. Throughout my dissertation process, I've been grateful to have a network of faculty and graduate students who are interested in supporting both my area of research and my personal goals.” — Logan Quigley, Ph.D. May 2022

Academic Partnerships

Notre Dame is home to renowned centers and institutes that enrich doctoral study and help build interdisciplinary connections. As a student here you will have the opportunity to participate in projects and colloquia—and apply for additional research and conference support—from institutes including:

• Initiative on Race and Resilience
• Institute for Latino Studies
• Keough-Naughton Institute for Irish Studies
• Medieval Institute
• Nanovic Institute for European Studies
• Reilly Center for Science, Technology, and Values
• Notre Dame Institute for Advanced Study

“As an applicant many years ago, Notre Dame struck me as a place where graduate students were encouraged to find multiple intellectual homes outside their own departments, through centers and institutes that recognize not only the promise of graduate student's intellectual contributions but the precarity of those contributions if left unsupported. I'm happy to say the University delivered, rewarding me time and time again with some of the richest, most rigorous academic conversations and, to boot, the means to pursue the research questions that those conversations generated.” — Arnaud Zimmern, Ph.D. May 2021. Now a Postdoctoral Fellow in the History of Philosophy and Science at Notre Dame

Graduate Minors

As a Ph.D. student in English you might also decide to pursue one of five graduate minors:

• Gender Studies
• Peace Studies
• Irish Studies
• Screen Cultures
• History and Philosophy of Science

International Opportunities

Our Ph.D. program provides exciting opportunities to participate in an array of international opportunities, events, and partnerships. You might, for instance:

• work with scholars in the UK or Germany as part of the “Global Dome” Ph.D. Summer Workshop in History and Literature;
• live and teach at Notre Dame London while conducting your own research;
• participate in the Irish Seminar, joining scholars and students from other institutions for workshops in locations such as Dublin, Paris, or Buenos Aires;
• participate in the International Network for Comparative Humanities (INCH), a series of workshops that bring Notre Dame students together with faculty and students at Princeton and other major universities worldwide.

And, of course, you will have access to support from the department  and a range of other university sources  for research and conference travel.

“As an Irish grad minor, I participated in the Irish Seminar and traveled to Dublin and Kylemore Abbey where I had the wonderful opportunity of learning about Irish literature and culture from renowned international scholars. My participation in the Irish seminar was complemented with my engagement with INCH. For the INCH annual retreats, I traveled to Athens and Rome and got the opportunity to work with scholars and graduate students from various universities in the US and Europe. The international exposure generously provided by the program has significantly enriched my scholarship." — Shinjini Chattopadhyay, Ph.D. January 2022. Now Assistant Professor of Global Anglophone Literatures at Berry College

Have questions about the Ph.D. in English? Contact:

Susan Cannon Harris Director of Graduate Studies Professor of English Email: [email protected]

Blake Holman Graduate Program Coordinator Email:  [email protected]

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PhD in English Language and Literature

• Admissions FAQ

The online application portal for 2024 applications will be available tentatively in September 2024.

This is a strict deadline..

All applications and supplemental materials (including at least two letters of recommendation) are due by 11:59pm, EST, on December 10, 2024 to meet our deadline. 

The fee for United States citizens and those with permanent resident visa status is $75. The fee for non-U.S. citizens is $90. The application fee for current Rackham students, regardless of citizenship, is $10. This fee is non-refundable and subject to change.

Make sure you have every document uploaded before you submit your application (excluding letters of recommendation), once you click on the submit button, you will not be able to go back into your application to make any changes. 

Admission decisions for Fall 2024 will be made and applicants will be notified in early March 2024.

Applicants with Master's degrees are given equal consideration for admission, but are not guaranteed advanced standing in the program. We do not accept Non-Candidate for Degree status applicants to our program. We do not offer online courses, our program is a full-time residency program.

Submitting your application

PLEASE READ THE FOLLOWING FOR MORE DETAILS. 

In some sections what we require differs from what is stated on the generic application form. 

Transcripts

Transcripts:.

• All applicants must upload a scanned copy, front and back, of their official transcript/academic record issued by the Registrar or Records Office to the applicant, to ApplyWeb for each bachelor’s, master’s, professional, or doctoral degree earned or in progress. The scanned copy of the official transcript is used for initial review by the graduate program faculty.
• A downloaded transcript from your school portal or system is an unofficial transcript and not acceptable for review.
• If you are attending or have graduated from a Non-U.S. institution, review the Required Academic Credentials from Non-U.S. Institutions for requirements by country.
• If you have community or junior college, non-degree, or study abroad coursework, indicate this information on page ten of the application under the “Additional Information” section. Do not submit any transcripts from a community or junior college, non-degree, or study abroad coursework to Rackham unless you attended a Non-U.S. institution. 

Applicants that are attending/graduated from a NON-U.S. Institution

• Review  Required Academic Credentials from Non-U.S. Institutions  for transcript/academic record requirements by country or region. Submitting transcript/academic records is a two-step process:

1: Uploading transcripts through the ApplyWeb application account:

Upload an electronic version of your official transcript/academic record for each Bachelor's, Master's, Professional, or Doctoral degree earned, or in progress, through your application account.

2: Sending official transcripts to the Rackham Graduate School:

Submit an official transcript/academic record for each institution attended at the time of application. See our detailed instructions on how to submit transcripts/academic records to the Rackham Graduate School: https://rackham.umich.edu/admissions/applying/transcripts/

Test Scores

Submit the following electronically through the online application.

GRE Test Scores - NOT required

• The General GRE Test is NOT required. The application will still ask for this information, but it does not need to be sent in.

• The GRE Subject test is NOT required.

English Proficiency Tests Accepted:

Ecpe , ielts , met , toefl, for a complete description of english proficiency tests accepted please visit rackham english proficiency requirements website page., test of english as a foreign language (toefl).

• Applicants whose native language is not English are required to take the TOEFL.

• The minumum TOEFL score accepted is 620 on paper, 260 on the computer, or 106 internet.

• The test date must be within 2 years of the application deadline.

• Photocopies and/or faxed scores will not be accepted.

• For a complete description of English proficiency tests accepted please visit Rackham English Proficiency Requirements website page.

• Be sure to include our Institution code of 1839 when sending your TOEFL scores.

• The department code is not required.

• Exceptions are made if your degree was earned from:

an institution where the language of instruction is English, exclusively. This exception does not apply if some classes completed were taught in a language other than English. Vertification from the school may be required.

a country where the official language is English (Australia, England, New Zealand).

Three Letters of Recommendation

Please register your recommenders on the "Letters of Recommendation" application page and submit recommendation request before you submit your final application. This will ensure that all materials are submitted by the Decemer 10 deadline. You do not need to wait to submit this request until you submit your final application.

All application materials, including the recommendation letters are due by the December 10 deadline. 

We do not accept hard copies, faxed, e-mailed, or recommendation letters submitted through Interfolio.

You can submit your application prior to the submission of all three letters of recommendation.

Additional Required Application Materials

Submit the following as PDFs through the online application.

Academic Statement of Purpose

A clearly labeled academic and intellectual Statement of Purpose: up to three pages, double spaced, statement about your academic and research background, your career goals, and how Michigan's graduate program will help you meet your career and educational objectives. Disregard the 500 word limit as stated on the application.

Personal Statement

A clearly labeled biographical Personal Statement: up to two pages, double spaced, statement about how your personal background and life experiences, including social, cultural, familial, educational, or other opportunities or challenges, motivated your decision to pursue a graduate degree at the University of Michigan. This is not an Academic Statement of Purpose, but a discussion of the personal journey that has led to your decision to seek a graduate degree. Disregard the 500 word limit as stated on the application.

Curriculum Vitae / Resume

No page limit.

Writing Sample

A writing sample of around 25 pages, double spaced, of critical or scholarly writing, excluding notes and bibliography. Notes and bibliography have no page limit.

Please select a sub-plan. You may refer to the list below for examples of sub-plans, though a sub-plan need not be listed here to be valid on the application.

Admissions Conduct Code

The Admissions Conduct Code questions are part of the online application process. You will be prompted to provide the necessary information and your response will be submitted electronically. There is no need to follow-up with paper copies.

International Students: Medical Screening

Immunizations for International StudentsThe University of Michigan does not require immunizations. However, it is recommended that students come to school fully immunized to protect their health. Immunizations are one of the most effective public health measures in preventing communicable diseases.  Immunization recommendations can be found on the University Health Services website .

• All credentials submitted for admission consideration become the property of the University of Michigan and will not be returned in original or copy form.

• Make sure you receive an electronic confirmation of your submitted application.

If you have additional questions please email [email protected]

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King's College London

Creative writing research phd.

Key information

The PhD in Creative Writing at King’s is a practice-led course, incorporating taught elements and aspects of professional development. It is designed to cater for talented, committed writers who are looking to complete a book-length creative work for publication and sustain a long-term career in writing.

Key Benefits

Our unique programme offers students:

• a varied, structured framework for the development of their creative work, with regular feedback from experienced author-lecturers in the department through supervision and workshops
• purposeful engagement with professionals from the publishing and performance industries throughout the course, building potential routes to publication
• valuable teaching experience in creative writing at HE-level through our Graduate Teaching Assistantship scheme
• practical experience in public engagement, through curating and chairing public literary events at King’s
• a community of fellow writers and collaborative projects

English Department

We have over 100 doctoral students from all over the world working on a wide range of projects. Together with our community of postdoctoral fellows, our early career researchers both organise and participate in our thriving seminar and conference culture.

The English department is home to award-winning novelists, poets, essayists, biographers, non-fiction authors, and literary critics, who supervise creative projects at doctoral level within their specialisms.

Works by our staff have won or been shortlisted for a number of literary accolades, including: the T.S. Eliot Prize, the Forward Prize, the Man Booker Prize, the Sunday Times Young Writer of the Year, the Costa First Novel Award, the Costa Poetry Award, the Somerset Maugham Award, the Commonwealth Book Prize, the Biographers’ Club / Slightly Foxed First Biography Prize, the U.S. National Book Critics Circle Award, the CWA Gold Dagger Award, the European Union Prize for Literature, the RSL Encore Award, the Los Angeles Times Book Award, the E.M. Forster Award from the American Academy of Letters, le Prix du Roman Fnac, le Prix du Roman Etranger, the Kiriyama Prize, the Republic of Consciousness Prize, the Royal Society of Literature’s Encore Award, and the OCM Bocas Prize for Caribbean Literature. Many of the creative writing staff are Fellows of the Royal Society of Literature.

Their most recent publications are:

Benjamin Wood

The Young Accomplice (Penguin Viking, 2022) – fiction

A Station on the Path to Somewhere Better (Scribner, 2018) – fiction

Edmund Gordon

The Invention of Angela Carter (Chatto & Windus, 2016) – creative non-fiction

Loop of Jade (Chatto & Windus, 2015) – poetry

Anthony Joseph

Sonnets for Albert (Bloomsbury Publishing, 2022) – poetry

The Frequency of Magic (Peepal Tree Press, 2019) – fiction

Lara Feigel

The Group (John Murray Press, 2020) – fiction

Free Woman: Life, Liberation and Doris Lessing (Bloomsbury, 2018) – creative non-fiction

Homing: On Pigeons, Dwellings, and Why We Return (John Murray Press, 2019) – creative non-fiction

Daughters of the Labyrinth (Corsair, 2021) – fiction

Beethoven Variations: Poems on a Life (Chatto & Windus, 2020) – poetry

Emerald (Chatto & Windus, 2018) – poetry

Andrew O'Hagan

Mayflies (Faber & Faber, 2020) – fiction

The Secret Life: Three True Stories (Faber & Faber, 2017) – creative non-fiction

*may vary according to research leave and availability.

King's Alumni

The list of King’s alumni not only features many acclaimed contemporary authors—Michael Morpurgo, Alain de Botton, Hanif Kureishi, Marina Lewycka, Susan Hill, Lawrence Norfolk, Ross Raisin, Alexander Masters, Anita Brookner, and Helen Cresswell—it also includes major figures in literature, such as Maureen Duffy, Arthur C Clarke, Thomas Hardy, Christopher Isherwood, BS Johnson, John Keats, W. Somerset Maugham, and Virginia Woolf.

Course Detail

Our postgraduate writing students are given a supportive environment in which to enhance their technique, to explore the depths of their ideas, to sustain their creative motivation, and to prepare them for the demands of the writer’s life beyond the College.

At King's we know that writing well requires self-discipline and an ability to work productively in isolation; but we also appreciate that postgraduate writers thrive when they are part of a community of fellow authors, an environment of constructive criticism and shared endeavour.

That is why we offer our PhD students the guidance of knowledgeable and experienced practitioners. They will have frequent opportunities to interact and collaborate with peers and forge lasting connections within London’s writing industry.

Students will be expected to attend the quarterly Thesis Workshop, and also to take an active part in curating literary events at King’s, including the Poetry And… quarterly reading series. They will be invited to apply for positions teaching undergraduate creative writing modules as part of the Department’s Graduate Teaching Assistantship (GTA) scheme.

After three years (full-time) or six years (part-time), students are expected to submit either:

• a novel or short story collection
• a poetry collection
• a full-length work of creative non-fiction

In addition, they are also required to submit an essay (up to 15,000 words) that examines their practical approach to the conception, development, and revision of their project, and which explores how their creative work was informed by research (archival, book-based, or experiential).

• How to apply
• Fees or Funding

Many of our incoming students apply for AHRC funding via the London Arts and Humanities Partnership. Please see their website ( www.lahp.ac.uk ) for more detail of deadlines, application procedure and awards available. Also the ‘Student Funding’ section of the Prospectus will give you more information on other scholarships available from King’s.

UK Tuition Fees 2023/24

Full time tuition fees:

£5,820 per year (MPhil/PhD, Creative Writing)

Part time tuition fees:

£2,910 per year (MPhil/PhD, Creative Writing)

International Tuition Fees 2023/24

£22,900 per year (MPhil/PhD, Creative Writing)

£11,450 per year (MPhil/PhD, Creative Writing)

UK Tuition Fees 2024/25

£6,168 per year (MPhil/PhD, Creative Writing)

£3,084 per year (MPhil/PhD, Creative Writing)

International Tuition Fees 2024/25

£24,786 per year (MPhil/PhD, Creative Writing)

£12,393 per year (MPhil/PhD, Creative Writing)

These tuition fees may be subject to additional increases in subsequent years of study, in line with King’s terms and conditions.

• Study environment

Base campus

Strand Campus

Located on the north bank of the River Thames, the Strand Campus houses King's College London's arts and sciences faculties.

PhD in Creative Writing students are taught through one-to-one sessions with an appointed supervisor in their chosen specialism (fiction, creative non-fiction, or poetry) as well as through quarterly thesis workshops. They are also appointed a second supervisor whose role is to offer an additional perspective on the work being produced.

We place great emphasis on pastoral care and are a friendly and welcoming department in the heart of London. Our home in the Virginia Woolf Building offers many spaces for postgraduate students to work and socialise. Studying in London means students have access to a huge range of libraries from the Maughan Library at King’s to the Senate House Library at the University of London and the British Library.

Our PhD Creative Writing students are taught exclusively by practicing, published writers of international reputation. These include:

Benjamin Wood (Senior Lecturer in Creative Writing)

Supervises projects in fiction.

Edmund Gordon (Senior Lecturer in Creative Writing)

Supervises projects in fiction and creative non-fiction.

Sarah Howe (Lecturer in Poetry)

Supervises projects in poetry.

Anthony Joseph (Lecturer in Creative Writing)

Supervises projects in poetry and fiction.

Jon Day (Senior Lecturer in English)

Supervises projects in creative non-fiction and fiction

Lara Feigel (Professor of Modern Literature)

Supervises projects in creative non-fiction and fiction.

Ruth Padel (Professor Emerita of Poetry)

Andrew O’Hagan (Visiting Professor)

*Teaching staff may vary according to research leave and availability.

Our programme also incorporates the following taught components:

Thesis Workshop

A termly writing seminar for the discussion and appraisal of works-in-progress. These are taught on a rotational basis by all members of the creative writing staff, so that students get the benefit of hearing a range of voices and opinions on their work throughout the course.

The Writing Life

A suite of exclusive guest talks and masterclasses from leading authors, publishers, and editors, in which students receive guidance from people working at the top level of the writing industry and learn about the various demands of maintaining a career as a writer.

Recent speakers have included Amit Chaudhuri, Chris Power, Rebecca Watson, Mendez, Frances Leviston, Joanna Biggs, Joe Dunthorne, Francesca Wade, Kishani Widyaratna, Jacques Testard and Leo Robson.

Other elements of professional development are included in the degree:

Agents-in-Residence

Candidates in fiction or creative-nonfiction will meet and discuss their work in one-to-one sessions with invited literary agents, who are appointed to yearly residencies. These sessions offer writers a different overview of the development of their project: not solely from the standpoint of authorial technique, but with a view towards the positioning of their writing within a competitive and selective industry. Poetry candidates will meet and discuss their work with invited editors from internationally recognised poetry journals and presses.

Undergraduate Teaching

Through our Graduate Teaching Assistant (GTA) training scheme, our PhD students can apply to lead undergraduate creative writing workshops in fiction, creative non-fiction, and/or poetry, enabling them to acquire valuable HE-level teaching experience that will benefit them long after graduation.

Reading Series

Our students are required to participate in the curation of literary events at King’s. They are also responsible for curating Poetry And… , a quarterly reading in which leading poets illuminate the powerful connections between poetry and other disciplines. Students will develop skills in public engagement by chairing discussions and may also perform excerpts of their own writing.

Postgraduate Training

There is a range of induction events and training provided for students by the Centre for Doctoral Studies, the Faculty of Arts and Humanities and the English Department. A significant number of our students are AHRC-funded through the London Arts and Humanities Partnership (LAHP) which also provides doctoral training to all students. All students take the ‘Doctoral Seminar’ in their first year. This is a series of informal, staff-led seminars on research skills in which students can share and gain feedback on their own work. We run a series of ‘Skills Lunches’, which are informal lunch meetings with staff, covering specific topics, including Upgrading, Attending Conferences, Applying for Funding and Post-Doctoral Awards, etc. Topics for these sessions are generally suggested by the students themselves, so are particularly responsive to student needs. We have an Early Career Staff Mentor who runs more formal workshops of varying kinds, particularly connected to career development and the professions.

Through our Graduate Teaching Assistantship Scheme, doctoral students can apply to teach in the department (usually in their second year of study) and are trained and supported as they do so.

• Entry requirements

Find a supervisor

Search through a list of available supervisors.

Accommodation

Discover your accommodation options and explore our residences.

Connect with a King’s Advisor

Want to know more about studying at King's? We're here to help.

Learning in London

King's is right in the heart of the capital.

English (Ph.D.)

The Ph.D. in English is an innovative program that integrates digital humanities, writing studies, literature, rhetoric, discourse, and cultural studies, offering opportunities for creative reinterpretation of these fields within the discipline of English. Students may pursue full- or part-time study through a combination of on-campus and distance learning courses. This program prepares students for academic careers, as well as other careers in which reading, writing, and critical inquiry figure prominently; the program also helps students professionalize within their current careers.

Program Highlights

There are three main concentrations: 1) Literary and Cultural Studies; 2) Rhetoric, Writing, and Discourse Studies; and 3) Technology and Media Studies. Students whose interests and scholarship recommend it may work with an advisor to assemble a 4) Student-created concentration that must be approved by the graduate program director.

Distance/Online Learning: Each year the English PhD program recruits and admits candidates who will take the program part-time and at a distance (mostly through WebEx). Students at a distance are required to meet the same admissions standards and have the same course requirements and program expectations as on-campus students. Students at a distance are expected to obtain the requisite software necessary to engage in synchronous video classes, access Blackboard, and otherwise participate as fully in class life as electronic means will allow. Students at a distance should visit the Online Student Orientation website .

Dynamic: It underscores the English’s interdisciplinarity. Students are invited to study the teaching of writing in view of technological and textual innovations; to examine cultural spaces as rhetorical ecologies; to consider literary archives as cultural effects; and more.

The Summer Doctoral Institute allows distance students to complete the program at the same pace as full-time students who attend on campus. It features a two-week on-campus residency that has students working intensively with one another and with faculty they customarily see on screens.

The Research Competency Requirement allows students to creatively establish their research methods by allowing foreign languages, statistical analysis, and technological expertise to complete it.

Check out these ideas from ODU Career Development Services and the Occupational Information Network (O*NET) . A median salary is a midpoint of what people typically earn—half of those surveyed earned above the median salary, and half earned below.

Public Relations Specialists

Engage in promoting or creating an intended public image for individuals, groups, or organizations. May write or select material for release to various communications media.

Writers and Authors

Originate and prepare written material, such as scripts, stories, advertisements, and other material.

English Language and Literature Teachers, Postsecondary

Teach courses in English language and literature, including linguistics and comparative literature. Includes both teachers primarily engaged in teaching and those who do a combination of teaching and research.

Technical Writers

Write technical materials, such as equipment manuals, appendices, or operating and maintenance instructions. May assist in layout work.

Requirements

A completed master's degree (or its equivalent) in English or in an appropriate field from a regionally accredited institution of higher education

A minimum GPA of 3.5 (on a 4.0 scale) overall for the master's degree

TOEFL scores if applicable

A 1500 word statement of the applicant's academic and professional goals and discussion of how the Ph.D. in English will contribute to the achievement of those goals

Three letters of reference from sources capable of commenting on the applicant's readiness for advanced graduate study in English

A writing sample of at least 15 double-spaced pages on on a topic related to the applicant's expertise

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An exploration of the diffuse and disparate methods and practices of contemporary digital activism.

This course introduces students to the principal questions and concerns of the field and includes a comparison and contrast of the subspecialties in English, including how they form and address key issues

Estimated rates for the 2023-24 academic year. Rates are subject to change. Anyone that is not a current Virginia resident will be charged non-resident rates. That includes international students.

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Our online program allows students to pace their progress through the degree in an affordable fashion while losing little time as they advance toward completion. The online per-credit cost is comparable to in-state tuition. All on-campus students enjoy five years of support in assistantships. Their work includes editorial assistant of a peer-reviewed journal and MediaCommons; administrative work supporting the directors of the Writing Program and the Writing Center; coordinating the use of the MPark, our department’s learning lab and maker space; research and teaching in upper-division writing and literature courses; and teaching in our general education program.

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How to tackle the PhD dissertation

Finding time to write can be a challenge for graduate students who often juggle multiple roles and responsibilities. Mabel Ho provides some tips to make the process less daunting

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Writing helps you share your work with the wider community. Your scholarship is important and you are making a valuable contribution to the field. While it might be intimidating to face a blank screen, remember, your first draft is not your final draft! The difficult part is getting something on the page to begin with. 

As the adage goes, a good dissertation is a done dissertation, and the goal is for you to find balance in your writing and establish the steps you can take to make the process smoother. Here are some practical strategies for tackling the PhD dissertation.

Write daily

This is a time to have honest conversations with yourself about your writing and work habits. Do you tackle the most challenging work in the morning? Or do you usually start with emails? Knowing your work routine will help you set parameters for the writing process, which includes various elements, from brainstorming ideas to setting outlines and editing. Once you are aware of your energy and focus levels, you’ll be ready to dedicate those times to writing.

While it might be tempting to block a substantial chunk of time to write and assume anything shorter is not useful, that is not the case. Writing daily, whether it’s a paragraph or several pages, keeps you in conversation with your writing practice. If you schedule two hours to write, remember to take a break during that time and reset. You can try:

• The Pomodoro Technique: a time management technique that breaks down your work into intervals
• Taking breaks: go outside for a walk or have a snack so you can come back to your writing rejuvenated
• Focus apps: it is easy to get distracted by devices and lose direction. Here are some app suggestions: Focus Bear (no free version); Forest (free version available); Cold Turkey website blocker (free version available) and Serene (no free version). 

This is a valuable opportunity to hone your time management and task prioritisation skills. Find out what works for you and put systems in place to support your practice. 

• Resources on academic writing for higher education professionals
• Stretch your work further by ‘triple writing’
• What is your academic writing temperament?

Create a community

While writing can be an isolating endeavour, there are ways to start forming a community (in-person or virtual) to help you set goals and stay accountable. There might be someone in your cohort who is also at the writing stage with whom you can set up a weekly check-in. Alternatively, explore your university’s resources and centres because there may be units and departments on campus that offer helpful opportunities, such as a writing week or retreat. Taking advantage of these opportunities helps combat isolation, foster accountability and grow networks. They can even lead to collaborations further down the line.

• Check in with your advisers and mentors. Reach out to your networks to find out about other people’s writing processes and additional resources.
• Don’t be afraid to share your work. Writing requires constant revisions and edits and finding people who you trust with feedback will help you grow as a writer. Plus, you can also read their work and help them with their editing process.
• Your community does not have to be just about writing!  If you enjoy going on hikes or trying new coffee shops, make that part of your weekly habit.  Sharing your work in different environments will help clarify your thoughts and ideas.

Address the why

The PhD dissertation writing process is often lengthy and it is sometimes easy to forget why you started. In these moments, it can be helpful to think back to what got you excited about your research and scholarship in the first place. Remember it is not just the work but also the people who propelled you forward. One idea is to start writing your “acknowledgements” section. Here are questions to get you started:

• Do you want to dedicate your work to someone? 
• What ideas sparked your interest in this journey? 
• Who cheered you on? 

This practice can help build momentum, as well as serve as a good reminder to carve out time to spend with your community. 

You got this!

Writing is a process. Give yourself grace, as you might not feel motivated all the time. Be consistent in your approach and reward yourself along the way. There is no single strategy when it comes to writing or maintaining motivation, so experiment and find out what works for you. 

Suggested readings

• Thriving as a Graduate Writer by Rachel Cayley (2023)
• Destination Dissertation by Sonja K. Foss and William Waters (2015)
• The PhD Writing Handbook by Desmond Thomas (2016).

Mabel Ho is director of professional development and student engagement at Dalhousie University.

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Master of Fine Arts in Creative Writing The Write Stuff for Writers

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Transfer in up to 50% of the degree total

Grow Your Writing Passion into a Career with Liberty’s Online MFA in Creative Writing

Many people write creatively, but few hone their skills to develop their writing craft to its highest form. Even fewer learn the other skills it takes to become a successful writer, such as the steps needed to get a book published and into the hands of readers. Liberty’s 100% online Master of Fine Arts (MFA) in Creative Writing can help you develop your writing passion into a career so you can set your works free to impact culture and the world.

Employers in every industry need professionals who have strong writing skills, so you can be confident that your ability to write effectively can also help set you apart in your current career. With in-demand writing expertise and the ability to customize your degree with electives in literature or writing practice, Liberty’s online MFA in Creative Writing can help you achieve your professional writing goals.

Our online MFA in Creative Writing is designed to help you build on your writing skills with specific workshops dedicated to the craft of fiction, poetry, creative nonfiction, or screenwriting. With a work-in-progress approach to writing practice and mentorship from our faculty of experienced writers and scholars, you can learn the specific skills you need to make your writing stand out.

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Why Choose Liberty’s MFA in Creative Writing?

Our online MFA in Creative Writing is mainly offered in an 8-week course format, and our tuition rate for graduate programs hasn’t increased in 9 years. Through our program, you can study the writing process and develop your creative skills through workshops with experienced writing professionals. With our flexible format, you can grow in your creative writing while continuing to do what is important to you.

As a terminal degree, the online MFA in Creative Writing can also help you pursue opportunities to teach writing at the K-12 or college level. You will gain comprehensive and in-depth exposure to writing, literature, publishing, and many other professional writing skills that you can pass on to students. Partner with the Liberty family and learn under faculty who have spent years in the field you love. Your career in professional writing starts here.

What Will You Study in Our MFA in Creative Writing?

The MFA in Creative Writing program is designed to help you become an excellent creative writer across the genres of creative fiction, nonfiction, screenwriting, and poetry. You can learn how to produce aesthetically and culturally engaged creative works while gaining professional knowledge and practice. You will also study foundational contemporary literature so that you have a background in studying important works to draw on for your writing.

To help you in your professional writing, you will also study many essential skills in editing, layout, and the business of publishing so that you can best position yourself for success in the market. Through your creative writing courses and workshops, you can develop your craft so that you will be ready for your thesis project.

Here are a few examples of the skills Liberty’s MFA in Creative Writing can help you master:

• Marketing your projects and pursuing new writing opportunities
• Organizing writing and adapting it to different types of writing
• Tailoring writing to specific audiences and markets
• Understanding what makes art effective, compelling, and impactful
• Writing compelling stories that engage readers

Potential Career Opportunities

• Book and magazine writer
• Business communications specialist
• Creative writing instructor
• Publications editor
• Screenwriter
• Website copy editor and writer
• Writing manager

Featured Courses

• ENGL 600 – Editing, Layout, and Publishing
• ENGL 601 – Writing as Cultural Engagement
• ENGL 603 – Literary Theory and Practice
• WRIT 610 – Writing Fiction

Degree Information

• This program falls under the College of Arts and Sciences .
• View the Graduate Arts and Sciences Course Guides (login required).
• Download and review the Graduate Manual for MFA .

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Admission Information for the Master of Fine Arts in Creative Writing (MFA)

Admission requirements.

• A non-refundable, non-transferable $50 application fee will be posted on the current application upon enrollment (waived for qualifying service members, veterans, and military spouses – documentation verifying military status is required) .
• Unofficial transcripts can be used for acceptance purposes with the submission of a Transcript Request Form .
• Creative Writing Sample – A creative writing sample of one creative writing work of at least 2,500 words or a culmination of creative writing samples totaling 2,500 words.*
• Applicants whose native language is other than English must submit official scores for the Test of English as a Foreign Language (TOEFL) or an approved alternative assessment. For information on alternative assessments or TOEFL waivers, please call Admissions or view the official International Admissions policy .

*A sample of one or more poems totaling a minimum of 750 words may also be submitted. Song lyrics are not accepted at this time as writing samples.

Preliminary Acceptance

If you are sending in a preliminary transcript for acceptance, you must:

• Be in your final term and planning to start your master’s degree after the last day of class for your bachelor’s degree.
• Complete a Bachelor’s Self-Certification Form confirming your completion date. You may download the form from the Forms and Downloads page or contact an admissions counselor to submit the form on your behalf.
• Submit an official/unofficial transcript to confirm that you are in your final term. The preliminary transcript must show a minimum of 105 completed credit hours.
• If you are a current Liberty University student completing your undergraduate degree, you will need to submit a Degree/Certificate Completion Application .
• Send in an additional, final official transcript with a conferral date on it by the end of your first semester of enrollment in the new master’s degree.

Dual Enrollment

Please see the Online Dual Enrollment page for information about starting graduate courses while finishing your bachelor’s degree.

Transcript Policies

Unofficial college transcript policy.

Unofficial transcripts combined with a Transcript Request Form can be used for admission. Official transcripts are required within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first, and will prevent enrollment into future terms until all official transcripts have been received.

Before sending unofficial college transcripts, please make sure they include the following:

• Your previous school’s name or logo printed on the document
• Cumulative GPA
• A list of completed courses and earned credit broken down by semester
• Degree and date conferred (if applicable)

Official College Transcript Policy

An acceptable official college transcript is one that has been issued directly from the institution and is in a sealed envelope. If you have one in your possession, it must meet the same requirements. If your previous institution offers electronic official transcript processing, they can send the document directly to [email protected] .

If the student uses unofficial transcripts with a Transcript Request Form to gain acceptance, all official transcripts must be received within 60 days of the admissions decision or before non-attendance drops for the first set of matriculated classes, whichever comes first. Failure to send all official transcripts within the 60-day period will prevent enrollment into future terms until all official transcripts have been received.

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Liberty University is dedicated to providing world-class educational experiences to military students across the globe.

Who May Qualify?

• Active Duty
• Reserve/National Guard
• Veterans/Retirees
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• Current Department of Defense Employees

Available Benefits:

• Tuition discounts – $275 per credit hour for graduate courses
• Additional discount for veterans who service in a civilian capacity as a First Responder (less than $625 per course) *
• 8-week courses, 8 different start dates each year, and no set login times (may exclude certain courses such as practicums, internships, or field experiences)

*Not applicable to certificates.

Frequently Asked Questions

What is an mfa in creative writing.

A Master of Fine Arts degree, or MFA, is a terminal degree in an artistic craft that demonstrates that you have achieved the highest level of training and skill in your discipline. Like a doctorate, an MFA often allows you to teach courses at the graduate level while also providing many opportunities for scholarship and leadership in education. If you want to grow your creative writing skills to become the best writer you can be, then the Master of Fine Arts can help you get there.

How will students work towards developing their writing skills?

With creative writing workshops and a thesis project, you will receive support and guidance to help you become the best writer you can be.

How long will it take to complete the MFA in Creative Writing?

You can complete the MFA in Creative Writing in just 48 credit hours!

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The Purdue On-Campus Writing Lab and Purdue Online Writing Lab assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue Writing Lab serves the Purdue, West Lafayette, campus and coordinates with local literacy initiatives. The Purdue OWL offers global support through online reference materials and services.

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The Purdue OWL® is committed to supporting  students, instructors, and writers by offering a wide range of resources that are developed and revised with them in mind. To do this, the OWL team is always exploring possibilties for a better design, allowing accessibility and user experience to guide our process. As the OWL undergoes some changes, we welcome your feedback and suggestions by email at any time.

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2024 Doti Awards Honor Graduate Students in Education and English The annual award acknowledges outstanding academic accomplishment, scholarly and creative work and service by graduating master's and doctoral students.

Chapman University has announced the recipients of the 2024 James L. Doti Outstanding Graduate Awards, the university’s highest honor for graduate students.

This year’s honorees are Katelyn Kitchens, a doctoral candidate in education , and Audrey Fong, a candidate for a dual Master of Arts in English and Master of Fine Arts in creative writing .

The Doti Awards are bestowed annually to an outstanding graduating master’s and doctoral student with a distinguished record of academic accomplishment, scholarly/creative activity and/or service. The award recipients’ names are permanently inscribed on the Doti Award trophy, which incorporates artist Nick Hernandez’s sculpture Emergence, on display in Argyros Forum. The recipients receive a desk-size copy of the trophy with a cash award of $1,000 and are recognized at their college’s commencement ceremony.

Katelyn Kitchens, Ph.D. Education, Attallah College of Educational Studies

Attallah’s faculty say Kitchens is a brilliant and exceptionally outstanding doctoral student. The faculty describes them as a highly ethical, committed and intellectually rigorous scholar-activist and teacher.

Kitchens successfully defended their Ph.D. dissertation in March 2024 on “New Ways of Being White: White Families Striving to Cultivate Antiracist Familial Cultures,” an expansive work based on a critical ethnographic study of white families committed to raising anti-racist children. The work is important, theoretically grounded and methodologically rigorous. Their chosen dissertation topic reflects their long-standing commitment to anti-racism. As a white person, Kitchens has personal experience with whiteness studies and engaging with others in anti-racist work.

Within the doctoral program, they developed a strong foundation in the theories that frame their work, including Marxist humanism, critical pedagogies and theories of whiteness. Kitchens also has strong instincts toward decolonizing and humanizing praxis. They are well recognized among faculty and peers as highly ethical and collaborative and evidence a commitment to the growth and learning of all those around them. Kitchens is especially committed to equity for racialized students and to the preservation and restoration of the cultural strengths, epistemologies and resources of historically oppressed communities.

These strengths, along with their excellent writing skills, have led to a significant record of emerging scholarship, research and teaching pursuits. Currently, Kitchens is co-authoring several research manuscripts. Kitchens has already published an impressive six publications (one is in press) and is planning a book based on their dissertation. Their scholarship is highly collaborative with Indigenous colleagues and other people of color, evidencing allyship with these communities. Kitchens’ numerous presentations at conferences and community settings exemplify a keen awareness and commitment to engage with the community beyond the academy.

Kitchens is also a gifted educator of children and adults. They have taught numerous courses in higher education, and faculty are certain that this has included challenging coursework, high expectations and humanizing pedagogy. A faculty mentor shared that conversations with Kitchens revealed their tremendous love and empathy for all peoples.

It’s notable that in a world where Indigenous communities are often wary of the dominant group, Kitchens has been invited to teach and work at an Indigenous tribal school. They recognize and value the opportunity that has been given to them and are continuously reflecting on their responsibility as a white person to that community and its peoples. Kitchens’ previous work in Montessori schools has also provided important insights into humanizing, democratic and life-giving pedagogies that inform their development. Furthermore, Kitchens has a strong social justice background. They served on the Montessori for Social Justice Board of Directors for five years.

At Chapman, Kitchens has been an active member of the Paulo Freire Democratic Project, supported guest talks and co-led teach-ins during the Black Lives Matter protests. Attallah faculty believe Kitchens is an outstanding student with a brilliant future ahead.

Audrey Fong, MA/MFA English and Creative Writing, Wilkinson College of Arts, Humanities, and Social Sciences

Wilkinson’s faculty say Fong’s academic excellence and professional leadership are exceptional. She has used the dual program to set her own ambitious professional path. Importantly, Fong has used her own ongoing learning growth to contribute to the university and to the larger literary culture. She is the only graduate student who has taught Asian American Studies at Chapman University, and she’s also a graduate student instructor in English. She continues to open students to new ideas and texts and also works with Stephanie Takaragawa, associate professor of sociology, across disciplines on a variety of projects and programming.

Fong’s creative and scholarly achievements are unusually strong for a graduate student. She has presented at the Asian American Studies Conference and the College English Association Conference, in addition to others. She will present again this spring at the Asian American Studies Conference and is making a name for herself in that field. She also has a chapter forthcoming in an anthology about food and memory, an essay published in the literary journal South Dakota Review, and she’s placed several interviews with Asian American writers in Adroit Journal.

This important cultural work and her entrepreneurial spirit led Fong to found her own journal, Soapberry Review. Anna Leahy, director of the MFA in creative writing program, shared that she is awestruck by Fong’s ability to launch this project while excelling at all the other work we expect of graduate students and instructors. This project focuses on reviews of books and interviews with Asian American writers, filling a void in literary culture rather than replicating existing projects. Fong has encouraged other MFA students and alumni to read Asian American books and submit reviews for publication at Soapberry Review.

Faculty point to Fong’s mature understanding of a scholar-writer’s practice. She has a keen ability to turn conference presentations into journal publications, a professional practice that few graduate students in the humanities recognize and embrace. Also, she turns practical experience — the marketing internship with Red Hen Press and the social media work at UCI — into original intellectual and cultural production. She recognizes that her accomplishments as a scholar-writer have the power to change culture.

To continue honing her craft, Fong is entering the Ph.D. program at the University of Southern California, another program that combines creative writing and literature. Wilkinson’s faculty is convinced that will lead to even more achievement.

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Celebrating the Spring 2024 MFA Graduates

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