writing a thesis youtube

Think of yourself as a member of a jury, listening to a lawyer who is presenting an opening argument. You'll want to know very soon whether the lawyer believes the accused to be guilty or not guilty, and how the lawyer plans to convince you. Readers of academic essays are like jury members: before they have read too far, they want to know what the essay argues as well as how the writer plans to make the argument. After reading your thesis statement, the reader should think, "This essay is going to try to convince me of something. I'm not convinced yet, but I'm interested to see how I might be."

An effective thesis cannot be answered with a simple "yes" or "no." A thesis is not a topic; nor is it a fact; nor is it an opinion. "Reasons for the fall of communism" is a topic. "Communism collapsed in Eastern Europe" is a fact known by educated people. "The fall of communism is the best thing that ever happened in Europe" is an opinion. (Superlatives like "the best" almost always lead to trouble. It's impossible to weigh every "thing" that ever happened in Europe. And what about the fall of Hitler? Couldn't that be "the best thing"?)

A good thesis has two parts. It should tell what you plan to argue, and it should "telegraph" how you plan to argue—that is, what particular support for your claim is going where in your essay.

Steps in Constructing a Thesis

First, analyze your primary sources.  Look for tension, interest, ambiguity, controversy, and/or complication. Does the author contradict himself or herself? Is a point made and later reversed? What are the deeper implications of the author's argument? Figuring out the why to one or more of these questions, or to related questions, will put you on the path to developing a working thesis. (Without the why, you probably have only come up with an observation—that there are, for instance, many different metaphors in such-and-such a poem—which is not a thesis.)

Once you have a working thesis, write it down.  There is nothing as frustrating as hitting on a great idea for a thesis, then forgetting it when you lose concentration. And by writing down your thesis you will be forced to think of it clearly, logically, and concisely. You probably will not be able to write out a final-draft version of your thesis the first time you try, but you'll get yourself on the right track by writing down what you have.

Keep your thesis prominent in your introduction.  A good, standard place for your thesis statement is at the end of an introductory paragraph, especially in shorter (5-15 page) essays. Readers are used to finding theses there, so they automatically pay more attention when they read the last sentence of your introduction. Although this is not required in all academic essays, it is a good rule of thumb.

Anticipate the counterarguments.  Once you have a working thesis, you should think about what might be said against it. This will help you to refine your thesis, and it will also make you think of the arguments that you'll need to refute later on in your essay. (Every argument has a counterargument. If yours doesn't, then it's not an argument—it may be a fact, or an opinion, but it is not an argument.)

This statement is on its way to being a thesis. However, it is too easy to imagine possible counterarguments. For example, a political observer might believe that Dukakis lost because he suffered from a "soft-on-crime" image. If you complicate your thesis by anticipating the counterargument, you'll strengthen your argument, as shown in the sentence below.

Some Caveats and Some Examples

A thesis is never a question.  Readers of academic essays expect to have questions discussed, explored, or even answered. A question ("Why did communism collapse in Eastern Europe?") is not an argument, and without an argument, a thesis is dead in the water.

A thesis is never a list.  "For political, economic, social and cultural reasons, communism collapsed in Eastern Europe" does a good job of "telegraphing" the reader what to expect in the essay—a section about political reasons, a section about economic reasons, a section about social reasons, and a section about cultural reasons. However, political, economic, social and cultural reasons are pretty much the only possible reasons why communism could collapse. This sentence lacks tension and doesn't advance an argument. Everyone knows that politics, economics, and culture are important.

A thesis should never be vague, combative or confrontational.  An ineffective thesis would be, "Communism collapsed in Eastern Europe because communism is evil." This is hard to argue (evil from whose perspective? what does evil mean?) and it is likely to mark you as moralistic and judgmental rather than rational and thorough. It also may spark a defensive reaction from readers sympathetic to communism. If readers strongly disagree with you right off the bat, they may stop reading.

An effective thesis has a definable, arguable claim.  "While cultural forces contributed to the collapse of communism in Eastern Europe, the disintegration of economies played the key role in driving its decline" is an effective thesis sentence that "telegraphs," so that the reader expects the essay to have a section about cultural forces and another about the disintegration of economies. This thesis makes a definite, arguable claim: that the disintegration of economies played a more important role than cultural forces in defeating communism in Eastern Europe. The reader would react to this statement by thinking, "Perhaps what the author says is true, but I am not convinced. I want to read further to see how the author argues this claim."

A thesis should be as clear and specific as possible.  Avoid overused, general terms and abstractions. For example, "Communism collapsed in Eastern Europe because of the ruling elite's inability to address the economic concerns of the people" is more powerful than "Communism collapsed due to societal discontent."

Copyright 1999, Maxine Rodburg and The Tutors of the Writing Center at Harvard University

Thesis Statements

What this handout is about.

This handout describes what a thesis statement is, how thesis statements work in your writing, and how you can craft or refine one for your draft.

Introduction

Writing in college often takes the form of persuasion—convincing others that you have an interesting, logical point of view on the subject you are studying. Persuasion is a skill you practice regularly in your daily life. You persuade your roommate to clean up, your parents to let you borrow the car, your friend to vote for your favorite candidate or policy. In college, course assignments often ask you to make a persuasive case in writing. You are asked to convince your reader of your point of view. This form of persuasion, often called academic argument, follows a predictable pattern in writing. After a brief introduction of your topic, you state your point of view on the topic directly and often in one sentence. This sentence is the thesis statement, and it serves as a summary of the argument you’ll make in the rest of your paper.

What is a thesis statement?

A thesis statement:

• tells the reader how you will interpret the significance of the subject matter under discussion.
• is a road map for the paper; in other words, it tells the reader what to expect from the rest of the paper.
• directly answers the question asked of you. A thesis is an interpretation of a question or subject, not the subject itself. The subject, or topic, of an essay might be World War II or Moby Dick; a thesis must then offer a way to understand the war or the novel.
• makes a claim that others might dispute.
• is usually a single sentence near the beginning of your paper (most often, at the end of the first paragraph) that presents your argument to the reader. The rest of the paper, the body of the essay, gathers and organizes evidence that will persuade the reader of the logic of your interpretation.

If your assignment asks you to take a position or develop a claim about a subject, you may need to convey that position or claim in a thesis statement near the beginning of your draft. The assignment may not explicitly state that you need a thesis statement because your instructor may assume you will include one. When in doubt, ask your instructor if the assignment requires a thesis statement. When an assignment asks you to analyze, to interpret, to compare and contrast, to demonstrate cause and effect, or to take a stand on an issue, it is likely that you are being asked to develop a thesis and to support it persuasively. (Check out our handout on understanding assignments for more information.)

How do I create a thesis?

A thesis is the result of a lengthy thinking process. Formulating a thesis is not the first thing you do after reading an essay assignment. Before you develop an argument on any topic, you have to collect and organize evidence, look for possible relationships between known facts (such as surprising contrasts or similarities), and think about the significance of these relationships. Once you do this thinking, you will probably have a “working thesis” that presents a basic or main idea and an argument that you think you can support with evidence. Both the argument and your thesis are likely to need adjustment along the way.

Writers use all kinds of techniques to stimulate their thinking and to help them clarify relationships or comprehend the broader significance of a topic and arrive at a thesis statement. For more ideas on how to get started, see our handout on brainstorming .

How do I know if my thesis is strong?

If there’s time, run it by your instructor or make an appointment at the Writing Center to get some feedback. Even if you do not have time to get advice elsewhere, you can do some thesis evaluation of your own. When reviewing your first draft and its working thesis, ask yourself the following :

• Do I answer the question? Re-reading the question prompt after constructing a working thesis can help you fix an argument that misses the focus of the question. If the prompt isn’t phrased as a question, try to rephrase it. For example, “Discuss the effect of X on Y” can be rephrased as “What is the effect of X on Y?”
• Have I taken a position that others might challenge or oppose? If your thesis simply states facts that no one would, or even could, disagree with, it’s possible that you are simply providing a summary, rather than making an argument.
• Is my thesis statement specific enough? Thesis statements that are too vague often do not have a strong argument. If your thesis contains words like “good” or “successful,” see if you could be more specific: why is something “good”; what specifically makes something “successful”?
• Does my thesis pass the “So what?” test? If a reader’s first response is likely to  be “So what?” then you need to clarify, to forge a relationship, or to connect to a larger issue.
• Does my essay support my thesis specifically and without wandering? If your thesis and the body of your essay do not seem to go together, one of them has to change. It’s okay to change your working thesis to reflect things you have figured out in the course of writing your paper. Remember, always reassess and revise your writing as necessary.
• Does my thesis pass the “how and why?” test? If a reader’s first response is “how?” or “why?” your thesis may be too open-ended and lack guidance for the reader. See what you can add to give the reader a better take on your position right from the beginning.

Suppose you are taking a course on contemporary communication, and the instructor hands out the following essay assignment: “Discuss the impact of social media on public awareness.” Looking back at your notes, you might start with this working thesis:

Social media impacts public awareness in both positive and negative ways.

You can use the questions above to help you revise this general statement into a stronger thesis.

• Do I answer the question? You can analyze this if you rephrase “discuss the impact” as “what is the impact?” This way, you can see that you’ve answered the question only very generally with the vague “positive and negative ways.”
• Have I taken a position that others might challenge or oppose? Not likely. Only people who maintain that social media has a solely positive or solely negative impact could disagree.
• Is my thesis statement specific enough? No. What are the positive effects? What are the negative effects?
• Does my thesis pass the “how and why?” test? No. Why are they positive? How are they positive? What are their causes? Why are they negative? How are they negative? What are their causes?
• Does my thesis pass the “So what?” test? No. Why should anyone care about the positive and/or negative impact of social media?

After thinking about your answers to these questions, you decide to focus on the one impact you feel strongly about and have strong evidence for:

Because not every voice on social media is reliable, people have become much more critical consumers of information, and thus, more informed voters.

This version is a much stronger thesis! It answers the question, takes a specific position that others can challenge, and it gives a sense of why it matters.

Let’s try another. Suppose your literature professor hands out the following assignment in a class on the American novel: Write an analysis of some aspect of Mark Twain’s novel Huckleberry Finn. “This will be easy,” you think. “I loved Huckleberry Finn!” You grab a pad of paper and write:

Mark Twain’s Huckleberry Finn is a great American novel.

You begin to analyze your thesis:

• Do I answer the question? No. The prompt asks you to analyze some aspect of the novel. Your working thesis is a statement of general appreciation for the entire novel.

Think about aspects of the novel that are important to its structure or meaning—for example, the role of storytelling, the contrasting scenes between the shore and the river, or the relationships between adults and children. Now you write:

In Huckleberry Finn, Mark Twain develops a contrast between life on the river and life on the shore.

• Do I answer the question? Yes!
• Have I taken a position that others might challenge or oppose? Not really. This contrast is well-known and accepted.
• Is my thesis statement specific enough? It’s getting there–you have highlighted an important aspect of the novel for investigation. However, it’s still not clear what your analysis will reveal.
• Does my thesis pass the “how and why?” test? Not yet. Compare scenes from the book and see what you discover. Free write, make lists, jot down Huck’s actions and reactions and anything else that seems interesting.
• Does my thesis pass the “So what?” test? What’s the point of this contrast? What does it signify?”

After examining the evidence and considering your own insights, you write:

Through its contrasting river and shore scenes, Twain’s Huckleberry Finn suggests that to find the true expression of American democratic ideals, one must leave “civilized” society and go back to nature.

This final thesis statement presents an interpretation of a literary work based on an analysis of its content. Of course, for the essay itself to be successful, you must now present evidence from the novel that will convince the reader of your interpretation.

Works consulted

We consulted these works while writing this handout. This is not a comprehensive list of resources on the handout’s topic, and we encourage you to do your own research to find additional publications. Please do not use this list as a model for the format of your own reference list, as it may not match the citation style you are using. For guidance on formatting citations, please see the UNC Libraries citation tutorial . We revise these tips periodically and welcome feedback.

Anson, Chris M., and Robert A. Schwegler. 2010. The Longman Handbook for Writers and Readers , 6th ed. New York: Longman.

Lunsford, Andrea A. 2015. The St. Martin’s Handbook , 8th ed. Boston: Bedford/St Martin’s.

Ramage, John D., John C. Bean, and June Johnson. 2018. The Allyn & Bacon Guide to Writing , 8th ed. New York: Pearson.

Ruszkiewicz, John J., Christy Friend, Daniel Seward, and Maxine Hairston. 2010. The Scott, Foresman Handbook for Writers , 9th ed. Boston: Pearson Education.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

Make a Gift

Baylor Graduate Writing Center

Helping Grad Students Become Better Writers

6 Youtube Channels for Academic Writing Inspiration

by Dr. Kristin Huggins, Consultant

**These channels are not GWC partners, nor is this post an official endorsement of their videos. These resources are merely helpful tools that some of our consultants have found personally beneficial in their own work.**

Similar to our blog post on podcasts for the academic writer , today we offer a vetted list of YouTubers who have devoted their digital voice to the academic space. All of these channels are produced by Ph.D. graduates, tenured professors, academic consultants, or current doctoral candidates at prestigious universities. With these distinct backgrounds, they all provide a unique approach to academic writing, research strategies, and life hacks for the stressed-out graduate student.

Keep in mind that these channels are meant to inspire audiences, not to supply faultless, prescriptive instructions on how to write a thesis or craft the perfect literature review. First and foremost, take your lead from your chair/supervising professor/faculty advisor. Ultimately, they will be the ones to make the call whether your paper passes muster.

Instead, peruse these channels with the intention to become invigorated by ideas that may fall outside your typical modus operandi .

Finally, my hope for you (dear reader) is that these channels serve a secondary purpose outside the realm of academic writing: to prove to you that there is a community beyond your classroom, who are seeking answers just like you.

Often, writing is interpreted as a solitary act, requiring monastery-like isolation in order to achieve academic success. This could not be further from the truth, as proven by the abundance of YouTube channels, podcasts, blogs, and online community forums.

Writing is collaborative. It is social. It is a living organism that requires room to evolve, shift, grow. The act of writing cannot be static, but requires engagement and interaction in order to improve–just like you.

Don’t fall into the trap of siloing yourself away in a library cubby without much-needed human interaction from those that understand (on a very visceral level) the degree of stress and anxiety your writing projects create in your life.

With that, I hope these channels provide you with inspiration and community for your academic writing needs!

Brisa Marie – Future Ph.D.

Brisa is a first-generation student, pursuing a Ph.D. in Culture and Performance at UCLA’s World Arts and Culture/Dance Department. Brisa created her channel after realizing how doctoral programs were frought with hidden gatekeepers, unspoken expectations, and unexpected challenges for the graduate student. While she felt overprepared entering into her program, she discovered that completing a doctorate required much more: grit, discipline, support, and a thick skin. She hopes that her channel demystifies the experience of doctoral work for others like her who dream of attaining a terminal degree in their field.

Andy Stapleton

Dr. Stapleton has a Ph.D. in chemistry, and has worked in the private sector as a chemist and in higher education as a tenured professor for ten years, where he conducted research, secured funding, taught and supervised students. He provides a very frank, honest review of how to be successful in a Ph.D. program and as an early career professor/researcher. Several of his videos are devoted to debunking the myths behind conducting and writing research at the doctoral level. He provides audiences with clear-cut strategies for how to write a grant application, how to write your professional portfolio for employment after your Ph.D., how to get your work peer-reviewed, and more.

Set apart from other channels run by individuals in the field, Grad Coach is an award-winning company devoted to assisting graduate students and early career professors with their writing and research needs. They’ve been recognized by several organizations for their work (AI International, MEA, Tutor’s Association UK, Business Excellence Awards), and boast 100+ years of combined experience with their large team of 15 coaches. This channel cuts straight to the heart of academic writing, offering short, bite-sized videos with clear strategies for how to develop research questions, how to master the academic voice, how to approach different academic styles, crafting the perfect research proposal, and more.

Dr. Amina Yonis

Dr. Yonis first began her channel during her time as a doctoral student, sharing her experiences and connecting with other students around the world. Now, she leads a team of 20 with The Page Doctor, her business devoted to assisting students with their academic writing needs. Her YouTube channel is devoted to inspiring content on how to tackle insurmountable writing tasks found throughout the doctoral journey. She also provides excellent strategies on how to maximize productivity and balance priorities during this process.

TheRedHeadedAcademic

Kaelyn Apple is a History and African American studies Ph.D. student at Yale University. She is devoted to using her voice as a gateway – rather than a gatekeeper – to accessible higher education. While Kaelyn offers sound advice for the logistical aspects of writing a thesis or dissertation, she also specializes in writing professional portfolios. Her videos cover how to develop a resume, CV, statement of purpose, and writing samples at the graduate level.

PhD and Productivity

This channel is produced by a Ph.D. student in Dublin, Ireland, who uses her platform to provide tools and strategies for graduate students to organize their writing and research obligations. She also offers tutorials for keyword searches and source management, and teaches her audience how to use tools for notetaking, reading, synthesizing literature, in-field research, and academic writing.

We hope you found these channels helpful and inspiring!

Until next time, dear reader. Happy Writing.

Leave a Reply Cancel reply

Your email address will not be published. Required fields are marked *

Save my name, email, and website in this browser for the next time I comment.

Go From Confused to Confident

Join a short course to kickstart your dissertation today

Learn how to craft a clear, convincing research proposal from scratch. Includes our popular proposal template.

Learn how to craft a literature review that lays a rock-solid foundation for your project. Includes free chapter template .

Get a big-picture view of the key methodological concepts, challenges and decisions needed to craft a strong study.

What Is A Bootcamp?

Bootcamps are short, easily digestible and action-centric online courses that help you fast-track your dissertation or thesis, the smart way. 

Our Bootcamps are focused on action, not theory . Throughout each course, we focus on practical actions that you can take to move your project forward, no matter your level of experience. 

If you’re someone who wants to take action and optimise their approach to the dissertation writing process, our Bootcamps are for you. 

Why Join A Bootcamp?

Get a comprehensive, big-picture understanding in less than 4 hours

Fill in the gaps in your knowledge and understand the linkages and connections

Get step-by-step guidance (and loads of resources) to complete your project

Gain the knowledge you need to approach your project with confidence  

What Our Students Say

Over   5000 students   have joined our courses. Here’s what some of them have to say:

Explanations were clear, and concise. The course is well-structured enabling me to see the progress of the chapter. Thank you.

Fantastic course, well worth the time, effort, and expense. Highly recommended for anyone starting their research journey. 

The lessons are really enlightening and I’m improving my knowledge on research. Thanks to GradCoach

The course provided is incredibly comprehensive, offering a well-structured breakdown of content into manageable chunks. The instructor’s upbeat and pleasant demeanor throughout the class enhances the learning experience. The course effectively caters to both fundamental requirements for proposal writing and research as a whole.

I am learning so much about more than just the proposal. This applies to academic writing on other levels, for example, thinking about the verbs we use in discussion. Also, my confidence is growing as a mature student returning to full-time academia after a long break. This course is a gem.

Have A Question?

• The Student Experience
• Financial Aid
• Degree Finder
• Undergraduate Arts & Sciences
• Departments and Programs
• Research, Scholarship & Creativity
• Centers & Institutes
• Geisel School of Medicine
• Guarini School of Graduate & Advanced Studies
• Thayer School of Engineering
• Tuck School of Business

Campus Life

• Diversity & Inclusion
• Athletics & Recreation
• Student Groups & Activities
• Residential Life

English and Creative Writing

Department of english and creative writing.

• [email protected] Contact & Department Info Mail
• Undergraduate
• Modified Major
• Transfer Credit
• Creative Writing Concentration
• Past Honors
• Course Group I
• Course Group II
• Course Group III
• Course Group IV
• Courses - No Course Group
• Creative Writing Courses
• Courses (No Major Credit)
• Foreign Study Courses
• Independent Study and Honors
• The Historical Philosophy of W.E.B. Du Bois
• Creative Writing Prizes
• Department Prizes
• Undergraduate Fellowships
• Foreign Study
• London Foreign Study Program
• News & Events
• News & Events
• Illuminations
• Robert Hayden
• Black Nature Conference
• Sanborn Tea

Search form

2024 english and creative writing honors thesis presentations.

Please join the Department of English and Creative Writing for this year's English and creative writing honors thesis presentations, Tuesday, May 28 - Thursday, May 30, 2024, in Sanborn Library.

Please join the Department of English and Creative Writing for this year's English and creative writing honors thesis presentations, Tuesday, May 28 - Thursday, May 30, 2024, in Sanborn Library. These presentations will also be available virtually. Please register at dartgo.org/engl-cw-honors .

Tuesday, May 28, 2024

12:30 p.m. Introduction   12:45 p.m. Elle Muller Haunted Halls and Misnamed Monsters: Displacement and Erasure in Hrólfs Saga Kraka and Beowulf   1:00 p.m. Kennedy Hamblen Soft Mechanics: Hallucinogenic Media from De Quincey to Burroughs   1:15 p.m. Jea Mo Letters from Hanseong Street   1:30 p.m. Elizabeth Lee Grooves of Enactment: Bob Dylan's Planet Waves and the Philosophy of Recording   1:45 p.m. Isabella Macioce Everything Is a Love Poem   2:00 p.m. Ophelia Woodland Landmarks: A First Approach

Wednesday, May 29, 2024

1:00 p.m. Introduction   1:15 pm. Eliza Holmes The Madwoman Reimagined: Narration and the Diagnostic Process in Victorian Gothic Fiction   1:30 p.m. Maria Amador The Museum of Everyday Life   1:45 p.m. Kat Arrington Please Watch Me When I'm Alone So I Don't Stop Existing   2:00 p.m. Elijah Oaks A Paralytic History: Narratives of the Late South   2:15 p.m. Edgar Morales Out in the Field, There Are No More Fences   2:30 p.m. Zhenia Dubrova What Remains: Stories

Thursday, May 30, 2024

10:00 a.m. Introduction   10:15 a.m. Grace Schwab Counsel and Consequence: Intergenerational Models of Womanhood in the Novels of Jane Austen   10:30 a.m. Arielle Feuerstein "Remember who the enemy is": Liminality as a Tool for Revolution in The Hunger Games   10:45 a.m. Laurel Lee Pitts Good Neighbors   11:00 a.m. Heather Damia In a Woman's Hide: Supernatural Gender in Shakespeare's History Plays   11:15 a.m. Jiyoung Park Post Office 4640   11:30 a.m. Michaela Benton Wounded Lives: Trauma, Survival, and Slavery in Toni Morrison's Beloved and Octavia Butler's Kindred .