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The 10 Best Essay Collections of the Decade

Ever tried. ever failed. no matter..

Friends, it’s true: the end of the decade approaches. It’s been a difficult, anxiety-provoking, morally compromised decade, but at least it’s been populated by some damn fine literature. We’ll take our silver linings where we can.

So, as is our hallowed duty as a literary and culture website—though with full awareness of the potentially fruitless and endlessly contestable nature of the task—in the coming weeks, we’ll be taking a look at the best and most important (these being not always the same) books of the decade that was. We will do this, of course, by means of a variety of lists. We began with the best debut novels , the best short story collections , the best poetry collections , and the best memoirs of the decade , and we have now reached the fifth list in our series: the best essay collections published in English between 2010 and 2019.

The following books were chosen after much debate (and several rounds of voting) by the Literary Hub staff. Tears were spilled, feelings were hurt, books were re-read. And as you’ll shortly see, we had a hard time choosing just ten—so we’ve also included a list of dissenting opinions, and an even longer list of also-rans. As ever, free to add any of your own favorites that we’ve missed in the comments below.

The Top Ten

Oliver sacks, the mind’s eye (2010).

Toward the end of his life, maybe suspecting or sensing that it was coming to a close, Dr. Oliver Sacks tended to focus his efforts on sweeping intellectual projects like On the Move (a memoir), The River of Consciousness (a hybrid intellectual history), and Hallucinations (a book-length meditation on, what else, hallucinations). But in 2010, he gave us one more classic in the style that first made him famous, a form he revolutionized and brought into the contemporary literary canon: the medical case study as essay. In The Mind’s Eye , Sacks focuses on vision, expanding the notion to embrace not only how we see the world, but also how we map that world onto our brains when our eyes are closed and we’re communing with the deeper recesses of consciousness. Relaying histories of patients and public figures, as well as his own history of ocular cancer (the condition that would eventually spread and contribute to his death), Sacks uses vision as a lens through which to see all of what makes us human, what binds us together, and what keeps us painfully apart. The essays that make up this collection are quintessential Sacks: sensitive, searching, with an expertise that conveys scientific information and experimentation in terms we can not only comprehend, but which also expand how we see life carrying on around us. The case studies of “Stereo Sue,” of the concert pianist Lillian Kalir, and of Howard, the mystery novelist who can no longer read, are highlights of the collection, but each essay is a kind of gem, mined and polished by one of the great storytellers of our era.  –Dwyer Murphy, CrimeReads Managing Editor

John Jeremiah Sullivan, Pulphead (2011)

The American essay was having a moment at the beginning of the decade, and Pulphead was smack in the middle. Without any hard data, I can tell you that this collection of John Jeremiah Sullivan’s magazine features—published primarily in GQ , but also in The Paris Review , and Harper’s —was the only full book of essays most of my literary friends had read since Slouching Towards Bethlehem , and probably one of the only full books of essays they had even heard of.

Well, we all picked a good one. Every essay in Pulphead is brilliant and entertaining, and illuminates some small corner of the American experience—even if it’s just one house, with Sullivan and an aging writer inside (“Mr. Lytle” is in fact a standout in a collection with no filler; fittingly, it won a National Magazine Award and a Pushcart Prize). But what are they about? Oh, Axl Rose, Christian Rock festivals, living around the filming of One Tree Hill , the Tea Party movement, Michael Jackson, Bunny Wailer, the influence of animals, and by god, the Miz (of Real World/Road Rules Challenge fame).

But as Dan Kois has pointed out , what connects these essays, apart from their general tone and excellence, is “their author’s essential curiosity about the world, his eye for the perfect detail, and his great good humor in revealing both his subjects’ and his own foibles.” They are also extremely well written, drawing much from fictional techniques and sentence craft, their literary pleasures so acute and remarkable that James Wood began his review of the collection in The New Yorker with a quiz: “Are the following sentences the beginnings of essays or of short stories?” (It was not a hard quiz, considering the context.)

It’s hard not to feel, reading this collection, like someone reached into your brain, took out the half-baked stuff you talk about with your friends, researched it, lived it, and represented it to you smarter and better and more thoroughly than you ever could. So read it in awe if you must, but read it.  –Emily Temple, Senior Editor

Aleksandar Hemon, The Book of My Lives (2013)

Such is the sentence-level virtuosity of Aleksandar Hemon—the Bosnian-American writer, essayist, and critic—that throughout his career he has frequently been compared to the granddaddy of borrowed language prose stylists: Vladimir Nabokov. While it is, of course, objectively remarkable that anyone could write so beautifully in a language they learned in their twenties, what I admire most about Hemon’s work is the way in which he infuses every essay and story and novel with both a deep humanity and a controlled (but never subdued) fury. He can also be damn funny. Hemon grew up in Sarajevo and left in 1992 to study in Chicago, where he almost immediately found himself stranded, forced to watch from afar as his beloved home city was subjected to a relentless four-year bombardment, the longest siege of a capital in the history of modern warfare. This extraordinary memoir-in-essays is many things: it’s a love letter to both the family that raised him and the family he built in exile; it’s a rich, joyous, and complex portrait of a place the 90s made synonymous with war and devastation; and it’s an elegy for the wrenching loss of precious things. There’s an essay about coming of age in Sarajevo and another about why he can’t bring himself to leave Chicago. There are stories about relationships forged and maintained on the soccer pitch or over the chessboard, and stories about neighbors and mentors turned monstrous by ethnic prejudice. As a chorus they sing with insight, wry humor, and unimaginable sorrow. I am not exaggerating when I say that the collection’s devastating final piece, “The Aquarium”—which details his infant daughter’s brain tumor and the agonizing months which led up to her death—remains the most painful essay I have ever read.  –Dan Sheehan, Book Marks Editor

Robin Wall Kimmerer, Braiding Sweetgrass (2013)

Of every essay in my relentlessly earmarked copy of Braiding Sweetgrass , Dr. Robin Wall Kimmerer’s gorgeously rendered argument for why and how we should keep going, there’s one that especially hits home: her account of professor-turned-forester Franz Dolp. When Dolp, several decades ago, revisited the farm that he had once shared with his ex-wife, he found a scene of destruction: The farm’s new owners had razed the land where he had tried to build a life. “I sat among the stumps and the swirling red dust and I cried,” he wrote in his journal.

So many in my generation (and younger) feel this kind of helplessness–and considerable rage–at finding ourselves newly adult in a world where those in power seem determined to abandon or destroy everything that human bodies have always needed to survive: air, water, land. Asking any single book to speak to this helplessness feels unfair, somehow; yet, Braiding Sweetgrass does, by weaving descriptions of indigenous tradition with the environmental sciences in order to show what survival has looked like over the course of many millennia. Kimmerer’s essays describe her personal experience as a Potawotami woman, plant ecologist, and teacher alongside stories of the many ways that humans have lived in relationship to other species. Whether describing Dolp’s work–he left the stumps for a life of forest restoration on the Oregon coast–or the work of others in maple sugar harvesting, creating black ash baskets, or planting a Three Sisters garden of corn, beans, and squash, she brings hope. “In ripe ears and swelling fruit, they counsel us that all gifts are multiplied in relationship,” she writes of the Three Sisters, which all sustain one another as they grow. “This is how the world keeps going.”  –Corinne Segal, Senior Editor

Hilton Als, White Girls (2013)

In a world where we are so often reduced to one essential self, Hilton Als’ breathtaking book of critical essays, White Girls , which meditates on the ways he and other subjects read, project and absorb parts of white femininity, is a radically liberating book. It’s one of the only works of critical thinking that doesn’t ask the reader, its author or anyone he writes about to stoop before the doorframe of complete legibility before entering. Something he also permitted the subjects and readers of his first book, the glorious book-length essay, The Women , a series of riffs and psychological portraits of Dorothy Dean, Owen Dodson, and the author’s own mother, among others. One of the shifts of that book, uncommon at the time, was how it acknowledges the way we inhabit bodies made up of variously gendered influences. To read White Girls now is to experience the utter freedom of this gift and to marvel at Als’ tremendous versatility and intelligence.

He is easily the most diversely talented American critic alive. He can write into genres like pop music and film where being part of an audience is a fantasy happening in the dark. He’s also wired enough to know how the art world builds reputations on the nod of rich white patrons, a significant collision in a time when Jean-Michel Basquiat is America’s most expensive modern artist. Als’ swerving and always moving grip on performance means he’s especially good on describing the effect of art which is volatile and unstable and built on the mingling of made-up concepts and the hard fact of their effect on behavior, such as race. Writing on Flannery O’Connor for instance he alone puts a finger on her “uneasy and unavoidable union between black and white, the sacred and the profane, the shit and the stars.” From Eminem to Richard Pryor, André Leon Talley to Michael Jackson, Als enters the life and work of numerous artists here who turn the fascinations of race and with whiteness into fury and song and describes the complexity of their beauty like his life depended upon it. There are also brief memoirs here that will stop your heart. This is an essential work to understanding American culture.  –John Freeman, Executive Editor

Eula Biss, On Immunity (2014)

We move through the world as if we can protect ourselves from its myriad dangers, exercising what little agency we have in an effort to keep at bay those fears that gather at the edges of any given life: of loss, illness, disaster, death. It is these fears—amplified by the birth of her first child—that Eula Biss confronts in her essential 2014 essay collection, On Immunity . As any great essayist does, Biss moves outward in concentric circles from her own very private view of the world to reveal wider truths, discovering as she does a culture consumed by anxiety at the pervasive toxicity of contemporary life. As Biss interrogates this culture—of privilege, of whiteness—she interrogates herself, questioning the flimsy ways in which we arm ourselves with science or superstition against the impurities of daily existence.

Five years on from its publication, it is dismaying that On Immunity feels as urgent (and necessary) a defense of basic science as ever. Vaccination, we learn, is derived from vacca —for cow—after the 17th-century discovery that a small application of cowpox was often enough to inoculate against the scourge of smallpox, an etymological digression that belies modern conspiratorial fears of Big Pharma and its vaccination agenda. But Biss never scolds or belittles the fears of others, and in her generosity and openness pulls off a neat (and important) trick: insofar as we are of the very world we fear, she seems to be suggesting, we ourselves are impure, have always been so, permeable, vulnerable, yet so much stronger than we think.  –Jonny Diamond, Editor-in-Chief 

Rebecca Solnit, The Mother of All Questions (2016)

When Rebecca Solnit’s essay, “Men Explain Things to Me,” was published in 2008, it quickly became a cultural phenomenon unlike almost any other in recent memory, assigning language to a behavior that almost every woman has witnessed—mansplaining—and, in the course of identifying that behavior, spurring a movement, online and offline, to share the ways in which patriarchal arrogance has intersected all our lives. (It would also come to be the titular essay in her collection published in 2014.) The Mother of All Questions follows up on that work and takes it further in order to examine the nature of self-expression—who is afforded it and denied it, what institutions have been put in place to limit it, and what happens when it is employed by women. Solnit has a singular gift for describing and decoding the misogynistic dynamics that govern the world so universally that they can seem invisible and the gendered violence that is so common as to seem unremarkable; this naming is powerful, and it opens space for sharing the stories that shape our lives.

The Mother of All Questions, comprised of essays written between 2014 and 2016, in many ways armed us with some of the tools necessary to survive the gaslighting of the Trump years, in which many of us—and especially women—have continued to hear from those in power that the things we see and hear do not exist and never existed. Solnit also acknowledges that labels like “woman,” and other gendered labels, are identities that are fluid in reality; in reviewing the book for The New Yorker , Moira Donegan suggested that, “One useful working definition of a woman might be ‘someone who experiences misogyny.'” Whichever words we use, Solnit writes in the introduction to the book that “when words break through unspeakability, what was tolerated by a society sometimes becomes intolerable.” This storytelling work has always been vital; it continues to be vital, and in this book, it is brilliantly done.  –Corinne Segal, Senior Editor

Valeria Luiselli, Tell Me How It Ends (2017)

The newly minted MacArthur fellow Valeria Luiselli’s four-part (but really six-part) essay  Tell Me How It Ends: An Essay in Forty Questions  was inspired by her time spent volunteering at the federal immigration court in New York City, working as an interpreter for undocumented, unaccompanied migrant children who crossed the U.S.-Mexico border. Written concurrently with her novel  Lost Children Archive  (a fictional exploration of the same topic), Luiselli’s essay offers a fascinating conceit, the fashioning of an argument from the questions on the government intake form given to these children to process their arrivals. (Aside from the fact that this essay is a heartbreaking masterpiece, this is such a  good  conceit—transforming a cold, reproducible administrative document into highly personal literature.) Luiselli interweaves a grounded discussion of the questionnaire with a narrative of the road trip Luiselli takes with her husband and family, across America, while they (both Mexican citizens) wait for their own Green Card applications to be processed. It is on this trip when Luiselli reflects on the thousands of migrant children mysteriously traveling across the border by themselves. But the real point of the essay is to actually delve into the real stories of some of these children, which are agonizing, as well as to gravely, clearly expose what literally happens, procedural, when they do arrive—from forms to courts, as they’re swallowed by a bureaucratic vortex. Amid all of this, Luiselli also takes on more, exploring the larger contextual relationship between the United States of America and Mexico (as well as other countries in Central America, more broadly) as it has evolved to our current, adverse moment.  Tell Me How It Ends  is so small, but it is so passionate and vigorous: it desperately accomplishes in its less-than-100-pages-of-prose what centuries and miles and endless records of federal bureaucracy have never been able, and have never cared, to do: reverse the dehumanization of Latin American immigrants that occurs once they set foot in this country.  –Olivia Rutigliano, CrimeReads Editorial Fellow

Zadie Smith, Feel Free (2018)

In the essay “Meet Justin Bieber!” in Feel Free , Zadie Smith writes that her interest in Justin Bieber is not an interest in the interiority of the singer himself, but in “the idea of the love object”. This essay—in which Smith imagines a meeting between Bieber and the late philosopher Martin Buber (“Bieber and Buber are alternative spellings of the same German surname,” she explains in one of many winning footnotes. “Who am I to ignore these hints from the universe?”). Smith allows that this premise is a bit premise -y: “I know, I know.” Still, the resulting essay is a very funny, very smart, and un-tricky exploration of individuality and true “meeting,” with a dash of late capitalism thrown in for good measure. The melding of high and low culture is the bread and butter of pretty much every prestige publication on the internet these days (and certainly of the Twitter feeds of all “public intellectuals”), but the essays in Smith’s collection don’t feel familiar—perhaps because hers is, as we’ve long known, an uncommon skill. Though I believe Smith could probably write compellingly about anything, she chooses her subjects wisely. She writes with as much electricity about Brexit as the aforementioned Beliebers—and each essay is utterly engrossing. “She contains multitudes, but her point is we all do,” writes Hermione Hoby in her review of the collection in The New Republic . “At the same time, we are, in our endless difference, nobody but ourselves.”  –Jessie Gaynor, Social Media Editor

Tressie McMillan Cottom, Thick: And Other Essays (2019)

Tressie McMillan Cottom is an academic who has transcended the ivory tower to become the sort of public intellectual who can easily appear on radio or television talk shows to discuss race, gender, and capitalism. Her collection of essays reflects this duality, blending scholarly work with memoir to create a collection on the black female experience in postmodern America that’s “intersectional analysis with a side of pop culture.” The essays range from an analysis of sexual violence, to populist politics, to social media, but in centering her own experiences throughout, the collection becomes something unlike other pieces of criticism of contemporary culture. In explaining the title, she reflects on what an editor had said about her work: “I was too readable to be academic, too deep to be popular, too country black to be literary, and too naïve to show the rigor of my thinking in the complexity of my prose. I had wanted to create something meaningful that sounded not only like me, but like all of me. It was too thick.” One of the most powerful essays in the book is “Dying to be Competent” which begins with her unpacking the idiocy of LinkedIn (and the myth of meritocracy) and ends with a description of her miscarriage, the mishandling of black woman’s pain, and a condemnation of healthcare bureaucracy. A finalist for the 2019 National Book Award for Nonfiction, Thick confirms McMillan Cottom as one of our most fearless public intellectuals and one of the most vital.  –Emily Firetog, Deputy Editor

Dissenting Opinions

The following books were just barely nudged out of the top ten, but we (or at least one of us) couldn’t let them pass without comment.

Elif Batuman, The Possessed (2010)

In The Possessed Elif Batuman indulges her love of Russian literature and the result is hilarious and remarkable. Each essay of the collection chronicles some adventure or other that she had while in graduate school for Comparative Literature and each is more unpredictable than the next. There’s the time a “well-known 20th-centuryist” gave a graduate student the finger; and the time when Batuman ended up living in Samarkand, Uzbekistan, for a summer; and the time that she convinced herself Tolstoy was murdered and spent the length of the Tolstoy Conference in Yasnaya Polyana considering clues and motives. Rich in historic detail about Russian authors and literature and thoughtfully constructed, each essay is an amalgam of critical analysis, cultural criticism, and serious contemplation of big ideas like that of identity, intellectual legacy, and authorship. With wit and a serpentine-like shape to her narratives, Batuman adopts a form reminiscent of a Socratic discourse, setting up questions at the beginning of her essays and then following digressions that more or less entreat the reader to synthesize the answer for herself. The digressions are always amusing and arguably the backbone of the collection, relaying absurd anecdotes with foreign scholars or awkward, surreal encounters with Eastern European strangers. Central also to the collection are Batuman’s intellectual asides where she entertains a theory—like the “problem of the person”: the inability to ever wholly capture one’s character—that ultimately layer the book’s themes. “You are certainly my most entertaining student,” a professor said to Batuman. But she is also curious and enthusiastic and reflective and so knowledgeable that she might even convince you (she has me!) that you too love Russian literature as much as she does. –Eleni Theodoropoulos, Editorial Fellow

Roxane Gay, Bad Feminist (2014)

Roxane Gay’s now-classic essay collection is a book that will make you laugh, think, cry, and then wonder, how can cultural criticism be this fun? My favorite essays in the book include Gay’s musings on competitive Scrabble, her stranded-in-academia dispatches, and her joyous film and television criticism, but given the breadth of topics Roxane Gay can discuss in an entertaining manner, there’s something for everyone in this one. This book is accessible because feminism itself should be accessible – Roxane Gay is as likely to draw inspiration from YA novels, or middle-brow shows about friendship, as she is to introduce concepts from the academic world, and if there’s anyone I trust to bridge the gap between high culture, low culture, and pop culture, it’s the Goddess of Twitter. I used to host a book club dedicated to radical reads, and this was one of the first picks for the club; a week after the book club met, I spied a few of the attendees meeting in the café of the bookstore, and found out that they had bonded so much over discussing  Bad Feminist  that they couldn’t wait for the next meeting of the book club to keep discussing politics and intersectionality, and that, in a nutshell, is the power of Roxane. –Molly Odintz, CrimeReads Associate Editor

Rivka Galchen, Little Labors (2016)

Generally, I find stories about the trials and tribulations of child-having to be of limited appeal—useful, maybe, insofar as they offer validation that other people have also endured the bizarre realities of living with a tiny human, but otherwise liable to drift into the musings of parents thrilled at the simple fact of their own fecundity, as if they were the first ones to figure the process out (or not). But Little Labors is not simply an essay collection about motherhood, perhaps because Galchen initially “didn’t want to write about” her new baby—mostly, she writes, “because I had never been interested in babies, or mothers; in fact, those subjects had seemed perfectly not interesting to me.” Like many new mothers, though, Galchen soon discovered her baby—which she refers to sometimes as “the puma”—to be a preoccupying thought, demanding to be written about. Galchen’s interest isn’t just in her own progeny, but in babies in literature (“Literature has more dogs than babies, and also more abortions”), The Pillow Book , the eleventh-century collection of musings by Sei Shōnagon, and writers who are mothers. There are sections that made me laugh out loud, like when Galchen continually finds herself in an elevator with a neighbor who never fails to remark on the puma’s size. There are also deeper, darker musings, like the realization that the baby means “that it’s not permissible to die. There are days when this does not feel good.” It is a slim collection that I happened to read at the perfect time, and it remains one of my favorites of the decade. –Emily Firetog, Deputy Editor

Charlie Fox, This Young Monster (2017)

On social media as in his writing, British art critic Charlie Fox rejects lucidity for allusion and doesn’t quite answer the Twitter textbox’s persistent question: “What’s happening?” These days, it’s hard to tell.  This Young Monster  (2017), Fox’s first book,was published a few months after Donald Trump’s election, and at one point Fox takes a swipe at a man he judges “direct from a nightmare and just a repulsive fucking goon.” Fox doesn’t linger on politics, though, since most of the monsters he looks at “embody otherness and make it into art, ripping any conventional idea of beauty to shreds and replacing it with something weird and troubling of their own invention.”

If clichés are loathed because they conform to what philosopher Georges Bataille called “the common measure,” then monsters are rebellious non-sequiturs, comedic or horrific derailments from a classical ideal. Perverts in the most literal sense, monsters have gone astray from some “proper” course. The book’s nine chapters, which are about a specific monster or type of monster, are full of callbacks to familiar and lesser-known media. Fox cites visual art, film, songs, and books with the screwy buoyancy of a savant. Take one of his essays, “Spook House,” framed as a stage play with two principal characters, Klaus (“an intoxicated young skinhead vampire”) and Hermione (“a teen sorceress with green skin and jet-black hair” who looks more like The Wicked Witch than her namesake). The chorus is a troupe of trick-or-treaters. Using the filmmaker Cameron Jamie as a starting point, the rest is free association on gothic decadence and Detroit and L.A. as cities of the dead. All the while, Klaus quotes from  Artforum ,  Dazed & Confused , and  Time Out. It’s a technical feat that makes fictionalized dialogue a conveyor belt for cultural criticism.

In Fox’s imagination, David Bowie and the Hydra coexist alongside Peter Pan, Dennis Hopper, and the maenads. Fox’s book reaches for the monster’s mask, not really to peel it off but to feel and smell the rubber schnoz, to know how it’s made before making sure it’s still snugly set. With a stylistic blend of arthouse suavity and B-movie chic,  This Young Monster considers how monsters in culture are made. Aren’t the scariest things made in post-production? Isn’t the creature just duplicity, like a looping choir or a dubbed scream? –Aaron Robertson, Assistant Editor

Elena Passarello, Animals Strike Curious Poses (2017)

Elena Passarello’s collection of essays Animals Strike Curious Poses picks out infamous animals and grants them the voice, narrative, and history they deserve. Not only is a collection like this relevant during the sixth extinction but it is an ambitious historical and anthropological undertaking, which Passarello has tackled with thorough research and a playful tone that rather than compromise her subject, complicates and humanizes it. Passarello’s intention is to investigate the role of animals across the span of human civilization and in doing so, to construct a timeline of humanity as told through people’s interactions with said animals. “Of all the images that make our world, animal images are particularly buried inside us,” Passarello writes in her first essay, to introduce us to the object of the book and also to the oldest of her chosen characters: Yuka, a 39,000-year-old mummified woolly mammoth discovered in the Siberian permafrost in 2010. It was an occasion so remarkable and so unfathomable given the span of human civilization that Passarello says of Yuka: “Since language is epically younger than both thought and experience, ‘woolly mammoth’ means, to a human brain, something more like time.” The essay ends with a character placing a hand on a cave drawing of a woolly mammoth, accompanied by a phrase which encapsulates the author’s vision for the book: “And he becomes the mammoth so he can envision the mammoth.” In Passarello’s hands the imagined boundaries between the animal, natural, and human world disintegrate and what emerges is a cohesive if baffling integrated history of life. With the accuracy and tenacity of a journalist and the spirit of a storyteller, Elena Passarello has assembled a modern bestiary worthy of contemplation and awe. –Eleni Theodoropoulos, Editorial Fellow

Esmé Weijun Wang, The Collected Schizophrenias (2019)

Esmé Weijun Wang’s collection of essays is a kaleidoscopic look at mental health and the lives affected by the schizophrenias. Each essay takes on a different aspect of the topic, but you’ll want to read them together for a holistic perspective. Esmé Weijun Wang generously begins The Collected Schizophrenias by acknowledging the stereotype, “Schizophrenia terrifies. It is the archetypal disorder of lunacy.” From there, she walks us through the technical language, breaks down the Diagnostic and Statistical Manual ( DSM-5 )’s clinical definition. And then she gets very personal, telling us about how she came to her own diagnosis and the way it’s touched her daily life (her relationships, her ideas about motherhood). Esmé Weijun Wang is uniquely situated to write about this topic. As a former lab researcher at Stanford, she turns a precise, analytical eye to her experience while simultaneously unfolding everything with great patience for her reader. Throughout, she brilliantly dissects the language around mental health. (On saying “a person living with bipolar disorder” instead of using “bipolar” as the sole subject: “…we are not our diseases. We are instead individuals with disorders and malfunctions. Our conditions lie over us like smallpox blankets; we are one thing and the illness is another.”) She pinpoints the ways she arms herself against anticipated reactions to the schizophrenias: high fashion, having attended an Ivy League institution. In a particularly piercing essay, she traces mental illness back through her family tree. She also places her story within more mainstream cultural contexts, calling on groundbreaking exposés about the dangerous of institutionalization and depictions of mental illness in television and film (like the infamous Slender Man case, in which two young girls stab their best friend because an invented Internet figure told them to). At once intimate and far-reaching, The Collected Schizophrenias is an informative and important (and let’s not forget artful) work. I’ve never read a collection quite so beautifully-written and laid-bare as this. –Katie Yee, Book Marks Assistant Editor

Ross Gay, The Book of Delights (2019)

When Ross Gay began writing what would become The Book of Delights, he envisioned it as a project of daily essays, each focused on a moment or point of delight in his day. This plan quickly disintegrated; on day four, he skipped his self-imposed assignment and decided to “in honor and love, delight in blowing it off.” (Clearly, “blowing it off” is a relative term here, as he still produced the book.) Ross Gay is a generous teacher of how to live, and this moment of reveling in self-compassion is one lesson among many in The Book of Delights , which wanders from moments of connection with strangers to a shade of “red I don’t think I actually have words for,” a text from a friend reading “I love you breadfruit,” and “the sun like a guiding hand on my back, saying everything is possible. Everything .”

Gay does not linger on any one subject for long, creating the sense that delight is a product not of extenuating circumstances, but of our attention; his attunement to the possibilities of a single day, and awareness of all the small moments that produce delight, are a model for life amid the warring factions of the attention economy. These small moments range from the physical–hugging a stranger, transplanting fig cuttings–to the spiritual and philosophical, giving the impression of sitting beside Gay in his garden as he thinks out loud in real time. It’s a privilege to listen. –Corinne Segal, Senior Editor

Honorable Mentions

A selection of other books that we seriously considered for both lists—just to be extra about it (and because decisions are hard).

Terry Castle, The Professor and Other Writings (2010) · Joyce Carol Oates, In Rough Country (2010) · Geoff Dyer, Otherwise Known as the Human Condition (2011) · Christopher Hitchens, Arguably (2011) ·  Roberto Bolaño, tr. Natasha Wimmer, Between Parentheses (2011) · Dubravka Ugresic, tr. David Williams, Karaoke Culture (2011) · Tom Bissell, Magic Hours (2012)  · Kevin Young, The Grey Album (2012) · William H. Gass, Life Sentences: Literary Judgments and Accounts (2012) · Mary Ruefle, Madness, Rack, and Honey (2012) · Herta Müller, tr. Geoffrey Mulligan, Cristina and Her Double (2013) · Leslie Jamison, The Empathy Exams (2014)  · Meghan Daum, The Unspeakable (2014)  · Daphne Merkin, The Fame Lunches (2014)  · Charles D’Ambrosio, Loitering (2015) · Wendy Walters, Multiply/Divide (2015) · Colm Tóibín, On Elizabeth Bishop (2015) ·  Renee Gladman, Calamities (2016)  · Jesmyn Ward, ed. The Fire This Time (2016)  · Lindy West, Shrill (2016)  · Mary Oliver, Upstream (2016)  · Emily Witt, Future Sex (2016)  · Olivia Laing, The Lonely City (2016)  · Mark Greif, Against Everything (2016)  · Durga Chew-Bose, Too Much and Not the Mood (2017)  · Sarah Gerard, Sunshine State (2017)  · Jim Harrison, A Really Big Lunch (2017)  · J.M. Coetzee, Late Essays: 2006-2017 (2017) · Melissa Febos, Abandon Me (2017)  · Louise Glück, American Originality (2017)  · Joan Didion, South and West (2017)  · Tom McCarthy, Typewriters, Bombs, Jellyfish (2017)  · Hanif Abdurraqib, They Can’t Kill Us Until they Kill Us (2017)  · Ta-Nehisi Coates, We Were Eight Years in Power (2017)  ·  Samantha Irby, We Are Never Meeting in Real Life (2017)  · Alexander Chee, How to Write an Autobiographical Novel (2018)  · Alice Bolin, Dead Girls (2018)  · Marilynne Robinson, What Are We Doing Here? (2018)  · Lorrie Moore, See What Can Be Done (2018)  · Maggie O’Farrell, I Am I Am I Am (2018)  · Ijeoma Oluo, So You Want to Talk About Race (2018)  · Rachel Cusk, Coventry (2019)  · Jia Tolentino, Trick Mirror (2019)  · Emily Bernard, Black is the Body (2019)  · Toni Morrison, The Source of Self-Regard (2019)  · Margaret Renkl, Late Migrations (2019)  ·  Rachel Munroe, Savage Appetites (2019)  · Robert A. Caro,  Working  (2019) · Arundhati Roy, My Seditious Heart (2019).

Emily Temple

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Sat / act prep online guides and tips, 3 great narrative essay examples + tips for writing.

General Education

A narrative essay is one of the most intimidating assignments you can be handed at any level of your education. Where you've previously written argumentative essays that make a point or analytic essays that dissect meaning, a narrative essay asks you to write what is effectively a story .

But unlike a simple work of creative fiction, your narrative essay must have a clear and concrete motif —a recurring theme or idea that you’ll explore throughout. Narrative essays are less rigid, more creative in expression, and therefore pretty different from most other essays you’ll be writing.

But not to fear—in this article, we’ll be covering what a narrative essay is, how to write a good one, and also analyzing some personal narrative essay examples to show you what a great one looks like.

What Is a Narrative Essay?

At first glance, a narrative essay might sound like you’re just writing a story. Like the stories you're used to reading, a narrative essay is generally (but not always) chronological, following a clear throughline from beginning to end. Even if the story jumps around in time, all the details will come back to one specific theme, demonstrated through your choice in motifs.

Unlike many creative stories, however, your narrative essay should be based in fact. That doesn’t mean that every detail needs to be pure and untainted by imagination, but rather that you shouldn’t wholly invent the events of your narrative essay. There’s nothing wrong with inventing a person’s words if you can’t remember them exactly, but you shouldn’t say they said something they weren’t even close to saying.

Another big difference between narrative essays and creative fiction—as well as other kinds of essays—is that narrative essays are based on motifs. A motif is a dominant idea or theme, one that you establish before writing the essay. As you’re crafting the narrative, it’ll feed back into your motif to create a comprehensive picture of whatever that motif is.

For example, say you want to write a narrative essay about how your first day in high school helped you establish your identity. You might discuss events like trying to figure out where to sit in the cafeteria, having to describe yourself in five words as an icebreaker in your math class, or being unsure what to do during your lunch break because it’s no longer acceptable to go outside and play during lunch. All of those ideas feed back into the central motif of establishing your identity.

The important thing to remember is that while a narrative essay is typically told chronologically and intended to read like a story, it is not purely for entertainment value. A narrative essay delivers its theme by deliberately weaving the motifs through the events, scenes, and details. While a narrative essay may be entertaining, its primary purpose is to tell a complete story based on a central meaning.

Unlike other essay forms, it is totally okay—even expected—to use first-person narration in narrative essays. If you’re writing a story about yourself, it’s natural to refer to yourself within the essay. It’s also okay to use other perspectives, such as third- or even second-person, but that should only be done if it better serves your motif. Generally speaking, your narrative essay should be in first-person perspective.

Though your motif choices may feel at times like you’re making a point the way you would in an argumentative essay, a narrative essay’s goal is to tell a story, not convince the reader of anything. Your reader should be able to tell what your motif is from reading, but you don’t have to change their mind about anything. If they don’t understand the point you are making, you should consider strengthening the delivery of the events and descriptions that support your motif.

Narrative essays also share some features with analytical essays, in which you derive meaning from a book, film, or other media. But narrative essays work differently—you’re not trying to draw meaning from an existing text, but rather using an event you’ve experienced to convey meaning. In an analytical essay, you examine narrative, whereas in a narrative essay you create narrative.

The structure of a narrative essay is also a bit different than other essays. You’ll generally be getting your point across chronologically as opposed to grouping together specific arguments in paragraphs or sections. To return to the example of an essay discussing your first day of high school and how it impacted the shaping of your identity, it would be weird to put the events out of order, even if not knowing what to do after lunch feels like a stronger idea than choosing where to sit. Instead of organizing to deliver your information based on maximum impact, you’ll be telling your story as it happened, using concrete details to reinforce your theme.

3 Great Narrative Essay Examples

One of the best ways to learn how to write a narrative essay is to look at a great narrative essay sample. Let’s take a look at some truly stellar narrative essay examples and dive into what exactly makes them work so well.

A Ticket to the Fair by David Foster Wallace

Today is Press Day at the Illinois State Fair in Springfield, and I’m supposed to be at the fairgrounds by 9:00 A.M. to get my credentials. I imagine credentials to be a small white card in the band of a fedora. I’ve never been considered press before. My real interest in credentials is getting into rides and shows for free. I’m fresh in from the East Coast, for an East Coast magazine. Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish. I think they asked me to do this because I grew up here, just a couple hours’ drive from downstate Springfield. I never did go to the state fair, though—I pretty much topped out at the county fair level. Actually, I haven’t been back to Illinois for a long time, and I can’t say I’ve missed it.

Throughout this essay, David Foster Wallace recounts his experience as press at the Illinois State Fair. But it’s clear from this opening that he’s not just reporting on the events exactly as they happened—though that’s also true— but rather making a point about how the East Coast, where he lives and works, thinks about the Midwest.

In his opening paragraph, Wallace states that outright: “Why exactly they’re interested in the Illinois State Fair remains unclear to me. I suspect that every so often editors at East Coast magazines slap their foreheads and remember that about 90 percent of the United States lies between the coasts, and figure they’ll engage somebody to do pith-helmeted anthropological reporting on something rural and heartlandish.”

Not every motif needs to be stated this clearly , but in an essay as long as Wallace’s, particularly since the audience for such a piece may feel similarly and forget that such a large portion of the country exists, it’s important to make that point clear.

But Wallace doesn’t just rest on introducing his motif and telling the events exactly as they occurred from there. It’s clear that he selects events that remind us of that idea of East Coast cynicism , such as when he realizes that the Help Me Grow tent is standing on top of fake grass that is killing the real grass beneath, when he realizes the hypocrisy of craving a corn dog when faced with a real, suffering pig, when he’s upset for his friend even though he’s not the one being sexually harassed, and when he witnesses another East Coast person doing something he wouldn’t dare to do.

Wallace is literally telling the audience exactly what happened, complete with dates and timestamps for when each event occurred. But he’s also choosing those events with a purpose—he doesn’t focus on details that don’t serve his motif. That’s why he discusses the experiences of people, how the smells are unappealing to him, and how all the people he meets, in cowboy hats, overalls, or “black spandex that looks like cheesecake leotards,” feel almost alien to him.

All of these details feed back into the throughline of East Coast thinking that Wallace introduces in the first paragraph. He also refers back to it in the essay’s final paragraph, stating:

At last, an overarching theory blooms inside my head: megalopolitan East Coasters’ summer treats and breaks and literally ‘getaways,’ flights-from—from crowds, noise, heat, dirt, the stress of too many sensory choices….The East Coast existential treat is escape from confines and stimuli—quiet, rustic vistas that hold still, turn inward, turn away. Not so in the rural Midwest. Here you’re pretty much away all the time….Something in a Midwesterner sort of actuates , deep down, at a public event….The real spectacle that draws us here is us.

Throughout this journey, Wallace has tried to demonstrate how the East Coast thinks about the Midwest, ultimately concluding that they are captivated by the Midwest’s less stimuli-filled life, but that the real reason they are interested in events like the Illinois State Fair is that they are, in some ways, a means of looking at the East Coast in a new, estranging way.

The reason this works so well is that Wallace has carefully chosen his examples, outlined his motif and themes in the first paragraph, and eventually circled back to the original motif with a clearer understanding of his original point.

When outlining your own narrative essay, try to do the same. Start with a theme, build upon it with examples, and return to it in the end with an even deeper understanding of the original issue. You don’t need this much space to explore a theme, either—as we’ll see in the next example, a strong narrative essay can also be very short.

Death of a Moth by Virginia Woolf

After a time, tired by his dancing apparently, he settled on the window ledge in the sun, and, the queer spectacle being at an end, I forgot about him. Then, looking up, my eye was caught by him. He was trying to resume his dancing, but seemed either so stiff or so awkward that he could only flutter to the bottom of the window-pane; and when he tried to fly across it he failed. Being intent on other matters I watched these futile attempts for a time without thinking, unconsciously waiting for him to resume his flight, as one waits for a machine, that has stopped momentarily, to start again without considering the reason of its failure. After perhaps a seventh attempt he slipped from the wooden ledge and fell, fluttering his wings, on to his back on the window sill. The helplessness of his attitude roused me. It flashed upon me that he was in difficulties; he could no longer raise himself; his legs struggled vainly. But, as I stretched out a pencil, meaning to help him to right himself, it came over me that the failure and awkwardness were the approach of death. I laid the pencil down again.

In this essay, Virginia Woolf explains her encounter with a dying moth. On surface level, this essay is just a recounting of an afternoon in which she watched a moth die—it’s even established in the title. But there’s more to it than that. Though Woolf does not begin her essay with as clear a motif as Wallace, it’s not hard to pick out the evidence she uses to support her point, which is that the experience of this moth is also the human experience.

In the title, Woolf tells us this essay is about death. But in the first paragraph, she seems to mostly be discussing life—the moth is “content with life,” people are working in the fields, and birds are flying. However, she mentions that it is mid-September and that the fields were being plowed. It’s autumn and it’s time for the harvest; the time of year in which many things die.

In this short essay, she chronicles the experience of watching a moth seemingly embody life, then die. Though this essay is literally about a moth, it’s also about a whole lot more than that. After all, moths aren’t the only things that die—Woolf is also reflecting on her own mortality, as well as the mortality of everything around her.

At its core, the essay discusses the push and pull of life and death, not in a way that’s necessarily sad, but in a way that is accepting of both. Woolf begins by setting up the transitional fall season, often associated with things coming to an end, and raises the ideas of pleasure, vitality, and pity.

At one point, Woolf tries to help the dying moth, but reconsiders, as it would interfere with the natural order of the world. The moth’s death is part of the natural order of the world, just like fall, just like her own eventual death.

All these themes are set up in the beginning and explored throughout the essay’s narrative. Though Woolf doesn’t directly state her theme, she reinforces it by choosing a small, isolated event—watching a moth die—and illustrating her point through details.

With this essay, we can see that you don’t need a big, weird, exciting event to discuss an important meaning. Woolf is able to explore complicated ideas in a short essay by being deliberate about what details she includes, just as you can be in your own essays.

Notes of a Native Son by James Baldwin

On the twenty-ninth of July, in 1943, my father died. On the same day, a few hours later, his last child was born. Over a month before this, while all our energies were concentrated in waiting for these events, there had been, in Detroit, one of the bloodiest race riots of the century. A few hours after my father’s funeral, while he lay in state in the undertaker’s chapel, a race riot broke out in Harlem. On the morning of the third of August, we drove my father to the graveyard through a wilderness of smashed plate glass.

Like Woolf, Baldwin does not lay out his themes in concrete terms—unlike Wallace, there’s no clear sentence that explains what he’ll be talking about. However, you can see the motifs quite clearly: death, fatherhood, struggle, and race.

Throughout the narrative essay, Baldwin discusses the circumstances of his father’s death, including his complicated relationship with his father. By introducing those motifs in the first paragraph, the reader understands that everything discussed in the essay will come back to those core ideas. When Baldwin talks about his experience with a white teacher taking an interest in him and his father’s resistance to that, he is also talking about race and his father’s death. When he talks about his father’s death, he is also talking about his views on race. When he talks about his encounters with segregation and racism, he is talking, in part, about his father.

Because his father was a hard, uncompromising man, Baldwin struggles to reconcile the knowledge that his father was right about many things with his desire to not let that hardness consume him, as well.

Baldwin doesn’t explicitly state any of this, but his writing so often touches on the same motifs that it becomes clear he wants us to think about all these ideas in conversation with one another.

At the end of the essay, Baldwin makes it more clear:

This fight begins, however, in the heart and it had now been laid to my charge to keep my own heart free of hatred and despair. This intimation made my heart heavy and, now that my father was irrecoverable, I wished that he had been beside me so that I could have searched his face for the answers which only the future would give me now.

Here, Baldwin ties together the themes and motifs into one clear statement: that he must continue to fight and recognize injustice, especially racial injustice, just as his father did. But unlike his father, he must do it beginning with himself—he must not let himself be closed off to the world as his father was. And yet, he still wishes he had his father for guidance, even as he establishes that he hopes to be a different man than his father.

In this essay, Baldwin loads the front of the essay with his motifs, and, through his narrative, weaves them together into a theme. In the end, he comes to a conclusion that connects all of those things together and leaves the reader with a lasting impression of completion—though the elements may have been initially disparate, in the end everything makes sense.

You can replicate this tactic of introducing seemingly unattached ideas and weaving them together in your own essays. By introducing those motifs, developing them throughout, and bringing them together in the end, you can demonstrate to your reader how all of them are related. However, it’s especially important to be sure that your motifs and clear and consistent throughout your essay so that the conclusion feels earned and consistent—if not, readers may feel mislead.

5 Key Tips for Writing Narrative Essays

Narrative essays can be a lot of fun to write since they’re so heavily based on creativity. But that can also feel intimidating—sometimes it’s easier to have strict guidelines than to have to make it all up yourself. Here are a few tips to keep your narrative essay feeling strong and fresh.

Develop Strong Motifs

Motifs are the foundation of a narrative essay . What are you trying to say? How can you say that using specific symbols or events? Those are your motifs.

In the same way that an argumentative essay’s body should support its thesis, the body of your narrative essay should include motifs that support your theme.

Try to avoid cliches, as these will feel tired to your readers. Instead of roses to symbolize love, try succulents. Instead of the ocean representing some vast, unknowable truth, try the depths of your brother’s bedroom. Keep your language and motifs fresh and your essay will be even stronger!

Use First-Person Perspective

In many essays, you’re expected to remove yourself so that your points stand on their own. Not so in a narrative essay—in this case, you want to make use of your own perspective.

Sometimes a different perspective can make your point even stronger. If you want someone to identify with your point of view, it may be tempting to choose a second-person perspective. However, be sure you really understand the function of second-person; it’s very easy to put a reader off if the narration isn’t expertly deployed.

If you want a little bit of distance, third-person perspective may be okay. But be careful—too much distance and your reader may feel like the narrative lacks truth.

That’s why first-person perspective is the standard. It keeps you, the writer, close to the narrative, reminding the reader that it really happened. And because you really know what happened and how, you’re free to inject your own opinion into the story without it detracting from your point, as it would in a different type of essay.

Stick to the Truth

Your essay should be true. However, this is a creative essay, and it’s okay to embellish a little. Rarely in life do we experience anything with a clear, concrete meaning the way somebody in a book might. If you flub the details a little, it’s okay—just don’t make them up entirely.

Also, nobody expects you to perfectly recall details that may have happened years ago. You may have to reconstruct dialog from your memory and your imagination. That’s okay, again, as long as you aren’t making it up entirely and assigning made-up statements to somebody.

Dialog is a powerful tool. A good conversation can add flavor and interest to a story, as we saw demonstrated in David Foster Wallace’s essay. As previously mentioned, it’s okay to flub it a little, especially because you’re likely writing about an experience you had without knowing that you’d be writing about it later.

However, don’t rely too much on it. Your narrative essay shouldn’t be told through people explaining things to one another; the motif comes through in the details. Dialog can be one of those details, but it shouldn’t be the only one.

Use Sensory Descriptions

Because a narrative essay is a story, you can use sensory details to make your writing more interesting. If you’re describing a particular experience, you can go into detail about things like taste, smell, and hearing in a way that you probably wouldn’t do in any other essay style.

These details can tie into your overall motifs and further your point. Woolf describes in great detail what she sees while watching the moth, giving us the sense that we, too, are watching the moth. In Wallace’s essay, he discusses the sights, sounds, and smells of the Illinois State Fair to help emphasize his point about its strangeness. And in Baldwin’s essay, he describes shattered glass as a “wilderness,” and uses the feelings of his body to describe his mental state.

All these descriptions anchor us not only in the story, but in the motifs and themes as well. One of the tools of a writer is making the reader feel as you felt, and sensory details help you achieve that.

What’s Next?

Looking to brush up on your essay-writing capabilities before the ACT? This guide to ACT English will walk you through some of the best strategies and practice questions to get you prepared!

Part of practicing for the ACT is ensuring your word choice and diction are on point. Check out this guide to some of the most common errors on the ACT English section to be sure that you're not making these common mistakes!

A solid understanding of English principles will help you make an effective point in a narrative essay, and you can get that understanding through taking a rigorous assortment of high school English classes !

Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education.

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100 great narrative nonfiction books, essay collections, the new kings of nonfiction by ira glass, a supposedly fun thing i'll never do again and consider the lobster by david foster wallace, the white album by joan didion, slouching towards bethlehem by joan didion, changing my mind by zadie smith, the braindead megaphone by george saunders, bad feminist by roxane gay, pulphead by john jeremiah sullivan, notes from no man's land by eula biss, the empathy exams by leslie jamison, don't get too comfortable by david rakoff, what the dog saw by malcolm gladwell, arguably by christopher hitchens, i feel bad about my neck by nora ephron, violation by sallie tisdale, mythologies by roland barthes, the great shark hunt by hunter s. thompson, the kandy-kolored tangerine-flake streamline baby by tom wolfe, in defense of sanity by g. k. chesterton, essays by e. b. white.

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Why We Love by Helen Fisher

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What is a Narrative Essay — Examples, Format & Techniques

I was in the Amazon jungle the first time I wrote a narrative essay, enlightened and enraptured by the influence of ayahuasca. That’s not true. I’ve never been to South America nor have I ever taken ayahuasca. The purpose of that opening is to show how to craft a narrative essay intro — hook, line, and sinker. Narrative essays rely on hooking the reader, and enticing them to read on. But what is a narrative essay? We’re going to break down everything you need to know about these essays — definition, examples, tips and tricks included. By the end, you’ll be ready to craft your own narrative essay for school or for publication.

What’s a Narrative Essay?

First, let’s define narrative essay.

Narrative essays share a lot of similarities with personal essays, but whereas the former can be fictional or non-fictional, the latter are strictly non-fictional. The goal of the narrative essay is to use established storytelling techniques, like theme , conflict , and irony , in a uniquely personal way.

The responsibility of the narrative essayist is to make the reader feel connected to their story, regardless of the topic. This next video explores how writers can use structural elements and techniques to better engage their readers. 

Personal Narrative Essay Examples With Essay Pro

Narrative essays rely on tried and true structure components, including:

• First-person POV
• Personal inspiration
• Focus on a central theme

By keeping these major tenets in mind, you’ll be better prepared to recognize weaknesses and strengths in your own works.

NARRATIVE ESSAY DEFINITION

What is a narrative essay.

A narrative essay is a prose-written story that’s focused on the commentary of a central theme. Narrative essays are generally written in the first-person POV, and are usually about a topic that’s personal to the writer. Everything in these essays should take place in an established timeline, with a clear beginning, middle, and end. 

Famous Narrative Essay Examples

• Ticker to the Fair by David Foster Wallace
• After Life by Joan Didion
• Here is a Lesson in Creative Writing by Kurt Vonnegut

Narrative Writing Explained

How to start a narrative essay.

When you go to sleep at night, what do you think of? Flying squirrels? Lost loved ones? That time you called your teacher ‘mom’? Whatever it is, that’s what you need to write about. There’s a reason those ideas and moments have stuck with you over time. Your job is to figure out why.

Once you realize what makes a moment important to you, it’s your job to make it important to the reader too. In this next video, Academy Award-nominated filmmaker J. Christian Jensen explains the power of the personal narrative. 

Narrative Writing and the Personal Narrative Essay  •  Video by TEDx Talks

Anything and everything can be the topic of your essay. It could be as benign as a walk to school or as grandiose as a trip to the moon — so long as that narrative exists within reality. Give your thoughts and opinions on the matter too — don’t be afraid to say “this is what I think” so long as it’s supported by storytelling techniques. Remember, never limit yourself as a writer, just keep in mind that certain topics will be harder to make engaging than others.

Narrative Essay Outline

How to write a narrative essay.

First step, game plan. You’re going to want to map out the story from beginning to end, then mark major story beats in your document.

Like all stories, your narrative essay needs a clear beginning, middle, and end. Each section should generally conform to a specifically outlined structure. For reference, check out the outline below.

Narrative Essay Format  •  How to Write a Narrative Essay Step by Step

Make sure to reference back to this outline throughout the writing process to make sure you have all your major beats covered.

Purpose of narrative essay writing

Narrative essays give writers the ability to freely express themselves within the structure of a traditional story. Nearly all universities ask applicants to submit a narrative essay with their formal application. This is done for two reasons: they allow institutions to judge the linguistic and grammar capabilities of its applicants, as well as their raw creative side.

If you’re considering studying creative writing in an undergraduate or graduate program, then you’re going to write A LOT of narrative style essays. This process may seem indomitable; How am I supposed to write hundreds of pages about… me? But by the end, you’ll be a better writer and you’ll have a better understanding of yourself.

One thing that all successful essayists have in common is that they make radical, often defiant statements on the world at large. Think Ralph Waldo Emerson, Virginia Woolf, and Langston Hughes for example.

Being a professional essayist isn’t easy, and it’s near-impossible to be one who makes a lot of money. Many essayists work as professors, editors, and curriculum designers as well. 

This next video features the late, award-winning essayist Brian Doyle. He explains all the things you need to hear when thinking about writing a story.

Narrative Essay Examples “Lecture” via Boston University

We can learn a lot from the way Doyle “opens” his stories. My favorite is how he begins with the statement, “I met the Dalai Lama once.” How can we not be interested in learning more? 

This brings us all the way back to the beginning. Start with a hook, rattle off the line, then reel in the sinker. If you entice the reader, develop a personal plot, and finish with a resolute ending, you’ll have a lot of success in essay writing. 

 Up Next

Narrative essay topics.

We've curated a collection of narrative essay topics that will spark your creativity and bring your experiences to life. Dive into the rich tapestry of your memories, explore the unique threads of your life, and let your narrative unfold.

Up Next: Narrative Essay Topics →

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Last updated on Oct 31, 2022

10 Personal Narrative Examples to Inspire Your Writing

Personal narratives are short pieces of creative nonfiction that recount a story from someone’s own experiences. They can be a memoir, a thinkpiece, or even a polemic — so long as the piece is grounded in the writer's beliefs and experiences, it can be considered a personal narrative.

Despite the nonfiction element, there’s no single way to approach this topic, and you can be as creative as you would be writing fiction. To inspire your writing and reveal the sheer diversity of this type of essay, here are ten great examples personal narratives from recent years: 

1. “Only Disconnect” by Gary Shteyngart

Personal narratives don’t have to be long to be effective, as this thousand-word gem from the NYT book review proves. Published in 2010, just as smartphones were becoming a ubiquitous part of modern life, this piece echoes many of our fears surrounding technology and how it often distances us from reality.

In this narrative, Shteyngart navigates Manhattan using his new iPhone—or more accurately, is led by his iPhone, completely oblivious to the world around him. He’s completely lost to the magical happenstance of the city as he “follow[s] the arrow taco-ward”. But once he leaves for the country, and abandons the convenience of a cell phone connection, the real world comes rushing back in and he remembers what he’s been missing out on. 

The downfalls of technology is hardly a new topic, but Shteyngart’s story remains evergreen because of how our culture has only spiraled further down the rabbit hole of technology addiction in the intervening years.

What can you learn from this piece?

Just because a piece of writing is technically nonfiction, that doesn’t mean that the narrative needs to be literal. Shteyngart imagines a Manhattan that physically changes around him when he’s using his iPhone, becoming an almost unrecognizable world. From this, we can see how a certain amount of dramatization can increase the impact of your message—even if that wasn’t exactly the way something happened. 

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2. “Why I Hate Mother's Day” by Anne Lamott

The author of the classic writing text Bird by Bird digs into her views on motherhood in this piece from Salon. At once a personal narrative and a cultural commentary, Lamott explores the harmful effects that Mother’s Day may have on society —how its blind reverence to the concept of motherhood erases women’s agency and freedom to be flawed human beings. 

Lamott points out that not all mothers are good, not everyone has a living mother to celebrate, and some mothers have lost their children, so have no one to celebrate with them. More importantly, she notes how this Hallmark holiday erases all the people who helped raise a woman, a long chain of mothers and fathers, friends and found family, who enable her to become a mother. While it isn’t anchored to a single story or event (like many classic personal narratives), Lamott’s exploration of her opinions creates a story about a culture that puts mothers on an impossible pedestal. 

In a personal narrative essay, lived experience can be almost as valid as peer-reviewed research—so long as you avoid making unfounded assumptions. While some might point out that this is merely an opinion piece, Lamott cannily starts the essay by grounding it in the personal, revealing how she did not raise her son to celebrate Mother’s Day. This detail, however small, invites the reader into her private life and frames this essay as a story about her —and not just an exercise in being contrary.

3. “The Crane Wife” by CJ Hauser 

Days after breaking off her engagement with her fiance, CJ Hauser joins a scientific expedition on the Texas coast r esearching whooping cranes . In this new environment, she reflects on the toxic relationship she left and how she found herself in this situation. She pulls together many seemingly disparate threads, using the expedition and the Japanese myth of the crane wife as a metaphor for her struggles. 

Hauser’s interactions with the other volunteer researchers expand the scope of the narrative from her own mind, reminding her of the compassion she lacked in her relationship. In her attempts to make herself smaller, less needy, to please her fiance, she lost sight of herself and almost signed up to live someone else’s life, but among the whooping cranes of Texas, she takes the first step in reconnecting with herself.

With short personal narratives, there isn’t as much room to develop characters as you might have in a memoir so the details you do provide need to be clear and specific. Each of the volunteer researchers on Hauser’s expedition are distinct and recognizable though Hauser is economical in her descriptions. 

For example, Hauser describes one researcher as “an eighty-four-year-old bachelor from Minnesota. He could not do most of the physical activities required by the trip, but had been on ninety-five Earthwatch expeditions, including this one once before. Warren liked birds okay. What Warren really loved was cocktail hour.” 

In a few sentences, we get a clear picture of Warren's fun-loving, gregarious personality and how he fits in with the rest of the group.

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4. “The Trash Heap Has Spoken” by Carmen Maria Machado

The films and TV shows of the 80s and 90s—cultural touchstones that practically raised a generation—hardly ever featured larger women on screen. And if they did, it was either as a villain or a literal trash heap. Carmen Maria Machado grew up watching these cartoons, and the absence of fat women didn’t faze her. Not until puberty hit and she went from a skinny kid to a fuller-figured teen. Suddenly uncomfortable in her skin, she struggled to find any positive representation in her favorite media.

As she gets older and more comfortable in her own body, Machado finds inspiration in Marjory the Trash Heap from Fraggle Rock and Ursula, everyone’s favorite sea witch from The Little Mermaid —characters with endless power in the unapologetic ways they inhabit their bodies. As Machado considers her own body through the years, it’s these characters she returns to as she faces society’s unkind, dismissive attitudes towards fat women.

Stories shape the world, even if they’re fictional. Some writers strive for realism, reflecting the world back on itself in all its ugliness, but Carmen Maria Machado makes a different point. There is power in being imaginative and writing the world as it could be, imagining something bigger, better, and more beautiful. So, write the story you want to see, change the narrative, look at it sideways, and show your readers how the world could look. 

5. “Am I Disabled?” by Joanne Limburg 

The titular question frames the narrative of Joanne Limburg’s essay as she considers the implications of disclosing her autism. What to some might seem a mundane occurrence—ticking ‘yes’, ‘no’, or ‘prefer not to say’ on a bureaucratic form—elicits both philosophical and practical questions for Limburg about what it means to be disabled and how disability is viewed by the majority of society. 

Is the labor of disclosing her autism worth the insensitive questions she has to answer? What definition are people seeking, exactly? Will anyone believe her if she says yes? As she dissects the question of what disability is, she explores the very real personal effects this has on her life and those of other disabled people. 

Limburg’s essay is written in a style known as the hermit crab essay , when an author uses an existing document form to contain their story. You can format your writing as a recipe, a job application, a resume, an email, or a to-do list – the possibilities are as endless as your creativity. The format you choose is important, though. It should connect in some way to the story you’re telling and add something to the reader’s experience as well as your overall theme. 

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6. “Living Like Weasels” by Annie Dillard

While out on a walk in the woods behind her house, Annie Dillard encounters a wild weasel. In the short moment when they make eye contact, Dillard takes an imaginary journey through the weasel’s mind and wonders if the weasel’s approach to life is better than her own. 

The weasel, as Dillard sees it, is a wild creature with jaws so powerful that when it clamps on to something, it won’t let go, even into death. Necessity drives it to be like this, and humanity, obsessed with choice, might think this kind of life is limiting, but the writer believes otherwise. The weasel’s necessity is the ultimate freedom, as long as you can find the right sort, the kind that will have you holding on for dear life and refusing to let go. 

Make yourself the National Geographic explorer of your backyard or neighborhood and see what you can learn about yourself from what you discover. Annie Dillard, queen of the natural personal essay, discovers a lot about herself and her beliefs when meeting a weasel.

What insight can you glean from a blade of grass, for example? Does it remind you that despite how similar people might be, we are all unique? Do the flights of migrating birds give you perspective on the changes in your own life? Nature is a potent and never-ending spring of inspiration if you only think to look. 

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7. “Love In Our Seventies” by Ellery Akers

“ And sometimes, when I lift the gray hair at the back of your neck and kiss your shoulder, I think, This is it.”

In under 400 words, poet Ellery Akers captures the joy she has found in discovering romance as a 75-year-old . The language is romantic, but her imagery is far from saccharine as she describes their daily life and the various states in which they’ve seen each other: in their pajamas, after cataract surgeries, while meditating. In each singular moment, Akers sees something she loves, underscoring an oft-forgotten truth. Love is most potent in its smallest gestures.  

Personal narrative isn’t a defined genre with rigid rules, so your essay doesn’t have to be an essay. It can be a poem, as Akers’ is. The limitations of this form can lead to greater creativity as you’re trying to find a short yet evocative way to tell a story. It allows you to focus deeply on the emotions behind an idea and create an intimate connection with your reader. 

8. “What a Black Woman Wishes Her Adoptive White Parents Knew” by Mariama Lockington

Mariama Lockington was adopted by her white parents in the early 80s, long before it was “trendy” for white people to adopt black children. Starting with a family photograph, the writer explores her complex feelings about her upbringing , the many ways her parents ignored her race for their own comfort, and how she came to feel like an outsider in her own home. In describing her childhood snapshots, she takes the reader from infancy to adulthood as she navigates trying to live as a black woman in a white family. 

Lockington takes us on a journey through her life through a series of vignettes. These small, important moments serve as a framing device, intertwining to create a larger narrative about race, family, and belonging. 

With this framing device, it’s easy to imagine Lockington poring over a photo album, each picture conjuring a different memory and infusing her story with equal parts sadness, regret, and nostalgia. You can create a similar effect by separating your narrative into different songs to create an album or episodes in a TV show. A unique structure can add an extra layer to your narrative and enhance the overall story.

9. “Drinking Chai to Savannah” by Anjali Enjeti

On a trip to Savannah with her friends, Anjali Enjeti is reminded of a racist incident she experienced as a teenager . The memory is prompted by her discomfort of traveling in Georgia as a South Asian woman and her friends’ seeming obliviousness to how others view them. As she recalls the tense and traumatic encounter she had in line at a Wendy’s and the worry she experiences in Savannah, Enjeti reflects on her understanding of otherness and race in America. 

Enjeti paints the scene in Wendy’s with a deft hand. Using descriptive language, she invokes the five senses to capture the stress and fear she felt when the men in line behind her were hurling racist sentiments. 

She writes, “He moves closer. His shadow eclipses mine. His hot, tobacco-tinged breath seeps over the collar of my dress.” The strong, evocative language she uses brings the reader into the scene and has them experience the same anxiety she does, understanding why this incident deeply impacted her. 

10. “Siri Tells A Joke” by Debra Gwartney

One day, Debra Gwartney asks Siri—her iPhone’s digital assistant—to tell her a joke. In reply, Siri recites a joke with a familiar setup about three men stuck on a desert island. When the punchline comes, Gwartney reacts not with laughter, but with a memory of her husband , who had died less than six months prior.

In a short period, Gwartney goes through a series of losses—first, her house and her husband’s writing archives to a wildfire, and only a month after, her husband. As she reflects on death and the grief of those left behind in the wake of it, she recounts the months leading up to her husband’s passing and the interminable stretch after as she tries to find a way to live without him even as she longs for him. 

A joke about three men on a deserted island seems like an odd setup for an essay about grief. However, Gwartney uses it to great effect, coming back to it later in the story and giving it greater meaning. By the end of her piece, she recontextualizes the joke, the original punchline suddenly becoming deeply sad. In taking something seemingly unrelated and calling back to it later, the essay’s message about grief and love becomes even more powerful.

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Narrative Essay

Narrative Essay Examples

10+ Interesting Narrative Essay Examples Plus Writing Tips!

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Narrative Essay - A Complete Writing Guide with Examples

Writing a Personal Narrative Essay: Everything You Need to Know

Best Narrative Essay Topics 2023 for Students

Crafting a Winning Narrative Essay Outline: A Step-by-Step Guide

Many students struggle with crafting engaging and impactful narrative essays. They often find it challenging to weave their personal experiences into coherent and compelling stories.

If you’re having a hard time, don't worry! 

We’ve compiled a range of narrative essay examples that will serve as helpful tools for you to get started. These examples will provide a clear path for crafting engaging and powerful narrative essays.

So, keep reading and find our expertly written examples!

• 1. Narrative Essay Definition
• 2. Narrative Essay Examples
• 3. Narrative Essay Examples for Students
• 4. Narrative Essay Topics
• 5. Narrative Essay Writing Tips

Narrative Essay Definition

Writing a narrative essay is a unique form of storytelling that revolves around personal experiences, aiming to immerse the reader in the author's world. It's a piece of writing that delves into the depths of thoughts and feelings. 

In a narrative essay, life experiences take center stage, serving as the main substance of the story. It's a powerful tool for writers to convey a personal journey, turning experiences into a captivating tale. This form of storytelling is an artful display of emotions intended to engage readers, leaving the reader feeling like they are a part of the story.

By focusing on a specific theme, event, emotions, and reflections, a narrative essay weaves a storyline that leads the reader through the author's experiences. 

The Essentials of Narrative Essays

Let's start with the basics. The four types of essays are argumentative essays , descriptive essays , expository essays , and narrative essays.

The goal of a narrative essay is to tell a compelling tale from one person's perspective. A narrative essay uses all components you’d find in a typical story, such as a beginning, middle, and conclusion, as well as plot, characters, setting, and climax.

The narrative essay's goal is the plot, which should be detailed enough to reach a climax. Here's how it works:

• It's usually presented in chronological order.
• It has a function. This is typically evident in the thesis statement's opening paragraph.
• It may include speech.
• It's told with sensory details and vivid language, drawing the reader in. All of these elements are connected to the writer's major argument in some way.

Before writing your essay, make sure you go through a sufficient number of narrative essay examples. These examples will help you in knowing the dos and don’ts of a good narrative essay.

It is always a better option to have some sense of direction before you start anything. Below, you can find important details and a bunch of narrative essay examples. These examples will also help you build your content according to the format. 

Here is a how to start a narrative essay example:

Sample Narrative Essay

The examples inform the readers about the writing style and structure of the narration. The essay below will help you understand how to create a story and build this type of essay in no time.

Here is another narrative essay examples 500 words:

Narrative Essay Examples for Students

Narrative essays offer students a platform to express their experiences and creativity. These examples show how to effectively structure and present personal stories for education.

Here are some helpful narrative essay examples:

Narrative Essay Examples Middle School

Narrative Essay Examples for Grade 7

Narrative Essay Examples for Grade 8

Grade 11 Narrative Essay Examples

Narrative Essay Example For High School

Narrative Essay Example For College

Personal Narrative Essay Example

Descriptive Narrative Essay Example

3rd Person Narrative Essay Example

Narrative Essay Topics

Here are some narrative essay topics to help you get started with your narrative essay writing.

• When I got my first bunny
• When I moved to Canada
• I haven’t experienced this freezing temperature ever before
• The moment I won the basketball finale
• A memorable day at the museum
• How I talk to my parrot
• The day I saw the death
• When I finally rebelled against my professor

Need more topics? Check out these extensive narrative essay topics to get creative ideas!

Narrative Essay Writing Tips

Narrative essays give you the freedom to be creative, but it can be tough to make yours special. Use these tips to make your story interesting:

• Share your story from a personal viewpoint, engaging the reader with your experiences.
• Use vivid descriptions to paint a clear picture of the setting, characters, and emotions involved.
• Organize events in chronological order for a smooth and understandable narrative.
• Bring characters to life through their actions, dialogue, and personalities.
• Employ dialogue sparingly to add realism and progression to the narrative.
• Engage readers by evoking emotions through your storytelling.
• End with reflection or a lesson learned from the experience, providing insight.

Now you have essay examples and tips to help you get started, you have a solid starting point for crafting compelling narrative essays.

However, if storytelling isn't your forte, you can always turn to our essay service for help.

Our writers are specialists who can tackle any type of essay with great skill. With their experience, you get a top-quality, 100% plagiarism-free essay everytime.

So, let our narrative essay writing service make sure your narrative essay stands out. Order now!

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17 Short Story And Essay Collections For When You Want To Laugh, Cry, Think, Or Swoon

Whether you're in a reading slump or just want to read something different, these collections will revitalize you!

BuzzFeed Contributor

1. Girls Can Kiss Now by Jill Gutowitz

Jill Gutowitz's debut essay collection has solidified her own place in the lesbian canon, which she explores in-depth in one of her essays where she lists vital pieces of it, including oat milk, elderflower syrup, and "Eliza Dushku just existing." If you haven't read Jill's work yet, I don't know what you're waiting for — she is consistently the funniest and best person to follow on Twitter and her Gaylor missives are not to be missed. 

Jill's exploration of her own identity is told through era-defining anecdotes, a reminder of just how influential pop culture really is on our lives — which isn't a bad thing, according to Jill. If you love the early aughts-setting of PEN15 , Lindsay Lohan , and folklore , this is the perfect read for you.

Get it from Bookshop or through your local bookstore via Indiebound . You can also try the audiobook version through Libro.fm.  

2. Game On: 15 Stories of Wins, Losses and Everything In Between edited by Laura Silverman

This YA anthology is a prime example of the millions of ways a prompt can be interpreted. While the cover may trick you into believing this anthology is all about sports, it's not the case. For instance, Nina Moreno, author of Don't Date Rosa Santos , has an endearing sapphic story about two girls who fall in love playing a farming sim (aka what queer cottagecore dreams are made of). And the first story in the collection, Sona Charaipotra's "Let It Spin," tells of a game of spin the bottle that changed the direction of its MC's life, detailing a devastating friendship breakup . Editor Laura Silverman also has a story in the anthology about sexism and tabletop gaming. And sure, there are sports stories in it, too, ranging from cheerleading to soccer and everywhere in between. There's something for everyone here.

3. Body Work: The Radical Power of Personal Narrative by Melissa Febos

A new collection of essays by writer Melissa Febos navigates the relationship between mind and body, how they are less separated than we think, and how our bodies dictate the way we remember and tell stories. A craft book at its core, the ideas presented will invoke thoughts about process for writers, but it's an insightful read whether you're a writer or not. 

Get it from Bookshop or through your local bookstore via Indiebound . You can also try the audiobook version through Libro.fm . 

4. The Last Suspicious Holdout: Stories by Ladee Hubbard

Ladee Hubbard's collection of 13 short stories offer vignettes of different Black families living in an unnamed "sliver of Southern suburbia" in a time between the beginning of Bill Clinton's presidency to the inauguration of President Barack Obama . Their stories range from funny to sad; always vivid, mostly hopeful, with a strong focus on matters that affect Black families at disproportionate rates: namely the quality and accessibility of education and healthcare, the war on drugs, and the criminal justice system. There is a strong sense of community throughout the stories, told in a world where resilience and hope are the only options, and nothing is taken for granted. 

5. Cost of Living: Essays by Emily Maloney

It's no secret that our healthcare system, especially in the US, is beyond broken. This collection of essays from Emily Maloney tells two sides of the story: as a patient and as a healthcare professional, the ways she was wronged and pushed into debt, and the stories of patients she cared for as an emergency room technician. Rather than choosing between a focus on how mental health treatment is not handled properly in this country or a focus on how the smallest of injuries can send someone into massive debt, Maloney explores it all: the different creaks and crevices of the ways the healthcare industry can fail its patients over and over again. 

6. New Teeth by Simon Rich

Simon Rich's new collection of short stories is an ode to growing up, which is something we can never have enough of. Wholly imaginative, like a child should be, the stories play up a child's fears and big questions, asking: What if they were true? And rather than just dream up the nightmares, Rich provides the answers, letting every insane scenario end in a place of comfort and certainty, at least to some degree. Whether you're looking to get in touch with your inner child, wanting a voice that hears you as a new parent, or just in need of a laugh, you'll find what you're in search of in New Teeth.

Get it from Bookshop or through your local bookstore via Indiebound. You can also try the audiobook version through Libro.fm.  

7. In the Margins: On the Pleasures of Reading and Writing by Elena Ferrante

Elena Ferrante ( My Brilliant Friend ) has long established herself as an author to look out for. So much so that she was invited to give a public series of lectures on writing at the University of Bologna, but the pandemic put a halt to those plans. Instead, she compiled those lessons in this book.

While she's well-known for her fiction, and for being an anonymous author, this book of essays allows her to explore nonfiction writing and allows readers to get a closer glimpse into the mind of this mysterious writer. Elena's prose does not suffer in this different medium; if anything, it's as strong and beautiful as ever.

Get it from Bookshop or through your local bookstore via Indiebound . 

8. Reclaim The Stars: 17 Tales Across Realms & Space edited by Zoraida Córdova

Featuring both new and acclaimed voices in the Latin American writing space, this anthology explores the world of science fiction, magic, and fantasy through different lenses in the Latin American diaspora, divided into sections. From stories with magical space princesses (Anne-Marie McClemore's "Reign of Diamonds") to stories with plant-growing magic (Zoraida Cordova's "Tame the Wicked Night"), underneath all the supernatural forces are stories about love, death, grief, acceptance, family pressure, coming to terms with your sexuality, and much more. You're bound to find a new favorite story or author here.

Get it from Bookshop or through your local bookstore via Indiebound. You can also try the audiobook version through Libro.fm . 

9. Dear Damage: Essays by Ashley Marie Farmer

Ashley Farmer's collection of essays on grief are gripping from the start, as she sets the scene of a turning point in her grandparents' marriage. A bad fall paralyzes her grandmother unexpectedly, and trying to do what he thinks is right, her grandfather shoots and kills her shortly after in a "mercy killing." He tries to kill himself, too, but fails. And thus starts the collection of hybrid essays focused on Farmer's grandparents, interspersed with internet comments on the news story, audio transcripts, legal documents, and more, making for a truly unique and fascinating book.

Get it from Bookshop or through your local bookstore via Indiebound.

10. Shit Cassandra Saw by Gwen E. Kirby

Gwen E. Kirby's debut collection of short stories dares to ask: What if we just let women be their messiest selves? Through this lens, she imagines scenarios women (and men!) may have encountered since the Hellenic times up until today, playing with different structures including a "How To" essay and a scathing Yelp review that has a lot more bubbling under the surface. These hilarious stories use satire to examine real struggles and criticisms of the world and patriarchal standards. If you want to laugh and think, pick this one up. 

Get it from Bookshop or through your local bookstore via Indiebound. You can also try the audiobook version through Libro.fm. 

11. Up All Night: 13 Stories Between Sunset and Sunrise edited by Laura Silverman

This genre-blending anthology features contemporary stories, romance, horror, and even stories about superheroes, all from acclaimed YA authors such as Nina LaCour, Tiffany D. Jackson, Karen M. McManus, and more. What do these stories have in common? They take place in the wee hours of the night, where the magic happens. With disability rep, queer rep, Black rep, and Asian rep, this diverse collection of stories explores both exciting and painful firsts, like first loves and first heartbreaks, as well as stories about friendship breakups and friendship rekindlings, and poignant lessons in self-discovery. 

Get it from Bookshop or through your local bookstore via Indiebound . You can also try the audiobook version through Libro.fm. 

12. The Way Spring Arrives and Other Stories edited by Yu Chen and Regina Kanyu Wang

Told and translated by a team of female and nonbinary creators, The Way Spring Arrives  is a collection of short stories and nonfiction essays centered on underrepresented voices in Chinese science fiction and fantasy. The stories are often existential and sometimes dystopian, exploring deep and dark "what if's" in the real world and other universes, flush with vivid setting descriptions. Aside from the gorgeously translated stories, there are essays on the art of translation that will give you a new appreciation for the intricacies of translation, including some written by critically acclaimed author of The Poppy Wars  trilogy, R. F. Kuang.

Get it from Bookshop or through your local bookstore via Indiebound . You can also try the audiobook version through Libro.fm. 

13. That Way Madness Lies edited by Dahlia Adler

Whether or not you love Shakespeare, you're sure to love this collection of contemporary reimaginings of some of the Bard's most famous stories, as told by a diverse group of prominent YA authors. There are prom stories based off Twelfth Night (Mark Oshiro's "Shipwrecked"), road trip stories based off Sonnet 147 (Brittany Cavallaro's "His Invitation"), troubled sibling stories based off The Tempest (Austin Siegemund-Broka and Emily Wibberley's "Severe Weather Warning") and so much more, including some spectacular queer and genderfluid rep in quite a few stories, sure to make William himself proud. 

14. Seeking Fortune Elsewhere by Sindya Bhanoo

This debut collection of short stories from Sindya Bhanoo is a rich exploration of the South Indian immigrant experience, telling varying stories from different characters all detailing the hard and surprising parts of their journeys, reminding readers that these decisions are never easy to make. Raw, honest, and intimate, Bhanoo's gift for storytelling shines in these short stories that paint full pictures and connect with each other, though they take place in different countries. 

15. Fiona and Jane by Jean Chen Ho

In Fiona and Jane , author Jean Chen Ho takes advantage of the short story format to freely jump around different eras and shift perspectives while telling the stories of two Asian American best friends who find themselves on opposite sides of the country in their adulthood, recounting their personal and joint explorations of identity, love, sexuality, and ambition. Told in the way two real friends may be telling the same stories with varying perspectives to their kids or partners, the honesty and emotions in Fiona and Jane  sheds a beautiful light on the joy of female friendship and how it can shape a person, ground them, and help them see themselves for who they really are. 

16. Lesser Known Monsters of the 21st Century by Kim Fu

A collection of stories that are horrifying and fantastical, Lesser Known Monsters of the 21st Century is more than just stomach-churning imagery of bugs and other creatures. With unique perspectives, the stories explore the monsters hiding in plain sight — the effects of technology, the aftermath of grief, the pain of growing up, the trouble that is being a part of a family. As unsettling as the stories may be, they are often relatable, too, and at the very least, thought-provoking.

17. A Manual For Cleaning Women: Selected Stories by Lucia Berlin

I couldn't write a list of short stories without including this posthumous, must-read collection from the late Lucia Berlin. With a haunting and poignant voice, Berlin weaves tales about alcoholism, tainted love, motherhood, grief, and more, set across a number of settings across the United States. Painfully honest, every emotion explored by Berlin is palpable. An unforgettable collection of stories that belongs on everyone's bookshelf.  

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Narrative Writing: A Complete Guide for Teachers and Students

MASTERING THE CRAFT OF NARRATIVE WRITING

Narratives build on and encourage the development of the fundamentals of writing. They also require developing an additional skill set: the ability to tell a good yarn, and storytelling is as old as humanity.

We see and hear stories everywhere and daily, from having good gossip on the doorstep with a neighbor in the morning to the dramas that fill our screens in the evening.

Good narrative writing skills are hard-won by students even though it is an area of writing that most enjoy due to the creativity and freedom it offers.

Here we will explore some of the main elements of a good story: plot, setting, characters, conflict, climax, and resolution . And we will look too at how best we can help our students understand these elements, both in isolation and how they mesh together as a whole.

WHAT IS A NARRATIVE?

A narrative is a story that shares a sequence of events , characters, and themes. It expresses experiences, ideas, and perspectives that should aspire to engage and inspire an audience.

A narrative can spark emotion, encourage reflection, and convey meaning when done well.

Narratives are a popular genre for students and teachers as they allow the writer to share their imagination, creativity, skill, and understanding of nearly all elements of writing.  We occasionally refer to a narrative as ‘creative writing’ or story writing.

The purpose of a narrative is simple, to tell the audience a story.  It can be written to motivate, educate, or entertain and can be fact or fiction.

A COMPLETE UNIT ON TEACHING NARRATIVE WRITING

Teach your students to become skilled story writers with this HUGE   NARRATIVE & CREATIVE STORY WRITING UNIT . Offering a  COMPLETE SOLUTION  to teaching students how to craft  CREATIVE CHARACTERS, SUPERB SETTINGS, and PERFECT PLOTS .

Over 192 PAGES of materials, including:

TYPES OF NARRATIVE WRITING

There are many narrative writing genres and sub-genres such as these.

We have a complete guide to writing a personal narrative that differs from the traditional story-based narrative covered in this guide. It includes personal narrative writing prompts, resources, and examples and can be found here.

As we can see, narratives are an open-ended form of writing that allows you to showcase creativity in many directions. However, all narratives share a common set of features and structure known as “Story Elements”, which are briefly covered in this guide.

Don’t overlook the importance of understanding story elements and the value this adds to you as a writer who can dissect and create grand narratives. We also have an in-depth guide to understanding story elements here .

CHARACTERISTICS OF NARRATIVE WRITING

Narrative structure.

ORIENTATION (BEGINNING) Set the scene by introducing your characters, setting and time of the story. Establish your who, when and where in this part of your narrative

COMPLICATION AND EVENTS (MIDDLE) In this section activities and events involving your main characters are expanded upon. These events are written in a cohesive and fluent sequence.

RESOLUTION (ENDING) Your complication is resolved in this section. It does not have to be a happy outcome, however.

EXTRAS: Whilst orientation, complication and resolution are the agreed norms for a narrative, there are numerous examples of popular texts that did not explicitly follow this path exactly.

NARRATIVE FEATURES

LANGUAGE: Use descriptive and figurative language to paint images inside your audience’s minds as they read.

PERSPECTIVE Narratives can be written from any perspective but are most commonly written in first or third person.

DIALOGUE Narratives frequently switch from narrator to first-person dialogue. Always use speech marks when writing dialogue.

TENSE If you change tense, make it perfectly clear to your audience what is happening. Flashbacks might work well in your mind but make sure they translate to your audience.

THE PLOT MAP

This graphic is known as a plot map, and nearly all narratives fit this structure in one way or another, whether romance novels, science fiction or otherwise.

It is a simple tool that helps you understand and organise a story’s events. Think of it as a roadmap that outlines the journey of your characters and the events that unfold. It outlines the different stops along the way, such as the introduction, rising action, climax, falling action, and resolution, that help you to see how the story builds and develops.

Using a plot map, you can see how each event fits into the larger picture and how the different parts of the story work together to create meaning. It’s a great way to visualize and analyze a story.

Be sure to refer to a plot map when planning a story, as it has all the essential elements of a great story.

THE 5 KEY STORY ELEMENTS OF A GREAT NARRATIVE (6-MINUTE TUTORIAL VIDEO)

This video we created provides an excellent overview of these elements and demonstrates them in action in stories we all know and love.

HOW TO WRITE A NARRATIVE

Now that we understand the story elements and how they come together to form stories, it’s time to start planning and writing your narrative.

In many cases, the template and guide below will provide enough details on how to craft a great story. However, if you still need assistance with the fundamentals of writing, such as sentence structure, paragraphs and using correct grammar, we have some excellent guides on those here.

USE YOUR WRITING TIME EFFECTIVELY: Maximize your narrative writing sessions by spending approximately 20 per cent of your time planning and preparing.  This ensures greater productivity during your writing time and keeps you focused and on task.

Use tools such as graphic organizers to logically sequence your narrative if you are not a confident story writer.  If you are working with reluctant writers, try using narrative writing prompts to get their creative juices flowing.

Spend most of your writing hour on the task at hand, don’t get too side-tracked editing during this time and leave some time for editing. When editing a  narrative, examine it for these three elements.

• Spelling and grammar ( Is it readable?)
• Story structure and continuity ( Does it make sense, and does it flow? )
• Character and plot analysis. (Are your characters engaging? Does your problem/resolution work? )

1. SETTING THE SCENE: THE WHERE AND THE WHEN

The story’s setting often answers two of the central questions in the story, namely, the where and the when. The answers to these two crucial questions will often be informed by the type of story the student is writing.

The story’s setting can be chosen to quickly orient the reader to the type of story they are reading. For example, a fictional narrative writing piece such as a horror story will often begin with a description of a haunted house on a hill or an abandoned asylum in the middle of the woods. If we start our story on a rocket ship hurtling through the cosmos on its space voyage to the Alpha Centauri star system, we can be reasonably sure that the story we are embarking on is a work of science fiction.

Such conventions are well-worn clichés true, but they can be helpful starting points for our novice novelists to make a start.

Having students choose an appropriate setting for the type of story they wish to write is an excellent exercise for our younger students. It leads naturally onto the next stage of story writing, which is creating suitable characters to populate this fictional world they have created. However, older or more advanced students may wish to play with the expectations of appropriate settings for their story. They may wish to do this for comic effect or in the interest of creating a more original story. For example, opening a story with a children’s birthday party does not usually set up the expectation of a horror story. Indeed, it may even lure the reader into a happy reverie as they remember their own happy birthday parties. This leaves them more vulnerable to the surprise element of the shocking action that lies ahead.

Once the students have chosen a setting for their story, they need to start writing. Little can be more terrifying to English students than the blank page and its bare whiteness stretching before them on the table like a merciless desert they must cross. Give them the kick-start they need by offering support through word banks or writing prompts. If the class is all writing a story based on the same theme, you may wish to compile a common word bank on the whiteboard as a prewriting activity. Write the central theme or genre in the middle of the board. Have students suggest words or phrases related to the theme and list them on the board.

You may wish to provide students with a copy of various writing prompts to get them started. While this may mean that many students’ stories will have the same beginning, they will most likely arrive at dramatically different endings via dramatically different routes.

A bargain is at the centre of the relationship between the writer and the reader. That bargain is that the reader promises to suspend their disbelief as long as the writer creates a consistent and convincing fictional reality. Creating a believable world for the fictional characters to inhabit requires the student to draw on convincing details. The best way of doing this is through writing that appeals to the senses. Have your student reflect deeply on the world that they are creating. What does it look like? Sound like? What does the food taste like there? How does it feel like to walk those imaginary streets, and what aromas beguile the nose as the main character winds their way through that conjured market?

Also, Consider the when; or the time period. Is it a future world where things are cleaner and more antiseptic? Or is it an overcrowded 16th-century London with human waste stinking up the streets? If students can create a multi-sensory installation in the reader’s mind, then they have done this part of their job well.

Popular Settings from Children’s Literature and Storytelling

• Fairytale Kingdom
• Magical Forest
• Village/town
• Underwater world
• Space/Alien planet

2. CASTING THE CHARACTERS: THE WHO

Now that your student has created a believable world, it is time to populate it with believable characters.

In short stories, these worlds mustn’t be overpopulated beyond what the student’s skill level can manage. Short stories usually only require one main character and a few secondary ones. Think of the short story more as a small-scale dramatic production in an intimate local theater than a Hollywood blockbuster on a grand scale. Too many characters will only confuse and become unwieldy with a canvas this size. Keep it simple!

Creating believable characters is often one of the most challenging aspects of narrative writing for students. Fortunately, we can do a few things to help students here. Sometimes it is helpful for students to model their characters on actual people they know. This can make things a little less daunting and taxing on the imagination. However, whether or not this is the case, writing brief background bios or descriptions of characters’ physical personality characteristics can be a beneficial prewriting activity. Students should give some in-depth consideration to the details of who their character is: How do they walk? What do they look like? Do they have any distinguishing features? A crooked nose? A limp? Bad breath? Small details such as these bring life and, therefore, believability to characters. Students can even cut pictures from magazines to put a face to their character and allow their imaginations to fill in the rest of the details.

Younger students will often dictate to the reader the nature of their characters. To improve their writing craft, students must know when to switch from story-telling mode to story-showing mode. This is particularly true when it comes to character. Encourage students to reveal their character’s personality through what they do rather than merely by lecturing the reader on the faults and virtues of the character’s personality. It might be a small relayed detail in the way they walk that reveals a core characteristic. For example, a character who walks with their head hanging low and shoulders hunched while avoiding eye contact has been revealed to be timid without the word once being mentioned. This is a much more artistic and well-crafted way of doing things and is less irritating for the reader. A character who sits down at the family dinner table immediately snatches up his fork and starts stuffing roast potatoes into his mouth before anyone else has even managed to sit down has revealed a tendency towards greed or gluttony.

Understanding Character Traits

Again, there is room here for some fun and profitable prewriting activities. Give students a list of character traits and have them describe a character doing something that reveals that trait without ever employing the word itself.

It is also essential to avoid adjective stuffing here. When looking at students’ early drafts, adjective stuffing is often apparent. To train the student out of this habit, choose an adjective and have the student rewrite the sentence to express this adjective through action rather than telling.

When writing a story, it is vital to consider the character’s traits and how they will impact the story’s events. For example, a character with a strong trait of determination may be more likely to overcome obstacles and persevere. In contrast, a character with a tendency towards laziness may struggle to achieve their goals. In short, character traits add realism, depth, and meaning to a story, making it more engaging and memorable for the reader.

Popular Character Traits in Children’s Stories

• Determination
• Imagination
• Perseverance
• Responsibility

We have an in-depth guide to creating great characters here , but most students should be fine to move on to planning their conflict and resolution.

3. NO PROBLEM? NO STORY! HOW CONFLICT DRIVES A NARRATIVE

This is often the area apprentice writers have the most difficulty with. Students must understand that without a problem or conflict, there is no story. The problem is the driving force of the action. Usually, in a short story, the problem will center around what the primary character wants to happen or, indeed, wants not to happen. It is the hurdle that must be overcome. It is in the struggle to overcome this hurdle that events happen.

Often when a student understands the need for a problem in a story, their completed work will still not be successful. This is because, often in life, problems remain unsolved. Hurdles are not always successfully overcome. Students pick up on this.

We often discuss problems with friends that will never be satisfactorily resolved one way or the other, and we accept this as a part of life. This is not usually the case with writing a story. Whether a character successfully overcomes his or her problem or is decidedly crushed in the process of trying is not as important as the fact that it will finally be resolved one way or the other.

A good practical exercise for students to get to grips with this is to provide copies of stories and have them identify the central problem or conflict in each through discussion. Familiar fables or fairy tales such as Three Little Pigs, The Boy Who Cried Wolf, Cinderella, etc., are great for this.

While it is true that stories often have more than one problem or that the hero or heroine is unsuccessful in their first attempt to solve a central problem, for beginning students and intermediate students, it is best to focus on a single problem, especially given the scope of story writing at this level. Over time students will develop their abilities to handle more complex plots and write accordingly.

Popular Conflicts found in Children’s Storytelling.

• Good vs evil
• Individual vs society
• Nature vs nurture
• Self vs others
• Man vs self
• Man vs nature
• Man vs technology
• Individual vs fate
• Self vs destiny

Conflict is the heart and soul of any good story. It’s what makes a story compelling and drives the plot forward. Without conflict, there is no story. Every great story has a struggle or a problem that needs to be solved, and that’s where conflict comes in. Conflict is what makes a story exciting and keeps the reader engaged. It creates tension and suspense and makes the reader care about the outcome.

Like in real life, conflict in a story is an opportunity for a character’s growth and transformation. It’s a chance for them to learn and evolve, making a story great. So next time stories are written in the classroom, remember that conflict is an essential ingredient, and without it, your story will lack the energy, excitement, and meaning that makes it truly memorable.

4. THE NARRATIVE CLIMAX: HOW THINGS COME TO A HEAD!

The climax of the story is the dramatic high point of the action. It is also when the struggles kicked off by the problem come to a head. The climax will ultimately decide whether the story will have a happy or tragic ending. In the climax, two opposing forces duke things out until the bitter (or sweet!) end. One force ultimately emerges triumphant. As the action builds throughout the story, suspense increases as the reader wonders which of these forces will win out. The climax is the release of this suspense.

Much of the success of the climax depends on how well the other elements of the story have been achieved. If the student has created a well-drawn and believable character that the reader can identify with and feel for, then the climax will be more powerful.

The nature of the problem is also essential as it determines what’s at stake in the climax. The problem must matter dearly to the main character if it matters at all to the reader.

Have students engage in discussions about their favorite movies and books. Have them think about the storyline and decide the most exciting parts. What was at stake at these moments? What happened in your body as you read or watched? Did you breathe faster? Or grip the cushion hard? Did your heart rate increase, or did you start to sweat? This is what a good climax does and what our students should strive to do in their stories.

The climax puts it all on the line and rolls the dice. Let the chips fall where the writer may…

Popular Climax themes in Children’s Stories

• A battle between good and evil
• The character’s bravery saves the day
• Character faces their fears and overcomes them
• The character solves a mystery or puzzle.
• The character stands up for what is right.
• Character reaches their goal or dream.
• The character learns a valuable lesson.
• The character makes a selfless sacrifice.
• The character makes a difficult decision.
• The character reunites with loved ones or finds true friendship.

5. RESOLUTION: TYING UP LOOSE ENDS

After the climactic action, a few questions will often remain unresolved for the reader, even if all the conflict has been resolved. The resolution is where those lingering questions will be answered. The resolution in a short story may only be a brief paragraph or two. But, in most cases, it will still be necessary to include an ending immediately after the climax can feel too abrupt and leave the reader feeling unfulfilled.

An easy way to explain resolution to students struggling to grasp the concept is to point to the traditional resolution of fairy tales, the “And they all lived happily ever after” ending. This weather forecast for the future allows the reader to take their leave. Have the student consider the emotions they want to leave the reader with when crafting their resolution.

While the action is usually complete by the end of the climax, it is in the resolution that if there is a twist to be found, it will appear – think of movies such as The Usual Suspects. Pulling this off convincingly usually requires considerable skill from a student writer. Still, it may well form a challenging extension exercise for those more gifted storytellers among your students.

Popular Resolutions in Children’s Stories

• Our hero achieves their goal
• The character learns a valuable lesson
• A character finds happiness or inner peace.
• The character reunites with loved ones.
• Character restores balance to the world.
• The character discovers their true identity.
• Character changes for the better.
• The character gains wisdom or understanding.
• Character makes amends with others.
• The character learns to appreciate what they have.

Once students have completed their story, they can edit for grammar, vocabulary choice, spelling, etc., but not before!

As mentioned, there is a craft to storytelling, as well as an art. When accurate grammar, perfect spelling, and immaculate sentence structures are pushed at the outset, they can cause storytelling paralysis. For this reason, it is essential that when we encourage the students to write a story, we give them license to make mechanical mistakes in their use of language that they can work on and fix later.

Good narrative writing is a very complex skill to develop and will take the student years to become competent. It challenges not only the student’s technical abilities with language but also her creative faculties. Writing frames, word banks, mind maps, and visual prompts can all give valuable support as students develop the wide-ranging and challenging skills required to produce a successful narrative writing piece. But, at the end of it all, as with any craft, practice and more practice is at the heart of the matter.

TIPS FOR WRITING A GREAT NARRATIVE

• Start your story with a clear purpose: If you can determine the theme or message you want to convey in your narrative before starting it will make the writing process so much simpler.
• Choose a compelling storyline and sell it through great characters, setting and plot: Consider a unique or interesting story that captures the reader’s attention, then build the world and characters around it.
• Develop vivid characters that are not all the same: Make your characters relatable and memorable by giving them distinct personalities and traits you can draw upon in the plot.
• Use descriptive language to hook your audience into your story: Use sensory language to paint vivid images and sequences in the reader’s mind.
• Show, don’t tell your audience: Use actions, thoughts, and dialogue to reveal character motivations and emotions through storytelling.
• Create a vivid setting that is clear to your audience before getting too far into the plot: Describe the time and place of your story to immerse the reader fully.
• Build tension: Refer to the story map earlier in this article and use conflict, obstacles, and suspense to keep the audience engaged and invested in your narrative.
• Use figurative language such as metaphors, similes, and other literary devices to add depth and meaning to your narrative.
• Edit, revise, and refine: Take the time to refine and polish your writing for clarity and impact.
• Stay true to your voice: Maintain your unique perspective and style in your writing to make it your own.

NARRATIVE WRITING EXAMPLES (Student Writing Samples)

Below are a collection of student writing samples of narratives.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to read these creative stories in detail and the teacher and student guides which highlight some of the critical elements of narratives to consider before writing.

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of story writing.

We recommend reading the example either a year above or below, as well as the grade you are currently working with, to gain a broader appreciation of this text type.

NARRATIVE WRITING PROMPTS (Journal Prompts)

When students have a great journal prompt, it can help them focus on the task at hand, so be sure to view our vast collection of visual writing prompts for various text types here or use some of these.

• On a recent European trip, you find your travel group booked into the stunning and mysterious Castle Frankenfurter for a single night…  As night falls, the massive castle of over one hundred rooms seems to creak and groan as a series of unexplained events begin to make you wonder who or what else is spending the evening with you. Write a narrative that tells the story of your evening.
• You are a famous adventurer who has discovered new lands; keep a travel log over a period of time in which you encounter new and exciting adventures and challenges to overcome.  Ensure your travel journal tells a story and has a definite introduction, conflict and resolution.
• You create an incredible piece of technology that has the capacity to change the world.  As you sit back and marvel at your innovation and the endless possibilities ahead of you, it becomes apparent there are a few problems you didn’t really consider. You might not even be able to control them.  Write a narrative in which you ride the highs and lows of your world-changing creation with a clear introduction, conflict and resolution.
• As the final door shuts on the Megamall, you realise you have done it…  You and your best friend have managed to sneak into the largest shopping centre in town and have the entire place to yourselves until 7 am tomorrow.  There is literally everything and anything a child would dream of entertaining themselves for the next 12 hours.  What amazing adventures await you?  What might go wrong?  And how will you get out of there scot-free?
• A stranger walks into town…  Whilst appearing similar to almost all those around you, you get a sense that this person is from another time, space or dimension… Are they friends or foes?  What makes you sense something very strange is going on?   Suddenly they stand up and walk toward you with purpose extending their hand… It’s almost as if they were reading your mind.

NARRATIVE WRITING VIDEO TUTORIAL

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

When teaching narrative writing, it is essential that you have a range of tools, strategies and resources at your disposal to ensure you get the most out of your writing time.  You can find some examples below, which are free and paid premium resources you can use instantly without any preparation.

FREE Narrative Graphic Organizer

THE STORY TELLERS BUNDLE OF TEACHING RESOURCES

A MASSIVE COLLECTION of resources for narratives and story writing in the classroom covering all elements of crafting amazing stories. MONTHS WORTH OF WRITING LESSONS AND RESOURCES, including:

NARRATIVE WRITING CHECKLIST BUNDLE

⭐⭐⭐⭐⭐ (92 Reviews)

OTHER GREAT ARTICLES ABOUT NARRATIVE WRITING

Narrative Writing for Kids: Essential Skills and Strategies

7 Great Narrative Lesson Plans Students and Teachers Love

Top 7 Narrative Writing Exercises for Students

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• Citation Styles

How to write a narrative essay [Updated 2023]

A narrative essay is an opportunity to flex your creative muscles and craft a compelling story. In this blog post, we define what a narrative essay is and provide strategies and examples for writing one.

What is a narrative essay?

Similarly to a descriptive essay or a reflective essay, a narrative essay asks you to tell a story, rather than make an argument and present evidence. Most narrative essays describe a real, personal experience from your own life (for example, the story of your first big success).

Alternately, your narrative essay might focus on an imagined experience (for example, how your life would be if you had been born into different circumstances). While you don’t need to present a thesis statement or scholarly evidence, a narrative essay still needs to be well-structured and clearly organized so that the reader can follow your story.

When you might be asked to write a narrative essay

Although less popular than argumentative essays or expository essays, narrative essays are relatively common in high school and college writing classes.

The same techniques that you would use to write a college essay as part of a college or scholarship application are applicable to narrative essays, as well. In fact, the Common App that many students use to apply to multiple colleges asks you to submit a narrative essay.

How to choose a topic for a narrative essay

When you are asked to write a narrative essay, a topic may be assigned to you or you may be able to choose your own. With an assigned topic, the prompt will likely fall into one of two categories: specific or open-ended.

Examples of specific prompts:

• Write about the last vacation you took.
• Write about your final year of middle school.

Examples of open-ended prompts:

• Write about a time when you felt all hope was lost.
• Write about a brief, seemingly insignificant event that ended up having a big impact on your life.

A narrative essay tells a story and all good stories are centered on a conflict of some sort. Experiences with unexpected obstacles, twists, or turns make for much more compelling essays and reveal more about your character and views on life.

If you’re writing a narrative essay as part of an admissions application, remember that the people reviewing your essay will be looking at it to gain a sense of not just your writing ability, but who you are as a person.

In these cases, it’s wise to choose a topic and experience from your life that demonstrates the qualities that the prompt is looking for, such as resilience, perseverance, the ability to stay calm under pressure, etc.

It’s also important to remember that your choice of topic is just a starting point. Many students find that they arrive at new ideas and insights as they write their first draft, so the final form of your essay may have a different focus than the one you started with.

How to outline and format a narrative essay

Even though you’re not advancing an argument or proving a point of view, a narrative essay still needs to have a coherent structure. Your reader has to be able to follow you as you tell the story and to figure out the larger point that you’re making.

You’ll be evaluated on is your handling of the topic and how you structure your essay. Even though a narrative essay doesn’t use the same structure as other essay types, you should still sketch out a loose outline so you can tell your story in a clear and compelling way.

To outline a narrative essay, you’ll want to determine:

• how your story will start
• what points or specifics that you want to cover
• how your story will end
• what pace and tone you will use

In the vast majority of cases, a narrative essay should be written in the first-person, using “I.” Also, most narrative essays will follow typical formatting guidelines, so you should choose a readable font like Times New Roman in size 11 or 12. Double-space your paragraphs and use 1” margins.

To get your creative wheels turning, consider how your story compares to archetypes and famous historical and literary figures both past and present. Weave these comparisons into your essay to improve the quality of your writing and connect your personal experience to a larger context.

How to write a narrative essay

Writing a narrative essay can sometimes be a challenge for students who typically write argumentative essays or research papers in a formal, objective style. To give you a better sense of how you can write a narrative essay, here is a short example of an essay in response to the prompt, “Write about an experience that challenged your view of yourself.”

Narrative essay example

Even as a child, I always had what people might call a reserved personality. It was sometimes framed as a positive (“Sarah is a good listener”) and at other times it was put in less-than-admiring terms (“Sarah is withdrawn and not very talkative”). It was the latter kind of comments that caused me to see my introverted nature as a drawback and as something I should work to eliminate. That is, until I joined my high school’s student council.

The first paragraph, or introduction, sets up the context, establishing the situation and introducing the meaningful event upon which the essay will focus.

The other four students making up the council were very outspoken and enthusiastic. I enjoyed being around them, and I often agreed with their ideas. However, when it came to overhauling our school’s recycling plan, we butted heads. When I spoke up and offered a different point of view, one of my fellow student council members launched into a speech, advocating for her point of view. As her voice filled the room, I couldn’t get a word in edgewise. I wondered if I should try to match her tone, volume, and assertiveness as a way to be heard. But I just couldn’t do it—it’s not my way, and it never has been. For a fleeting moment, I felt defeated. But then, something in me shifted.

In this paragraph, the writer goes into greater depth about how her existing thinking brought her to this point.

I reminded myself that my view was valid and deserved to be heard. So I waited. I let my fellow council member speak her piece and when she was finished, I deliberately waited a few moments before calmly stating my case. I chose my words well, and I spoke them succinctly. Just because I’m not a big talker doesn’t mean I’m not a big thinker. I thought of the quotation “still waters run deep” and I tried to embody that. The effect on the room was palpable. People listened. And I hadn’t had to shout my point to be heard.

This paragraph demonstrates the turn in the story, the moment when everything changed. The use of the quotation “still waters run deep” imbues the story with a dash of poetry and emotion.

We eventually reached a compromise on the matter and concluded the student council meeting. Our council supervisor came to me afterward and said: “You handled that so well, with such grace and poise. I was very impressed.” Her words in that moment changed me. I realized that a bombastic nature isn't necessarily a powerful one. There is power in quiet, too. This experience taught me to view my reserved personality not as a character flaw, but as a strength.

The final paragraph, or conclusion, closes with a statement about the significance of this event and how it ended up changing the writer in a meaningful way.

Narrative essay writing tips

1. pick a meaningful story that has a conflict and a clear “moral.”.

If you’re able to choose your own topic, pick a story that has meaning and that reveals how you became the person your are today. In other words, write a narrative with a clear “moral” that you can connect with your main points.

2. Use an outline to arrange the structure of your story and organize your main points.

Although a narrative essay is different from argumentative essays, it’s still beneficial to construct an outline so that your story is well-structured and organized. Note how you want to start and end your story, and what points you want to make to tie everything together.

3. Be clear, concise, concrete, and correct in your writing.

You should use descriptive writing in your narrative essay, but don’t overdo it. Use clear, concise, and correct language and grammar throughout. Additionally, make concrete points that reinforce the main idea of your narrative.

4. Ask a friend or family member to proofread your essay.

No matter what kind of writing you’re doing, you should always plan to proofread and revise. To ensure that your narrative essay is coherent and interesting, ask a friend or family member to read over your paper. This is especially important if your essay is responding to a prompt. It helps to have another person check to make sure that you’ve fully responded to the prompt or question.

Frequently Asked Questions about narrative essays

A narrative essay, like any essay, has three main parts: an introduction, a body and a conclusion. Structuring and outlining your essay before you start writing will help you write a clear story that your readers can follow.

The first paragraph of your essay, or introduction, sets up the context, establishing the situation and introducing the meaningful event upon which the essay will focus.

In the vast majority of cases, a narrative essay should be written in the first-person, using “I.”

The 4 main types of essays are the argumentative essay, narrative essay, exploratory essay, and expository essay. You may be asked to write different types of essays at different points in your education.

Most narrative essays will be around five paragraphs, or more, depending on the topic and requirements. Make sure to check in with your instructor about the guidelines for your essay. If you’re writing a narrative essay for a college application, pay close attention to word or page count requirements.

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25 Great Nonfiction Essays You Can Read Online for Free

Alison Doherty

Alison Doherty is a writing teacher and part time assistant professor living in Brooklyn, New York. She has an MFA from The New School in writing for children and teenagers. She loves writing about books on the Internet, listening to audiobooks on the subway, and reading anything with a twisty plot or a happily ever after.

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I love reading books of nonfiction essays and memoirs , but sometimes have a hard time committing to a whole book. This is especially true if I don’t know the author. But reading nonfiction essays online is a quick way to learn which authors you like. Also, reading nonfiction essays can help you learn more about different topics and experiences.

Besides essays on Book Riot,  I love looking for essays on The New Yorker , The Atlantic , The Rumpus , and Electric Literature . But there are great nonfiction essays available for free all over the Internet. From contemporary to classic writers and personal essays to researched ones—here are 25 of my favorite nonfiction essays you can read today.

“Beware of Feminist Lite” by  Chimamanda Ngozi Adichie

The author of We Should All Be Feminists  writes a short essay explaining the danger of believing men and woman are equal only under certain conditions.

“It’s Silly to Be Frightened of Being Dead” by Diana Athill

A 96-year-old woman discusses her shifting attitude towards death from her childhood in the 1920s when death was a taboo subject, to World War 2 until the present day.

“Letter from a Region in my Mind” by James Baldwin

There are many moving and important essays by James Baldwin . This one uses the lens of religion to explore the Black American experience and sexuality. Baldwin describes his move from being a teenage preacher to not believing in god. Then he recounts his meeting with the prominent Nation of Islam member Elijah Muhammad.

“Relations” by Eula Biss

Biss uses the story of a white woman giving birth to a Black baby that was mistakenly implanted during a fertility treatment to explore racial identities and segregation in society as a whole and in her own interracial family.

“Friday Night Lights” by Buzz Bissinger

A comprehensive deep dive into the world of high school football in a small West Texas town.

“The Case for Reparations” by Ta-Nehisi Coates

Coates examines the lingering and continuing affects of slavery on  American society and makes a compelling case for the descendants of slaves being offered reparations from the government.

“Why I Write” by Joan Didion

This is one of the most iconic nonfiction essays about writing. Didion describes the reasons she became a writer, her process, and her journey to doing what she loves professionally.

“Go Gentle Into That Good Night” by Roger Ebert

With knowledge of his own death, the famous film critic ponders questions of mortality while also giving readers a pep talk for how to embrace life fully.

“My Mother’s Tongue” by Zavi Kang Engles

In this personal essay, Engles celebrates the close relationship she had with her mother and laments losing her Korean fluency.

“My Life as an Heiress” by Nora Ephron

As she’s writing an important script, Ephron imagines her life as a newly wealthy woman when she finds out an uncle left her an inheritance. But she doesn’t know exactly what that inheritance is.

“My FatheR Spent 30 Years in Prison. Now He’s Out.” by Ashley C. Ford

Ford describes the experience of getting to know her father after he’s been in prison for almost all of her life. Bridging the distance in their knowledge of technology becomes a significant—and at times humorous—step in rebuilding their relationship.

“Bad Feminist” by Roxane Gay

There’s a reason Gay named her bestselling essay collection after this story. It’s a witty, sharp, and relatable look at what it means to call yourself a feminist.

“The Empathy Exams” by Leslie Jamison

Jamison discusses her job as a medical actor helping to train medical students to improve their empathy and uses this frame to tell the story of one winter in college when she had an abortion and heart surgery.

“What I Learned from a Fitting Room Disaster About Clothes and Life” by Scaachi Koul

One woman describes her history with difficult fitting room experiences culminating in one catastrophe that will change the way she hopes to identify herself through clothes.

“Breasts: the Odd Couple” by Una LaMarche

LaMarche examines her changing feelings about her own differently sized breasts.

“How I Broke, and Botched, the Brandon Teena Story” by Donna Minkowitz

A journalist looks back at her own biased reporting on a news story about the sexual assault and murder of a trans man in 1993. Minkowitz examines how ideas of gender and sexuality have changed since she reported the story, along with how her own lesbian identity influenced her opinions about the crime.

“Politics and the English Language” by George Orwell

In this famous essay, Orwell bemoans how politics have corrupted the English language by making it more vague, confusing, and boring.

“Letting Go” by David Sedaris

The famously funny personal essay author , writes about a distinctly unfunny topic of tobacco addiction and his own journey as a smoker. It is (predictably) hilarious.

“Joy” by Zadie Smith

Smith explores the difference between pleasure and joy by closely examining moments of both, including eating a delicious egg sandwich, taking drugs at a concert, and falling in love.

“Mother Tongue” by Amy Tan

Tan tells the story of how her mother’s way of speaking English as an immigrant from China changed the way people viewed her intelligence.

“Consider the Lobster” by David Foster Wallace

The prolific nonfiction essay and fiction writer  travels to the Maine Lobster Festival to write a piece for Gourmet Magazine. With his signature footnotes, Wallace turns this experience into a deep exploration on what constitutes consciousness.

“I Am Not Pocahontas” by Elissa Washuta

Washuta looks at her own contemporary Native American identity through the lens of stereotypical depictions from 1990s films.

“Once More to the Lake” by E.B. White

E.B. White didn’t just write books like Charlotte’s Web and The Elements of Style . He also was a brilliant essayist. This nature essay explores the theme of fatherhood against the backdrop of a lake within the forests of Maine.

“Pell-Mell” by Tom Wolfe

The inventor of “new journalism” writes about the creation of an American idea by telling the story of Thomas Jefferson snubbing a European Ambassador.

“The Death of the Moth” by Virginia Woolf

In this nonfiction essay, Wolf describes a moth dying on her window pane. She uses the story as a way to ruminate on the lager theme of the meaning of life and death.

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25 How do I Write a Narrative Essay?

What is a narrative essay.

When writing a narrative essay, one might think of it as telling a story. These essays are often anecdotal, experiential, and personal—allowing students to express themselves in creative and, quite often, moving ways.

Here are some guidelines for writing a narrative essay.

• If written as a story, the essay should include all the parts of a story.

This means that you must include an introduction, plot, characters, setting, climax, and conclusion.

• When would a narrative essay not be written as a story?

A good example of this is when an instructor asks a student to write a book report. Obviously, this would not necessarily follow the pattern of a story and would focus on providing an informative narrative for the reader.

• The essay should have a purpose.

Make a point! Think of this as the thesis of your story. If there is no point to what you are narrating, why narrate it at all?

• The essay should be written from a clear point of view.

It is quite common for narrative essays to be written from the standpoint of the author; however, this is not the sole perspective to be considered. Creativity in narrative essays oftentimes manifests itself in the form of an authorial perspective.

• Use clear and concise language throughout the essay.

Much like the descriptive essay, narrative essays are effective when the language is carefully, particularly, and artfully chosen. Use specific language to evoke specific emotions and senses in the reader.

• The use of the first person pronoun ‘I’ is welcomed.

Do not abuse this guideline! Though it is welcomed it is not necessary—nor should it be overused for lack of clearer diction.

• As always, be organized!

Have a clear introduction that sets the tone for the remainder of the essay. Do not leave the reader guessing about the purpose of your narrative. Remember, you are in control of the essay, so guide it where you desire (just make sure your audience can follow your lead).

College Reading & Writing: A Handbook for ENGL- 090/095 Students Copyright © by Yvonne Kane; Krista O'Brien; and Angela Wood. All Rights Reserved.

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Narrative Essay Topics: TOP 200 Choices for Students

Imagine yourself facing a blank page, ready to fill it with your memories and imagination. What story will you tell today?

As students, you often have to write narratives that capture people's attention. But with so many stories to choose from, where do you start? How do you find the perfect topic that will grab our readers' interest and make them think?

Join our essay service experts as we explore 200 topics for college where stories are waiting to be told, and experiences are ready to be shared. From everyday events to unforgettable moments, each topic is a chance to connect with your readers and make them feel something.

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Ideas for Narrative Essay Topics

After exploring how students write narrative paragraphs, we've put together a list of narrative essay topics designed specifically for college and school students. This list covers a wide range of subjects, so pick one that speaks to you! If you want to see how to develop a topic into a written essay, check out our narrative essay example . 

Literacy Narrative Essay Topics for College Students

How about delving into captivating literacy narrative essay topics designed specifically for college-level writing? Exciting, isn't it?

• How did a childhood book shape your view of the world?
• What challenges did you face when learning to read in a second language?
• How has storytelling within your family influenced your literacy journey?
• Can you recall a pivotal moment that ignited your love for reading?
• How did a specific teacher inspire your passion for literature?
• Have you ever encountered a character in a book who profoundly impacted your perspective on life?
• What role did writing play in helping you navigate a difficult period in your life?
• How has your relationship with technology affected your reading habits?
• What cultural or historical event sparked your interest in a particular genre of literature?
• How has poetry shaped your understanding of language and emotion?
• Have you ever experienced a breakthrough moment in your writing process?
• How has reading aloud impacted your comprehension and enjoyment of literature?
• Can you recall a time when a book challenged your beliefs or worldview?
• How has participating in a book club enriched your reading experience?
• What strategies have you developed to overcome reading difficulties or distractions?

Personal Narrative Essay Topics on Relationships

Take a moment to reflect on your past experiences and craft compelling personal narratives with these essay ideas.

• How did a specific friendship shape who you are today?
• Can you recount a moment that strengthened your bond with a family member?
• What challenges have you faced in maintaining a long-distance relationship?
• How has a mentor influenced your personal and professional development?
• Have you experienced a betrayal in a relationship? How did it impact you?
• Can you describe a memorable conflict resolution process within a relationship?
• How has your relationship with a pet affected your emotional well-being?
• What lessons have you learned from navigating a romantic relationship?
• How has your relationship with a sibling evolved over time?
• Can you recall a time when you had to set boundaries in a friendship?
• How has volunteering or community involvement enriched your relationships?
• What cultural differences have influenced your relationships with others?
• Can you share a moment when you felt truly understood by someone?
• How has technology affected the dynamics of your relationships?
• Have you ever experienced a reconciliation that transformed a strained relationship?

Best Narrative Essay Topics on Education and Learning

Consider the beauty of sharing your personal experiences and emotions in a captivating manner through these ideas for personal narrative essays.

• What was the most valuable lesson you learned outside of the classroom?
• Can you recount a moment when a teacher's unconventional method transformed your understanding of a subject?
• How has a field trip or experiential learning opportunity impacted your education?
• What challenges have you faced in balancing extracurricular activities with academics?
• Have you ever had a "Eureka!" moment while studying? Describe it.
• How has learning a new skill outside of school influenced your academic performance?
• Can you recall a time when a peer's perspective challenged your own understanding of a topic?
• How has technology enhanced or hindered your learning experience?
• What role does creativity play in your approach to learning?
• Have you ever experienced a setback that ultimately propelled you forward academically?
• How has your cultural background influenced your learning style?
• Can you describe a time when you had to advocate for yourself within an educational setting?
• How has mentorship shaped your educational journey?
• What strategies have you employed to overcome academic challenges or obstacles?
• Can you reflect on a time when failure taught you a valuable lesson about learning?

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Personal Narrative Essay Ideas on Reflection on Life

Why not ignite your creativity with a range of narrative essay topics, from extraordinary moments to everyday experiences?

• How has a moment of failure ultimately led to personal growth and resilience?
• Can you recount a pivotal decision that significantly altered the course of your life?
• What lessons have you learned from navigating a crossroads or major life transition?
• How has your perspective on success evolved over time?
• Can you reflect on a time when you had to confront and overcome a deeply held fear?
• What role has gratitude played in shaping your outlook on life?
• How have your values and beliefs been influenced by significant life experiences?
• Can you describe a moment when you found clarity and purpose amidst chaos or uncertainty?
• What impact has traveling to a new place had on your understanding of the world and yourself?
• How has adversity strengthened your character and determination?
• Can you recall a time when a random act of kindness profoundly impacted your life?
• What lessons have you learned from embracing vulnerability and authenticity in relationships?
• How has practicing mindfulness or self-reflection enhanced your well-being and happiness?
• Can you reflect on a period of personal transformation or self-discovery?
• How have you found meaning and fulfillment in pursuing your passions and interests?

Ideas for a Narrative Essay on Culture and Society

Engaging your readers with narrative essays on culture and society is a great way to spark interest, offering captivating ideas for exploration.

• How has your family's unique culinary heritage influenced your cultural identity?
• Can you reflect on a specific cultural artifact or heirloom that holds deep significance for your family?
• What challenges have you faced in preserving traditional customs while adapting to modern societal expectations?
• How has a local festival or celebration revealed the intricacies of your community's cultural tapestry?
• Can you recount a moment when you navigated a cultural clash between your upbringing and the dominant culture?
• How has your experience as a first-generation immigrant shaped your understanding of cultural assimilation?
• What lessons have you learned from participating in intercultural exchange programs or initiatives?
• Can you describe a unique cultural practice or tradition within your community that outsiders might find intriguing or misunderstood?
• How has the revitalization of indigenous languages contributed to the preservation of cultural heritage in your region?
• Can you reflect on a personal journey of reconnecting with your cultural roots after a period of assimilation or disconnection?
• What role does storytelling play in passing down cultural wisdom and values within your family or community?
• How has the portrayal of your culture in mainstream media affected your sense of belonging and self-perception?
• Can you recount a moment when you challenged cultural stereotypes through creative expression or advocacy?
• How has the migration of a specific cultural group enriched the social fabric and economic landscape of your community?
• What initiatives or grassroots movements are currently underway to promote cross-cultural understanding and cooperation in your society?

Since you're working on essays, we think it's suitable to suggest you learn more about the case study format , which is another common college assignment.

Narrative Writing Topics on Hobbies and Interests

Wow your readers by turning your passions and hobbies into compelling narrative essay topics that will get them thinking.

• How has your passion for urban gardening transformed neglected spaces in your community?
• Can you recount a thrilling adventure from your hobby of urban exploration?
• What lessons have you learned from restoring vintage motorcycles in your spare time?
• How has your fascination with birdwatching deepened your connection to nature and conservation efforts?
• Can you describe a memorable moment from your hobby of foraging wild edibles in the wilderness?
• What unique skills have you developed through your hobby of beekeeping, and how have they impacted your daily life?
• How has your interest in historical reenactment brought the past to life in unexpected ways?
• Can you reflect on a transformative experience from your hobby of landscape photography?
• What insights have you gained from practicing the art of bonsai cultivation and nurturing miniature ecosystems?
• How has your passion for stargazing inspired awe and wonder in the vastness of the universe?
• Can you recount a challenging project from your hobby of woodworking and the satisfaction it brought upon completion?
• What cultural connections have you discovered through your hobby of traditional folk dancing?
• How has your interest in sustainable fashion influenced your consumer habits and environmental awareness?
• Can you describe a moment of serenity and mindfulness experienced while practicing the art of tea ceremony?
• How has your hobby of letterpress printing preserved the tactile beauty of handmade craftsmanship in a digital age?

Narrative Essay Titles on Life-Changing Moments

Life is full of unexpected twists that can lead to life-changing moments. Take a look at these narrative essay titles for stories that have had a lasting impact on your life.

• How did surviving a natural disaster reshape your perspective on life?
• Can you recall a single conversation that drastically altered the course of your life?
• What was the pivotal moment that inspired you to pursue your dreams against all odds?
• How did a chance encounter lead to a life-changing friendship or partnership?
• Can you reflect on the decision that transformed your career trajectory?
• What profound lesson did you learn from facing a life-threatening illness or injury?
• How did traveling to a new country open your eyes to new possibilities and opportunities?
• Can you recount the moment when you discovered your true passion or calling in life?
• What was the turning point that allowed you to break free from a toxic relationship or environment?
• How did experiencing failure or rejection ultimately lead to personal growth and resilience?
• Can you describe the moment when you found the strength to overcome a deep-seated fear or insecurity?
• What life-changing realization did you have while experiencing a period of solitude or introspection?
• How did a profound act of kindness from a stranger restore your faith in humanity?
• Can you reflect on the moment when you forgave someone who had deeply hurt you, and how it changed your perspective on forgiveness?
• What pivotal decision did you make that allowed you to reclaim control over your own happiness and destiny?

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Good Narrative Topics on Travel and Adventure

Consider creating intriguing titles for your narrative essay ideas by exploring thrilling travel adventures.

• Can you recount a memorable encounter with wildlife during your solo hiking adventure?
• How did a spontaneous decision to explore an unfamiliar city lead to unexpected discoveries?
• What lessons did you learn from navigating a foreign country with only a map and your instincts?
• Can you describe the exhilaration of conquering a challenging mountain peak for the first time?
• How did immersing yourself in a local culture during your travels broaden your perspective on the world?
• What unexpected obstacles did you encounter while embarking on a backpacking journey through rugged terrain?
• Can you reflect on the transformative experience of volunteering abroad in a community-driven project?
• How did getting lost in a labyrinthine city alleyway lead to serendipitous encounters and newfound friendships?
• What was the most memorable meal you had while sampling street food in a bustling market abroad?
• Can you recount the adrenaline rush of participating in an extreme sports activity in a foreign land?
• How did witnessing a breathtaking natural phenomenon during your travels leave a lasting impression on you?
• What cultural traditions or rituals did you participate in during a homestay experience with a local family?
• Can you describe the sense of wonder and awe you felt while exploring ancient ruins or historical sites?
• How did navigating a language barrier challenge and ultimately enrich your travel experience?
• What valuable life lessons did you learn from the mishaps and misadventures encountered during your journey off the beaten path?

Narrative Essay Topic Ideas on Career and Work Experience

College students can uncover captivating narrative essay ideas by exploring potential career paths or reminiscing about past job experiences.

• How did a challenging project at work showcase your problem-solving skills and resilience?
• Can you reflect on a pivotal mentorship experience that guided your career trajectory?
• What valuable lessons did you learn from a career setback or failure, and how did it shape your future success?
• How did a workplace conflict lead to personal growth and improved communication skills?
• Can you recount a moment when taking a professional risk paid off in unexpected ways?
• What insights did you gain from transitioning to a new industry or career path?
• How did participating in a cross-functional team project enhance your collaboration and leadership abilities?
• Can you describe the satisfaction of achieving a long-term career goal after years of hard work and perseverance?
• What impact did a meaningful recognition or award have on your motivation and sense of accomplishment?
• How did volunteering or pro bono work contribute to your professional development and sense of purpose?
• Can you reflect on the decision to leave a stable job in pursuit of passion or fulfillment?
• What strategies did you employ to navigate a toxic work environment and maintain your well-being?
• How did a career setback lead to unexpected opportunities for personal and professional growth?
• Can you describe a moment when mentorship or sponsorship played a crucial role in advancing your career?
• What lessons did you learn from a challenging client or customer interaction, and how did it shape your approach to customer service and relationship-building?

Interesting Narrative Essay Topics about Challenges and Obstacles

If you're not sure what to write about for your narrative essay, think back to the tough times you've had and how you managed to get through them.

• How did you conquer a once-paralyzing fear to chase your dreams?
• What new strengths did you discover while adapting to a physical challenge?
• Can you recall a creative solution you used during a tough financial period?
• When did you bravely stand against injustice, despite opposition?
• How did overcoming a language barrier broaden your horizons?
• What key lessons did you learn from a major setback in your life?
• How did you manage overwhelming stress and responsibilities?
• What inner reserves of resilience did you draw upon after personal loss?
• Describe a time when you defied societal norms to pursue your goals.
• Reflect on a moment when failure fueled your determination for success.
• When did you find the courage to leave your comfort zone behind?
• How did community support bolster you through a challenging time?
• Share a time when self-doubt led to newfound confidence.
• Can you recount a tragedy that spurred your personal growth?
• What insights did overcoming a monumental obstacle reveal about life?

Best Narrative Essay Topics: How to Choose the One That Resonates 

A narrative essay is a type of writing that tells a personal story, including characters, plot, setting, and the order of events. Its main goal is to connect with readers emotionally and share a specific message or insight through the retelling of a meaningful experience.

Students write narrative essays as part of their studies for several reasons. Firstly, it allows them to express themselves creatively by sharing their unique experiences, thoughts, and feelings. Secondly, it helps them develop important writing skills like organizing ideas and thoughts effectively.

Choosing good narrative essay ideas involves looking at personal experiences, interests, and the potential for engaging storytelling. Here's a simple guide to help you pick the right topic:

• Think about significant moments in your life that had a lasting impact, such as personal growth or overcoming challenges.
• Choose topics related to your hobbies, interests, or areas of expertise to make your story more engaging.
• Consider what your audience would be interested in and choose topics that resonate with them.
• Focus on a specific event or detail to make your narrative more focused and impactful.
• Look for universal themes like love or personal transformation that connect with readers on a deeper level.
• Brainstorm ideas and write freely to uncover compelling topics.
• Decide on storytelling techniques like flashbacks or foreshadowing and choose a topic that fits.
• Get feedback from friends, peers, or instructors to see if your topics are interesting and impactful.
• Choose topics that evoke strong emotions for a more compelling narrative.
• Select a topic that you personally connect with to make your story authentic.

Once you've chosen a topic, brainstorm ideas and create an outline for your essay. Follow your professor's instructions carefully and consider seeking help from our narrative essay writing service if needed.

Bring your stories to life with EssayPro. Select from a vast array of narrative essay topics and let our professionals help you weave your tales into captivating essays. Whether it's adventure, reflection, or imagination, we're here to assist.

Final Remarks

As we wrap up, our list of 200 narrative essay topics is here to fuel your creativity for your next writing project! Whether you're sharing a memorable event, reliving a childhood memory, or expressing a profound insight, crafting a narrative essay can be an uplifting experience that resonates deeply with readers.

And if you're gearing up for college admissions, why not check out our admission essay writing service ? We've already assisted countless students in securing their spots at their dream colleges, and we'd love to help you, too!

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The Best Mentor Texts For Teaching Personal Narratives

Are you looking for picture book ideas for your next writing unit? Perhaps you’re about to teach personal narrative writing to your students and you’re in dire need of ideas and recommendations for story books. Don’t worry, I’ve got you covered with the best mentor texts for teaching personal narratives!

Why use personal narrative mentor texts?

First up, let’s just acknowledge the importance of using mentor texts when teaching writing. The simple truth is that WE know what we expect our students to do, but our students have no idea! Students need to be exposed to examples of the writing genre that we teach.

Mentor texts aren’t just great for exposing students to the genre, they are also powerful for explicitly teaching the structure and features. For example, we can show examples of characterization, setting, problems and solutions. We can show an author’s use of dialogue or transition words. Overall, mentor texts can be really powerful.

Let’s dive in to my recommendations! FYI, if you’re looking for a personal narrative wriitng unit, check out my second grade unit here or my third grade unit here.

Here’s some pictures of my 2nd grade personal narrative s writing unit.

Here’s some pictures of my 3rd grade personal narratives writing unit!

Let’s take a look at the best mentor texts for teaching personal narratives. Please note that this blog post features Amazon affiliate links (if you purchase, I make a small commission, at no cost to you).

‘Saturday’ by Oge Mora

In this heartfelt story, a mother and daughter look forward to their special Saturday routine together every single week. But this Saturday, one thing after another goes wrong – ruining story time, salon time, picnic time and the puppet show they’d been looking forward to going to all week. Mom is nearing a meltdown…until her loving daughter reminds her that being together is the most important thing of all.

Teaching idea – A weekend recount pairs well with this storybook. Ask your students to write a personal narrative about what they did last Saturday.

You can check out the storybook here .

‘Ralph Tells A Story’ By Abby Hanlon

Nothing ever happens to Ralph. So every day when it’s time to write stories, Ralph thinks really hard. He stares at his paper. He stares at the ceiling. But he has no stories! With the help of his classmates, Ralph realizes that a great story can be about something very little . . . and that maybe he really does have some stories to tell.

Teaching idea – If you are tired of your students wailing, ‘I don’t know what to write about!”, this story book is what you need. It’s great for when your students are stuck for writing ideas. It can accompany your lesson about brainstorming narrative ideas.

You can check out the story book here .

‘A Moment In Time’ By Jennifer Butenas

A fun loving story in rhythm and rhyme about a family of four and their moment in time. It’s a balmy, summer Cape Cod day and this visiting family is savoring every moment. Experience the delight, the joy and exhilaration a mindful moment can bring!

Teaching idea – This picture book is ideal for teaching about small moments. Ask your students to share and write about small moments from their lives.

You can check out the picture book here .

‘Roller Coaster’ By Marla Frazee

This exhilarating amusement park visit begins with a line of prospective riders, eagerly awaiting their turn . . . with at least one person who has never done this before. Zooming, swerving, dipping, and diving, this delightful story featuring a breathtaking ride and a hilarious range of reactions, will help readers lose their roller coaster anxiety.

Teaching idea – This is the perfect mentor text for teaching small moments. Encourage your students to pick a small moment and really zoom in on the details, just like in the book!

You can check out the mentor text here .

‘The Snowy Day’ By Ezra Jack Keats

No book has captured the magic and sense of possibility of the first snowfall better than The Snowy Day. Universal in its appeal, the story has become a favorite of millions, as it reveals a child’s wonder at a new world, and the hope of capturing and keeping that wonder forever.

Teaching idea – This storybook pairs well with a lesson about positive memorable moments. Get your students to brainstorm happy small moments and share the details.

Psst! If you’re a 3rd grade teacher, I’ve got something extra special for you! Click here to grab a FREE lesson plan, graphic organizer, and poster that goes well with this book.

‘Knuffle Bunny’ By Mo Willems

Trixie, Daddy, and Knuffle Bunny take a trip to the neighborhood Laundromat. But the exciting adventure takes a dramatic turn when Trixie realizes somebunny was left behind…Using a combination of muted black-and-white photographs and expressive illustrations, this stunning book tells a brilliantly true-to-life tale about what happens when Daddy’s in charge and things go terribly, hilariously wrong.

Teaching idea – This story book pairs well with a lesson about negative memorable moments. Get your students to brainstorm sad or angry small moments and share the details.

‘Stella Tells Her Story’ By Janiel M. Wagstaff

Stella and her classmates were excitedly sharing stories before class, prompting Ms. Merkley to teach a lesson on how to write narratives, or stories. Ms. M tells explains that they have to choose a topic first, then organize their stories by telling what happened first, next, and last. Students will learn along with Stella as she goes through the writing process of brainstorming, planning, drafting, publishing, and finally sharing her story.

This is definitely one of the best mentor texts for teaching personal narratives!

Teaching idea – This picture book is great for teaching the structure of a narrative. You can introduce your students to the idea of writing a beginning, middle, and end.

‘Jabari Jumps’ By Gaia Cornwall

Jabari is definitely ready to jump off the diving board. He’s finished his swimming lessons and passed his swim test, and he’s a great jumper, so he’s not scared at all. “Looks easy,” says Jabari, watching the other kids take their turns. But when his dad squeezes his hand, Jabari squeezes back. In a sweetly appealing tale of overcoming your fears, newcomer Gaia Cornwall captures a moment between a patient and encouraging father and a determined little boy you can’t help but root for.

Teaching idea – This mentor text is about father and son, which is a great way to introduce characterization to your students.

‘Owl Moon’ By Jane Yolen

Late one winter night a little girl and her father go owling. The trees stand still as statues and the world is silent as a dream. Whoo-whoo-whoo, the father calls to the mysterious nighttime bird. Distinguished author Jane Yolen has created a gentle, poetic story that lovingly depicts the special companionship of a young child and her father as well as humankind’s close relationship to the natural world. 

Teaching idea – This storybook is a great accompaniment to a personal narrative lesson. It’s ideal for teaching students about setting and they can discuss the setting in the book.

‘Come On, Rain’ By Karen Hesse

Come on, rain! Tess pleads to the sky as listless vines and parched plants droop in the endless heat. Up and down the block, cats pant while heat wavers off tar patches in the broiling alleyway. More than anything, Tess hopes for rain. And when it comes, she and her friends are ready for a surprising joyous celebration.

Teaching idea – This story book is ideal as a lesson warm up when you are teaching about problems in a personal narrative. Ask your students about a time where they have had a problem, like getting hurt or losing something.

‘Fireflies’ By Julie Brinckloe

A young boy is proud of having caught a jar full of fireflies, which seems to him like owning a piece of moonlight, but as the light begins to dim he realizes he must set the insects free or they will die.

Teaching idea – This picture book is perfect for introducing the idea of solutions in a personal narrative. You can ask students to write about solutions to problems they’ve faced.

‘Nothing Ever Happens On 90th Street’ By Roni Schotter

Eva, a would-be writer, sits on her New York City stoop with her notebook, waiting for something to happen. She has been given a homework assignment to record goings-on in her Manhattan neighborhood. A hilarious sequence of happenings ensues and Eva learns that you can find inspiration for writing anywhere if you observe carefully enough.

Teaching idea – This mentor text pairs well with a brainstorming lesson. When your students are planning what to write about for their personal narrative, this book will be a great warm-up.

‘The Best Story’ By Eileen Spinelli

The library is having a contest for the best story, and the quirky narrator of this story just has to win that rollercoaster ride with her favourite author! But what makes a story the best?

Her brother Tim says the best stories have lots of action. Her father thinks the best stories are the funniest. And Aunt Jane tells her the best stories have to make people cry. A story that does all these things doesn’t seem quite right, though, and the one thing the whole family can agree on is that the best story has to be your own.

Teaching idea – As your students are planning their personal narratives, read them this storybook as a lesson warm-up. It opens up the discussion about what a ‘good’ story is.

‘Kate And Nate Are Running Late’ By Kate Egan

Being on time is an art–an art most of families have yet to master. From spilling coffee to misplacing keys, we’ve all dealt with the many things that can derail our morning routines. This humorous depiction of chaotic mornings is oh, so true. Kate and her two children, Nate, and his older sister, Maddie, have all overslept. How will they EVER make it to school and work on time dressed, fed, and organized?

Teaching idea – This story book pairs well with a lesson about endings/solutions/conclusions. Ask students what happened at the end of the story.

I hope you’ve enjoyed reading about the best mentor texts for teaching personal narratives!

If you’re a 2nd or 3rd grade teacher, be sure to check out my personal narrative writing units!

Click here to check out the 2nd grade unit.

Click here to check out the 3rd grade unit!

P.S. Click here to grab free activities from my free resource library!

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20 Essential Books by Indigenous Authors

By sarah neilson | may 15, 2024, 1:55 pm edt.

Though the United States only recognizes Native American Heritage Month in November,  Indigenous peoples of Turtle Island/North America are here, writing and resisting, all year round. To celebrate this fact and spotlight some of the many Indigenous writers creating crucial work, here is a list of 20-plus essential Indigenous-authored books of contemporary and modern classic literature .

Split Tooth  // Tanya Tagaq

Braiding sweetgrass: indigenous wisdom, scientific knowledge, and the teachings of plants  // robin wall kimmerer, the heartbeat of wounded knee: native america from 1890 to the present  // david treuer, our history is the future: standing rock versus the dakota access pipeline, and the long tradition of indigenous resistance  // nick estes, legacy: trauma, story, and indigenous healing  // suzanne methot, there there // tommy orange, islands of decolonial love // leanne betasamosake simpson, the break  // katherena vermette, white magic  // elissa washuta, crazy brave  // joy harjo, i am woman: a native perspective on sociology and feminism // lee maracle, eyes bottle dark with a mouthful of flowers  // jake skeets, black indian  // shonda buchanan, as long as grass grows: the indigenous fight for environmental justice, from colonization to standing rock  // dina gilio-whitaker, a history of my brief body //  billy-ray belcourt, jonny appleseed  // joshua whitehead, love medicine //  louise erdrich, the marrow thieves  // cherie dimaline, indian horse  // richard wagamese, bad indians: a tribal memoir  // deborah miranda.

Tanya Tagaq (Inuit) is an internationally renowned throat singer. This book is billed as a novel, but it traverses genre and style, not unlike Tagaq’s music . It tells the story of a young Inuk girl coming of age and becoming a mother in Nunavut in the 1970s as she navigates relationships with family, animals, self, place, and culture. This book was longlisted for the 2018 Scotiabank Giller Prize.

Robin Wall Kimmerer (Citizen Potawatomi Nation) is a north star for many readers who want to protect and live harmoniously with land and Earth. She is a SUNY Distinguished Teaching Professor of Environmental Biology, and the founder and director of the Center for Native Peoples and the Environment. Braiding Sweetgrass is a revered work of literature for its beautiful embodiment of the interwoven nature of all living things. Her previous book,  Gathering Moss: A Natural and Cultural History of Mosses,  approaches its subject with the same broad framework of reciprocal relationships between people and Earth, and with the same engaging prose.

This intricate and nuanced book of Native American history combines reporting, extensive interviews, and memoir as it works against the erasure narrative that posits the destruction of Indigenous peoples after the 1890 massacre at Wounded Knee. David Treuer (Ojibwe) deftly dismantles myths and lays out the rich history of social and political activism around self-determination, cultural preservation, resistance, and resilience in modern Native history. It was a finalist for the 2019 National Book Award.

Nick Estes (Lower Brule Sioux Tribe) is a professor at the University of New Mexico and co-founder of The Red Nation , a coalition dedicated to Native liberation from capitalism and colonialism, which also produces a podcast of the same name. In this book, Estes puts the massive movement at Standing Rock and #NoDAPL into context of a long history of Indigenous struggle and resistance. It offers excellent liberation-focused perspective on the Water Protectors and how they became so successful.

This is a wonderful book about healing from trauma, especially intergenerational trauma. Using history, past and contemporary story, and psychology and human development, Methot (Asiniwachi Nehiyaw [Rocky Mountain Cree]), who is an experienced educator across age and other demographics, writes clearly about the ways in which intergenerational trauma affects bodies and psyches and offers concrete frameworks for healing at every scale. This book won the 2019–20 Huguenot Society of Canada Award.

This debut novel from 2018 marked Tommy Orange (Cheyenne and Arapaho Tribes of Oklahoma) as a major literary voice. The book is narrated by a chorus of characters across age and background but who are all Indigenous people in Oakland, California, and uniting at a community pow wow. The book was lauded for its portrayal of complex characters living within the realities of urban Indigenous life. Orange’s writing is electric and engrossing.

Leanne Betasamosake Simpson (Michi Saagiig Nishnaabeg/Alderville First Nation)’s writing is nothing short of stunning, and it defies categorization. Centering Indigenous ways of storytelling, which are often cyclical, Simpson’s writing and music evoke love above all, while also embodying the full spectrum of emotion and human experience—especially Indigenous experience on land that has been harmed and exploited by settler colonialism and capitalism.

Katherena Vermette (Red River Métis [Michif]) is a prolific author of fiction, poetry, children’s and YA, and graphic novels. The Break is an immersive and fast-paced intergenerational novel that starts when a young mother, Stella, sees a possible crime taking place on The Break, a barren field by her house, through her window. When she calls the police, a sprawling saga unfolds that spans time and community. Vermette is a gifted storyteller and this book won, among other honors, the 2016 McNally Robinson Book of the Year.

Elissa Washuta (Cowlitz) is one of the best contemporary essayists out there, and her work is always layered so intricately and with such deep thought that reading her feels like growing your brain, in the best way possible. She’s also quick with her humor, and this, combined with her intellectual genius, makes her essays about place, self, pop culture, addiction, the body, and yes, magic, a great joy to read.

Joy Harjo (Muscogee (Creek) Nation) is the current (23rd) Poet Laureate of the United States and the author of nine collections of poetry, as well as plays and children’s books. Crazy Brave is one of her two memoirs (the other is Poet Warrior ), and like all of her work, it is honest and brilliant. It details her coming of age into a spiritual and complex life, and her journey to becoming a poet.

Sadly, Maracle (Sto:lo Nation) passed away in 2021, but her rich and abundant work lives on in the world, which is better for it. Maracle wrote nonfiction, fiction, criticism, and poetry, and published over 14 books. I Am Woman is one of Maracle’s crowning works, a book that openly explores sexualization and sexual victimization of Indigenous women through a lens of feminist theory. But all of her work is well worth the read.

Jake Skeets (Diné/Navajo) is a teacher and poet. Eyes Bottle Dark is his debut collection and made all kinds of 2019 best-of lists, winning multiple awards including a Lambda Literary award and a Whiting Award. Taking as its starting point a photograph Skeets found of a family member taken by a white photographer, which is on the cover of the book, this collection dives into themes of queerness, land and place, growing up, and the dark and bright sides of love.

Shonda Buchanan writes deeply and beautifully into the space, idea, and experience of being “mixed blood.” Born and raised in Kalamazoo, Michigan, Buchanan says she has always written “towards the thought of how I can use my craft to explore, explain, testify, investigate, celebrate the things happening around me.” She has accomplished this as a widely published journalist and educator. This memoir delves into her upbringing and development of her sense of self and identity, and the broader context of the culture of capitalism and colonial governments.

This book is an excellent and approachable history of Indigenous environmental activism and movements. Crucially, it also offers frameworks and pathways toward future environmental justice and protection from an Indigenous lens. Dina Gilio-Whitaker (Colville Confederated Tribes) is a consultant and educator in the field of environmental justice policy planning, in addition to a journalist, scholar, and lecturer.

If you’ve ever wanted to feel your brain light up and bloom with every line or sentence you read in a book, Billy-Ray Belcourt (Driftpile Cree) is a great place to start. A History of My Brief Body is the only one of this three books to be classified as an essay collection—the other two, NDN Coping Mechanisms and This Wound is a World , are poetry—but like many of the writers on this list, his work defies categorization. In this book, Belcourt actively resists colonization even as he uses the colonizer’s language, and dives into this tension. At the same time, he writes beautifully about love, hope, family, grief, violence, and art.

Jonny Appleseed is a tender-hearted, funny, and enrapturing novel about a Two-Spirit Indigiqueer young man navigating life as a sex worker in the city in the weeks leading up to his stepfather’s funeral on the rez, and his memories of his grandmother and coming of age. Whitehead (Peguis First Nation) is a writer, poet, and intellectual; his other published work includes the anthology Love After the End: An Anthology of Two-Spirit and Indigiqueer Speculative Fiction and the poetry collection full-metal indigiqueer . Jonny Appleseed was the 2021 Canada Reads winner, among other accolades.

Louise Erdrich (Turtle Mountain Band of Chippewa Indians) is a prolific and widely known writer whose novels are often interconnected and span time, families, and communities. Love Medicine is her debut novel, originally published in 1984. It follows five families from the 1930s through the 1980s living on fictional reservations in Minnesota and North Dakota. Like many of her works, it is immersive and full of rich, complex characters, and though all of her novels stand alone, this first one is a great place to start. Erdrich is also the author of poetry and children’s books, and owns Birch Bark Books in Minneapolis.

TIME called The Marrow Thieves one of the best YA books of all time, and with good reason. This dystopian novel is set in a world nearly destroyed by human-induced climate change, in which settlers have lost the ability to dream. In this world, the bone marrow of Indigenous people can restore the ability to dream. The book follows the character of Frenchie, and the people around him, as they try to stay hidden from hunters. It’s a brilliant work of fast-paced storytelling, and won many awards including the 2017 Governor General’s Literary Award, but Dimaline (Metis Nation of Ontario)'s other works are also well worth seeking out, including the Marrow Thieves sequel, Hunting by Stars , and the wonderful adult novel Empire of Wild .

Richard Wagamese (Ojibwe/Wabaseemoong Independent Nations in Northwestern Ontario) remains one of the most widely known writers of contemporary literature, publishing 16 books, two of them posthumously after his death in 2017. Indian Horse is one of his famous works, a novel that follows a boy named Saul Indian Horse as he survives the brutal residential school system and becomes a hockey player. This book depicts the devastating realities of the residential schools, which systematically harmed individuals, families, and communities. Wagamese was a writer of incredible talent and emotional range, and all of his work should be sought out.

This multi-genre memoir uses archives in all senses of the word, as well as imaginative writing, to render a prismatic and complex story about her own family and the history of colonization in California from the Spanish missions of the 1700s to present. Miranda (Ohlone-Costanoan Esselen Nation) also maintains a blog called Bad NDNS , on which she continues this ongoing work of documenting and synthesizing stories and histories that remain relevant as ever in the present day.

10 Best Books on Essay Writing (You Should Read Today)

You can improve your essay writing skills with practice, repetition, and perusing books on essay writing, which are full of useful examples.  

While simply living life, observing your surroundings, and diving into classic essays can naturally hone your writing skills, sometimes a trusty guidebook can give you that extra edge. Interested in mastering the craft of essay writing? Dive into some of the best essay-writing manuals out there. If you dream of becoming a professional essay writer , it’s essential to grasp the nuances of structure, tone, and format. Not all gifted writers can craft an exemplary essay, after all. Recognizing the significance of essays, especially in college admissions, can elevate your approach. If you’re gearing up to write a compelling college admission essay , I’d recommend perusing my guide on crafting an outstanding essay .

“I hate writing, I love having written.” – Dorothy Parker

Here are 10 Books That Will Help You With Essay Writing:

1. a professor’s guide to writing essays: the no-nonsense plan for better writing by dr. jacob neumann.

This is the highest-rated book on the subject available on the market right now. It’s written for students at any level of education. The author uses an unorthodox approach, claiming that breaking essays down into different formats is unnecessary. It doesn’t matter if it’s a persuasive or a narrative essay – the difference is not in how you write, but rather in how you build your case . Length: 118 pages Published: 2016

2. College Essay Essentials: A Step-by-Step Guide to Writing a Successful College Admissions Essay – by Ethan Sawyer

Every year, millions of high-schoolers scramble to achieve above-average GPAs and score well on the SAT , or in some cases, the ACT , or both. They also have to write a 650-word essay and find their way to their dream college. If you’re one of them, then make sure you read this concise book . Ethan Sawyer (The College Essay Guy), breaks the whole essay-writing process down into simple steps and shows you the way around the most common mistakes college applicants usually make. Length: 256 pages Published: 2016

3. The Only Grammar Book You’ll Ever Need: A One-Stop Source for Every Writing Assignment by Susan Thurman

The institution of a grammar school is defunct, but it doesn’t mean you can ignore the basic rules that govern your language. If you’re writing an essay or a college paper , you better keep your grammar tight. Otherwise, your grades will drop dramatically because professors abhor simple grammar mistakes. By reading this little book , you’ll make sure your writing is pristine. Length: 192 pages Published: 2003

4. Escape Essay Hell!: A Step-by-Step Guide to Writing Narrative College Application Essays by Janine W. Robinson

A well-written essay has immense power. Not only that, it is the prerequisite to getting admitted to colleges and universities, but you also have to tackle a few essay questions in most, if not all exams you will ever take for career or academic advancement. For instance, when taking the LSAT to qualify for law school , the MCAT to get into med school , the DAT to pursue a degree in dentistry, or even the GRE or GMAT as the first step in earning a master’s degree. That is why this book is highly recommended to anyone navigating through the sea of higher learning. In this amusing book, Janine Robinson focuses mostly on writing narrative essays . She’s been helping college-bound students to tell unique stories for over a decade and you’ll benefit from her expert advice. The book contains 10 easy steps that you can follow as a blueprint for writing the best “slice of life” story ever told. Length: 76 pages Published: 2013

5. The Art of the Personal Essay: An Anthology from the Classical Era to the Present by Phillip Lopate

This large volume is a necessary diversion from the subject of formal, highly constrained types of writing. It focuses only on the genre of the personal essay which is much more free-spirited, creative, and tongue-and-cheek-like. Phillip Lopate, himself an acclaimed essayist, gathers seventy of the best essays of this type and lets you draw timeless lessons from them. Length: 777 pages Published: 1995

6. The Best American Essays of the Century by Joyce Carol Oates

The art of the modern essay starts with Voltaire at the beginning of the eighteenth century. Since then, many a writer attempted to share their personal stories and philosophical musings in this free-flowing form. Americans are no different. In this anthology, Joyce Carol Oates shares some fantastic reads that you need to absorb if you want to become a highly skilled polemicist. Length: 624 pages Published: 2001

7. On Writing Well: The Classic Guide to Writing Nonfiction by William Zinsser

On Writing Well is a classic writing guide that will open your eyes to the art of producing clear-cut copy. Zinsser approached the subject of writing with a warm, cheerful attitude that seeps through the pages of his masterpiece. Whether you want to describe places, communicate with editors, self-edit your copy, or avoid verbosity, this book will have the right answer for you. Length: 336 pages Published: 2016 (reprint edition)

8. How To Write Any High School Essay: The Essential Guide by Jesse Liebman

The previous titles I mentioned were mostly for “grown-up” writers, but the list wouldn’t be complete without a book for ambitious high-school students. Its length is appropriate, making it possible even for the most ADHD among us to get through it. It contains expert advice, easy-to-implement essay outlines , and tips on finding the best topics and supporting them with strong arguments. Length: 124 pages Published: 2017

9. Essential Writing Skills for College and Beyond by C.M. Gill

On average, after finishing high school or college, Americans read only around twelve books per year. This is a pity because books contain a wealth of information. People at the top of the socio-economic ladder read between forty and sixty books per year – and you should too! But reading is just one skill that gets neglected after college. Writing is the other one. By reading the “Essential Writing Skills” you’ll be able to crush all of your college writing assignments and use them throughout your life to sharpen your prose. Length: 250 Published: 2014

10. The Hidden Machinery: Essays on Writing by Margot Livesey

If you want to write, you first need to read some of the best essays ever written . Developing your style results from conversing with great minds and then borrowing from them to create something new. All great artists are inspired by someone. In Hidden Machinery, Margot Livesey shares her essays on what makes good fiction and a strong narrative. It’s a must-read for all aspiring writers. Length: 224 Published: 2017 How did you like this article? Are you going to read any of the books listed above? Can you recommend any other book that I should add to this list?

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The First Book of the New Testament: an Insight into the Gospel of Matthew

This essay about the Gospel of Matthew outlines its position as the inaugural book of the New Testament. It discusses the structure and purpose of Matthew, emphasizing its role in linking the Old and New Testaments and presenting Jesus as the fulfillment of Jewish prophecies. Highlighting key content such as the Sermon on the Mount, various parables, and miracles, the essay illustrates how these elements underscore Jesus’ teachings and divine nature. It also covers the Passion narrative, detailing Jesus’ crucifixion and resurrection as central to Christian theology. Concluding with the Great Commission, the essay portrays the Gospel of Matthew as a foundational text that sets the theological and ethical tone for subsequent New Testament writings.

How it works

When delving into the New Testament, the first book that greets readers is the Gospel of Matthew. This text not only serves as the introduction to the New Testament but also bridges the Old Testament with the new Christian teachings, presenting a compelling narrative that combines history, theology, and moral instructions. The Gospel of Matthew has been widely studied for its rich layers of meaning and its particular emphasis on Jesus as the fulfillment of Old Testament prophecies.

Matthew, generally credited to the apostle of the same name, is considered to have been composed between AD 70 and 110.

Its audience predominantly comprises of Jewish Christians, reflected in its substantial reliance on Jewish traditions and the Torah. The gospel aims to prove that Jesus is the promised Messiah, reinforcing this claim by highlighting his genealogy right at the beginning. “The book of the genealogy of Jesus Christ, the son of David, the son of Abraham” (Matthew 1:1) introduces the work and establishes a straight line of descent between Jesus and significant Jewish characters.

One of the distinctive features of Matthew’s Gospel is the Sermon on the Mount, which encompasses chapters 5 through 7 and includes the Beatitudes, the Lord’s Prayer, and a plethora of teachings on ethics and morality. This sermon perhaps best encapsulates the moral philosophy of Jesus and reflects his instructions on how to live a life that is pleasing to God, emphasizing humility, mercy, purity of heart, and peacemaking.

Matthew’s narrative continues to mix miracles and teachings, illustrating Jesus’ divine nature and his authority on spiritual matters. Noteworthy miracles such as the feeding of the 5,000 and Jesus walking on water are juxtaposed with parables like that of the Good Samaritan, each element carefully chosen to illustrate deeper theological truths, particularly the kingdom of heaven and the expected behaviors of its inhabitants.

Without a doubt, the Passion narrative—a thorough description of Jesus’ arrest, trial, crucifixion, and resurrection—is the high point of Matthew’s gospel. Here, Matthew provides a gripping and dramatic conclusion to his portrayal of Jesus’ life, emphasizing the sacrifice Jesus made for humanity and the fulfillment of his messianic role. This section not only serves as the theological climax of Matthew but also as a pivotal moment in Christian doctrine, depicting the ultimate act of love and redemption.

Matthew concludes with the Great Commission, where Jesus commands his disciples to go forth and spread his teachings to all nations. This directive not only serves as the foundation for Christian missionary work but also reinforces the Gospel’s universal message, inviting all to partake in the teachings of Jesus, regardless of their heritage.

Recognizing the Gospel of Matthew’s role in establishing the tone for the Christian message is essential to comprehending the significance of this book as the first of the New Testament. It lays the groundwork for themes that will be developed in later texts, such as grace, redemption, and the moral imperatives that Jesus advocated. The Gospel of Matthew offers a profound insight into Jesus’ life and teachings, serving as a cornerstone for Christian thought and spirituality.

Matthew’s Gospel serves as a vital link between the Jewish customs of the Old Testament and the new age ushered in by Jesus’ life and teachings. It not only introduces Jesus’ character and mission but also calls to its readers to reflect on their own lives in light of the teachings presented. For both historical insight and spiritual reflection, the Gospel of Matthew stands as a profound starting point in the New Testament.

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The First Book of the New Testament: An Insight into the Gospel of Matthew. (2024, May 12). Retrieved from https://papersowl.com/examples/the-first-book-of-the-new-testament-an-insight-into-the-gospel-of-matthew/

"The First Book of the New Testament: An Insight into the Gospel of Matthew." PapersOwl.com , 12 May 2024, https://papersowl.com/examples/the-first-book-of-the-new-testament-an-insight-into-the-gospel-of-matthew/

PapersOwl.com. (2024). The First Book of the New Testament: An Insight into the Gospel of Matthew . [Online]. Available at: https://papersowl.com/examples/the-first-book-of-the-new-testament-an-insight-into-the-gospel-of-matthew/ [Accessed: 16 May. 2024]

"The First Book of the New Testament: An Insight into the Gospel of Matthew." PapersOwl.com, May 12, 2024. Accessed May 16, 2024. https://papersowl.com/examples/the-first-book-of-the-new-testament-an-insight-into-the-gospel-of-matthew/

"The First Book of the New Testament: An Insight into the Gospel of Matthew," PapersOwl.com , 12-May-2024. [Online]. Available: https://papersowl.com/examples/the-first-book-of-the-new-testament-an-insight-into-the-gospel-of-matthew/. [Accessed: 16-May-2024]

PapersOwl.com. (2024). The First Book of the New Testament: An Insight into the Gospel of Matthew . [Online]. Available at: https://papersowl.com/examples/the-first-book-of-the-new-testament-an-insight-into-the-gospel-of-matthew/ [Accessed: 16-May-2024]

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