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Linkin Park In The End

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• In The End ringtone by Pankaj on Jul 12, 2020
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In The End ringtone download in mp3 format by clicking on the button below or select another ringtone for your phone from the rap category with duration 0:40 minutes. We offer for selection over 80,000 ringtones. Enjoy your listening In The End ringtone and good mood.

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In The End Ringtone

In the end lyrics.

Chester Bennington: It starts with one Mike Shinoda: One thing I don`t know why It doesn`t even matter how hard you try Keep that in mind, I designed this rhyme To explain in due time

Chester Bennington: All I know Mike Shinoda: Time is a valuable thing Watch it fly by as the pendulum swings Watch it count down to the end of the day The clock ticks life away

Chester Bennington: It`s so unreal Mike Shinoda: It`s so unreal, didn`t look out below Watch the time go right out the window Trying to hold on, did-didn`t even know I wasted it all just to watch you go

Chester Bennington: Watch you go Mike Shinoda: I kept everything inside and even though I tried, it all fell apart What it meant to me will eventually be a memory of a time when I tried so hard

Chester Bennington: I tried so hard And got so far But in the end It doesn`t even matter I had to fall To lose it all But in the end It doesn`t even matter

Mike Shinoda: One thing, I don`t know why It doesn`t even matter how hard you try Keep that in mind, I designed this rhyme To remind myself how I tried so hard

Chester Bennington: I tried so hard Mike Shinoda: In spite of the way you were mocking me Acting like I was part of your property Remembering all the times you fought with me I`m surprised it got so far

Chester Bennington: Got so far Mike Shinoda: Things aren`t the way they were before You wouldn`t even recognize me anymore Not that you knew me back then But it all comes back to me in the end

Chester Bennington: In the end Mike Shinoda: You kept everything inside and even though I tried, it all fell apart What it meant to me will eventually be a memory of a time when I tried so hard

I`ve put my trust in you Pushed as far as I can go For all this There`s only one thing you should know

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What your Ringtone says about you

A recently study commissioned by Vodafone has revealed some interesting  trends in ringtone behaviours across different generations.

When it comes to the volume at which people keep their phones. The study found that over a third of Baby Boomers always have their phones on max volume…whereas almost half of Gen Z and Gen Y say they do not need a ringtone because they spend so much time on their phones.

When it comes to purchasing ringtones, it seems that the trend is not entirely dead. Despite the rise of default tones, some Gen Y users still enjoy buying and changing ringtones, with 21% saying they have purchased a ringtone in the last 12 months.

Vodafone’s study findings expanded

Generation Boomer rings true as older Aussies are more likely to max the volume: Over a third of Boomers (34%) revealed they always have their phone on max volume while only 5% have it switched to silent all the time.   

Younger generations do not need a ringtone: Almost half of Gen Z (46%) and Gen Y (45%) say they do not need a ringtone because they spend so much time on their phone, in comparison to just 7% of Baby Boomers.  

Millennials and Zers go mute when it comes to calls: 36% of Gen Z and 35% of Gen Y confess they usually have their devices switched to silent, admitting they do so to avoid calls! More than 2 in 5 (42%) Gen Z say no one calls anymore and that they communicate through messages, social media, and voice notes. While two thirds (66%) of Gen Z consider phone calls important, the majority (84%) consider text messages a more important way to communicate.  

It turns out purchasing ringtones is not a thing of the past: Despite over half of Gen Y (58%) saying that they used to enjoy buying and changing ringtones back in the day, some are still choosing to change up their tones (55%). Three quarters of Aussies (75%) use default Apple/Android tones, while 76% of Gen-Y stick to the built-in options. However, 24% of Gen Y download or purchase popular songs, TV/Movies, or custom ringtones with 21% saying they have purchased a ringtone in the last 12 months.  

These are some ringtones and sounds that will continue to exist until the end of time: No, Crazy Frog won’t be ding ding dinging its way back into the charts anytime soon, and though it might be one of the most popular (39%) and annoying (49%) ringtones of all time, it’s no shock the original and simply unforgettable Nokia Ringtone (that lives “rent free” in our head), was voted most popular alongside the default iPhone Marimba Ringtone and just like the hum of the pesky flies, Mosquito Ringtone the most annoying (71%). Ahead of May 4 th (Star Wars Day) this weekend, 1 in 2 Gen X and Baby Boomers reported the Star Wars Ringtone was their most popular ringtone of all time, while only 2 in 5 Gen Z and Gen Y claimed the same.  

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Artemis accords reach 40 signatories as nasa welcomes lithuania.

Lauren E. Low

Nasa headquarters.

A milestone was reached on Wednesday as Lithuania became the 40th nation to join NASA and the international coalition in pursuit of safer space exploration by signing the Artemis Accords. The ceremony took place at the Radisson Blu Lietuva hotel in Vilnius, Lithuania, and signifies a continued push toward transparency and peace as more nations traverse farther into space.

“Welcome to the Artemis Accords family, Lithuania,” said NASA Administrator Bill Nelson. “Our nations are strong partners – and now we expand this partnership to the cosmos. In just four years, a remarkable 40 countries have signed the Artemis Accords. Together, as a global coalition, we will explore the stars openly, responsibly, and in peace.”

United States Ambassador Kara C. McDonald attended the ceremony to speak on behalf of the U.S., and Aušrinė Armonaitė, Lithuanian Minister of Economy and Innovation, signed the Accords.

“The Lithuanian space sector has been growing steadily, with our innovative companies working in this field making significant strides,” Armonaitė said. “The Artemis Accords mark a new chapter and chart a course for future space exploration, underscoring our commitment to a responsible, sustainable, and cooperative presence in space.”

Remarks from NASA Deputy Administrator Pam Melroy also played before the signing.

“Today is a pivotal day for Lithuania,” Melroy said. “We are living in the golden age of space. The days of one nation exploring the cosmos alone are gone. Today, we go together, and we go with international partners.”

The Artemis Accords align with NASA’s Artemis campaign , that will send astronauts including the first woman, first person of color, and its first international partner astronaut to explore the Moon for scientific discovery, economic benefits, and to build the foundation for crewed missions to Mars.

NASA, along with the Department of State and seven other nations, established the Artemis Accords in 2020 to lay out a set of principles grounded in the Outer Space Treaty of 1967 and three related space treaties. With the commitment of now 40 nations, the accords community will facilitate a long-term and peaceful presence of deep space exploration for the benefit of humanity.

To learn more about the Artemis Accords, visit:

https://www.nasa.gov/artemis-accords/

Faith McKie / Lauren Low Headquarters, Washington 202-358-1600 [email protected] / [email protected]

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Is the Music Business Too Afraid of Big, Bad AI?

By Jem Aswad

Executive Editor, Music

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Like a lot of people, I was — and maybe still am — alarmed by the changes AI could bring to musical creativity . But after a conversation yesterday with a major executive in the music industry who has a formidable knowledge of its business, legalities and people, I’m not as sure.

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For example, let’s just say it would be possible to obtain the licenses for Frank Sinatra rapping a Notorious B.I.G. track or Beyonce singing a D’Angelo song. The results might be awesome — but how many times would you or anyone play it? If it were pressed onto vinyl, would you buy it? And even if a few such novelty songs went viral on TikTok — every legendary artist’s dream — how long before it just became annoying?

None of that is to say it should be legal or acceptable to replicate the sound of anyone’s voice or music without permission and compensation (except in parody). Although it is not currently possible to copyright the sound of a human voice , at least a couple of legal actions are circling closer to that concept, and lawyers, as lawyers do, have found other ways to smack down copycats.

AI already has been used for good in the music world — a combination of AI and a sound-alike singer has given new voice to country great Randy Travis , who lost his ability to sing after a serious stroke in 2013, and such technology will only get better. But it probably won’t be long before AI is used for less-good: It’s just a matter of time before healthy singers simply AI their own voices on new songs rather than actually singing them (if it’s not happening already), and it’s not hard to imagine producers or labels saving money by AI-ing multiple voices instead of paying backing singers — a bazillion Beyonces, an army of Adeles with just a few keystrokes — not to mention engineers and other technical staff. The real threat of AI to the music world lies in the large number of jobs that will be replaced by it, although that’s rarely what the people at the top of the industry are thundering on about.

We were already pretty far down this road even before generative AI burst into the mass consciousness with the launch of Chat GPT late in 2022. For years, bad singers have been made to sound almost good in the studio with the wonder of autotune, and at many major concerts, vocalists are singing along with prerecorded backing tracks of themselves; some lip-synch so well, and live-sound technicians are able to modulate the volume so strategically, that it takes well-trained eyes and ears to detect it. How long before we won’t be able to tell at all? For that matter, how long before ABBA’s “Abba-tar” technology becomes so realistic that it renders actual touring a wasteful indulgence?

Why stop there? Fictional, AI-created pop stars already exist, and it’s probably just a matter of time before biopics or alternate-history stories come to virtual life: Someone conceivably could feed every recording of John Lennon’s voice into AI and emerge with a convincing approximation of what a series of post-1980 albums might have sounded like; an avatar could go on tour, accompanied by live musicians, just like hologram concerts. And the day probably isn’t far away when people could use AI to create a Zoom call with historical figures or deceased loved ones. It feels gross just thinking about it, but will it always? Maybe we wouldn’t want to leave, if that fake world were nicer than the real one.

Randy Travis’ “new” song was created with his full approval and, to the degree possible, participation. Although he didn’t write the song that his AI voice appears on, presumably it’s already possible for him or any singer to write songs on a keyboard using AI facsimiles of their voices. And it’s probably just a short matter of time before we won’t know the difference.

I could wax with great sanctimony about the sanctity of genuine human expression. But you’ve heard and read it all before, and I’ll spare the obvious genie-already-out-of-the-bottle cliches. What is or isn’t legal is for lawyers to decide, and what is or isn’t artistically acceptable is up to the individual. AI can lead to many dangerous things, but with solid safeguards and laws, the death of human musical creativity isn’t one of them.

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