why is the turner thesis important

How the Myth of the American Frontier Got Its Start

Frederick Jackson Turner’s thesis informed decades of scholarship and culture. Then he realized he was wrong

Colin Woodard

On the evening of   July 12, 1893, in the hall of a massive new Beaux-Arts building that would soon house the Art Institute of Chicago, a young professor named Frederick Jackson Turner rose to present what would become the most influential essay in the study of U.S. history.

It was getting late. The lecture hall was stifling from a day of blazing sun, which had tormented the throngs visiting the nearby Chicago World’s Columbian Exposition, a carnival of never-before-seen wonders, like a fully illuminated electric city and George Ferris’ 264-foot-tall rotating observation wheel. Many of the hundred or so historians attending the conference, a meeting of the American Historical Association (AHA), were dazed and dusty from an afternoon spent watching Buffalo Bill’s Wild West show at a stadium near the fairground’s gates. They had already sat through three other speeches. Some may have been dozing off as the thin, 31-year-old associate professor from the University of Wisconsin in nearby Madison began his remarks.

Subscribe to Smithsonian magazine now for just $19.99

This article is a selection from the January/February 2023 issue of Smithsonian magazine

Turner told them the force that had forged Americans into one people was the frontier of the Midwest and Far West. In this virgin world, settlers had finally been relieved of the European baggage of feudalism that their ancestors had brought across the Atlantic, freeing them to find their true selves: self-sufficient, pragmatic, egalitarian and civic-minded. “The frontier promoted the formation of a composite nationality for the American people,” he told the audience. “In the crucible of the frontier, the immigrants were Americanized, liberated and fused into a mixed race, English in neither nationality nor characteristics.”

The audience was unmoved.

In their dispatches the following morning, most of the newspaper reporters covering the conference didn’t even mention Turner’s talk. Nor did the official account of the proceedings prepared by the librarian William F. Poole for The Dial , an influential literary journal. Turner’s own father, writing to relatives a few days later, praised Turner’s skills as the family’s guide at the fair, but he said nothing at all about the speech that had brought them there.

Yet in less than a decade, Turner would be the most influential living historian in the United States, and his Frontier Thesis would become the dominant lens through which Americans understood their character, origins and destiny. Soon, Jackson’s theme was prevalent in political speech, in the way high schools taught history, in patriotic paintings—in short, everywhere. Perfectly timed to meet the needs of a country experiencing dramatic and destabilizing change, Turner’s thesis was swiftly embraced by academic and political institutions, just as railroads, manufacturing machines and telegraph systems were rapidly reshaping American life.

By that time, Turner himself had realized that his theory was almost entirely wrong.

American historians had long believed that Providence had chosen their people to spread Anglo-Saxon freedom across the continent. As an undergraduate at the University of Wisconsin, Turner was introduced to a different argument by his mentor, the classical scholar William Francis Allen. Extrapolating from Darwinism, Allen believed societies evolved like organisms, adapting themselves to the environments they encountered. Scientific laws, not divine will, he advised his mentee, guided the course of nations. After graduating, Turner pursued a doctorate at Johns Hopkins University, where he impressed the history program’s leader, Herbert Baxter Adams, and formed a lifelong friendship with one of his teachers, an ambitious young professor named Woodrow Wilson. The connections were useful: When Allen died in 1889, Adams and Wilson aided Turner in his quest to take Allen’s place as head of Wisconsin’s history department. And on the strength of Turner’s early work, Adams invited him to present a paper at the 1893 meeting of the AHA, to be held in conjunction with the World’s Congress Auxiliary of the World’s Columbian Exposition.

The resulting essay, “The Significance of the Frontier in American History,” offered a vivid evocation of life in the American West. Stripped of “the garments of civilization,” settlers between the 1780s and the 1830s found themselves “in the birch canoe” wearing “the hunting shirt and the moccasin.” Soon, they were “planting Indian corn and plowing with a sharp stick” and even shouting war cries. Faced with Native American resistance—Turner largely overlooked what the ethnic cleansing campaign that created all that “free land” might say about the American character—the settlers looked to the federal government for protection from Native enemies and foreign empires, including during the War of 1812, thus fostering a loyalty to the nation rather than to their half-forgotten nations of origin.

He warned that with the disappearance of the force that had shaped them—in 1890, the head of the Census Bureau concluded there was no longer a frontier line between areas that had been settled by European Americans and those that had not—Americans would no longer be able to flee west for an easy escape from responsibility, failure or oppression. “Each frontier did indeed furnish a new field of opportunity, a gate of escape from the bondage of the past,” Turner concluded. “Now … the frontier has gone, and with its going has closed the first period of American history.”

When he left the podium on that sweltering night, he could not have known how fervently the nation would embrace his thesis.

Like so many young scholars, Turner worked hard to bring attention to his thesis. He incorporated it into the graduate seminars he taught, lectured about it across the Midwest and wrote the entry for “Frontier” in the widely read Johnson’s Universal Cyclopædia. He arranged to have the thesis reprinted in the journal of the Wisconsin Historical Society and in the AHA’s 1893 annual report. Wilson championed it in his own writings, and the essay was read by hundreds of schoolteachers who found it reprinted in the popular pedagogical journal of the Herbart Society, a group devoted to the scientific study of teaching. Turner’s big break came when the Atlantic Monthly ’s editors asked him to use his novel viewpoint to explain the sudden rise of populists in the rural Midwest, and how they had managed to seize control of the Democratic Party to make their candidate, William Jennings Bryan, its nominee for president. Turner’s 1896 Atlantic Monthly essay , which tied the populists’ agitation to the social pressures allegedly caused by the closing of the frontier—soil depletion, debt, rising land prices—was promptly picked up by newspapers and popular journals across the country.

Meanwhile, Turner’s graduate students became tenured professors and disseminated his ideas to the up-and-coming generation of academics. The thrust of the thesis appeared in political speeches, dime-store western novels and even the new popular medium of film, where it fueled the work of a young director named John Ford who would become the master of the Hollywood western. In 1911, Columbia University’s David Muzzey incorporated it into a textbook—initially titled History of the American People —that would be used by most of the nation’s secondary schools for half a century.

Americans embraced Turner’s argument because it provided a fresh and credible explanation for the nation’s exceptionalism—the notion that the U.S. follows a path soaring above those of other countries—one that relied not on earlier Calvinist notions of being “the elect,” but rather on the scientific (and fashionable) observations of Charles Darwin. In a rapidly diversifying country, the Frontier Thesis denied a special role to the Eastern colonies’ British heritage; we were instead a “composite nation,” birthed in the Mississippi watershed. Turner’s emphasis on mobility, progress and individualism echoed the values of the Gilded Age—when readers devoured Horatio Alger’s rags-to-riches stories—and lent them credibility for the generations to follow.

But as a researcher, Turner himself turned away from the Frontier Thesis in the years after the 1890s. He never wrote it down in book form or even in academic articles. He declined invitations to defend it, and before long he himself lost faith in it.

For one thing, he had been relying too narrowly on the experiences in his own region of the Upper Midwest, which had been colonized by a settlement stream originating in New England. In fact, he found, the values he had ascribed to the frontier’s environmental conditioning were actually those of this Greater New England settlement culture, one his family and most of his fellow citizens in Portage, Wisconsin, remained part of, with their commitment to strong village and town governments, taxpayer-financed public schools and the direct democracy of the town meeting. He saw that other parts of the frontier had been colonized by other settlement streams anchored in Scots-Irish Appalachia or in the slave plantations of the Southern lowlands, and he noted that their populations continued to behave completely differently from one another, both politically and culturally, even when they lived in similar physical environments. Somehow settlers moving west from these distinct regional cultures were resisting the Darwinian environmental and cultural forces that had supposedly forged, as Turner’s biographer, Ray Allen Billington, put it, “a new political species” of human, the American. Instead, they were stubbornly remaining themselves. “Men are not absolutely dictated to by climate, geography, soils or economic interests,” Turner wrote in 1922. “The influence of the stock from which they sprang, the inherited ideals, the spiritual factors, often triumph over the material interests.”

Turner spent the last decades of his life working on what he intended to be his magnum opus, a book not about American unity but rather about the abiding differences between its regions, or “sections,” as he called them. “In respect to problems of common action, we are like what a United States of Europe would be,” he wrote in 1922, at the age of 60. For example, the Scots-Irish and German small farmers and herders who settled the uplands of the southeastern states had long clashed with nearby English enslavers over education spending, tax policy and political representation. Turner saw the whole history of the country as a wrestling match between these smaller quasi-nations, albeit a largely peaceful one guided by rules, laws and shared American ideals: “When we think of the Missouri Compromise, the Compromise of 1850, the Kansas-Nebraska Act, as steps in the marking off of spheres of influence and the assignment of mandates [between nations] … we see a resemblance to what has gone on in the Old World,” Turner explained. He hoped shared ideals—and federal institutions—would prove cohesive for a nation suddenly coming of age, its frontier closed, its people having to steward their lands rather than striking out for someplace new.

Get the latest History stories in your inbox?

Click to visit our Privacy Statement .

Colin Woodard | | READ MORE

Colin Woodard is a journalist and historian, and the author of six books including Union: The Struggle to Forge the Story of United States Nationhood . He lives in Maine.

The American Yawp Reader

Frederick jackson turner, “significance of the frontier in american history” (1893).

Perhaps the most influential essay by an American historian, Frederick Jackson Turner’s address to the American Historical Association on “The Significance of the Frontier in American History” defined for many Americans the relationship between the frontier and American culture and contemplated what might follow “the closing of the frontier.”

In a recent bulletin of the Superintendent of the Census for 1890 appear these significant words: “Up to and including 1880 the country had a frontier of settlement, but at present the unsettled area has been so broken into by isolated bodies of settlement that there can hardly be said to be a frontier line. In the discussion of its extent, its westward movement, etc., it can not, therefore, any longer have a place in the census reports.” This brief official statement marks the closing of a great historic movement. Up to our own day American history has been in a large degree the history of the colonization of the Great West. The existence of an area of free land, its continuous recession, and the advance of American settlement westward, explain American development.

Behind institutions, behind constitutional forms and modifications, lie the vital forces that call these organs into life and shape them to meet changing conditions. The peculiarity of American institutions is, the fact that they have been compelled to adapt themselves to the changes of an expanding people—to the changes involved in crossing a continent, in winning a wilderness, and in developing at each area of this progress out of the primitive economic and political conditions of the frontier into the complexity of city life. Said Calhoun in 1817, “We are great, and rapidly—I was about to say fearfully—growing!” So saying, he touched the distinguishing feature of American life. All peoples show development; the germ theory of politics has been sufficiently emphasized. In the case of most nations, however, the development has occurred in a limited area; and if the nation has expanded, it has met other growing peoples whom it has conquered. But in the case of the United States we have a different phenomenon. Limiting our attention to the Atlantic coast, we have the familiar phenomenon of the evolution of institutions in a limited area, such as the rise of representative government; the differentiation of simple colonial governments into complex organs; the progress from primitive industrial society, without division of labor, up to manufacturing civilization. But we have in addition to this a recurrence of the process of evolution in each western area reached in the process of expansion. Thus American development has exhibited not merely advance along a single line, but a return to primitive conditions on a continually advancing frontier line, and a new development for that area. American social development has been continually beginning over again on the frontier. This perennial rebirth, this fluidity of American life, this expansion westward with its new opportunities, its continuous touch with the simplicity of primitive society, furnish the forces dominating American character. The true point of view in the history of this nation is not the Atlantic coast, it is the Great West. …

In this advance, the frontier is the outer edge of the wave—the meeting point between savagery and civilization. Much has been written about the frontier from the point of view of border warfare and the chase, but as a field for the serious study of the economist and the historian it has been neglected.

From the conditions of frontier life came intellectual traits of profound importance. The works of travelers along each frontier from colonial days onward describe certain common traits, and these traits have, while softening down, still persisted as survivals in the place of their origin, even when a higher social organization succeeded. The result is that to the frontier the American intellect owes its striking characteristics. That coarseness and strength combined with acuteness and inquisitiveness; that practical, inventive turn of mind, quick to find expedients; that masterful grasp of material things, lacking in the artistic but powerful to effect great ends; that restless, nervous energy; that dominant individualism, working for good and for evil, and withal that buoyancy and exuberance which comes with freedom—these are traits of the frontier, or traits called out elsewhere because of the existence of the frontier. Since the days when the fleet of Columbus sailed into the waters of the New World, America has been another name for opportunity, and the people of the United States have taken their tone from the incessant expansion which has not only been open but has even been forced upon them. He would be a rash prophet who should assert that the expansive character of American life has now entirely ceased. Movement has been its dominant fact, and, unless this training has no effect upon a people, the American energy will continually demand a wider field for its exercise. But never again will such gifts of free land offer themselves. For a moment, at the frontier, the bonds of custom are broken and unrestraint is triumphant. There is not  tabula rasa . The stubborn American environment is there with its imperious summons to accept its conditions; the inherited ways of doing things are also there; and yet, in spite of environment, and in spite of custom, each frontier did indeed furnish a new field of opportunity, a gate of escape from the bondage of the past; and freshness, and confidence, and scorn of older society, impatience of its restraints and its ideas, and indifference to its lessons, have accompanied the frontier. What the Mediterranean Sea was to the Greeks, breaking the bond of custom, offering new experiences, calling out new institutions and activities, that, and more, the ever retreating frontier has been to the United States directly, and to the nations of Europe more remotely. And now, four centuries from the discovery of America, at the end of a hundred years of life under the Constitution, the frontier has gone, and with its going has closed the first period of American history.

Source: Frederick Jackson Turner, The Frontier in American History, 1919.

• school Campus Bookshelves
• menu_book Bookshelves
• perm_media Learning Objects
• login Login
• how_to_reg Request Instructor Account
• hub Instructor Commons

Margin Size

• Download Page (PDF)
• Download Full Book (PDF)
• Periodic Table
• Physics Constants
• Scientific Calculator
• Reference & Cite
• Tools expand_more
• Readability

selected template will load here

This action is not available.

17.9: The West as History- the Turner Thesis

• Last updated
• Save as PDF
• Page ID 10013

• American YAWP
• Stanford via Stanford University Press

\( \newcommand{\vecs}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

\( \newcommand{\vecd}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash {#1}}} \)

\( \newcommand{\id}{\mathrm{id}}\) \( \newcommand{\Span}{\mathrm{span}}\)

( \newcommand{\kernel}{\mathrm{null}\,}\) \( \newcommand{\range}{\mathrm{range}\,}\)

\( \newcommand{\RealPart}{\mathrm{Re}}\) \( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

\( \newcommand{\Argument}{\mathrm{Arg}}\) \( \newcommand{\norm}[1]{\| #1 \|}\)

\( \newcommand{\inner}[2]{\langle #1, #2 \rangle}\)

\( \newcommand{\Span}{\mathrm{span}}\)

\( \newcommand{\id}{\mathrm{id}}\)

\( \newcommand{\kernel}{\mathrm{null}\,}\)

\( \newcommand{\range}{\mathrm{range}\,}\)

\( \newcommand{\RealPart}{\mathrm{Re}}\)

\( \newcommand{\ImaginaryPart}{\mathrm{Im}}\)

\( \newcommand{\Argument}{\mathrm{Arg}}\)

\( \newcommand{\norm}[1]{\| #1 \|}\)

\( \newcommand{\Span}{\mathrm{span}}\) \( \newcommand{\AA}{\unicode[.8,0]{x212B}}\)

\( \newcommand{\vectorA}[1]{\vec{#1}}      % arrow\)

\( \newcommand{\vectorAt}[1]{\vec{\text{#1}}}      % arrow\)

\( \newcommand{\vectorB}[1]{\overset { \scriptstyle \rightharpoonup} {\mathbf{#1}} } \)

\( \newcommand{\vectorC}[1]{\textbf{#1}} \)

\( \newcommand{\vectorD}[1]{\overrightarrow{#1}} \)

\( \newcommand{\vectorDt}[1]{\overrightarrow{\text{#1}}} \)

\( \newcommand{\vectE}[1]{\overset{-\!-\!\rightharpoonup}{\vphantom{a}\smash{\mathbf {#1}}}} \)

In 1893, the American Historical Association met during that year’s World’s Columbian Exposition in Chicago. The young Wisconsin historian Frederick Jackson Turner presented his “frontier thesis,” one of the most influential theories of American history, in his essay “The Significance of the Frontier in American History.”

Turner looked back at the historical changes in the West and saw, instead of a tsunami of war and plunder and industry, waves of “civilization” that washed across the continent. A frontier line “between savagery and civilization” had moved west from the earliest English settlements in Massachusetts and Virginia across the Appalachians to the Mississippi and finally across the Plains to California and Oregon. Turner invited his audience to “stand at Cumberland Gap [the famous pass through the Appalachian Mountains], and watch the procession of civilization, marching single file—the buffalo following the trail to the salt springs, the Indian, the fur trader and hunter, the cattle-raiser, the pioneer farmer—and the frontier has passed by.” 26

Americans, Turner said, had been forced by necessity to build a rough-hewn civilization out of the frontier, giving the nation its exceptional hustle and its democratic spirit and distinguishing North America from the stale monarchies of Europe. Moreover, the style of history Turner called for was democratic as well, arguing that the work of ordinary people (in this case, pioneers) deserved the same study as that of great statesmen. Such was a novel approach in 1893.

But Turner looked ominously to the future. The Census Bureau in 1890 had declared the frontier closed. There was no longer a discernible line running north to south that, Turner said, any longer divided civilization from savagery. Turner worried for the United States’ future: what would become of the nation without the safety valve of the frontier? It was a common sentiment. Theodore Roosevelt wrote to Turner that his essay “put into shape a good deal of thought that has been floating around rather loosely.” 27

The history of the West was many-sided and it was made by many persons and peoples. Turner’s thesis was rife with faults, not only in its bald Anglo-Saxon chauvinism—in which nonwhites fell before the march of “civilization” and Chinese and Mexican immigrants were invisible—but in its utter inability to appreciate the impact of technology and government subsidies and large-scale economic enterprises alongside the work of hardy pioneers. Still, Turner’s thesis held an almost canonical position among historians for much of the twentieth century and, more importantly, captured Americans’ enduring romanticization of the West and the simplification of a long and complicated story into a march of progress.

The Importance of Frontiers

• First Online: 18 May 2021

Cite this chapter

• Jack Gregg 2  

477 Accesses

In the summer of 1893, at the Chicago World’s Columbian Exposition, Frederick Jackson Turner a minor academic in the new discipline of social science, presented his now-famous paper on the closing of the American frontier. What came to be known as the Turner Thesis (1893) forever changed thinking about the influence and importance of the frontier and how dramatic changes of the frontier profoundly impact future economic and social issues. His thesis was deemed so significant that it is still taught at colleges and universities today.

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

• Available as EPUB and PDF
• Read on any device
• Instant download
• Own it forever
• Compact, lightweight edition
• Dispatched in 3 to 5 business days
• Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Causey, J. (2019, November 20). Every company is a space company, some just don’t know it yet! (Op-Ed) . Space.com. Retrieved from https://www.space.com/every-company-is-a-space-company-spacecom-op-ed.html

Lindsey, B. (2011, April 1). Frontier economics: Why entrepreneurial capitalism is needed now more than ever . Papers.ssrn.com. Retrieved from https://papers.ssrn.com/sol3/papers.cfm?abstract_id=1809996

Peck, J. M.. (1837). A new guide for emigrants to the west, containing sketches of Michigan, Ohio, Indiana, Illinois, Missouri, Arkansas, with the territory of Wisconsin, and the adjacent parts. 2nd ed. Boston, MA.

Google Scholar  

Sandburg, C. (2013). Chicago poems. Hardpress Publishing. (Original work published 1916).

Turner, F. J. (1893). Wisconsin historical society the significance of the frontier in American history . Retrieved from http://nationalhumanitiescenter.org/pds/gilded/empire/text1/turner.pdf

Turner, F. J. (2013). The frontier in American history . Createspace Independent Publishing Platform. (Original work published 1893).

Download references

Author information

Authors and affiliations.

Whittier, CA, USA

You can also search for this author in PubMed   Google Scholar

Rights and permissions

Reprints and permissions

Copyright information

© 2021 The Author(s), under exclusive license to Springer Nature Switzerland AG

About this chapter

Gregg, J. (2021). The Importance of Frontiers. In: The Cosmos Economy. Copernicus, Cham. https://doi.org/10.1007/978-3-030-62569-6_4

Download citation

DOI : https://doi.org/10.1007/978-3-030-62569-6_4

Published : 18 May 2021

Publisher Name : Copernicus, Cham

Print ISBN : 978-3-030-62568-9

Online ISBN : 978-3-030-62569-6

eBook Packages : Business and Management Business and Management (R0)

Share this chapter

Anyone you share the following link with will be able to read this content:

Sorry, a shareable link is not currently available for this article.

Provided by the Springer Nature SharedIt content-sharing initiative

• Publish with us

Policies and ethics

• Find a journal
• Track your research

Conquering the West

The west as history: the turner thesis.

In 1893, the American Historical Association met during that year’s World’s Columbian Exposition in Chicago. The young Wisconsin historian Frederick Jackson Turner presented his “frontier thesis,” one of the most influential theories of American history, in his essay, “The Significance of the Frontier in American History.”

Turner looked back at the historical changes in the West and saw, instead of a tsunami of war and plunder and industry, waves of “civilization” that washed across the continent. A frontier line “between savagery and civilization” had moved west from the earliest English settlements in Massachusetts and Virginia across the Appalachians to the Mississippi and finally across the Plains to California and Oregon. Turner invited his audience to “stand at Cumberland Gap [the famous pass through the Appalachian Mountains], and watch the procession of civilization, marching single file—the buffalo following the trail to the salt springs, the Indian, the fur trader and hunter, the cattle-raiser, the pioneer farmer—and the frontier has passed by.”

Americans, Turner said, had been forced by necessity to build a rough-hewn civilization out of the frontier, giving the nation its exceptional hustle and its democratic spirit and distinguishing North America from the stale monarchies of Europe. Moreover, the style of history Turner called for was democratic as well, arguing that the work of ordinary people (in this case, pioneers) deserved the same study as that of great statesmen. Such was a novel approach in 1893.

But Turner looked ominously to the future. The Census Bureau in 1890 had declared the frontier closed. There was no longer a discernible line running north to south that, Turner said, any longer divided civilization from savagery. Turner worried for the United States’ future: what would become of the nation without the safety valve of the frontier? It was a common sentiment. Theodore Roosevelt wrote to Turner that his essay “put into shape a good deal of thought that has been floating around rather loosely.”

The history of the West was many-sided and it was made by many persons and peoples. Turner’s thesis was rife with faults, not only its bald Anglo Saxon chauvinism—in which non-whites fell before the march of “civilization” and Chinese and Mexican immigrants were invisible—but in its utter inability to appreciate the impact of technology and government subsidies and large-scale economic enterprises alongside the work of hardy pioneers. Still, Turner’s thesis held an almost canonical position among historians for much of the twentieth century and, more importantly, captured Americans’ enduring romanticization of the West and the simplification of a long and complicated story into a march of progress.

This chapter was edited by Lauren Brand, with content contributions by Lauren Brand, Carole Butcher, Josh Garrett-Davis, Tracey Hanshew, Nick Roland, David Schley, Emma Teitelman, and Alyce Vigil.

• American Yawp. Located at : http://www.americanyawp.com/index.html . Project : American Yawp. License : CC BY-SA: Attribution-ShareAlike

• Recent changes
• Random page
• View source
• What links here
• Related changes
• Special pages
• Printable version
• Permanent link
• Page information
• Create account

Why was the Turner Thesis abandoned by historians

Fredrick Jackson Turner’s thesis of the American frontier defined the study of the American West during the 20th century. In 1893, Turner argued that “American history has been in a large degree the history of the colonization of the Great West. The existence of an area of free land, its continuous recession, and the advance of American settlement westward explain American development.” ( The Frontier in American History , Turner, p. 1.) Jackson believed that westward expansion allowed America to move away from the influence of Europe and gain “independence on American lines.” (Turner, p. 4.) The conquest of the frontier forced Americans to become smart, resourceful, and democratic. By focusing his analysis on people in the periphery, Turner de-emphasized the importance of everyone else. Additionally, many people who lived on the “frontier” were not part of his thesis because they did not fit his model of the democratizing American. The closing of the frontier in 1890 by the Superintendent of the census prompted Turner’s thesis.

Despite its faults, his thesis proved powerful because it succinctly summed up the concerns of Turner and his contemporaries. More importantly, it created an appealing grand narrative for American history. Many Americans were concerned that American freedom would be diminished by the end of colonization of the West. Not only did his thesis give voice to these Americans’ concerns, but it also represented how Americans wanted to see themselves. Unfortunately, the history of the American West became the history of westward expansion and the history of the region of the American West was disregarded. The grand tapestry of western history was essentially ignored. During the mid-twentieth century, most people lost interest in the history of the American West.

While appealing, the Turner thesis stultified scholarship on the West. In 1984, colonial historian James Henretta even stated, “[f]or, in our role as scholars, we must recognize that the subject of westward expansion in itself longer engages the attention of many perhaps most, historians of the United States.” ( Legacy of Conquest , Patricia Limerick, p. 21.) Turner’s thesis had effectively shaped popular opinion and historical scholarship of the American West, but the thesis slowed continued academic interest in the field.

Reassessment of Western History

In the last half of the twentieth century, a new wave of western historians rebelled against the Turner thesis and defined themselves by their opposition to it. Historians began to approach the field from different perspectives and investigated the lives of Women, miners, Chicanos, Indians, Asians, and African Americans. Additionally, historians studied regions that would not have been relevant to Turner. In 1987, Patricia Limerick tried to redefine the study of the American West for a new generation of western scholars. In Legacy of Conquest, she attempted to synthesize the scholarship on the West to that point and provide a new approach for re-examining the West. First, she asked historians to think of the America West as a place and not as a movement. Second, she emphasized that the history of the American West was defined by conquest; “[c]onquest forms the historical bedrock of the whole nation, and the American West is a preeminent case study in conquest and its consequences.” (Limerick, p. 22.)

Finally, she asked historians to eliminate the stereotypes from Western history and try to understand the complex relations between the people of the West. Even before Limerick’s manifesto, scholars were re-evaluating the west and its people, and its pace has only quickened. Whether or not scholars agree with Limerick, they have explored new depths of Western American history. While these new works are not easy to categorize, they do fit into some loose categories: gender ( Relations of Rescue by Peggy Pascoe), ethnicity ( The Roots of Dependency by Richard White, and Lewis and Clark Among the Indians by James P. Rhonda), immigration (Impossible Subjects by Ming Ngai), and environmental (Nature’s Metropolis by William Cronon, Rivers of Empire by Donald Worster) history. These are just a few of the topics that have been examined by American West scholars. This paper will examine how these new histories of the American West resemble or diverge from Limerick’s outline.

Defining America or a Threat to America's Moral Standing

Peggy Pascoe’s Relations of Rescue described the creation and operation of Rescue Homes in Salt Lake City, the Sioux Reservation, Denver and San Francisco by missionary women for abused, neglected and exploited women. By focusing on the missionaries and the tenants of these homes, Pascoe depicted not just relations between women, but provided examples of how missionaries responded to issues which they believed were unique in the West. Issues that not only challenged the Victorian moral authority but threatened America’s moral standing. Unlike Turner, the missionary women did not believe that the West was an engine for democracy; instead, they envisioned a place where immoral practice such as polygamy, prostitution, premarital pregnancy, and religious superstition thrived and threatened women’s moral authority. Instead of attempting to portray a prototypical frontier or missionary woman, Pascoe reveals complicated women who defy easy categorization. Instead of re-enforcing stereotypes that women civilized (a dubious term at best) the American West, she instead focused on three aspects of the search for female moral authority: “its benefits and liabilities for women’s empowerment; its relationship to systems of social control; and its implication for intercultural relations among women.” (Pascoe, p. xvii.) Pascoe used a study of intercultural relations between women to better understand each of the sub-cultures (missionaries, unmarried mothers, Chinese prostitutes, Mormon women, and Sioux women) and their relations with governmental authorities and men.

Unlike Limerick, Pascoe did not find it necessary to define the west or the frontier. She did not have to because the Protestant missionaries in her story defined it for her. While Turner may have believed that the West was no longer the frontier in 1890, the missionaries certainly would have disagreed. In fact, the rescue missions were placed in the communities that the Victorian Protestant missionary judged to be the least “civilized” parts of America (Lakota Territory, San Francisco’s Chinatown, rough and tumble Denver and Salt Lake City.) Instead of being a story of conquest by Victorian or western morality, it was a story of how that morality was often challenged and its terms were negotiated by culturally different communities. Pascoe’s primary goal in this work was not only to eliminate stereotypes but to challenge the notion that white women civilized the west. While conquest may be a component of other histories, no one group in Pascoe’s story successfully dominated any other.

Changing the Narrative of Native Americans in the West

Two books were written before Legacy was published, Lewis and Clark Among the Indians (James Rhonda) and The Roots of Dependency (Richard White) both provide a window into the world of Native Americans. Both books took new approaches to Native American histories. Rhonda’s book looked at the familiar Lewis and Clark expedition but from an entirely different angle. Rhonda described the interactions between the expedition and the various Native American tribes they encountered. White’s book also sought to describe the interactions between the United States and the Choctaws, Pawnees, and Navajos, but he sought to explain why the economies of these tribes broke down after contact. Each of these books covers new ground by addressing the impact of these interactions between the United States and the Native Americans.

Whether or not Rhonda’s work is an example of the New Western History is debatable, but he sought to eliminate racial stereotypes of Native Americans and describe the first governmental attempt to conquer the western landscape by traversing it. Rhonda described the interactions between the expedition and the various Indians who encountered it. While Rhonda’s book may resemble a classic Lewis and Clark history, it provides a much more nuanced examination of the limitations and effectiveness of the diplomatic aspects of the Lewis and Clark expedition. He took a great of time to describe each of the interactions with the Indian tribes in detail. Rhonda recognized that the interactions between the expedition and the various tribes were nuanced and complex. Rhonda’s work clarified that Native Americans had differing views of the Lewis and Clark expedition. Any stereotypes the reader may have regarding the Native Americans with would have shattered. Additionally, Rhonda described how the expedition persevered despite its clumsy attempts at diplomacy.

Instead of describing the initial interactions of the United States government with the Choctaws, Pawnees, and Navajos, White explained how the self-sufficient economies of these people were destroyed. White described how the United States government turned these successful native people into wards of the American state. His story explained how the United States conquered these tribes without firing a shot. The consequence of this conquest was the creation of weak, dependent nations that could not survive without handouts from the federal government. Like Rhonda, White also sought to shatter long-standing stereotypes and myths regarding Native Americans. White verified that each of these tribes had self-sufficient economies which permitted prosperous lifestyles for their people before the devastating interactions with the United States government occurred. The United States in each case fundamentally altered the tribes’ economies and environments. These alterations threatened the survival of the tribes. In some cases, the United States sought to trade with these tribes in an effort put the tribes in debt. After the tribes were in debt, the United States then forced the tribes to sell their land. In other situations, the government damaged the tribes’ economies even when they sought to help them.

Even though White book was published a few years before Legacy, The Roots of Dependency certainly satisfies some of Limerick’s stated goals. Conquest and its consequences are at the heart of White’s story. White details the problems these societies developed after they became dependant on American trade goods and handouts. White also dissuaded anyone from believing that the Native American economies were inefficient. The Choctaws, Pawnees, and Navajos economies were successful. The Choctaws and Pawnees had thriving economies and their food supplies were more than sufficient. While the Navajos were not as successful as the other two tribes, their story was remarkable because they learned how to survive in some of the most inhospitable lands in the American West. These stories exploded the myths that the Native Americans subsistence economies were somehow insufficient.

The Impact of Immigrants to the West

The American West was both a borderland and a destination for a multitude of immigrants. Native Americans, Spaniards, Mexicans, Anglos, and Asians have all immigrated into the American West. The American West has seen waves of immigration. These immigrants have constantly changed the complexion of its people. Starting with the Native Americans who first moved into the region and the most recent tide of undocumented Mexican immigrants, the West has always been a place where immigrants seeking their fortunes. The California gold rush brought in a number of immigrants who did not fit their American ideal. When non-whites started immigrating to California, the United States was faced with a new problem, the introduction of people who could not become citizens. Chinese immigrants troubled the Anglo majority because they could not be easily assimilated into American society. Additionally, many Americans were perplexed by their substantially different appearances, clothing, religions, and cultures. Anglos became concerned that the new immigrants differed too much from them. In 1924, after 150 years of unregulated immigration, the United States Congress passed the Johnson-Reed Act, the most restrictionist immigration law in US history. The Johnson-Reed Act was specifically designed to keep the most undesirable races out of America, but immigrants continued to arrive in America without documents. Ming Ngai’s Impossible Subjects addresses this new class of immigrants: illegal immigrants. Illegal immigrants began to flow into the United States soon after the passage of the Johnson-Reed Act.

While illegal immigration is not an issue isolated to the history of the American West, the immigrants moved predominantly into California, Texas and the American Southwest. Like Anglo settlers who were attracted to the West for the potential for new life in the nineteenth century, illegal immigrants continued to move in during the twentieth. The illegal immigrants were welcomed, despite their status, because California’s large commercial farms needed inexpensive labor to harvest their crops. Impossible Subjects describes four groups of illegal immigrants (Filipinos, Japanese, Chinese and Mexican braceros) who were created by the United States immigration policy. Ngai specifically examines the role that the government played in defining, controlling and disciplining these groups for their allegedly illegal misconduct.

Impossible Subjects is not a book on the American West, but it is a book that is very much about the American West. While Ngai’s story primarily takes place in the American West she does not appear to have any interest in defining the West because her story has national implications. The American West is relevant to her study only because it was where most of the illegal immigrants described in her story lived and worked. Additionally, it is not a story of conquest and its consequences, but it introduced the American public and scholars to members of the American society that are silent. Limerick even stated that while “Indians, Hispanics, Asians, blacks, Anglos, businesspeople, workers, politicians, bureaucrats, natives and newcomers” all shared the same region, they still needed to be introduced to one another. In addition to being a sophisticated policy debate on immigration law, Ngai’s work introduced Americans to these people. (Limerick, p. 349.)

The Rise of Western Environmental History

Environmental history has become an increasingly important component of the history of the American West. Originally, the American West was seen as an untamed wilderness, but over time that description has changed. Two conceptually different, but nonetheless important books on environmental history discussed the American West and its importance in America. Nature’s Metropolis by William Cronon and Rivers of Empire by Donald Worster each explored the environment and the economy of the American West. Cronon examined the formation of Chicago and the importance of its commodities market for the development of the American West. Alternatively, Worster focuses on the creation of an extensive network of government subsidized dams in the early twentieth century. Rivers of Empire describes that despite the aridity of the natural landscape the American West became home to massive commercial farms and enormous swaths of urban sprawl.

In Nature’s Metropolis , Cronon, used the central place theory to analyze the economic and ecological development of Chicago. Johann Heinrich von Thunen developed the central place theory to explain the development of cities. Essentially, geographically different economic zones form in concentric circles the farther you went from the city. These different zones form because of the time it takes to get the different types of goods to market. Closest to the city and then moving away you would have the following zones: first, intensive agriculture, second, extensive agriculture, third, livestock raising, fourth, trading, hunting and Indian trade and finally, you would have the wilderness. While the landscape of the Mid-West was more complicated than this, Cronon posits that the “city and country are inextricably connected and that market relations profoundly mediate between them.” (Cronon, p. 52.) By emphasizing the connection between the city of Chicago and the rural lands that surrounded it, Cronon was able to explain how the land, including the West, developed. Cronon argued that the development of Chicago had a profound influence on the development and appearance of the Great West. Essentially Cronon used the creation of the Chicago commodities and trading markets to explain how different parts of the Mid-West and West produced different types of resources and fundamentally altered their ecology.

According to Donald Worster’s Rivers of Empire, economics played an equally important role in the economic and environmental development of the Rocky Mountain and Pacific Slope states. Worster argued that the United States wanted to continue creating family farms for Americans in the West. Unfortunately, the aridity of the west made that impossible. The land in the West simply could not be farmed without water. Instead of adapting to the natural environment, the United States government embarked on the largest dam building project in human history. The government built thousands of dams to irrigate millions of acres of land. Unfortunately, the cost of these numerous irrigation projects was enormous. The federal government passed the cost on to the buyers of the land which prevented family farmers from buying it. Therefore, instead of family farms, massive commercial farms were created. The only people who could afford to buy the land were wealthy citizens. The massive irrigation also permitted the creation of cities which never would have been possible without it. Worster argues that the ensuing ecological damage to the West has been extraordinary. The natural environment throughout the region was dramatically altered. The west is now the home of oversized commercial farms, artificial reservoirs which stretch for hundreds of miles, rivers that run only on command and sprawling cities which depend on irrigation.

Both Cronon and Worster described how commercial interests shaped the landscape and ecology of the American West, but their approaches were very different. Still, each work fits comfortably into the new western history. Both Cronon and Worster see the West as a place and not as a movement of westward expansion. Cronon re-orders the typical understanding of the sequence of westward expansion. Instead of describing the steady growth of rural communities which transformed into cities, he argued that cities and rural areas formed at the same time. Often the cities developed first and that only after markets were created could land be converted profitable into farms. This development fits westward development much more closely than paradigms that emphasized the creation of family farms. Worster defines the West by its aridity. While these definitions differ from Limerick’s, they reflect new approaches. Conquest plays a critical role in each of these books. Instead of conquering people, the authors describe efforts to conquer western lands. In Cronon, westerners forever altered the landscape of the west. Agricultural activities dominated the zones closest to Chicago, cattle production took over lands previously occupied by the buffalo, and even the wilderness was changed by people to satisfy the markets in Chicago. The extensive damming of the West’s rivers described by Worster required the United States government to conquer, control and discipline nature. While this conquest was somewhat illusory, the United States government was committed to reshaping the West and ecology to fit its vision.

Each of these books demonstrates that the Turner thesis no longer holds a predominant position in the scholarship of the American West. The history of the American West has been revitalized by its demise. While westward expansion plays an important role in the history of the United States, it did not define the west. Turner’s thesis was fundamentally undermined because it did not provide an accurate description of how the West was peopled. The nineteenth century of the west is not composed primarily of family farmers. Instead, it is a story of a region peopled by a diverse group of people: Native Americans, Asians, Chicanos, Anglos, African Americans, women, merchants, immigrants, prostitutes, swindlers, doctors, lawyers, farmers are just a few of the characters who inhabit western history.

Suggested Readings

• Frederick Jackson Turner, The Frontier in American History
• Patricia Limerick, Legacy of Conquest
• Peggy Pascoe, Relations of Rescue
• Richard White, The Roots of Dependency
• Nature's Metropolis, William Cronon
• Rivers of Empire, Donald Worster
• Historiography
• Book Review
• This page was last edited on 5 October 2021, at 01:36.
• Privacy policy
• About DailyHistory.org
• Disclaimers
• Mobile view

Search The Canadian Encyclopedia

Enter your search term

Why sign up?

Signing up enhances your TCE experience with the ability to save items to your personal reading list, and access the interactive map.

• MLA 8TH EDITION
• Owram, D.R.. "Frontier Thesis". The Canadian Encyclopedia , 16 December 2013, Historica Canada . www.thecanadianencyclopedia.ca/en/article/frontier-thesis. Accessed 21 May 2024.
• The Canadian Encyclopedia , 16 December 2013, Historica Canada . www.thecanadianencyclopedia.ca/en/article/frontier-thesis. Accessed 21 May 2024." href="#" class="js-copy-clipboard b b-md b-invert b-modal-copy">Copy
• APA 6TH EDITION
• Owram, D. (2013). Frontier Thesis. In The Canadian Encyclopedia . Retrieved from https://www.thecanadianencyclopedia.ca/en/article/frontier-thesis
• The Canadian Encyclopedia . Retrieved from https://www.thecanadianencyclopedia.ca/en/article/frontier-thesis" href="#" class="js-copy-clipboard b b-md b-invert b-modal-copy">Copy
• CHICAGO 17TH EDITION
• Owram, D.R.. "Frontier Thesis." The Canadian Encyclopedia . Historica Canada. Article published February 07, 2006; Last Edited December 16, 2013.
• The Canadian Encyclopedia . Historica Canada. Article published February 07, 2006; Last Edited December 16, 2013." href="#" class="js-copy-clipboard b b-md b-invert b-modal-copy">Copy
• TURABIAN 8TH EDITION
• The Canadian Encyclopedia , s.v. "Frontier Thesis," by D.R. Owram, Accessed May 21, 2024, https://www.thecanadianencyclopedia.ca/en/article/frontier-thesis
• The Canadian Encyclopedia , s.v. "Frontier Thesis," by D.R. Owram, Accessed May 21, 2024, https://www.thecanadianencyclopedia.ca/en/article/frontier-thesis" href="#" class="js-copy-clipboard b b-md b-invert b-modal-copy">Copy

Thank you for your submission

Our team will be reviewing your submission and get back to you with any further questions.

Thanks for contributing to The Canadian Encyclopedia.

Frontier Thesis

Article by D.R. Owram

Published Online February 7, 2006

Last Edited December 16, 2013

The Frontier thesis was formulated 1893, when American historian Frederick Jackson Turner theorized that the availability of unsettled land throughout much of American history was the most important factor determining national development. Frontier experiences and new opportunities forced old traditions to change, institutions to adapt and society to become more democratic as class distinctions collapsed. The result was a unique American society, distinct from the European societies from which it originated. In Canada the frontier thesis was popular between the world wars with historians such as A.R.M. LOWER and Frank UNDERHILL and sociologist S.D. CLARK , partly because of a new sense of Canada's North American character.

Since WWII the frontier thesis has declined in popularity because of recognition of important social and cultural distinctions between Canada and the US. In its place a "metropolitan school" has developed, emphasizing Canada's much closer historical ties with Europe. Moreover, centres such as Montréal, Toronto and Ottawa had a profound influence on the settlement of the Canadian frontier. Whichever argument is emphasized, however, any realistic conclusion cannot deny that both the frontier and the ties to established centres were formative in Canada's development.

See also METROPOLITAN-HINTERLAND THESIS .

Recommended

Laurentian thesis, metropolitan-hinterland thesis.

Was Frederick Jackson Turner’s Frontier Thesis Myth or Reality?

Two scholars debate this question.

Written by: (Claim A) Andrew Fisher, William & Mary; (Claim B) Bradley J. Birzer, Hillsdale College

Suggested sequencing.

• Use this Point-Counterpoint with the  Frederick Jackson Turner, “The Significance of the Frontier in American History,” 1893  Primary Source to give students more background on individualism and western expansion.

Issue on the Table

Was Turner’s thesis a myth about the individualism of the American character and the influence of the West or was it essentially correct in explaining how the West and the advancing frontier contributed to the shaping of individualism in the American character?

Instructions

Read the two arguments in response to the question, paying close attention to the supporting evidence and reasoning used for each. Then, complete the comparison questions that follow. Note that the arguments in this essay are not the personal views of the scholars but are illustrative of larger historical debates.

Every nation has a creation myth, a simple yet satisfying story that inspires pride in its people. The United States is no exception, but our creation myth is all about exceptionalism. In his famous essay, “The Significance of the Frontier in American History,” Frederick Jackson Turner claimed that the process of westward expansion had transformed our European ancestors into a new breed of people endowed with distinctively American values and virtues. In particular, the frontier experience had supposedly fostered democracy and individualism, underpinned by the abundance of “free land” out West. “So long as free land exists,” Turner wrote, “the opportunity for a competency exists, and economic power secures political power.” It was a compelling articulation of the old Jeffersonian Dream. Like Jefferson’s vision, however, Turner’s thesis excluded much of the nation’s population and ignored certain historical realities concerning American society.

Very much a man of his times, Turner filtered his interpretation of history through the lens of racial nationalism. The people who counted in his thesis, literally and figuratively, were those with European ancestry—and especially those of Anglo-Saxon origins. His definition of the frontier, following that of the U.S. Census, was wherever population density fell below two people per square mile. That effectively meant “where white people were scarce,” in the words of historian Richard White; or, as Patricia Limerick puts it, “where white people got scared because they were scarce.” American Indians only mattered to Turner as symbols of the “savagery” that white pioneers had to beat back along the advancing frontier line. Most of the “free land” they acquired in the process came from the continent’s vast indigenous estate, which, by 1890, had been reduced to scattered reservations rapidly being eroded by the Dawes Act. Likewise, Mexican Americans in the Southwest saw their land base and economic status whittled away after the Treaty of Guadalupe Hidalgo that nominally made them citizens of the United States. Chinese immigrants, defined as perpetual aliens under federal law, could not obtain free land through the Homestead Act. For all these groups, Euro-American expansion and opportunity meant the contraction or denial of their own ability to achieve individual advancement and communal stability.

Turner also exaggerated the degree of social mobility open to white contemporaries, not to mention their level of commitment to an ideology of rugged individualism. Although plenty of Euro-Americans used the homestead laws to get their piece of free land, they often struggled to make that land pay and to keep it in the family. During the late nineteenth century, the commoditization and industrialization of American agriculture caught southern and western farmers in a crushing cost-price squeeze that left many wrecked by debt. To combat this situation, they turned to cooperative associations such as the Grange and the National Farmers’ Alliance, which blossomed into the Populist Party at the very moment Turner was writing about the frontier as the engine of American democracy. Perhaps it was, but not in the sense he understood. Populists railed against the excess of individualism that bred corruption and inequality in Gilded Age America. Even cowboys, a pillar of the frontier myth, occasionally tried to organize unions to improve their wages and working conditions. Those seeking a small stake of their own—what Turner called a “competency”— in the form of their own land or herds sometimes ran afoul of concentrated capital, as during the Johnson County War of 1892. The big cattlemen of the Wyoming Stockgrowers Association had no intention of sharing the range with pesky sodbusters and former cowboys they accused of rustling. Their brand of individualism had no place for small producers who might become competitors.

Turner took such troubles as a sign that his prediction had come true. With the closing of the frontier, he said, the United States would begin to see greater class conflict in the form of strikes and radical politics. There was lots of free land left in 1890, though; in fact, approximately 1 million people filed homestead claims between 1901 and 1913, compared with 1.4 million between 1862 and 1900. That did not prevent the country from experiencing serious clashes between organized labor and the corporations that had come to dominate many industries. Out west, socialistic unions such as the Western Federation of Miners and the Industrial Workers of the World challenged not only the control that companies had over their employees but also their influence in the press and politics. For them, Turner’s dictum that “economic power secures political power” would have held a more sinister meaning. It was the rise of the modern corporation, not the supposed fading of the frontier, that narrowed the meanings of individualism and opportunity as Americans had previously understood them.

Young historian Frederick Jackson Turner presented his academic paper, “The Significance of the Frontier in American History,” at the World’s Columbian Exposition in Chicago on July 12, 1893. He was the final presenter of that hot and humid day, but his essay ranks among the most influential arguments ever made regarding American history.

Turner was trained at the University of Wisconsin (his home state) and Johns Hopkins University, then the center of Germanic-type graduate studies—that is, it was scientific and objectivist rather than idealist or liberal. Turner rebelled against that purely scientific approach, but not by much. In 1890, the U.S. Census revealed that the frontier (defined as fewer than two people per square mile) was closed. There was no longer an unbroken frontier line in the United States, although frontier conditions lasted in certain parts of the American West until 1920. Turner lamented this, believing the most important phase of American history was over.

No one publicly commented on the essay at the time, but the American Historical Association reprinted it in its annual report the following year, and within a decade, it became known as the “Turner Thesis.”

What is most prominent in the Turner Thesis is the proposition that the United States is unique in its heritage; it is not a European clone, but a vital mixture of European and American Indian. Or, as he put it, the American character emerged through an intermixing of “savagery and civilization.” Turner attributed the American character to the expansion to the West, where, he said, American settlers set up farms to tame the frontier. “The existence of an area of free land, its continuous recession, and the advance of American settlement westward, explain American development.” As people moved west in a “perennial rebirth,” they extended the American frontier, the boundary “between savagery and civilization.”

The frontier shaped the American character because the settlers who went there had to conquer a land difficult for farming and devoid of any of the comforts of life in urban parts of the East: “The frontier is the line of most rapid and effective Americanization. The wilderness masters the colonist. It finds him a European in dress, industries, tools, modes of travel, and thought. It takes him from the railroad car and puts him in the birch canoe. It strips off the garments of civilization and arrays him in the hunting shirt and the moccasin. It puts him in the log cabin of the Cherokee and Iroquois and runs an Indian palisade around him. Before long he has gone to planting Indian corn and plowing with a sharp stick; he shouts the war cry and takes the scalp in orthodox Indian fashion. In short, at the frontier the environment is at first too strong for the man. He must accept the conditions which it furnishes, or perish, and so he fits himself into the Indian clearings and follows the Indian trails.”

Politically and socially, according to Turner, the American character—including traits that prioritized equality, individualism, and democracy—was shaped by moving west and settling the frontier. “The tendency,” Turner wrote, “is anti-social. [The frontier] produces antipathy to control, and particularly to any direct control.” Those hardy pioneers on the frontier spread the ideas and practice of democracy as well as modern civilization. By conquering the wilderness, Turner stressed, they learned that resources and opportunity were seemingly boundless, meant to bring the ruggedness out of each individual. The farther west the process took them, the less European the Americans as a whole became. Turner saw the frontier as the  progenitor  of the American practical and innovative character: “That coarseness and strength combined with acuteness and acquisitiveness; that practical, inventive turn of mind, quick to find expedients; that masterful grasp of material things, lacking the artistic but powerful to effect great ends; that restless, nervous energy; that dominant individualism, working for good and for evil, and withal that buoyancy and exuberance which comes with freedom – these are trains of the frontier.”

Turner’s thesis, to be sure, viewed American Indians as uncivilized. In his vision, they cannot compete with European technology, and they fall by the wayside, serving as little more than a catalyst for the expansion of white Americans. This near-absence of Indians from Turner’s argument gave rise to a number of critiques of his thesis, most prominently from the New Western Historians beginning in the 1980s. These more recent historians sought to correct Turner’s “triumphal” myth of the American West by examining it as a region rather than as a process. For Turner, the American West is a progressive process, not a static place. There were many Wests, as the process of conquering the land, changing the European into the American, happened over and over again. What would happen to the American character, Turner wondered, now that its ability to expand and conquer was over?

Historical Reasoning Questions

Use  Handout A: Point-Counterpoint Graphic Organizer  to answer historical reasoning questions about this point-counterpoint.

Primary Sources (Claim A)

Cooper, James Fenimore.  Last of the Mohicans (A Leatherstocking Tale) . New York: Penguin, 1986.

Turner, Frederick Jackson. “The Significance of the Frontier in American History.”  http://sunnycv.com/steve/text/civ/turner.html

Primary Sources (Claim B)

Suggested resources (claim a).

Cronon, William, George Miles, and Jay Gitlin, eds.  Under an Open Sky: Rethinking America’s Western Past . New York: W. W. Norton & Company, 1992.

Faragher, John Mack.  Women and Men on the Overland Trail . New Haven, CT: Yale University Press, 2001.

Grossman, Richard R, ed.  The Frontier in American Culture: Essays by Richard White and Patricia Nelson Limerick . Berkeley, CA: University of California Press, 1994.

Limerick, Patricia Nelson.  The Legacy of Conquest: The Unbroken Past of the American West . New York: W. W. Norton & Company, 1987.

Limerick, Patricia Nelson, Clyde A. Milner II, and Charles E. Rankin, eds.  Trails: Toward a New Western History . Lawrence, KS: University Press of Kansas, 1991.

Milner II, Clyde A.  A New Significance: Re-envisioning the History of the American West . New York: Oxford University Press, 1996.

Nugent, Walter.  Into the West: The Story of Its People . New York: Knopf, 1991.

Slotkin, Richard.  The Fatal Environment: The Myth of the Frontier in the Age of Industrialization, 1800-1890 . Norman, OK: University of Oklahoma Press, 1998.

Suggested Resources (Claim B)

Billington, Ray Allen, and Martin Ridge.  Westward Expansion: A History of the American Frontier . Albuquerque: University of New Mexico Press, 2001.

Etulain, Richard, ed.  Does the Frontier Experience Make America Exceptional?  New York: Bedford/St. Martin’s, 1999.

Mondi. Megan. “’Connected and Unified?’: A More Critical Look at Frederick Jackson Turner’s America.”  Constructing the Past , 7 no. 1:Article 7.  http://digitalcommons.iwu.edu/constructing/vol7/iss1/7

Nelson, Robert. “Public Lands and the Frontier Thesis.”  Atlas of the Historical Geography of the United States , Digital Scholarship Lab, University of Richmond, 2014.  http://dsl.richmond.edu/fartherafield/public-lands-and-the-frontier-thesis/

More from this Category

Life, Liberty, and the Pursuit of Happiness

In our resource history is presented through a series of narratives, primary sources, and point-counterpoint debates that invites students to participate in the ongoing conversation about the American experiment.

• International edition
• Australia edition
• Europe edition

Turner: Art, Industry and Nostalgia review – Fighting Temeraire sets Tyneside ablaze

Laing Art Gallery, Newcastle upon Tyne How do you make Turner’s most famous painting cool? Take it to Tyneside, where it’s end-of-an-era magnificence takes on a whole new ghostly meaning

J MW Turner’s The Fighting Temeraire might be the most famous painting in London’s National Gallery and in 2005 was voted The Greatest Painting in Britain , but it’s hardly cool. Its heady atmosphere of patriotic pride and supercharged sentiment is the quintessence of the traditional image the gallery is trying to slough off in its bicentenary year. So while Caravaggio and Van Gogh are at the heart of celebrations in London, The Fighting Temeraire has been, as it were, dragged off by steam tug to be quietly moored on the Tyne.

Yet instead of just borrowing this unfashionable masterpiece, as part of a project entitled National Treasures that has sent 12 NG paintings out and about, Newcastle’s Laing Gallery has built an ambitious and moving exhibition around it.

This lovely show demonstrates precisely why Turner’s 1839 depiction of a ghostly giant of the age of sail being pulled to its final breakup by a newfangled steam tug is just so tearjerkingly evocative of Britain’s past – especially Newcastle’s. In fact, one fascinating find here is a model of a Victorian steam tug built in Newcastle. These low-slung working boats, mounted with a steam engine that drove two paddle wheels, were a Tyneside speciality – it was the Tyne-built steam tugs, London and the Samson, that pulled HMS Temeraire to the breaker’s yard.

Now the steam tugs too belong to a rusting past, as does so much of the north-east’s shipbuilding industry. The show includes powerful black-and-white photographs by Chris Killip of the last days of Tyneside supertanker-building in the 1970s. In one, children play on a terraced street corner, dwarfed by a half-built tanker looming in fog; in another, workers look tiny below the monster propeller of the ship they’re building. By 1979, this Tyne industry would vanish. “I didn’t know at the time that it was going to end as quickly as it did,” a wall text quotes him as saying.

This north-eastern perspective puts the nostalgia of Turner’s Fighting Temeraire in a smoky new light. It also makes visual sense. The sublime disparities in scale in Killip’s photographs capture, just as they mourn, the great industrial yards and their massive creations, all taking you straight back to Turner. The show includes the artist’s mighty 1818 watercolour A First Rate Taking on Stores, which depicts a colossal Royal Navy ship surrounded by smaller boats. Turner dwells on the fortress-like immensity of its gun-studded side, which makes the little boats seem like toys. Looking at this, you see why the navy in this era was said to defend Britain with “wooden walls”.

What’s incredible is how Turner can communicate the stateliness of this nautical behemoth in watercolours on a little sheet of paper. His genius can be baffling. He knows the way water moves and how clouds flow with such intimacy he can unleash their forces like a magician controlling the weather. In an early sketch of Dunstanburgh Castle in Northumberland, he adds fishing boats caught in a swirling channel against the castle’s seaside cliffs.

after newsletter promotion

Turner also acknowledged the horror in the battle of Trafalgar. His awesome oil sketch of the 1805 confrontation – in which Nelson led his ships straight into the French fleet in a gory, foolhardy triumph that destroyed Napoleon’s pretensions to sea power – concentrates on the men, British as well as French, trying to survive in the sea after losing their ships. Behind them, the battle is a confusion of smoke and sails. Who’s winning? Is anyone?

The Temeraire fought alongside Nelson’s HMS Victory. Built at Chatham dockyard in Kent from more than 5,000 oak trees, it served in the Napoleonic wars and was specially praised for its actions at Trafalgar. A detailed 1805 model of the Temeraire is on show, laboriously made from animal bone by French prisoners. The Victory is preserved as a national monument, while the Temeraire’s fighting days were forgotten and it was used as a floating barracks on the Thames for naval recruits. By 1838, it was time to drag the old hulk to be scrapped.

It all leaves you primed to look at Turner’s painting of this vessel as never before. A pale ghost ship can be seen towering in the evening light, already vanishing, its richly wrought prow a wonder from a lost age. Such ships existed, Turner is saying, as did the people who sailed and fought on them. But here now is the cheeky, brash, steam-driven tug whose paddles chop the water into spuming waves. The river is spookily still, a burnished mirror for a sun that’s determined to give the Temeraire an appropriate sendoff, with rays exploding in a twilight display of crimson, gold and scarlet. It’s fire in the sky that echoes the long-silenced guns of Trafalgar.

Patriotic? Sentimental? Hell yeah. But The Fighting Temeraire is really a painting about what it is to be outmoded in an ever-changing industrial world – for a sailing ship, a 1970s shipyard worker, or indeed an artist. Like the Temeraire, Turner saw impossible changes in his lifetime. He witnessed the Industrial Revolution, saw sail give way to steam and even caught the birth of photography. A letter from him is on display in which he refuses to lend the work – let alone sell it – “for any price”. The mysterious intensity of The Fighting Temeraire and his attachment to it come from his identification with the doomed ship.

Turner kept this painting with him until he died and left it to the National Gallery. This fine exhibition frees a great work from cliche by taking a national anthem and turning it into a Springsteen rustbelt ballad.

• Exhibitions

Most viewed